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Readers response: What is your biggest travel pet peeve?

When it comes to travelling, there are many different things that can go awry that can make even the most calm travellers irate. We asked our readers what their travel and holiday pet peeves are, and the response was overwhelming. Here's what they said. Linda Woods - Getting kicked in the back of the seat on a plane. Barbara Pearce - Distance to walk through airports to get to gates. Judith Buttery - Lifting my baggage!! Ralph G Smith - I get so annoyed at the seemingly random changes in flight times that have become like an epidemic in the last few years. I know that situations change, but in recent times it's become almost a given that if you book for a certain flight, it will be changed. It's not just the airlines, but trains and coaches too. June Maynard - Travel movement at the airports. Queuing, passport checking, immigration, various checkpoints at the airport, etc. Trish Moulton - Kids on planes. Beverley Murphy - Waiting hours for a connecting flight. Jenny Gordon - People who carry way too much/too large cabin baggage then expect to keep it near them when they board late. Airlines should enforce number of pieces, weight and size! Eileen Pomeroy - Waiting at airports and their high prices for everything. Margie Buckingham - The total disregard for disabled passengers. Image credits: Shutterstock

Travel Trouble

Why are the violins the biggest section in the orchestra?

<div class="theconversation-article-body"><a href="https://theconversation.com/profiles/laura-case-1449631">Laura Case</a>, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a> As the largest section of the orchestra, sitting front and centre of the stage performing memorable melodies, it’s easy for violinists to steal the limelight. Ask any violinist why there are so many in an orchestra, and we’ll often reply, tongue-in-cheek: “obviously it’s because we’re the best”. The real answer is a bit more complex, and combines reasons both logistical and historical. <h2>How we got the modern orchestra</h2> During the Baroque period between around 1600 and 1750, the composition of the orchestra was not standardised, and often used instruments based on availability. Monteverdi’s opera L'Orfeo, which premiered in 1607, is one of the earliest examples of a composer specifying the desired <a href="https://en.wikipedia.org/wiki/L%27Orfeo">instrumentation</a>. The size of the orchestra also varied. Johann Sebastian Bach wrote for and worked with ensembles of up to 18 players in Germany. At Palazzo Pamphili in Rome, Corelli directed ensembles of 50–80 musicians – and, on one notable occasion to celebrate the coronation of Pope Innocent XII, <a href="https://www.britannica.com/biography/Arcangelo-Corelli">an ensemble of 150 string players</a>. The modern-day violin was also developed around this time, and eventually replaced the instruments of the <a href="https://en.wikipedia.org/wiki/Viol">viol</a> family. The violin has remained a staple member of the orchestra ever since. Music of this period was created on a smaller scale than much of the repertoire we hear today, and often placed a strong focus on string instruments. As the orchestra became more standardised, members of the woodwind family appeared, including the oboe, bassoon, recorder and transverse flute. During the classical period from around 1730 to 1820, orchestral performances moved from the royal courts into the public domain, and their size continued to grow. Instruments were organised into sections, and bowed strings formed the majority. Composers began to use a wider range of instruments and techniques. Beethoven wrote parts for the early double bassoon, piccolo flute, trombone (which was largely confined to church music beforehand), and individual double bass parts (where previously they had often doubled the cello part). During the romantic period of the 19th century, composer Hector Berlioz, author of a <a href="https://en.wikipedia.org/wiki/Treatise_on_Instrumentation">Treatise on Instrumentation and Modern Orchestration</a> (1841), further developed the symphony orchestra by adding instruments such as the tuba, cor anglais and bass clarinet. By the end of the 19th century, many orchestras reached the size and proportions we recognise today, with works that require more than 100 musicians, such as Wagner’s <a href="https://www.youtube.com/watch?v=3zMi2ncdrF4">Ring Cycle</a>. <h2>What’s size got to do with it?</h2> As increasing numbers of performers and instruments became standard in orchestral repertoire, ensembles became louder, and more string players were needed to balance the sound. The violin is a comparatively quiet instrument, and a solo player cannot be heard over the power of the brass. Having violinists at the front of the stage also helps the sound reach the audience’s ears without competing to be heard over the louder instruments. The typical layout of the orchestra has not always been standard. First violinists (who often carry the melody) and second violinists (who typically play a supportive role) used to sit opposite each other on stage. US conductor <a href="https://en.wikipedia.org/wiki/Leopold_Stokowski">Leopold Stokowski</a> rearranged the position of the first and second violinists during the 1920s so they sat next to each other on the left of the stage. This change meant the voices of each string section were arranged from high to low across the stage. <figure><iframe src="https://www.youtube.com/embed/mohRnauSkdY?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> This change was widely adopted and has become a standard setup for the modern orchestra. Stokowski is known for experimenting with the layout of the orchestra. He once placed the entire woodwind section at the front of the orchestra ahead of the strings, receiving widespread criticism from the audience and musicians. The board of the Philadelphia Orchestra <a href="https://www.courtneylewis.com/blog/2017/04/musical-chairs-why-orchestras-sit-the-way-they-do/">allegedly said</a> the winds “weren’t busy enough to put on a good show”. <h2>Sound, texture and timbre</h2> String players do not need to worry about lung capacity or breaking for air. As such, violinists can perform long melodic passages with fast finger work, and our bows allow for seemingly endless sustain. Melodies written for strings are innumerable, and often memorable. Having several violinists play together creates a specific sound and texture that is distinct from a solo string player and the other sections of the orchestra. Not only is the sound of every violin slightly different, the rate of each string’s vibration and the movement of each player’s bow varies. The result is a rich and full texture that creates a lush effect. <figure><iframe src="https://www.youtube.com/embed/3u-unvYedx8?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> Today, symphony orchestras are expected to perform an incredibly diverse range of repertoire from classical to romantic, film scores to newly commissioned works. Determining the number of violinists who will appear in any given piece is a question of balance that will change depending on the repertoire. A Mozart symphony might require fewer than ten wind or brass players, who would be drowned out by a full string section. However, a Mahler symphony requires more than 30 non-string players – meaning far more string players are needed to balance out this sound. <figure><iframe src="https://www.youtube.com/embed/vOvXhyldUko?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <h2>Room for experimentation</h2> Notable exceptions to the orchestra’s standard setup include Charles Ives’ 1908 <a href="https://www.youtube.com/watch?v=u-d8JSZE2Bc">The Unanswered Question</a> for string orchestra, solo trumpet and wind quartet spread around the room; Stockhausen’s 1958 <a href="https://www.youtube.com/watch?v=34_SfP7ZCXA">Gruppen, pour trois orchestres</a>, in which three separate orchestras perform in a horseshoe shape around the audience; and Pierre Boulz’s 1981 <a href="https://www.youtube.com/watch?v=OQE5TYnD58k">Répons</a> featuring 24 performers on a stage surrounded by the audience, who are in turn surrounded by six soloists. Despite experimentation, the placement and number of instruments in an orchestra has remained relatively standard since the 19th century. <figure><iframe src="https://www.youtube.com/embed/u-d8JSZE2Bc?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> Many aspects of the traditional orchestra’s setup make sense. However, many of the orchestra’s habits come down to tradition and perhaps unconscious alignment with “just the way things are done”.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/236596/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/laura-case-1449631">Laura Case</a>, Lecturer in Musicology, Sydney Conservatorium of Music, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/why-are-the-violins-the-biggest-section-in-the-orchestra-236596">original article</a>. </div>

Music

Readers response: What was/is your biggest waste of money?

As the cost of living continues to take hold on people's everyday spending, we find ourselves being more careful pinching our pennies. However, despite our efforts, sometimes it's hard to not feel like you're wasting your cash. We asked our readers what was, or is, their biggest waste of money, and the response was overwhelming. Here's what they said. Billy Smooth - Rent and insurance. Felicity Jill Murphy - Many meals that I could not get through. Barry Lenny - Rates and taxes. I get bugger all for the enormous amounts of money I have to pay. Norbert Kratz - Lottery tickets. Sue Meers - The monthly fee for living in a retirement village. Magda Klopper - Craft stuff and clothes I did not wear. Gaynor Hall - Alcohol! Going to stop buying it now. Paula Fortune - Use to be smokes up until I finally quit for good in January 2005! Good thing I did considering how expensive they are now. Sue Brown Leete - A speeding fine I just got. Sandii Smith - Too many things to mention. Image credits: Shutterstock

Money & Banking

"World's biggest" amber nugget worth over $1 million used as doorstop for decades

An elderly woman in Romania has unknowingly used one of the largest known amber nuggets in the world - worth over €1 million ($1.6 million) - as her doorstop for decades. The woman found the stone in the bed of a stream in Colti, a village in the southeast Romania, and used it as her doorstop for years without realising its value. Members of her family also reported that thieves had once broken into her home, but only stole a few pieces of gold jewelry, missing the seemingly insignificant rock. “In their frantic search for valuables, they overlooked the real treasure that was there before their eyes,” they said. It wasn't until after the woman died in 1991 that a relative who inherited her home suspected the doorstop might be more than meets the eye - and he was right. When he sold the amber to the Romanian state, experts at the Museum of History in Krakow, Poland appraised the rock and found that the amber is likely between around 38 and 70 million years old. “Its discovery represents a great significance both at a scientific level and at a museum level,” Daniel Costache, director of the Provincial Museum of Buzau, told local news outlet El Pais. The expert also claimed that the amber is one of the largest pieces in the world and the largest of its kind weighing a hefty 3.5-kilograms. It has now been classified as a national treasure of Romania, and can be found in the Provincial Museum of Buzau, where it has been since 2022. Romania is one of the countries with significant deposits of amber, with Buzau County being one of the areas where you can find these beautiful stones in abundance. The protected area also contains the old Stramba amber mine, which was very productive during the first half of the 21st century, before it was shut down by the communist regime as it was considered unprofitable. Image: Buzău County Museum

Home & Garden

The biggest faux pas for self-funded retirees

Whether you have been retired for some time or are still looking forward to the time you can step back, chances are there are important considerations you may have overlooked. From planning and pensions to family and housing, these are the biggest self-funded retirement mistakes I come across, and some insights into how to avoid repeating them: <ol> <li>Lack of a plan</li> </ol> Not having a retirement plan is perhaps the most basic faux pas, but often the most costly. A detailed plan should cover things like: <ul> <li>When you AND your partner will retire </li> <li>Where you will live (you may want to downsize, relocate, seek assisted living)</li> <li>Anticipated living costs (living situation, health, lifestyle)</li> <li>How you will spend your time (hobbies, travel, volunteering, time with family)</li> <li>Strategies to maximise investments and superannuation</li> <li>Tax minimisation strategies</li> </ul> Remember: failing to plan = planning to fail. <ol start="2"> <li>Poor planning</li> </ol> Having a plan is the starting point, but it won’t get you far if it’s incomplete, not updated as circumstances change, or omits critical factors. For couples, not considering age differences is a big mistake. One partner retiring before the other can have big shifts on financial and tax dynamics and even the relationship itself. Then there is end-of-life care, particularly if the younger partner is still working. Not building in a safety buffer is another no-no. Too many retirees have been caught out by the high inflation of recent years, having calculated their anticipated income needs on much lower living costs. Balance short-term and long-term goals: being overly conservative early on can limit your financial situation down the track. And no plan is complete without contingencies for worst case scenarios – insurances, protections, back-up options. <ol start="3"> <li>Insecure housing </li> </ol> Government data has long shown major differences in quality of life for retirees who own their home versus those who don’t. Homelessness or insecure housing, the mercy of the rental market, and inability to customise your home as you age or if you need specialised support with disability or health issues are some of the challenges renters face. Furthermore, public estimates of how much the average Australian needs to retire typically assume home ownership – meaning rent is not part of that calculation. That’s a huge living cost you may not have factored into your retirement planning. <ol start="4"> <li>Unclaimed pensions</li> </ol> Contrary to popular belief, self-funded retirement and claiming a pension are not mutually exclusive. You may be eligible for a part-pension, calculated pro-rata according to the value of your assets and other income. Claiming a part-pension, no matter how small it may be, reduces how much income you need to draw down from super – making it last longer. Don’t fall into another common trap when applying – overestimating your assets. It’s easy to assume your non-monetary assets are worth more than what they really are, reducing how much pension you receive or negating your eligibility altogether. <ol start="5"> <li>Depleted Bank of Mum and Dad</li> </ol> With home ownership increasingly out of reach for younger adults, the Bank of Mum and Dad is often sought to bridge the gap. How you do so will impact your own situation. Giving more than you can afford can leave you overstretched. Missed loan repayments could see you fall behind on your own bills. Not putting agreements in writing can lead to disputes down the track. Having a loan guarantee called in could see you homeless. Be wise about decisions you make here and don’t let heartstrings cloud your judgement. <ol start="6"> <li>Suffering in silence</li> </ol> Elder abuse is a sad but significant problem. Given they have money in the bank, self-funded retirees are often the most vulnerable. Its effects can be far-reaching, impacting your mental and physical health, financial wellbeing, social interactions, and quality of life. Be aware of <a href="https://www.oversixty.com.au/finance/retirement-income/are-you-a-victim-of-elder-abuse-without-even-realising-it">the signs that something isn’t right</a>. If you recognise it happening to you – or someone you know – speak up and seek help. <ol start="7"> <li>Forgoing professional advice</li> </ol> How much of the above details did you already know? Chances are, not all of them. And that’s just the tip of the iceberg. Money is a complicated business and you simply don’t know what you don’t know, which is why seeking independent, tailored advice from a professional is so important. A good financial advisor can help you identify new opportunities and manage risks you may not have considered, limit expenses and also work with your accountant to minimise your tax. Helen Baker is a licensed Australian financial adviser and author of On Your Own Two Feet: The Essential Guide to Financial Independence for all Women. Helen is among the 1% of financial planners who hold a master’s degree in the field. Proceeds from book sales are donated to charities supporting disadvantaged women and children. Find out more at <a href="http://www.onyourowntwofeet.com.au/">www.onyourowntwofeet.com.au</a> Disclaimer: The information in this article is of a general nature only and does not constitute personal financial or product advice. Any opinions or views expressed are those of the authors and do not represent those of people, institutions or organisations the owner may be associated with in a professional or personal capacity unless explicitly stated. Helen Baker is an authorised representative of BPW Partners Pty Ltd AFSL 548754. Image credits: Shutterstock

Retirement Income

Financial hardship is the biggest driver of loneliness. Here’s why – and how to tackle it

<a href="https://theconversation.com/profiles/michelle-h-lim-176472">Michelle H Lim</a>, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a> One in four Australians <a href="https://lonelinessawarenessweek.com.au/wp-content/uploads/2024/08/why-we-feel-lonely.pdf">report</a> feeling lonely, according to our new report released this week from our research collaboration. The data builds on a large <a href="https://endingloneliness.com.au/wp-content/uploads/2023/10/ELT_LNA_Report_Digital.pdf">study we conducted last year</a> on social connection. Together, the data show that once someone <a href="https://endingloneliness.com.au/wp-content/uploads/2023/10/ELT_LNA_Report_Digital.pdf">becomes lonely</a>, they’re likely to stay lonely. Feeling lonely can have a <a href="https://endingloneliness.com.au/wp-content/uploads/2023/10/ELT_LNA_Report_Digital.pdf">negative impact on your health</a>. It increases the chance of having <a href="https://pubmed.ncbi.nlm.nih.gov/27124713/">social anxiety and depression</a>, and impacts the <a href="http://dx.doi.org/10.1037/0022-3514.85.1.105">health of your heart</a>, your <a href="http://pss.sagepub.com/content/13/4/384.full.pdf">sleep</a> and levels of <a href="https://pubmed.ncbi.nlm.nih.gov/15041083/">inflammation</a>. It also increases the likelihood of an <a href="https://www.ncbi.nlm.nih.gov/pubmed/?term=Loneliness+and+Social+Isolation+as+Risk+Factors+for+Mortality%3A+A+Meta-Analytic+Review">earlier death</a>. Staying lonely can accelerate these <a href="https://pubmed.ncbi.nlm.nih.gov/31237442/">negative impacts</a>. As more Australians grapple with a cost-of-living crisis, a key driver of loneliness is financial hardship. <h2>Am I lonely?</h2> Loneliness is a negative feeling that arises when your <a href="https://www.gilc.global/_files/ugd/410bdf_62e236db3a7146cd9f2654877a87dbc6.pdf">social needs are not met</a> by the relationships you hold. So you can feel alone, even if you’re surrounded by others, if you’re not getting the right kind of company and support. This might mean you feel, to a certain extent, that: <ul> <li>you are not “in tune” with others</li> <li>your relationships are not meaningful</li> <li>you do not belong</li> <li>you do not have a group of friends</li> <li>no one understands you</li> <li>you do not have shared interests with others</li> <li>there is no one you can turn to.</li> </ul> Not all of these may relate to you and you may experience these in varying degrees. <h2>What drives loneliness?</h2> We <a href="https://endingloneliness.com.au/wp-content/uploads/2023/10/ELT_LNA_Report_Digital.pdf">found</a> particular communities were more at risk of persistent loneliness: <ul> <li>those aged 18 to 24</li> <li>people from culturally and linguistically diverse backgrounds</li> <li>people who were single or divorced</li> <li>those with a chronic disease</li> <li>those with mental ill health.</li> </ul> But the largest effect we found, even after we accounted for all other possible contributing factors, is the impact of financial hardship. People who face financial hardship were almost seven times more likely to report persistent loneliness, and almost five times more likely to report persistent social isolation, compared with people who did not face financial hardship. This aligns with other studies that link economic hardships to <a href="https://pubmed.ncbi.nlm.nih.gov/33241698/">poor health</a>. In <a href="https://pubmed.ncbi.nlm.nih.gov/37761396/">children from low-income backgrounds</a>, for example, their family’s economic hardship is one of the main factors that negatively impacts their physical and psychological health. In a large <a href="https://www.sciencedirect.com/science/article/pii/S0277953622004282?via%3Dihub">study</a> using the UK Biobank, people who are from a lower economic background had a higher probability of reporting loneliness. In <a href="https://pubmed.ncbi.nlm.nih.gov/37528108/">Australia</a>, when compared with people on incomes more than A$150,000, those with incomes under $80,000 were 49% more likely to experience loneliness in one year and 66% more likely to report loneliness in at least two consecutive years. <h2>Being poor affects how we interact with others</h2> Factors such as income and your living environment are some of the <a href="https://www.who.int/health-topics/social-determinants-of-health#tab=tab_1">social determinants of health</a>, which influence our health outcomes. However, to date, little has been done to examine exactly how the lack of financial resources negatively affects the way we interact with others. There are two plausible scenarios. First, having financial pressures may change the way we feel and relate to others due to higher stress levels. Second, financial pressures may stop us from socialising because we have to take on more work to earn more money or we try to cut costs to save money. Socialising can be free in some circumstances, but most of the time, there is a cost to getting to places, or doing an activity together. <h2>What can we do as a society?</h2> The <a href="https://news.gallup.com/opinion/gallup/512618/almost-quarter-world-feels-lonely.aspx">high prevalence of loneliness across the world</a> – and the growing scientific evidence of the negative impact on our health, wellbeing and productivity, and subsequently the economy – can no longer be ignored. The World Health Organization is repositioning loneliness as a global public health priority and has established a <a href="https://www.who.int/groups/commission-on-social-connection">Commission on Social Connection</a>. This commission aims to set the global agenda for social connection, work with high-level commissioners to make the case for global action, scale up proven solutions and measure progress. We need to start by building a <a href="https://lonelinessawarenessweek.com.au/wp-content/uploads/2024/08/How-can-we-create-a-culture-of-connection.pdf">culture of connection</a> in Australia. This means changing the way we make decisions on how we relate to each other, promoting social connection within our schools, workplaces and communities. And to modify policies to allow us to start and maintain healthy social connections. Health and social policies to address loneliness and social isolation have to consider the impact of low incomes and increased financial pressures as barriers to building and maintaining meaningful social connection. Related to this is urban planning. People require safe and no- or low-cost spaces to interact in and to start and maintain relationships. This includes parks, libraries, public squares, community gardens and neighbourhood houses. Cuts to building or maintaining these spaces will stop people from interacting, gathering, or socialising within their community. Not addressing loneliness effectively or quickly will lead us to persistent loneliness and to potentially more distress. <h2>How to connect if you’re financially pressured</h2> Don’t feel alone in this experience. Let your family or friends know that you are financially pressured. Chances are, they are experiencing the same pressures because of the rise in the cost of living. Select no- or low-cost activities such as walking in the park with a friend, or connecting on the phone. Look for free events offered in your local area and city. Consider having meals at home as opposed to going out, or low-cost food options. Find some digital spaces which can allow you to interact with others in shared interest topics. If someone shares they are feeling lonely, asking “is there anything I can do to help?” facilitates the conversation and lets others know you are there without judgement. <hr /> If this article has raised issues for you, or if you’re concerned about someone you know, you can call Lifeline on 13 11 14.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/236135/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/michelle-h-lim-176472">Michelle H Lim</a>, Associate Professor of Psychology, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/financial-hardship-is-the-biggest-driver-of-loneliness-heres-why-and-how-to-tackle-it-236135">original article</a>.

Money & Banking

Another man dies after fall from world's biggest cruise ship

A passenger has died after he fell from the world's largest cruise ship on the first night of a week-long voyage. The unidentified man allegedly jumped from Royal Caribbean’s new 366 metre-long Icon of the Seas, just hours after it left a port in Miami, Florida on its way to Honduras, according to the US Coast Guard. “The cruise ship deployed one of their rescue boats, located the man and brought him back aboard,” the Coast Guard told the <a href="https://nypost.com/2024/05/28/us-news/passenger-dead-after-jumping-off-worlds-largest-cruise-ship/" target="_blank" rel="noopener">New York Post</a>. “He was pronounced deceased. Beyond assisting in the search, the US Coast Guard did not have much involvement in this incident,” the agency added. Royal Caribbean told the publication, “The ship’s crew immediately notified the US Coast Guard and launched a search and rescue operation”. “Our care team is actively providing support and assistance to the guest’s loved ones during this difficult time.” At the time of the incident, the cruise ship had only travelled 500km from Florida, and stopped for two hours to help the search and rescue Coast Guard team to locate the passenger. The man was brought back on-board in critical condition before he succumbed to his injuries and died on the ship. The Icon of the Seas, the world’s largest cruise ship, took its maiden voyage in January this year. The Royal Caribbean ship has 20 decks and is nearly the size of four city blocks, holding 7,600 passengers and 2,350 crew members. Image credits: Royal Caribbean

Travel Trouble

Biggest box office bombs revealed

The biggest box office bombs for 2023 have been revealed, with Disney dominating the list. New data from <a href="https://deadline.com/2024/05/biggest-box-office-bombs-2023-lowest-grossing-movies-1235902825/" target="_blank" rel="noopener">Deadline</a> reports that four Disney films ranked topped the list of movies with the highest studio net loss for 2023. While the outlet reported that Disney typically “owns a majority of the year’s top 10 most profitable films thanks to Marvel movies,” that was not the case for 2023. According to their calculations, superhero film The Marvels had a studio net loss of $A358 million, after only earning the franchise $71 million at the box office in its opening weekend, their lowest number to date. In November 2023, Disney CEO Bob Iger addressed the box office blunder at The New York Times’ Dealbook Summit, saying that because the film was shot during covid, “there wasn’t as much supervision on the set, so to speak, where we have executives [that are] really looking over what’s being done day after day after day.” Deadline claimed that another reason why the film flopped was because it "was trying to thread storylines from Disney+ shows like Ms. Marvel," which wasn't as well-received by fans compared to other series like Loki and WandaVision. Iger shared the same belief, saying that Marvel’s mass of content on Disney+ "diluted focus and attention," contributing to the franchise's failure at the box office. The Marvels was followed by The Flash, a Warner Bros. and DC production with a $234 million studio net loss. Three other Disney films also made the list, with Indiana Jones and the Dial of Destiny coming in third place with a $216 million net loss, followed by Wish with a $198 million loss and Haunted Mansion with a $117 million loss. Image: Getty

Movies

Harry and Meghan named "2023's biggest losers"

Prince Harry and Meghan Markle have been crowned "the biggest losers of 2023" by highly influential entertainment magazine The Hollywood Reporter. The publication released its annual list of winners and losers, with celebrities like Taylor Swift, Margot Robbie and Greta Gerwig making the winners list. The Duke and Duchess of Sussex on the other hand topped this year's list of losers, which included Twitter/X/Elon Musk, and the streaming series Yellowstone. The publication wrote that this year's list reflected "some of the industry’s biggest success stories — and most embarrassing missteps." Royal commentator Victoria Arbiter said that this is a huge blow for the royal couple, as The Hollywood Reporter is considered an "industry bible that people pay attention to". "It is humiliating in Meghan's home town and they refer to the couple's - and I quote this - 'whiney documentary', that 'whiney biography' and the horrible South Park episode," she said in an interview with Nine's Today. Despite being crowned this year's biggest losers, Arbiter said that the couple are looking forward to a better year ahead. "It is time to leave the royal family behind and really establish what it is they want to do and make positive steps forward if they plan to be successful in 2024," she said. "We've been promised a number of different things via rumours over the past year, with talk of Meghan's website The TIG relaunching and she was going to launch a lifestyle brand similar to Gwyneth Paltrow's Goop. "Netflix paid $3 million pounds for rights to a book Harry and Meghan said they would turn into a rom-com, however we haven't had further development on those plans." The royal commentator added that Harry and Meghan will need to build consumer trust and avoid "negative, scandalous headlines that follow them everywhere", as they approach the new year. "Hollywood doesn't do well with negativity," she said. Check out the full list <a href="https://www.hollywoodreporter.com/movies/movie-news/hollywood-winners-losers-2023-1235712279/" target="_blank" rel="noopener">here</a>. Image: Getty

The 4 biggest gift-giving mistakes, according to a consumer psychologist

<a href="https://theconversation.com/profiles/julian-givi-1395671">Julian Givi</a>, <a href="https://theconversation.com/institutions/west-virginia-university-1375">West Virginia University</a> A good gift can elicit a surge of happiness and gratitude in the recipient. It also feels great to give, <a href="https://theconversation.com/whats-the-point-of-holiday-gifts-173306">with psychologists finding</a> that the joy of giving a gift is more pronounced than the pleasure of receiving one. Unfortunately, there are times when you receive a gift and you have to force a smile and fake your gratitude. I’m a consumer psychologist <a href="https://scholar.google.com/citations?user=wjAq_TcAAAAJ&hl=en">who specializes in gift-giving research</a> – in particular, gift-giving mistakes. Here are four of the most common ones. <h2>1. Prioritizing the big reveal</h2> One way givers can err is by focusing too much on <a href="https://doi.org/10.1177/0963721416656937">the moment the recipient will open the gift</a>. Givers want their gift to be <a href="https://doi.org/10.1086/675737">desirable</a>. They hope <a href="https://doi.org/10.1016/j.jesp.2011.03.015">to surprise</a> the recipient and <a href="http://dx.doi.org/10.2139/ssrn.2733341">put a smile</a> on their face. A chocolate fondue fountain might meet these criteria – it’s quirky and sure to elicit curiosity and smiles from onlookers. However, when people receive a gift, they care less about the moment the bow comes off, and instead think about the weeks and months ahead. People want gifts that are <a href="https://www.acrwebsite.org/volumes/1023703/volumes/v45/NA-45">useful</a> and <a href="https://doi.org/10.1086/675737">reliable</a> and <a href="https://doi.org/10.1016/j.jesp.2011.03.015">meet their needs</a>. How often would a chocolate fondue fountain realistically be used? Compare that to a new coffee maker, which could see action every day. Sure, it isn’t a novelty – and probably won’t elicit “oohs” and “ahhs” on Christmas Day – but the recipient will be quite happy to have it on hand when their alarm rings each morning. <h2>2. Unique and new are overrated</h2> Another factor that can lead givers to go wrong involves unwritten rules for what constitutes good gift-giving practices. Givers often focus on these rules more than they should. For example, they may <a href="https://doi.org/10.1016/j.jbusres.2020.05.023">avoid giving the same gift</a> to someone in back-to-back years because this goes against the norm of giving a unique gift each year. Givers also often <a href="https://doi.org/10.1348/014466604x23428">refrain from giving used products</a> as gifts because this violates the unspoken rule that a gift should be brand new. In contrast, recipients are quite open to gifts that violate these norms. If someone loves a certain type of wine, they’re <a href="https://doi.org/10.1016/j.jbusres.2020.05.023">more than happy to receive it</a> in subsequent years. And if one digital camera is lightly used but possesses several innovative features, while another is new but has fewer features, people <a href="https://doi.org/10.1348/014466604x23428">are happy to receive the used one</a>. <h2>3. Being risk-averse</h2> Givers can make missteps when they avoid gifts that they see as too risky. Consider sentimental gifts, like a scrapbook or a nostalgic memento. Studies have shown that recipients <a href="https://doi.org/10.1016/j.jcps.2017.06.002">love these gifts</a>; they <a href="https://doi.org/10.1037/pspa0000036">elicit happiness for extended periods of time</a>. Givers, however, tend to <a href="https://doi.org/10.1016/j.jcps.2017.06.002">shy away from sentimental gifts</a> because they see them risky – sure, they could be a home run, but they could also whiff. Doubts can creep into shoppers’ heads as they consider sentimental gifts: What if it comes across as sappy? What if the recipient thinks I’m being cheap? And so people tend to opt for <a href="https://www.sciencedirect.com/science/article/abs/pii/S105774081730044X">safer, superficial gifts</a> that they assume will be at least somewhat well-liked. Or, to continue with the baseball analogy, givers are happy to take the sure single. As another example, consider material goods versus experiences. When giving gifts, people often opt for <a href="https://doi.org/10.1093/jcr/ucy010">tangible objects over experiences</a> because material goods are on the safer side – almost everyone could use a new appliance or a new shirt. Experiences are trickier; they require a bit more of an understanding of who the recipient truly is – not everyone loves going to see the symphony. Yet recipients tend to be <a href="https://doi.org/10.1002/jcpy.1281">more open to experiences than givers anticipate</a> – and these gifts <a href="https://www.acrwebsite.org/volumes/1017575/volumes/v42/NA-42">are actually more likely to make people happier</a> than material goods. <h2>4. Does the thought really count?</h2> Givers can also err by wanting their gift to appear especially thoughtful. Of course, recipients appreciate thoughtfulness – but not when it comes at the expense of receiving something that’s actually useful. This plays out when givers are shopping for multiple people. They’ll often <a href="https://doi.org/10.1086/674199">choose unique gifts for each recipient</a>, rather than give the same gift to everyone, because a distinct gift for each person will make them feel as though they put more time and effort into gift selection. People do this even if they realize that some recipients will be receiving less desirable gifts. You’ll also see this happen with <a href="https://www.acrwebsite.org/volumes/1020146/volumes/v43/NA-43">gift cards</a>. Givers often choose specific gift cards – to a particular clothing store or restaurant, for example – that reflect the interests or tastes of the recipient. But recipients are more open to gift cards that give them more flexibility and freedom – think an Amazon or Visa gift card. That way, they can decide whether to splurge on a new sweater, dine out at their favorite restaurant – or do both.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/195169/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/julian-givi-1395671">Julian Givi</a>, Assistant Professor of Marketing, <a href="https://theconversation.com/institutions/west-virginia-university-1375">West Virginia University</a> Image credits: Getty Images This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/the-4-biggest-gift-giving-mistakes-according-to-a-consumer-psychologist-195169">original article</a>.

Money & Banking

Goldie Hawn shares biggest Hollywood regret

When Goldie Hawn’s name was read as the winner of the 1970 Best Supporting Actress Oscar, one might have expected the actress to be front and centre to accept the award. But that couldn’t have been further from the truth - the then 25-year-old was instead tucked up in bed, sound asleep ahead of an early call for her upcoming movie There’s a Girl in My Soup. And now, the Hollywood heavyweight has confessed that that may just be the biggest regret of her entire career. It was April 7, 1970, and the budding actress had only a few film credits to her name, as well as a coveted Academy Award nomination for her work in Cactus Flower. The awards ceremony was being held in Los Angeles’ Dorothy Chandler Pavilion, and the nominated actress was an entire ocean away in London, when Fred Astaire took to the stage, opened the life-changing envelope, and read out Goldie’s name. And while 63.1 million Americans tuned in live to witness the moment, Goldie was instead watching the inside of her eyelids. “I never got dressed up, I never got to pick up the award,” Goldie told Variety, “I regret it. It’s something that I look back on now and think ‘it would have been so great to be able to have done that.’ “I forgot it was on TV that night,” she continued. “Then I woke up to a phone call at like four in the morning, and it was a man’s voice and he said ‘hey, congratulations, you got it.’” Goldie went on to explain that she’d asked what the man was talking about, before being informed that she “got the Academy Award for best supporting actress”, and that despite her shock, she was able to thank him, before calling her parents and having a much-needed cry. The actress admitted that part of the problem - her reason for not attending - was that she hadn’t expected to win. Cactus Flower was her first ‘real’ role in a movie, and she was nominated alongside a number of talented, established actresses. The likes of Sylvia Miles, Dyan Cannon, and Susannah York were her ‘competition’. Raqual Welch accepted the award on Goldie’s behalf, and until 2023, Goldie had never watched the moment her name was read from that winner’s envelope. It was Jimmy Kimmel - host of the 2023 ceremony - that encouraged her, while the two were on their way to a mutual friend’s party. “He said ‘did you ever see the part where you’re being announced by Fred Astaire?’” Goldie recalled, “and I said ‘Fred Astaire?!’ He’s my idol.” She then explained that she hadn’t known Fred was the one who announced her as the winner, and that when she finally saw the moment unfold, she found herself overcome with emotion. Goldie’s honesty and genuine attitude towards her life and career have followed her from that fateful moment on, a lesson that she told Variety had first been passed down from her father. “You’ve got to work for a living, stay compassionate, and stay realistic,” she said, “and I’m passing that on because that was what my father taught me: stay in reality, don’t get taken away with everything.” And Goldie’s reality may just see her make an anticipated return to the silver screen, with the actress noting that she’d take a step out of retirement for the right role - perhaps something that let her have fun with a “wild, crazy character” or even a sequel to one of her existing films, maybe even another film with her beloved long-term partner, Kurt Russell. “We all have dreams,” she concluded, “but it’s how we fulfil them.” Images: Getty

Movies

Why why WHYYYY Tom Jones' biggest hit is ‘cancelled’

Choirs have been informed that they are no longer allowed to perform Welsh singer Tom Jones’ classic “Delilah” during international rugby matches at Cardiff’s Principality Stadium. The announcement, made on Wednesday, came after allegations of misogyny, sexism, racism, and homophobia within the Welsh Rugby Union. Prior to banning the song, claims of a toxic culture within the WRU’s governing body were made public during a TV documentary, and chief executive Steve Phillips issued his resignation. Previously in 2015, the WRU had removed “Delilah” from its Test match playlists and half-time entertainment, but now guest choirs have been asked not to perform it. “‘Delilah’ will not feature on the playlist for choirs for rugby internationals at Principality Stadium,” a spokesperson for the stadium confirmed. “Guest choirs have also more recently been requested not to feature the song during their pre-match performances and throughout games,” he continued, “the WRU condemns domestic violence of any kind. "We have previously sought advice from subject matter experts on the issue of censoring the song and we are respectfully aware that it is problematic and upsetting to some supporters because of its subject matter." The lyrics of concern, written in the 1960s, reference a woman’s murder at the hands of her jealous partner. “I crossed the street to her house and she opened the door. She stood there laughing,” the song goes, “I felt the knife in my hand and she laughed no more.” The decision to ban the song has been met with mixed response, with many unsure that it was the right step towards tackling the WRU’s issues - or if it was even a step at all. “All the things they need to do,” tweeted WRU wing Louis Rees-Zammit, in what is believed to be a comment on the situation, “and they do that first…” <blockquote class="twitter-tweet"> All the things they need to do and they do that first….😶 — Louis Rees-Zammit ⚡️ (@LouisReesZammit) <a href="https://twitter.com/LouisReesZammit/status/1620804107392155654?ref_src=twsrc%5Etfw">February 1, 2023</a></blockquote> “Wrongheaded,” was what Welsh Conservative shadow sport minister Tom Giffard said of the decision. “One that amounts to simple virtue signalling, designed to ease the pressure the WRU are currently under. Calls to ban the song span at least the last decade, yet the WRU have chosen now to act.” He went on to state that people would rather see “institutional change” within the WRU, with better working practices and a refined complaint process. But, as he put it, “instead they are choosing to ban a much loved Tom Jones song. This action will solve nothing." Images: Getty

Music

The biggest winners and losers of the Oscar nominations

The nominees for the 95th Academy Awards were announced overnight, with fan favourites in for a shot at snagging the coveted Oscar awards. Actors Riz Ahmed and Allison Williams made the announcements from the Academy's Samuel Goldwyn Theater in Beverly Hills. Some nominees came as no surprise to avid film fans, while others were a shock, with some favourite apparently snubbed by the Academy. Sci-fi comedy drama Everything Everywhere All At Once scored 11 Academy Award nominations, the most for any film in 2023, with Best Picture well within their sights. All Quiet on the Western Front and The Banshees of Inisherin came in second with a total of 9 nominations each. Australian actor Cate Blanchett was honoured with a chance at Best Actress for her leading performance in the psychological drama Tár. Cate is a favourite in this category, and a win would see her with three Oscar awards to her name. In the Best Actress category, many were shocked to see Viola Davis snubbed for her work in the historical drama The Woman King. Viola had been a contender for the award all season, with recognition at the BAFTA Awards, the Golden Globe Awards, and the Screen Actors Guild Awards. Australia’s own Baz Luhrmann missed out on a nomination for his directing work on Elvis, but the film didn’t miss out entirely, bagging nominations in eight categories, including the sought after Best Picture. James Cameron, director of Avatar: The Way of Water, best known for directing Titanic, did not receive a nomination for Best Director either. Catherine Martin, the most awarded Australian in the history of the Oscars with four wins to her name, received two nominations for her work on Elvis for both Costume Design and Production Design. The nominees for Best Actor came with no surprises, though many thought Tom Cruise may feature there for his performance in Top Gun: Maverick. Hugh Jackman also missed out on a nomination in this category for his work in The Son. Despite snubs in other categories, most films were acknowledged with multiple nominations, though perhaps not always in the areas they wanted. Fans were certain the likes of The Woman King, Babylon, and The Whale would be up for a chance at Best Picture, but each was left disappointed when the list of contenders was announced. With six nominations, Top Gun: Maverick looks set to take home at least one award, but all eyes are on Tom Cruise and his chance for a first Academy Award win. While he wasn’t nominated for Best Actor, the film did secure itself a chance at Best Picture, with many praising the Academy for honouring a box office success. The winners of the 95th Academy Awards will be announced on March 13 (Australian time), with comedian Jimmy Kimmel set to host the event. Image: Getty Images

Movies

The three biggest revelations from Harry and Meghan's documentary

The first instalment of Prince Harry and Meghan Markle's docuseries has been released, with the couple dropping major bombshells about life in the royal family. The first half of the series has largely revolved around the beginning of the couple's relationship and Meghan joining the royal family, while also touching on the first few dramatic encounters with paparazzi. Here's the biggest revelations from the series so far. Meghan meeting the royal family Meghan spoke of the first time she met Prince William and Kate Middleton, sharing how she didn't realise the level of formality the royal family carried outside of official engagements. She said, “Even when Will and Kate came over and I met her for the first time, I was in ripped jeans and I was barefoot." “I’m a hugger I’ve always been a hugger. I didn’t know that could be jarring for a lot of Brits.” “I guess I started to understand very quickly that the formality out on the outside, carried through on on the inside. “That there is a forward facing way of being then you close the door and you go phew, great we can relax now." “But that formality continues on both sides and that was surprising to me.” Meghan and Harry also shared details of Meghan's first meeting with the late Queen Elizabeth, with Harry admitting the situation was "weird". He said, “(Meghan) had no idea what it all consisted of, so it was a bit of a shock to the system for her,” he said. “How do you explain (to people) to bow to your grandma? And that they’ll need to curtsy? Especially to an American – it’s weird.” Meghan described the “surreal” and unexpected moment she realised she’d be meeting the monarch, and that it had been sprung on her at the last minute by her then-boyfriend. “We were in the car and we were going to Royal Lodge for lunch and he goes, ‘Oh, my grandmother’s here – she’s going to be there after church’,” she recalled. “And I remember in the car driving up, he says, ‘you know how to curtsy right?’ And I thought it was a joke.” “I didn’t know what I was doing,” she admitted. Harry's warning to Meghan about the paparazzi During the early days of Harry and Meghan's relationship, Meghan was still living in Canada and working as an actress when she encountered a pack of “9 or 10” paparazzi as she left a florist. “They were all sort of blocking the cars, going, ‘Hey, how you doing, Meghan?’, and I said ‘Oh, thanks, stay warm guys,’” the Duchess of Sussex recalled. The next day, she’d gotten a very strict instruction from her new boyfriend to ignore paparazzi from then on. “I remember (Harry) saying the next day, ‘You can’t talk to them’,” Meghan said. “And I was like, ‘I’m just trying to be pleasant, I don’t know what to do, I’ve never dealt with this before’, and he said, ‘Yes, but the UK media is saying you love it. You’re smiling. You love it.” Harry then likened the treatment of Meghan by the paparazzi to how Princess Diana was also treated, making him very concerned for his wife. "The majority of my memories are of her [Diana] being swarmed by paparazzi," he says. Harry made several comparisons with his wife and Diana, saying "To see another woman in my life go through this feeding frenzy.. That's hard. It is really the hunter vs the prey". The couple felt they had to lie in their engagement interview When the couple got engaged in 2017, they had a sit-down interview on the BBC to discuss their milestone, which the Sussexes have now revealed was completely "rehearsed". Meghan called the interview an "orchestrated reality show", saying they "weren't allowed" to tell their true story when faced with questions about their relationship. Earlier on in the docuseries, they shared how they first began talking on Instagram before meeting for their first date, but were forced to change their story for the BBC chat. The second and final instalment of the docuseries will air on December 15th. Image credits: Netflix

Frequent flyer discusses the biggest sins of travelling

A frequent traveller has shared what she believes are the biggest sins of travelling. Posting a series of videos on TikTok, frequent flyer and travel influencer Tinx bluntly exposed the “worst things” people can do in airports and on planes. The 32-year-old regularly flies between London and New York to visit family, and understands that having to deal with the annoying behaviours of fellow passengers is not an easy task. Now Tinx, whose real name is Christina Najjar, has voiced her frustrations with her followers, revealing the “worst” behaviours that make for “awful travellers”, while urging anyone who is guilty of such sins to “take a long hard look at yourself in the mirror before you travel again.” While there are many things travellers can do that annoy their fellow holiday-goers, Tinx said being “unprepared” is the worst travel sin of all. “Let's begin with people that are unprepared at the front of the security line. It's a security line, you know what's coming, and yet there are still people who are fumbling around with their laptop like a child who forgot their homework.” "'Do I have to take off my jacket?’ Yes, spoiler alert, you always have to take off your jacket. Please keep the theatrical water chugging to the Uber,” she joked. Next up, Tinx trashed the “gate crowders” for their lack of awareness. “Next, let's discuss the gate crowders, they haven't even put up our flight on the little digital board and you're crowding around the gate like it's the stampede from The Lion King, grinding your foot into the ground like you're about to run with the bulls,” she said. “Aside from the fact that you're in group five, I got to tell you buddy, we're all going to the same place, we're all getting on the same plane.” Lastly, the influencer explained her anger at the other passengers who are “a**holes” when it comes to the overhead bins. “It always baffles me with the bins because it's very simple, just don't be an a**hole.” “Put your overstuffed away suitcase and your ugly little personal item in the seat in front of you,” she said. Many of Tinx’s viewers agreed with her travel qualms, with the comments being flooded with additional faux pas that get under the skin of frequent flyers. One user said, “How about those who as soon as the plane is stopped and the seatbelt sign is off they rush to the front of the plane.” Another commented, “What about the people that go back and forth in the aisle trying to choose a seat that suits their preference while other people are boarding?” Image credits: TikTok

Travel Tips

"A tunnel of grief": King Charles' biggest regret from Princess Diana's funeral

A royal biographer has revealed the one regret King Charles has from Princess Diana's funeral. According to author Christopher Andersen, the monarch "deeply regrets" making his sons, Prince William and Prince Harry, join the procession behind their mother's coffin. “I think it haunts him because it haunts them, and they’ve spoken about it,” he told <a title="www.usmagazine.com" href="https://www.usmagazine.com/celebrity-news/news/king-charles-regrets-william-harry-procession-at-dianas-funeral/">Us Weekly</a>. “I’ve written that I believe it’s a form of PTSD.” The writer of the new biography, The King: The Life of Charles III, added that while researching the book, he learned that the Prince Harry has found it “triggering” to fly into London at times. “[He said] it reminds him of that day when he had to walk behind the coffin, and they were more or less bullied into doing it by the palace – by the men in grey who really run the palace, the people that Diana used to complain about,” he explained. “[Charles, Earl Spencer], Diana’s brother … has also said that he felt that he was tricked into doing it and regrets it. “He said it was like walking through a tunnel of grief.” At the time of their mother's death, Prince William was 15 and Prince Harry was just 12-years-old. Princess Diana died at age 36 after being chased by paparazzi in Paris, resulting in the fatal car crash in 1997. “I think both William and Harry thought, ‘Who are these strangers who never met her?’” said Andersen. “So, they were angry about what had happened. And Charles, I think, understands that to some extent he was responsible for them having to suffer through [that].” Image credits: Getty Images

Family & Pets

Johnny Ruffo opens up about biggest fear

Aussie star Johnny Ruffo has shared an update on his battle with terminal brain cancer and opened up about the one thing that scares him above all else. The former Home and Away star told <a href="https://www.dailytelegraph.com.au/news/national/johnny-ruffo-shares-biggest-fear-amid-brain-cancer-battle/news-story/f1adaa768aa06f838dfe1ac9af0e4d94" target="_blank" rel="noopener">The Daily Telegraph</a> that he hasn’t given up the fight against his brain tumour, which first appeared in 2017, but that he is also thinking about the possibility of death. Speaking about his biggest fear, the 34-year-old revealed that he was scared that his immediate family, including his partner Tahnee Sims, wouldn’t be around him when he dies. “I’m scared for my brother, my mum, Dad and Tahnee that they won’t be here with me [when I die],” he told the outlet. “There is no way my family will all be here. The likelihood of that is [slim]. It would be ideal if everyone was there – not for my sake, but theirs.” During the interview, Ruffo became emotional while speaking about Tahnee, who he described as his “guardian angel”. “She is living with it as much as I am. She is here with me every step of the way. I’m so very grateful to have her by my side, I don’t know what I would do without her,” he said. <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CjUyMHXOvxt/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CjUyMHXOvxt/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Tahnee Sims (@tahneesims)</a> </div> </blockquote> Ruffo, who shot to fame as a finalist on the 2011 season of X Factor, has been candid about his battle with cancer, giving fans the devastating update that <a href="https://www.oversixty.co.nz/health/caring/johnny-ruffo-s-devastating-news" target="_blank" rel="noopener">it was terminal</a> in an interview with The Project co-host Carrie Bickmore in August. “At some point it will get me, but I’m still fighting, still kicking on,” he said at the time. “Looking up my diagnosis and my tumour, the average life expectancy was three years. And for me it’s now been five years. I’m already winning. My goal now is to try and help as many people as I can and also live a happy life.” In the weeks before he broke the news, the West Australian <a href="https://www.oversixty.co.nz/health/caring/johnny-ruffo-marks-five-years-since-cancer-diagnosis" target="_blank" rel="noopener">marked five years since he was diagnosed</a> and released his first book, a memoir titled No Finish Line. Image: @johnny_ruffo (Instagram)

Caring

The biggest surprise for first-time cruisers

Cruising is a holiday option that has grown in popularity in the past few years. Life at sea has been great for some Over60 members and for others, it was a bit of a shock. Here are the surprises Over60 members had on their first cruise. 1. “2012 cruise on Pacific Jewel, the second last day my husband blocked the toilet everyone came from nowhere. Staff were magnificent, we laugh about it now but we had a perfect cruise.” – Jenny Taylor 2. “The ridiculous price of drinks.” – Dave Brimecombe 3. “Beautiful birthday cake delivered to my cabin.” – Ursula Cupitt and “Cake free on my birthday.” – Carol Heffernan 4. “How calm the ship was and how well it rode through the rough seas, loved every bit of it.” – Beverley Dwyer 5. “Golden Princess in 2015 broke down for four hours in the Tasman Sea once generators were going [so we had a] big party top deck.” – Joy Swanson 6. “In 2004 on the Pacific Sky, the staff all remembered your name... been on 10 now and am not stopping any time soon.” – Vicki Shaw 7. “Our cabin flooded but they did launder all our things that got wet.” – Jennifer Grace 8. “My first surprise was how small the room was, they must have used a wide-angle lens when they took the pictures for the brochure.” – Valarie Hawkins 9. “We got upgraded to a balcony cabin on the Arcadia in 2014. My first trip back to England since we arrived as £10 poms in March 1952.” – Peter Andrews 10. “Having a very rough trip but not getting sea sick.” – Wendy Fidler 11. “How to be relaxed.” – Margaret Hunter 12. “The size of the ship.” – Veronica McDonald 13. “Wonderful humour! Everyone’s enjoying their holiday!” – Judy Leak 14. “A little man sitting on my toilet with shoes on and after a loud scream I realised he was made of toilet paper.” – Elizabeth McDonald 15. “In 1972, Iberia cyclone and no stabilizers and I was the only passenger in First Class(!) that didn’t get sea sick! Who knew!” – Sue Cassell What was your biggest surprise on your first cruise? Let us know in the comments below.

Cruising

The biggest beauty trends this year

We’re already halfway through the year, and a new study has ranked the beauty trends that have been the biggest hits for 2022 so far. The study, conducted by <a href="https://heydiscount.co.uk/consumer-research/the-biggest-2022-skincare-and-beauty-trends-most-popular-beauty-trends-of-2022-revealed" target="_blank" rel="noopener">Hey Discount</a>, analysed views on TikTok videos, Instagram hashtags and web searches to compile the list, which ranges from experimental makeup looks to simplifying skincare routines. Without further ado, here are the top ten beauty trends for 2022, as ranked by Hey Discount. 1. Retinol Skincare has been a major focus in 2022, and retinol is one of the products that has taken social media by storm. A derivative of vitamin A, retinol has been used for decades but has seen a surge in popularity that has resulted in it appearing in an array of popular serums and creams. Though the benefits vary from person to person, they generally include a reduction in fine lines and the appearance of blemishes, improved collagen production and the correction of pigmentation issues. According to the study, the hashtag #retinol garnered 1.2 billion views on TikTok and was used in 635,767 posts on Instagram. 2. Graphic liner The basic eyeliner trends of 2021 have been overtaken by a resurgence in sixties and seventies styles, with graphic liner being worn by celebrities such as Kylie Jenner and Gigi Hadid. In comparison to the previously popular, perfectly symmetrical cat-eye look, graphic liner is a beginner-friendly option that emphasises creativity and unique designs over perfection. Under the hashtag #graphicliner, the study found there were one billion TikTok views and 655,325 posts on Instagram. 3. Gua sha The traditional Chinese practice of Gua sha, meaning ‘to scrape petechiae (red or purple spots on skin caused by minor bleeding from blood capillaries)’, is often used to treat chronic pain, reduce puffiness in skin and help with lymphatic drainage. Though it has been practised since the 1300’s during the rule of the Ming dynasty, it has only recently become a popular trend and has skyrocketed to the fore of the beauty world due to social media. The study found that the hashtag #guasha has been viewed 976.9 million times on TikTok and used in 502,093 posts on Instagram. The top 10 list See the full list of the Top 10 Beauty Trends of 2022 rankings below: <ol> <li dir="ltr" aria-level="1"> Retinol </li> <li dir="ltr" aria-level="1"> Graphic Liner </li> <li dir="ltr" aria-level="1"> Gua Sha </li> <li dir="ltr" aria-level="1"> SPF </li> <li dir="ltr" aria-level="1"> DIY Skincare </li> <li dir="ltr" aria-level="1"> Lip Scrub </li> <li dir="ltr" aria-level="1"> Ombre Lips </li> <li dir="ltr" aria-level="1"> Glass Skin </li> <li dir="ltr" aria-level="1"> Hyaluronic Acid </li> <li dir="ltr" aria-level="1"> Niacinamide </li> </ol> Image: Getty Images

Beauty & Style

What’s taking the biggest toll on our mental health?

The new Labor government arrives at a time of mounting mental health strain: Australians have endured COVID, extreme weather events and financial stress from increased living costs. The new government has a lot to fix in the mental health system but policy priorities should be guided by the voices of Australians. To learn more about the nation’s priority mental health concerns, our <a href="https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0268824" target="_blank" rel="noopener">new research</a> surveyed more than 1,000 adults aged 18 to 85 across the nation. Without being prompted, participants consistently highlighted three major issues: the mental health service system, financial stress, and social disconnection. A strained mental health system The COVID pandemic added pressure to an already <a href="https://www.pc.gov.au/news-media/speeches/mental-health" target="_blank" rel="noopener">strained mental health-care system</a>. Countless Australians – many experiencing mental ill-health for the first time – were left without appropriate support. Participants described overwhelming barriers to accessing treatment, including high costs, wait-lists and inaccessibility: <blockquote> The out of pocket expense makes receiving regular, effective psychological treatment prohibitive, especially as a single parent. – female, late 30s, NSW When people are in crisis, they need the help at that time. Not six months down the track when an opening finally becomes available at the counselling centre. – non-binary person, early 70s, Tasmania </blockquote> Financial stress Respondents shared how the pandemic “pressurised” other mental health triggers, like financial stress, as JobKeeper and the Coronavirus Supplement were wound back and cost of living increased. A NSW woman in her late-20s living with a disability shared that prior to receiving the Coronavirus Supplement: “I felt it would be better to kill myself than try and make it work”, but with the supplement, “For the first time in years money wasn’t so tight.” The removal of the supplement was described by another as: <blockquote> crushing and damaging to your mental health – female, late 20s, Tasmania </blockquote> The low payment amount after the supplement was removed was not seen as “sufficient income to live a ‘reasonable life’”. <figure class="align-center "><img src="https://images.theconversation.com/files/467066/original/file-20220606-58478-ztwpxb.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/467066/original/file-20220606-58478-ztwpxb.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=400&fit=crop&dpr=1 600w, https://images.theconversation.com/files/467066/original/file-20220606-58478-ztwpxb.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=400&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/467066/original/file-20220606-58478-ztwpxb.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=400&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/467066/original/file-20220606-58478-ztwpxb.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=503&fit=crop&dpr=1 754w, https://images.theconversation.com/files/467066/original/file-20220606-58478-ztwpxb.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=503&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/467066/original/file-20220606-58478-ztwpxb.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=503&fit=crop&dpr=3 2262w" alt="Person wringing their hands" /><figcaption>Cost of living pressures have had a significant impact on Australians’ mental health. <a class="source" href="https://unsplash.com/photos/qbTC7ZwJB64" target="_blank" rel="noopener">Unsplash/Ümit Bulut</a></figcaption></figure> Together, the stress of low incomes and the return of demanding mutual obligation requirements for JobSeeker (the <a href="https://www.acoss.org.au/media_release/acoss-analysis-shows-mutual-obligation-requirements-are-causing-harm/" target="_blank" rel="noopener">often-unrealistic</a> set of job-related tasks which recipients must undertake to keep receiving payments) worsened some peoples’ mental health, making recovery difficult. <blockquote> The social welfare system isn’t equipped to support those of us who struggle to work because of mental health issues. I cry every day at my full-time job and would like to focus on recovery, but the tiny rate of Centrelink payments means I keep struggling through – female, early 30s, Victoria </blockquote> With increasing living costs, a NSW man in his late 20s reported “stressing about having money to make ends meet […] the cost of food going up, and not having money to heat my home in winter”. He described making difficult financial decisions like choosing to “not eat” in favour of “making sure my dog is fed”. Many spoke of financial stress in relation to housing as a key priority for their mental health, particularly “unaffordable housing prices” (female, early 30s, NSW) and “prohibitive rent” (female, late 60s, Victoria). Social disconnection Many described a lack of social and community connection as a mental health priority, perhaps unsurprising with COVID lockdowns and strict border controls. Some felt this was linked to a lack of physical spaces for socialising: <blockquote> We need facilities for people and communities to socialise in a healthy environment. Get rid of the poker machines and make pubs a place where people can openly socialise again – male, late 40s, NSW </blockquote> Others sensed a broader cultural shift away from valuing community: <blockquote> We need supportive communities […] We are too ‘private’ don’t share our troubles, don’t ask for help – female, late 40s, NSW [S]ociety has become very individually focused and less about support – male, late 40s, Victoria. </blockquote> Building resilience The voices of diverse Australians included in <a href="https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0268824" target="_blank" rel="noopener">our study</a> provide clear guidance for the government to build a more resilient and mentally healthy future. Labor’s election promise to re-instate the <a href="https://www.alp.org.au/policies/regional-mental-telehealth-services" target="_blank" rel="noopener">telepsychiatry Medicare item</a> in regional and rural areas is important, but the government must address other pressing service issues, including long wait-times and high costs. The government also needs to address the causes of mental ill-health, such as financial insecurity and social disconnection. While Labor has promised to tackle <a href="https://www.alp.org.au/policies/secure-australian-jobs-plan" target="_blank" rel="noopener">job security</a> and <a href="https://www.alp.org.au/policies/safer-and-more-affordable-housing" target="_blank" rel="noopener">housing affordability</a>, it didn’t back an increase to income support benefits. This should be revisited. In 2021, <a href="https://alp.org.au/media/2594/2021-alp-national-platform-final-endorsed-platform.pdf" target="_blank" rel="noopener">Labor</a> committed to addressing loneliness and social isolation, although no related election promises were made. Doing so would require changes outside the “health” portfolio. We need a whole-of-government <a href="https://mentalhealththinktank.org.au/wp-content/uploads/2022/04/BuildingMentallyHealthyFutures_YouthRecoveryPlan.pdf" target="_blank" rel="noopener">social and emotional well-being lens</a> on all federal policies. Finally, our study highlighted that drivers of poor mental health are further strained in disaster settings, such as pandemics or extreme weather events. As the Labor government develops its <a href="https://www.alp.org.au/policies/disaster-readiness" target="_blank" rel="noopener">disaster readiness plan</a>, mental health impacts – in addition to economic and infrastructure impacts – must be a key consideration. If this article has raised issues for you, or if you’re concerned about someone you know, call Lifeline on 13 11 14.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/184148/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/marlee-bower-1000885" target="_blank" rel="noopener">Marlee Bower</a>, Research Fellow, Matilda Centre for Research in Mental Health and Substance Use, <a href="https://theconversation.com/institutions/university-of-sydney-841" target="_blank" rel="noopener">University of Sydney</a>; <a href="https://theconversation.com/profiles/maree-teesson-1274573" target="_blank" rel="noopener">Maree Teesson</a>, Professor & Director of The Matilda Centre. Chair, Australia's Mental Health Think Tank, <a href="https://theconversation.com/institutions/university-of-sydney-841" target="_blank" rel="noopener">University of Sydney</a>, and <a href="https://theconversation.com/profiles/scarlett-smout-1350860" target="_blank" rel="noopener">Scarlett Smout</a>, PhD Candidate and Research Program Officer at The Matilda Centre for Research in Mental Health & Substance Use and Australia's Mental Health Think Tank, <a href="https://theconversation.com/institutions/university-of-sydney-841" target="_blank" rel="noopener">University of Sydney</a> This article is republished from <a href="https://theconversation.com" target="_blank" rel="noopener">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/whats-taking-the-biggest-toll-on-our-mental-health-disconnection-financial-stress-and-long-waits-for-care-184148" target="_blank" rel="noopener">original article</a>. Image: Getty Images

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