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Michael Mosley used science communication to advance health and wellbeing. We can learn a lot from his approach

<a href="https://theconversation.com/profiles/lauren-ball-14718">Lauren Ball</a>, <a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a> and <a href="https://theconversation.com/profiles/kirsten-adlard-684475">Kirsten Adlard</a>, <a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a> Overnight, we learned of the <a href="https://www.abc.net.au/news/2024-06-09/michael-mosley-body-found-greek-island-clare-bailey-mosley/103957382">tragic passing</a> of Michael Mosley, who went missing last week while on holiday on the Greek island of Symi. The British celebrity doctor was a household name in many countries, including Australia. Mosley was well known for his television shows, documentaries, books and columns on healthy eating, weight management, physical activity and sleep. During the days he was missing and once his death was confirmed, media outlets have acknowledged Mosley’s <a href="https://www.independent.co.uk/arts-entertainment/tv/features/michael-mosley-tv-doctor-death-b2558717.html">career achievements</a>. He is being celebrated for his connection to diverse public audiences and his unrelenting focus on science as the best guide to our daily habits. <h2>From medicine to the media</h2> Mosley was born in India <a href="https://www.bbc.com/news/articles/c8770jyz6vvo">in 1957</a> and was sent to England at age seven to attend boarding school. He later studied philosophy, politics and economics at the <a href="https://michaelmosley.co.uk/biog/">University of Oxford</a>. After a short stint in investment banking, Mosley opted to train in medicine at the Royal Free Hospital in London. Rather than forging a career in clinical practice, <a href="https://michaelmosley.co.uk/biog/">Mosley</a> started working at the BBC in 1985 as a trainee assistant producer. In the decades that followed, Mosley continued to work with the BBC as a producer and presenter. Mosley became a popular public figure by applying his medical training to journalism to examine a breadth of health and wellbeing topics. In 1995, following his documentary on <a href="https://genome.ch.bbc.co.uk/baf970949e3a46a992ae52420395a7c2">Helicobacter pylori</a>, a bacterium that causes ulcers in the stomach, the British Medical Association named him <a href="https://www.bbc.co.uk/programmes/profiles/2kczjZKp8sGSDxSxKYzxsyr/michael-mosley">medical journalist of the year</a>. His other television work on diet, weight management, exercise and sleep earned him <a href="https://www.emmys.com/bios/michael-mosley">Emmy</a>, <a href="https://www.imdb.com/name/nm0608839/awards/">BAFTA</a> (the British Academy of Film and Television Arts), and <a href="https://rts.org.uk/tags/michael-mosley">Royal Television Society</a> <a href="https://www.bbc.co.uk/programmes/profiles/2kczjZKp8sGSDxSxKYzxsyr/michael-mosley">award nominations</a>. Over the past decade, Mosley published <a href="https://www.amazon.com.au/Fast-Diet-Original-Revised-Research/dp/1780722370/ref=sr_1_6?dib=eyJ2IjoiMSJ9.75_akcxo8tanyLrD4CVMwd1lCTliHyckSLPU2W7K4HmdPqRlVqvMbKWKkJ6CPCsrFsAw4Vfw5SWOYkl_Y8ah4yNCSjQksdT3ByCSHhiycNB9AB5h6vVUqB99okxDDWPaXUCwD-CZMzHZDvAjuAotTN">several books</a> on <a href="https://www.fishpond.com.au/Books/Fastexercise-Michael-Mosley-Peta-Bee-With/9781476759982?utm_source=googleps&utm_medium=ps&utm_campaign=AU&gad_source=1&gclid=CjwKCAjw34qzBhBmEiwAOUQcF3wd7d1bj8KMFeEtKS6ZU7py5rRzjiycZhcsMbSEQ9lXhjEBcY4GRxoCwgIQAvD_BwE">exercise</a>, <a href="https://www.amazon.com.au/8-Week-Blood-Sugar-Diet-Recipe/dp/1925456595/ref=sr_1_7?dib=eyJ2IjoiMSJ9.75_akcxo8tanyLrD4CVMwd1lCTliHyckSLPU2W7K4HmdPqRlVqvMbKWKkJ6CPCsrFsAw4Vfw5SWOYkl_Y8ah4yNCSjQksdT3ByCSHhiycNB9AB5h6vVUqB99okxDDWPaXUCwD-CZMzHZDvAjuAotTNxxkW3">healthy eating</a>, <a href="https://www.amazon.com.au/Fast-800-Australian-New-Zealand/dp/B07MPRQWJP/ref=sr_1_8?dib=eyJ2IjoiMSJ9.75_akcxo8tanyLrD4CVMwd1lCTliHyckSLPU2W7K4HmdPqRlVqvMbKWKkJ6CPCsrFsAw4Vfw5SWOYkl_Y8ah4yNCSjQksdT3ByCSHhiycNB9AB5h6vVUqB99okxDDWPaXUCwD-CZMzHZDvAjuAotTNxxkW">intermittent fasting</a>, <a href="https://www.amazon.com.au/Weeks-Better-Sleep-life-changing-improved/dp/1761425927/ref=sr_1_1?dib=eyJ2IjoiMSJ9.75_akcxo8tanyLrD4CVMwd1lCTliHyckSLPU2W7K4HmdPqRlVqvMbKWKkJ6CPCsrFsAw4Vfw5SWOYkl_Y8ah4yNCSjQksdT3ByCSHhiycNB9AB5h6vVUqB99okxDDWPaXUCwD-CZMzHZDvAj">sleep</a> and <a href="https://www.amazon.com.au/Just-One-Thing-Changes-Transform/dp/B0BJVRP94X/ref=sr_1_9?dib=eyJ2IjoiMSJ9.75_akcxo8tanyLrD4CVMwd1lCTliHyckSLPU2W7K4HmdPqRlVqvMbKWKkJ6CPCsrFsAw4Vfw5SWOYkl_Y8ah4yNCSjQksdT3ByCSHhiycNB9AB5h6vVUqB99okxDDWPaXUCwD-CZMzHZDvAjuAotTNxxk">behaviour change</a>. He sold millions of copies of his books around the world, including at least <a href="https://www.simonandschuster.com.au/p/mosley-1mil-sales">one million</a> in Australia and New Zealand. Alongside his wife, Dr Clare Bailey Mosley, he recently embarked on a <a href="https://michaelmosley.co.uk/live/">live theatre show tour</a>, yet another vehicle to bring his key messages to audiences. <h2>A trusted voice</h2> Mosley became a trusted voice for health and wellbeing throughout his journalistic career. His television program <a href="https://www.bbc.co.uk/programmes/b04j9gny">Trust Me, I’m a Doctor</a> drew on his medical qualifications to discuss health and wellbeing credibly on a public platform. His medical training also inferred credibility in examining the scientific literature that underpins the topics he was communicating. At the same time, Mosley used simple terminology that captured the attention of diverse audiences. For many of Mosley’s outputs, he used himself as an example. For instance, in his <a href="https://www.bbc.co.uk/programmes/p09by3yy/episodes/downloads">podcast series</a> Just One Thing and <a href="https://www.amazon.com.au/Just-One-Thing-Changes-Transform/dp/B0BJVRP94X/ref=sr_1_9?dib=eyJ2IjoiMSJ9.75_akcxo8tanyLrD4CVMwd1lCTliHyckSLPU2W7K4HmdPqRlVqvMbKWKkJ6CPCsrFsAw4Vfw5SWOYkl_Y8ah4yNCSjQksdT3ByCSHhiycNB9AB5h6vVUqB99okxDDWPaXUCwD-CZMzHZDvAjuAotTNxxk">companion book</a>, Mosley self-tested a range of evidence-based behavioural habits (while also interviewing subject-matter experts), covering topics such as eating slowly, yoga, listening to music, cooking, gardening and drinking green tea. His focus on intermittent fasting and high-intensity training was fuelled by his <a href="https://www.abc.net.au/news/2024-06-08/how-dr-michael-mosley-popularised-intermittent-fasting/103952408">diagnosis of type 2 diabetes</a>, and his work on sleep health was based on his experience <a href="https://www.sbs.com.au/food/article/sleep-revolution-michael-mosley/okmv5o7qe">with chronic insomnia</a>. At the most extreme end of the spectrum, Mosley <a href="https://www.bbc.com/news/science-environment-25968755">infested himself with tapeworms</a> in the pursuit of exploring their effects on the human body. By using himself as a <a href="https://www.theguardian.com/media/article/2024/jun/09/michael-mosley-favourite-health-tip-slow-deep-breathing">human guinea pig</a>, he fostered a connection with his audience, showing the <a href="https://www.chronicle.com/article/the-personal-touch-using-anecdotes-to-hook-a-reader">power</a> of personal anecdotes. <h2>Some controversies along the way</h2> Despite his notable career achievements, Mosley received ongoing criticisms about his work due to differing opinions within the medical and scientific communities. One key concern was around his promotion of potentially risky diets such as intermittent fasting and other restrictive diets, including the 5:2 diet and low-carb diets. While <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9946909/">some evidence</a> supports intermittent fasting as a way to improve metabolic health and enable weight management, Mosley was criticised for not fully acknowledging the potential risks of these diets, such as a potential to lead to <a href="https://clindiabetesendo.biomedcentral.com/articles/10.1186/s40842-023-00152-7">disordered eating</a> habits. His promotion of low-carb diets also raised concerns that his work added to a diet-focused <a href="https://www.independent.co.uk/life-style/health-and-families/lose-a-stone-in-21-days-channel-4-criticism-eating-disorder-food-relationship-beat-a9656531.html">culture war</a>, ultimately to the detriment of many people’s relationship with food and their bodies. More broadly, in his efforts to make scientific concepts simple and accessible to the general public, Mosley was sometimes criticised for overgeneralising science. The concern was that he didn’t properly discuss the nuance and tension inherent in scientific evidence, thereby providing an incomplete synthesis of the evidence. For example, Mosley conceptualised the <a href="https://thebloodsugardiet.com">blood sugar diet</a> (a low-carbohydrate Mediterranean-style diet), which was <a href="https://www.bbc.com/news/health-68452019">criticised</a> for lacking a strong grounding in scientific evidence. Similarly, <a href="https://www.thetimes.com/life-style/health-fitness/article/smoke-and-mirrors-the-truth-about-vaping-nmpf3przr">associating his name with e-cigarettes</a> may have drawn unhelpful attention to the topic, irrespective of the underlying details. <h2>What can we learn from Mosley?</h2> Overall, Mosley has been objectively successful in communicating scientific concepts to large, engaged audiences. Mosley showed us that people want to consume scientific information, whether through the news media, social media, podcasts or books. His passion and persistence in using science to promote health and wellbeing have likely supported public health efforts across the globe.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/231934/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/lauren-ball-14718">Lauren Ball</a>, Professor of Community Health and Wellbeing, <a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a> and <a href="https://theconversation.com/profiles/kirsten-adlard-684475">Kirsten Adlard</a>, Supervisor of Engagement, Communication, and Outreach, Centre for Community Health and Wellbeing, <a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a> Image credits: Ken McKay/ITV/Shutterstock Editorial This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/michael-mosley-used-science-communication-to-advance-health-and-wellbeing-we-can-learn-a-lot-from-his-approach-231934">original article</a>.

Caring

7 things you should pass on to your grandkids

No one wants to think about what will happen when they’re no longer around, but thoughtfully choosing what to leave to your family will ensure your memory endures long after you’re gone. Here are the 10 things you should pass on to your grandchildren to help them remember you as you always were. <ol> <li>Your passport(s) – What better token of your life is there than a chronicle of all the incredible places you’ve visited? Your passports will inspire those you love to pack up their bags and follow in your footsteps.</li> <li>Your wedding album – By passing on your beloved wedding photos, long after you and your partner are gone, your love story will continue to inspire generations after you – and maybe offer some style ideas to vintage-loving brides-to-be in your family!</li> <li>Something belonging to your parents – If you have an old possession that used to belong to a parent, grandparent or even great-grandparent, giving it to your grandchildren will ensure their ancestors will live on through future generations.</li> <li>Something sentimental – Photo albums are all well and good, but passing on something you love, which is truly special to you, will always remind your grandchildren of you. Just imagine their smiles as they look down on a watch or ring gifted to them by their beloved nan or pop.</li> <li>A photo of the first time you met them – Who could forget the first time they meet their newborn grandchild? Share this moment with them and write on the back of the photo just how you felt when you held them for the first time.</li> <li>Your favourite music, books, and movies – There’s nothing like music to bring back memories of people and places. Fill a bag (or load a USB) with your all-time favourite songs, books and movies so your family will always have something to lift their spirits when they’re feeling down.</li> <li>Stories – while possessions are great, stories and memories are what will endure for decades after you’ve gone. Any chance you get, share a memory or a story with your loved ones, whether it’s about your life or theirs, and get a conversation going.</li> </ol> Images: Getty

Retirement Life

Empowerment, individual strength and the many facets of love: why I fell for Tina Turner

<a href="https://theconversation.com/profiles/leigh-carriage-456522">Leigh Carriage</a>, <a href="https://theconversation.com/institutions/southern-cross-university-1160">Southern Cross University</a> For singers – amateur and professional alike – the name Tina Turner evokes instant reverence: Turner is a singer’s singer and perhaps the performer’s performer. A highly successful songwriter, the consummate dancer and fittingly ranked as one of the <a href="https://www.rollingstone.com/music/music-lists/100-greatest-artists-147446/">100 Greatest Artists of All Time</a> by Rolling Stone magazine, Turner was the ultimate entertainer. Upon hearing of her death, I was deeply saddened. I immediately recalled the intoxicating power and timbre of her voice, her mesmerising energy and her commanding performances. I started singing sections of songs such as <a href="https://www.youtube.com/watch?v=T2T5_seDNZE">Proud Mary</a>, <a href="https://www.youtube.com/watch?v=e9Lehkou2Do">River Deep Mountain High</a> and of course iconic original songs, such as <a href="https://www.youtube.com/watch?v=I07249JX8w4">Nutbush City Limits</a>. This was an intimate, sentimental, nostalgic and danceable song celebrating Turner’s roots growing up in the small town of Nutbush, Tennessee. <blockquote class="twitter-tweet"> Tina Turner was raw. She was powerful. She was unstoppable. And she was unapologetically herself—speaking and singing her truth through joy and pain; triumph and tragedy. Today we join fans around the world in honoring the Queen of Rock and Roll, and a star whose light will never… <a href="https://t.co/qXl2quZz1c">pic.twitter.com/qXl2quZz1c</a> — Barack Obama (@BarackObama) <a href="https://twitter.com/BarackObama/status/1661514993383120896?ref_src=twsrc%5Etfw">May 24, 2023</a></blockquote> <h2>Fierce hard work</h2> My first encounter with Turner’s brilliance and might was hearing her hits of the mid-1980s, with songs like Graham Lyle’s <a href="https://www.youtube.com/watch?v=oGpFcHTxjZs">What’s Love Got To Do With It</a>, Al Green’s <a href="https://www.youtube.com/watch?v=4rFB4nj_GRc">Let’s Stay Together</a> and – love it or hate it – the powerful rock ballad <a href="https://www.youtube.com/watch?v=Gcm-tOGiva0">We Don’t Need Another Hero</a>, the theme song to Mad Max: Beyond Thunderdome. Once introduced, I immersed myself in her extensive back catalogue, soaking in her early 1960s soul, funk and emerging rock tracks. Today, I flashed back to memories of the physical energy and technical focus and practice it took just attempting to sing any Turner songs in my 20s. The degree of difficulty required to perform as Turner did cannot be understated. To sing with such consistency in such high registers, belting out song after song live with impeccable pitch, breath control, fitness, articulation and rhythmic precision is one thing. To do all of this while dancing with intense pace to highly choreographed routines throughout each show is on a whole other level. Her performance practice exemplified fierce hard work – with an immense energy and vitality in live performance. Try singing any of her songs at a Karaoke bar. Very quickly you gain some insight into the technical demands her songs require. <h2>Making songs her own</h2> For every singer, selecting a repertoire to cover is an ongoing quest. In a sea of the world’s great songs, Turner selected songs she could make her own. She remodelled every song she sang - realigning them so much that we now think of them as hers first. There are so many examples. My favourites are Turner’s formidable versions of <a href="https://www.youtube.com/watch?v=oIPoC6JlP38">I Can’t Stand the Rain</a> (originally by Ann Peebles), <a href="https://www.youtube.com/watch?v=GC5E8ie2pdM">The Best</a> (Bonnie Tyler) and <a href="https://www.youtube.com/watch?v=d4QnalIHlVc">Private Dancer</a> (Mark Knopfler). A great deal of the songs Turner was known for through the 1960s were covers. Turner’s forceful and expressive vocal delivery gave new life to these songs, realigning them with her uniquely identifiable sound and choice of vocal register, her phrasing choices and her punctuated rhythmic delivery. Turner is perhaps less known as a songwriter, but her diverse songwriting demonstrated her skill and thoughtful, well-crafted lyrics. On her 1972 album Feel Good, nine of the ten songs were written by Turner. From 1973 to 1977, Turner composed all the songs on each album. One of my favourites of her original songs is the power ballad <a href="https://www.youtube.com/watch?v=l__zi3OtrQ0">Be Tender With Me Baby</a>. It speaks of a request for understanding, of her loneliness and vulnerability, sung with Turner’s intensity. Across her original songs and covers, Turner’s repertoire spoke of empowerment, individual strength and the many facets of love. Beyond performing, Turner represented inner strength, spiritual depth and resilience against adversity. In 1996, when Turner was 57, she recorded her ninth studio album, Wildest Dreams. One track, Something Beautiful Remains, may not be as familiar as many of her other hits, but it is the song I have kept returning to today. In the chorus, Turner’s lyrics are sadly perfectly fitting: <blockquote> For every life that fades Something beautiful remains.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/206395/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> </blockquote> <figure><iframe src="https://www.youtube.com/embed/1uXLFtXpeFU?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <a href="https://theconversation.com/profiles/leigh-carriage-456522">Leigh Carriage</a>, Senior Lecturer in Music, <a href="https://theconversation.com/institutions/southern-cross-university-1160">Southern Cross University</a> Image credits: Getty Images This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/empowerment-individual-strength-and-the-many-facets-of-love-why-i-fell-for-tina-turner-206395">original article</a>.

Music

How to leave a legacy to look after those you love

It can be difficult getting on top of your own finances, and knowing how to prepare for the transition to the next generation, but with these tips from financial expert Jacqui Clarke, it has never been easier to manage your money, “so it doesn’t manage you”. Leaving a legacy involves more than just material wealth. It encompasses the values, memories, and support you provide to your loved ones even after you're gone. A legacy is the enduring impact and influence you leave behind, shaping the lives of others and the world around them. To be honest, in the context of family and looking after those that you love, it’s something that’s being created from the moment your children or grandchildren, nieces or nephews are born. Legacy can simply be the way you do things and ensuring your descendants know this. For others it might be a lifelong passion project that you want to continue supporting after your lifetime. To ensure your way, your wishes and your wealth are successfully transitioned to the next generation and create an enduring legacy there are 3 crucial steps to consider. Let’s delve into the significance of these elements and explore practical steps you can take to leave a lasting legacy that will benefit those you care about the most. 1. Understanding Estate Planning Estate planning is the process of organising and distributing your assets after you pass away. It allows you to have control over who receives your property and ensures your wishes are carried out effectively. By engaging in estate planning, you not only protect your loved ones from potential legal disputes and unnecessary financial burdens but also provide them with a clear roadmap for the future. Start by taking inventory of your assets, including your savings, investments, real estate, and personal belongings. Next, consult with a qualified estate planning lawyer who can guide you through the creation of essential documents such as wills, power of attorney and possibly testamentary trusts. These legal instruments will help safeguard your assets, minimise tax liabilities, and ensure that your loved ones are taken care of according to your wishes, forming a solid foundation for your lasting legacy. 2. Communicating Your Intentions Effective communication is essential when it comes to leaving a legacy. Clearly expressing your intentions and discussing your estate plan with your loved ones can prevent misunderstandings and conflicts down the line. Initiate an open and honest conversation about your plans, and explain the reasons behind your decisions. This will help your family understand your intentions and provide them with peace of mind during a potentially challenging time. While discussing your estate plan, it's vital to listen to your loved ones' concerns and consider their perspectives. Encourage dialogue and address any questions or uncertainties they may have. Engaging in these conversations demonstrates respect for their opinions and fosters a collaborative approach to legacy planning. By effectively communicating your intentions, you lay the groundwork for a legacy that encompasses not only financial assets but also the values, memories, and guidance you wish to pass on to future generations. 3. Incorporating Non-Financial Aspects Leaving a legacy isn't limited to financial matters and serious hiccups can occur if you miss this one. Consider the non-financial aspects that make up your legacy, such as your values, traditions, and life lessons. Take the time to document your family history, personal anecdotes, and insights that can guide future generations. This could be in the form of a written memoir, video recordings, or audio messages. As an example, my parents loved touring Australia, so I asked them to provide me with all their road trip planning documents, another example are collating the recipes from my grandmother and wanting to ensure these weren’t lost. Family gatherings are a brilliant opportunity to promote a sense of openness about your planning. It’s a good time to chat about family heirlooms and meaningful possessions with your family members, not just your sentimental items but asking them if you hold something that carries sentimental value to them. You might be surprised by the reaction you get. Seemingly everyday “things” may serve as a special reminder of your love and the unique bonds you share. Your legacy encompasses not only the tangible assets you leave behind but also the intangible gifts of wisdom, love, and values that shape the lives of your loved ones. By incorporating these non-financial aspects into your estate plan and actively transmitting them, you ensure that your legacy extends beyond material possessions and leaves a profound impact on those you cherish. Leaving a legacy is about more than just divvying up your net worth. Through estate planning, effective communication, and the incorporation of non-financial aspects, you can shape the future and ensure that your loved ones are well taken care of. Jacqui Clarke FCA, FTI, GAICD, JP, author of Stop Worrying About Money (Wiley, $29.95), is a trusted advisor, board member, executor and veteran business executive. As a personal wealth and money management expert and over three decades of experience, 25 years at Deloitte and PWC helping high-net-worth families, individuals and business owners to build, manage and preserve their wealth. Her message is simple: with careful planning and effort, you can manage your money, so it doesn’t manage you.<a href="https://www.jacquiclarke.me/"> https://www.jacquiclarke.me/</a> Images: Getty

Retirement Life

Even after his death, Rolf Harris’ artwork will stand as reminders of his criminal acts

<a href="https://theconversation.com/profiles/gregory-dale-1441894">Gregory Dale</a>, <a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a> Australian entertainer and artist Rolf Harris has died at the age of 93. After a prominent career as an artist, particularly in the UK, in 2014 <a href="https://theconversation.com/rolf-harris-guilty-but-what-has-operation-yewtree-really-taught-us-about-sexual-abuse-28282">Harris was convicted</a> of 12 counts of indecent assault. For his victims, his death might help to close a painful chapter of their lives. However, what will become of the prodigious output of the disgraced artist? <h2>Jack of all trades, master of none</h2> Harris developed an interest in art from a young age. At the age of 15, one of his portraits was <a href="https://www.artgallery.nsw.gov.au/prizes/archibald/1946/">selected for showing</a> in the 1946 Archibald Prize. Three years later, he won the Claude Hotchin prize. These would be among the few accolades he would collect in the art world. In truth, he was never really recognised by his peers. The Art Gallery of Western Australia in Perth, from where he hailed, never added any of his artworks to its collection. Harris rose to prominence primarily as a children’s entertainer and then later as an all-round television presenter. There is a generation of Australians and Britons who grew up transfixed to their TV sets as Harris transformed blank canvases into paintings and cartoons in the space of just 30 minutes. His creativity also extended to music. He played the didgeridoo and his own musical creation, “<a href="https://en.wikipedia.org/wiki/Wobble_board">the wobble board</a>”. He topped the British charts in 1969 with the single Two Little Boys. However, he is probably more famous for the song Tie Me Kangaroo Down, Sport. Perhaps the ultimate recognition came in 2005, when he was invited to <a href="https://en.wikipedia.org/wiki/Her_Majesty_Queen_Elizabeth_II_%E2%80%93_An_80th_Birthday_Portrait">paint Queen Elizabeth II</a>. His audience with the queen was filmed for a BBC documentary starring Harris. His portrait of her majesty briefly adorned the walls of Buckingham Palace, before being displayed in prominent British and Australian galleries. <h2>Criminal conviction and the quick retreat from his art</h2> In 2014, Harris was found guilty of 12 counts of indecent assault against three complainants, aged 15, 16 and 19 years at the times of the crimes. These incidents occurred between 1978 and 1986. Before sentencing Harris to five years and nine months imprisonment, the sentencing judge <a href="https://www.smh.com.au/world/the-full-statement-from-the-judge-who-sentenced-rolf-harris-to-jail-20140704-3bee0.html">commented</a>: <blockquote> You took advantage of the trust placed in you, because of your celebrity status, to commit the offences […] Your reputation now lies in ruins. </blockquote> What followed was a public retreat from his artwork. It is worth asking why this was the public response, when the subject matter of his artwork was innocuous and unremarkable. Among his visual artworks were portraits and landscapes. None of them depicted anything particularly offensive or controversial. Nevertheless, many of those who owned his works felt the need to dissociate themselves with Harris. His portrait of the queen <a href="https://www.bbc.com/news/uk-28105318">seemed to vanish</a> into thin air. In the wake of his convictions, no one claimed to know of its whereabouts. Harris had also painted a number of permanent murals in Australia. Many these were <a href="https://www.theage.com.au/national/victoria/rolf-harris-mural-in-caulfield-to-be-painted-over-20140706-zsy3n.html">removed</a> or <a href="https://www.abc.net.au/news/2018-03-06/rolf-harris-mural-on-theatre-survives-vote-for-destruction/9518358">permanently obscured</a>. <h2>The roles of guilt and disgust</h2> Guilt seems to play a <a href="https://espace.library.uq.edu.au/view/UQ:d3f7264">prominent role</a> in explaining why owners remove such artworks from display. Art is inherently subjective and so it necessarily forces the beholder to inquire into the artist’s meanings. When an artist is subsequently convicted of a crime, it is perhaps natural to wonder whether their art bore signs that there was something untoward about them. Some artists even promote this way of thinking. In fact, Harris authored a book entitled <a href="https://www.goodreads.com/book/show/2883465-looking-at-pictures-with-rolf-harris">Looking at Pictures with Rolf Harris: A Children’s Introduction to Famous Paintings</a>. In it, he wrote: <blockquote> You can find out a lot about the way an artist sees things when you look at his paintings. In fact, he is telling us a lot about himself, whether he wants to or not. </blockquote> When facing the artwork of a convicted criminal, our subjective feelings of guilt persist because we have, in some tiny way, shared a role in their rise and stay as an artist. This makes it difficult to overcome the feeling that the artwork contains clues to the artist’s criminality. We can also feel guilty deriving pleasure from a piece of art whose maker caused others great pain. Disgust also plays a central role in our retreat from the criminal’s artwork. Disgust is a powerful emotion that demands we withdraw from an object whose mere presence threatens to infect or invade our bodily integrity. Related to disgust is a anthropological theory known as the “<a href="https://www.latimes.com/science/sciencenow/la-xpm-2014-feb-24-la-sci-sn-price-of-fame-celebrity-contact-boosts-value-of-objects-20140222-story.html">magical law of contagion</a>”. An offensive person leaves behind an offensive trace that continues to threaten us. It is not based on reason but instinct. In essence, the criminal has left their “negative” traces on their artwork. This explains why Harris’ paintings, although of innocuous images, suddenly became eyesores and their market value dropped. Owners of such artwork might also feel compelled to show their disgust openly, to publicly extricate themselves from the artist. No one wants to be seen to condone the behaviour of a sexual offender. Even after his death, Harris’ artwork will continue to stand as reminders of his criminal acts. If this article has raised issues for you, or if you’re concerned about someone you know, call <a href="https://www.1800respect.org.au">1800RESPECT</a> on 1800 737 732. In an emergency call 000.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/206282/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/gregory-dale-1441894">Gregory Dale</a>, Lecturer, TC Beirne School of Law, <a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a> Image credits: Getty Images This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/even-after-his-death-rolf-harris-artwork-will-stand-as-reminders-of-his-criminal-acts-206282">original article</a>.

Art

From radical to reactionary: the achievements and legacy of the influential artist John Olsen

After media outlets breathlessly described the late John Olsen as a “<a href="https://fb.watch/jSdCoR-2GN/">genius</a>”, I found myself humming The Chasers’ <a href="https://www.youtube.com/watch?v=dXHleozgQ18">Eulogy Song</a>. This is perhaps a bit unfair, but the hyperbole surrounding Olsen’s death seems to have crowded out any assessment of his real and lasting achievements as an artist. There is a danger here. Hyperbole invites a reaction, which is not always kind. It is still hard to have a dispassionate discussion on the merits (and otherwise) of <a href="https://www.smh.com.au/national/nsw/from-the-archives-1969-norman-lindsay-dies-20191112-p539sa.html">Norman Lindsay</a>, an artist often called a genius in his lifetime. <h2>John Olsen and Australian art</h2> To understand Olsen, and his importance to Australian art, it is important to give some context. He emerged from that generation of Australians whose childhood was coloured by the deprivations of the second world war, and whose adolescent experience was of an expanding, changing Australia. War meant that he finished school as a boarder at St Josephs Hunters Hill, while his father fought in the Middle East and New Guinea and his mother and sister moved to Yass in rural New South Wales. His ability to draw meant that he escaped the tedium of a clerical job by becoming a freelance cartoonist while moving between a number of different art schools, including Julian Ashtons, Dattilo Rubio, East Sydney Tech and <a href="https://adb.anu.edu.au/biography/orban-desiderius-dezso-14658">Desiderius Orban</a>’s studio. As with other young artists of his generation, he was especially influenced by the experimental approach and intellectual rigour of <a href="https://adb.anu.edu.au/biography/passmore-john-richard-15023">John Passmore</a>. He found visual stimulation in <a href="https://www.carlplate.com/">Carl Plate</a>’s Notanda Gallery in Rowe Street, a rare source of information on modern art at the time. Rowe Street was the creative hub for many artists, writers and serious drinkers who later became known as “The Push”. The informal exposure to new ideas on art, literature, food, wine and great conversation was more effective than a university. He learned about Kandinsky, Klee, the beauty of a wandering line, the poetry of Dylan Thomas and T.S. Eliot. Olsen’s first media exposure was as the spokesman for art students protesting at the rigid conservatism of the trustees judging the <a href="https://trove.nla.gov.au/newspaper/article/18514782?searchTerm=John%20Olsen%20art%20student%20National%20Art%20Gallery">Archibald Prize</a>. There were no complaints about the Wynne Prize, which had exhibited his work. <h2>The ‘first’ Australian exhibition of Abstract Expressionism</h2> The friendship between Olsen and fellow artists William Rose, Robert Klippel, Eric Smith and their mentor John Passmore, led to the exhibition <a href="https://www.artgallery.nsw.gov.au/collection/works/ARC409.1.147/">Direction 1</a> in December 1956. An art critic’s over enthusiasm led to it being proclaimed as the first Australian exhibition of Abstract Expressionism, and its artists as pioneers of modern art. As a consequence, Robert Shaw, a private collector, paid for Olsen to travel and study in Europe. This was a transformational gift, coming at a time before Australia Council Grants, when travel was expensive. He travelled first to Paris, then Spain where he based himself in Majorca and supported himself by working as an apprentice chef. The fluid approach to learning he had acquired in Sydney was enhanced in Spain. He saw, and appreciated the <a href="https://www.tate.org.uk/art/art-terms/t/tachisme">Tachiste</a>artists, but took his own path, remembering always Paul Klee’s dictum that a drawing is “taking a line for a walk”. That Spanish experience was distilled in the exuberant works he painted after his return to Sydney in 1960. <a href="https://www.artgallery.nsw.gov.au/collection/works/OA29.1960.a-c/">Spanish Encounter</a>paid tribute to the impact of this culture that continued to intrigue him, its energy and its apparent irrationality. But he also found himself enjoying the “honest vulgarity” he found in the Australian ethos, leading to a series of paintings which incorporated the words <a href="https://www.ngv.vic.gov.au/explore/collection/work/6124/">you beaut country</a> in their title. Olsen’s confident paintings of the 1960s easily place him as the most influential Australian artist of that decade. <h2>Five Bells and landscape</h2> In 1972, Olsen was commissioned to paint a giant mural for the foyer of the concert hall at the Sydney Opera House. <a href="https://www.abc.net.au/radionational/archived/booksandarts/my-salute-to-five-bells:-john-olsen/6721222">Salute to Five Bells</a> takes its name from Kenneth Slessor’s poem of death on the Harbour, but is more about elements of subterranean harbour life. The heroic scale of the work meant that he worked with a number of assistants to paint the dominant blue ground. When the mural was unveiled in 1973, it received a <a href="https://www.abc.net.au/radionational/archived/booksandarts/my-salute-to-five-bells:-john-olsen/6721222">mixed response</a>. It was too muted in tone to cope with the Opera House lighting, too sparse in content, too decorative. In the following years, Olsen turned towards painting the Australian landscape and the creatures that inhabited it. In 1974, he visited Lake Eyre as the once dry giant salt lake flooded to fill with abundant life. He made paintings, drawings and prints of the abundance – both intimate views and overviews from flying over. Lake Eyre and its environs was to be a recurring motif in the art of his later years. While these works were commercially successful, and many were acquired by public galleries, Olsen was no longer seen as being in the avant garde. He was, however, very much a part of the art establishment and his art was widely collected. <h2>A man of his generation</h2> The aerial perspective of many of his later decorative paintings could seem to have echoes of Aboriginal art. Indeed, when the young <a href="https://abdulabdullah.com/home.html">Abdul Abdullah</a> first saw Olsen’s paintings in 2009 he at first assumed Olsen was an Aboriginal artist. It was therefore a surprise to many when in 2017 Olsen mounted a <a href="https://www.smh.com.au/entertainment/art-and-design/john-olsen-says-archibald-prize-win-is-the-worst-decision-ive-ever-seen-20170728-gxl4ze.html">trenchant attack</a> on the Wynne Prize after it was awarded to Betty Kunitiwa Pumani for Antara, a painting of her mother’s country. Despite some visual similarities to his own approach to landscape he claimed her painting existed in “a cloud cuckoo land”. In the same interview, he attacked Mitch Cairns’ Archibald-winning portrait of his wife, Agatha Gothe-Snape, as “just so bad”. While it is not unusual for the radical young to become enthusiastic reactionaries in prosperous old age, there was a particular lack of grace in Olsen’s response to artists who were not a part of his social circle or cultural background. He was in this very much a man of his generation, with attitudes and prejudices that reflect the years of his youth. Looking at Olsen’s paintings of the 1950s and ‘60s is a reminder that there was a time in Australia when brash young men could prove their intellectual credentials by quoting Dylan Thomas while making a glorious multi-coloured paella in paint. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/from-radical-to-reactionary-the-achievements-and-legacy-of-the-influential-artist-john-olsen-203677" target="_blank" rel="noopener">The Conversation</a>.

Art

"Your legacy lives on”: Outpouring of love from Bindi Irwin

Bindi Irwin has shared an emotional tribute to her late father, Aussie icon Steve Irwin, celebrating what would have been his 61st birthday. Bindi expressed her gratitude to her dad for sharing his love of animals with her and younger brother Robert. “Happy Birthday, Dad,” she captioned an image on instagram, posting a photo of herself as a little girl with Steve, who is holding a small reptile. “Thank you for instilling a love for all species, courage to follow my heart and determination to make a difference in the world for wildlife and wild places. “Your legacy lives on and the world is forever changed because of your dedication to conservation. “Mum, Robert and I love and miss you so much.” People flooded the comments with kind words and appreciation for the Crocodile Hunter. Actress Emma Perry commented, “What a blessing he gave to this world and what an honour to continue that legacy, happy birthday to your amazing Dad! “Happy birthday to your daddy. He was a true inspiration to all of us,” another user wrote. “A hugely missed man, a tragedy he was taken so young, but it’s so inspiring to see his message and work carried on through his family,” a fan added. Terri Irwin took to social media to pay tribute to her late husband as well, leaving a simple message on Twitter, “Happy birthday, Steve,” “You did good.” Terri also shared an old picture of herself and Steve with a young Bindi and baby Robert, alongside a recent photo of the family all grown-up, showing Robert, Bindi and her husband Chandler and their daughter Grace. Robert Irwin, also paid tribute to his dad, sharing an image of Steve holding him as a baby with little Bindi watching on paired with the caption “Happy Birthday Dad”. “So much love,” Bindi commented on her brother’s post. “I will never forget the day Robert was born and Steve proudly held him up to the camera,” one fan reminisced. “He was so proud of his wife, Robert and Bindi ... He would have been even more so today.” “Happy birthday to the man who made me fall in love with reptiles! We love and miss you so much!” wrote another. Steve Irwin was born on February 22, 1962, and passed away on September 4, 2006, at age 44, after a stingray barb pierced him in the chest while he was filming on the Great Barrier Reef. Image credit: Instagram

Family & Pets

What will be your legacy?

Maybe you’ve never thought about it, but how you’ll be remembered, and who you’ll be remembered by will be determined by the legacy you’ll leave. If you want your life to count then why leave it to chance when your legacy can be planned and purposeful, and in doing so, establish a firm foundation which generations can build upon? The mistakes of generations-past will be repeated by generations-future up until someone has the vision and determination to derive a different outcome. If not you, then who? A legacy framework Let’s play a game: what’s a word – just one word – you’d like others to use that encapsulates how you’d like to be remembered after you’re gone? For instance, assuming your name was Bobby, imagine a friend at your funeral saying “You know, I always found Bobby to be so…” It might be loving, or honest, or faithful, or sincere or any number of things. Now ask yourself this: "Is how I’m living congruent with how I want to be remembered?" If it is, great. If it isn’t, will you change while you still have time? If you’re interested in being organised and purposeful in leaving a legacy, consider this: your legacy is the summary of your deeds, which is the summary of your actions, which is the summary of your intentions. If you want to leave a bigger legacy then start by being purposeful with your intentions, impactful with your actions, and altruistic with your deeds. Largesse Your largesse is the way and extent to which you distribute money or gifts upon others. Largesse may be, but doesn’t necessarily have to be, financial. To be significant, largesse must be predominantly selfless. Any contribution to humanity that results in a gift qualifies, which is why the largesse of the likes of Nelson Mandela, Mahatma Gandhi and Mother Teresa remain significant. Perhaps the ripples of the contribution you leave won’t be as large or as wide as those of Mother Teresa, but that doesn’t make your effort any less important or less worthy. Many small things done well are usually far better than a few great things done poorly. But remember, a selfless act can’t be called so if there are selfish ambitions behind it. Selfish largesse is rarely remembered beyond one generation or is remembered for the wrong reasons like the legacy of any historical tyrant you care to mention whose selfishness caused the death of countless innocent lives. Remembering Nobel Alfred Nobel was a controversial figure for much of this life, and while his inventions improved the industrialised world, he was not universally loved. His work improving military explosives resulted in him being accused of high treason. Upon his death, Nobel bequeathed 94 per cent of his estate be converted into a fund and invested in safe securities, with the income earned from those investments to be ‘distributed annually in the form of prizes to those who during the preceding year have conferred the greatest benefit to humankind’. Why did Nobel perform such a generous act? No-one knows for sure but one possibility is that a French journalist, upon mistakenly reporting his death, eulogised Nobel as a ‘merchant of death’. Reportedly appalled, Nobel shifted his focus to philanthropy and used his fortune to create a legacy to further, not frustrate, humanity. Today, Nobel is revered for his substantial and ongoing contribution to the promotion of peace—a legacy of significance funded by his significant wealth. Do-Doing-Done How do you leave a legacy? First you’ll need to cast a vision for how you want to be remembered. Thereafter every thought and every action in every hour of every day is an opportunity to make a legacy deposit by acting congruently, or legacy withdrawal by acting incongruently, with your vision. The bigger your legacy balance, the more impactful your legacy will be. The trick is to remain persistently consistent with cycling through your intentions (what you want to do), your actions (what you’re doing), and your accomplishments (what you’ve done). Doing so will build momentum and scale. My old high school motto was Spectumer Agendo. It is Latin and means ‘By their deeds they shall be known.’ What are your deeds, and how will you be known? If you want your life to count, do more things that count! Don’t be consumed with petty people or petty matters. Remained focussed on the things you can control. Greek Proverb Here’s a Greek proverb that caught my attention recently: wise men plant trees under whose shade others will sit. This is a beautiful phrase that captures the notion of sowing a blessing today for others tomorrow; a lovely way to capture the concept of legacy. I might have taken the proverb a little too literally because etched on my heart is a vision to return the 600 hectares of land I purchased back in 2018 into a permanent multi-species native forest. If you don’t have your own legacy project on the go and rehabilitating environments, restoring damaged ecosystems or renewing habitat for wildlife is something you care about, you’re welcome to join with me, my family and others as we change the world one tree at a time. Find out more at www.TreeChange.com Will your legacy be a burden or a blessing? It’s not too late to decide, or change if you aren’t happy with the current situation. Edited extract from Steve McKnight’s Money Magnet: How to Attract and Keep a Fortune that Counts (Wiley $32.95), now available at all leading retailers or online at www.moneymagnet.au Image: Getty Images

Mind

Clothes women wanted to wear: a new exhibition explores how Carla Zampatti saw her designs as a tracker of feminism

The late Carla Zampatti is celebrated in a splendid retrospective Zampatti Powerhouse at the Powerhouse Museum. Planned well before the fashion designer’s <a href="https://theconversation.com/how-carla-zampatti-pioneered-wearable-yet-cosmopolitan-clothes-for-women-and-became-a-fashion-icon-158377">untimely death</a> last year, the unveiling of her legacy will be bittersweet to her many fans. Zampatti is often referred to as “Carla” by friends and those who worked for her, rather than her brand name, Carla Zampatti. Here, the simple name “Zampatti” removes the emphasis from Zampatti as designer to a simpler assertion: businesswoman, mother, philanthropist-entrepreneur. It is a move as deft and elegant as the rest of the exhibition choices. In one of the best-looking fashion exhibition designs Australia has seen, creative director Tony Assness serves up a dynamic vision of clothes punctuated by a vibrant red (one of Zampatti’s favourite design choices) that encourages excitement and discovery. Clothes are arranged by themes – jumpsuit, jungle, graphic, blouson, power – rather than date. Curator Roger Leong leverages his years of experience to do a relatively new thing for Australian museums: tell the stories of clothes through the stories of women who wore them. <h2>A migrant story</h2> Zampatti’s story is an Australian migrant story. Born Maria Zampatti in Italy in 1938 (not 1942, as is often believed), she did not meet her father, who had migrated to Fremantle, until she was 11. In Australia, she was forced to change her name to Mary. It was claimed the other kids could not pronounce Maria. She did not finish school. When she moved to Sydney in her late 20s, she reinvented herself as Carla. The fashion business started on a kitchen table in 1965 under the label ZamPAtti. By 1970, Carla had bought out her business partner husband, and was sole owner of Carla Zampatti Pty Ltd. Zampatti flourished in fashion. She had a finger on the pulse, was in the right place at the right time, and knew a more glamorous role was possible for a fashion designer than the industry “rag trader”. In the 1970s, the markets suggested that the ultra-expensive haute couture was about to disappear, to be replaced by informal ranges created by a new type of designer often called a “stylist”. It was the decade of flower power, retro dressing and ethnic borrowings. Until the 1960s, fashion had been dominated by the rise of haute couture and the “dictator-designer” system – mainly men who determined hem lengths and silhouettes for women. But in 1973, the French body governing high fashion added a new layer of designers, créateurs (literally “creators” or designers), who produced only ready-to-wear. In 1972 Zampatti opened her first Sydney boutique, inspired by informal shops she had seen in St Tropez. Zampatti offered women bright jumpsuits, art deco looks and peasant-inspired ease. She aimed to provide women clothes they wanted to wear. She draped the cloth and colours on herself. Like many women designers historically, she was alert to how her clothes made women customers look and feel. Zampatti remained the fit model for the whole range and would not produce anything in which she did not look and feel well. Zampatti saw her “clothes as a tracker of feminism”. The 1980s cemented Zampatti’s rise to prominence. She became a household name, even designing a car for women. In this time, personal expression became more important than unified looks dictated by designers. Zampatti’s Australian designing coincided with a new development in Italy: the stylisti. Small, focused family businesses alert to the zeitgeist and understanding quality flourished. It was an approach that emphasised quality and glamour. Zampatti identified talent. She employed well-known couturier Beril Jents on the shop floor after she had fallen on hard times. She then employed Jents to improve the cut of her designs. Zampatti continued to embrace the services of stylists and other designers including Romance was Born, whom she recognised could take her work to the next level. <h2>The stories of clothes</h2> Worn equally by politicians and their circles on the right and the left, Zampatti injected more than power dressing into women’s wardrobes. She inspired a sense that women wore the clothes, not the clothes them. In this exhibition we are given many examples, from Linda Burney’s red pantsuit worn for her parliamentary portrait to a gown worn by Jennifer Morrison to the White House. The exhibition viewer can turn from serried ranks of brilliantly styled mannequins and enter large “listening pods”, screening brilliantly edited videos in the manner of artist Bill Viola. The women, who include Dame Quentin Bryce and Ita Buttrose, discuss the creative mind of Zampatti or reflect on their own Zampatti wardrobe. They are amongst the best such “talking heads” I have seen in a museum. Like many designers, Zampatti was not that interested in her own past. She did not keep substantial archives and records, which is a testament to the skills demonstrated by the museum in bringing us this show. Zampatti never turned her back on her personal story, but she was a futurist, one who looked forward rather than backward. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/clothes-women-wanted-to-wear-a-new-exhibition-explores-how-carla-zampatti-saw-her-designs-as-a-tracker-of-feminism-194040" target="_blank" rel="noopener">The Conversation</a>.

Beauty & Style

How Olivia Newton-John’s legacy lives on

The news of <a href="https://www.oversixty.com.au/health/caring/honouring-dame-olivia-newton-john" target="_blank" rel="noopener">Dame Olivia Newton-John’s death</a> at the age of 73 rocked the world following an extremely brave fight against breast cancer. For almost 30 years, Olivia pushed through several treatments and even founded the Olivia Newton-John Cancer Wellness & Research Centre in 2012 to help others who were in the same boat. Her heartbreaking death surrounded by family has just proven how powerful her voice was in the treatment for breast cancer. Diagnosed at the age of 44 in 1992, Olivia’s fight was exactly that: a constant battle to ensure she pushed through her cancer treatments. Olivia Newton-John Cancer Wellness & Research Centre is part of Austin Health which has seen incredible breakthroughs because of the late Grease star. The chief executive of Austin Health, Adam Horsburgh said without Olivia, the centre would not exist. “Without her drive and her commitment, the centre would not be here,” he told <a href="https://www.theguardian.com/film/2022/aug/09/this-was-her-dream-olivia-newton-johns-legacy-lives-on-at-cancer-research-centre" target="_blank" rel="noopener">The Guardian</a>. “And her ongoing support over many years has ensured the success of the centre. “It has enabled us to provide care and support to thousands of patients over the past 10 years.” Todd Harper, the chief executive of Cancer Council Victoria said if it weren’t for Olivia’s determination, research would not be where it is today. “Olivia was a pioneer in the cancer field and her work provided inspiration for many,” he said in a statement. “Her advocacy enabled the work of dedicated scientists advancing scientific discoveries and offered hope to many affected by a cancer diagnosis. “She led the focus on wellness and the importance of physical, emotional and spiritual support not only for the person going through a cancer diagnosis but their carers, families and friends. “Olivia’s impact can’t be overstated, and her legacy will continue in the work of world-leading research, treatment and care.” The ONJ centre first opened in June 2012 and is currently involved with about 200 clinical trials for a variety of cancers, including brain, bowel, breast, melanoma, gastrointestinal, head and neck, pancreatic, prostate and lung cancer <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/ChAntToP_D0/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/ChAntToP_D0/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Olivia Newton-John (@therealonj)</a> </div> </blockquote> The news of Olivia’s passing was announced by her husband on Instagram via his late wife’s account, and included an appeal to continue her good works in the field of cancer research: “Dame Olivia Newton-John (73) passed away peacefully at her Ranch in Southern California this morning, surrounded by family and friends. We ask that everyone please respect the family’s privacy during this very difficult time,” he wrote. “Olivia has been a symbol of triumphs and hope for over 30 years sharing her journey with breast cancer. “Her healing inspiration and pioneering experience with plant medicine continues with the Olivia Newton-John Foundation Fund, dedicated to researching plant medicine and cancer. In lieu of flowers, the family asks that any donations be made in her memory to the @onjfoundation." Images: Instagram

Caring

Goodbye Internet Explorer. You won’t be missed (but your legacy will be remembered)

After 27 years, Microsoft has finally bid farewell to the web browser Internet Explorer, and will redirect Explorer users to the latest version of its Edge browser. As of June 15, Microsoft ended support for Explorer on several versions of Windows 10 – meaning no more productivity, reliability or security updates. Explorer will remain a working browser, but won’t be protected as new threats emerge. Twenty-seven years is a long time in computing. Many would say this move was long overdue. Explorer has been long outperformed by its competitors, and years of poor user experiences have made it the butt of many internet jokes. <blockquote class="twitter-tweet"> Someone built a real tombstone of Internet Explorer in Korea. "He was a good tool to download other browsers." <a href="https://t.co/42vnkoQshd">https://t.co/42vnkoQshd</a> <a href="https://t.co/ud3SMiyLNp">pic.twitter.com/ud3SMiyLNp</a> — Soonson Kwon (@ksoonson) <a href="https://twitter.com/ksoonson/status/1536938327395680256?ref_src=twsrc%5Etfw">June 15, 2022</a></blockquote> How it began Explorer was first introduced in 1995 by the Microsoft Corporation, and came bundled with the Windows operating system. To its credit, Explorer introduced many Windows users to the joys of the internet for the first time. After all, it was only in 1993 that Tim Berners-Lee, the father of the web, <a href="https://thenextweb.com/news/20-years-ago-today-the-world-wide-web-opened-to-the-public" target="_blank" rel="noopener">released</a> the first public web browser (aptly called WorldWideWeb). Providing Explorer as its default browser meant a large proportion of Windows’s global user base would not experience an alternative. But this came at a cost, and Microsoft eventually faced multiple <a href="https://corporatefinanceinstitute.com/resources/knowledge/strategy/microsoft-antitrust-case/" target="_blank" rel="noopener">antitrust investigations</a> exploring its monopoly on the browser market. Still, even though <a href="https://www.mozilla.org/en-US/firefox/browsers/browser-history/" target="_blank" rel="noopener">a number</a> of other browsers were around (including Netscape Navigator, which pre-dated Explorer), Explorer remained the default choice for millions of people up until around 2002, when Firefox was launched. How it ended Microsoft has released 11 versions of Explorer (with many minor revisions along the way). It added different functionality and components with each release. Despite this, it lost consumers’ trust due to Explorer’s “legacy architecture” which involved poor <a href="https://www.optimadesign.co.uk/blog/internet-explorer-end-of-life-or-not" target="_blank" rel="noopener">design and slowness</a>. It seems Microsoft got so comfortable with its monopoly that it let the quality of its product slide, just as other competitors were entering the battlefield. <blockquote class="twitter-tweet"> is Internet Explorer ever truly dead? <a href="https://t.co/KQGndprUxn">pic.twitter.com/KQGndprUxn</a> — Tom Warren (@tomwarren) <a href="https://twitter.com/tomwarren/status/1536687397798350849?ref_src=twsrc%5Etfw">June 14, 2022</a></blockquote> Even just considering its cosmetic interface (what you see and interact with when you visit a website), Explorer could not give users the authentic experience of <a href="https://www.techwalla.com/articles/how-to-fix-internet-explorer-pages-not-displaying-correctly" target="_blank" rel="noopener">modern websites</a>. On the security front, Explorer exhibited its <a href="https://www.cvedetails.com/vulnerability-list/vendor_id-26/product_id-9900/Microsoft-Internet-Explorer.html" target="_blank" rel="noopener">fair share of weaknesses</a>, which cyber criminals readily and successfully exploited. While Microsoft may have patched many of these weaknesses over different versions of the browser, the underlying architecture is <a href="https://docs.microsoft.com/en-us/deployedge/microsoft-edge-security-iemode-safer-than-ie" target="_blank" rel="noopener">still considered vulnerable</a> by security experts. Microsoft itself has <a href="https://docs.microsoft.com/en-us/deployedge/microsoft-edge-security-iemode-safer-than-ie" target="_blank" rel="noopener">acknowledged</a> this: <blockquote> … [Explorer] is still based on technology that’s 25 years old. It’s a legacy browser that’s architecturally outdated and unable to meet the security challenges of the modern web. </blockquote> These concerns have resulted in the United States <a href="https://www.dhs.gov/" target="_blank" rel="noopener">Department for Homeland Security</a> repeatedly advising internet users against <a href="https://windowsreport.com/internet-explorer-security-issues/" target="_blank" rel="noopener">using Explorer</a>. Explorer’s failure to win over modern audiences is further evident through Microsoft’s ongoing attempts to push users towards Edge. Edge was first introduced in 2015, and since then Explorer has only been used as a compatibility solution. What Explorer was up against In terms of <a href="https://gs.statcounter.com/browser-market-share#monthly-202206-202206-bar" target="_blank" rel="noopener">market share</a>, more than 64% of browser users currently use Chrome. Explorer has dropped to less than 1%, and even Edge only accounts for about 4% of users. What has given Chrome such a leg-up in the browser market? <hr /> <iframe class="flourish-embed-iframe" style="width: 786.354px; height: 600px;" title="Interactive or visual content" src="https://flo.uri.sh/visualisation/10361649/embed" width="100%" height="400" frameborder="0" scrolling="no" sandbox="allow-same-origin allow-forms allow-scripts allow-downloads allow-popups allow-popups-to-escape-sandbox allow-top-navigation-by-user-activation"></iframe> <div style="width: 100%!; margin-top: 4px!important; text-align: right!important;"><a class="flourish-credit" href="https://public.flourish.studio/visualisation/10361649/?utm_source=embed&utm_campaign=visualisation/10361649" target="_top"><img src="https://public.flourish.studio/resources/made_with_flourish.svg" alt="Made with Flourish" /></a></div> <hr /> Chrome was first introduced by Google in 2008, on the open source <a href="https://www.chromium.org/chromium-projects/" target="_blank" rel="noopener">Chromium project</a>, and has since been actively developed and supported. Being open source means the software is publicly available, and anyone can inspect the source code that runs behind it. Individuals can even contribute to the source code, thereby enhancing the software’s productivity, reliability and security. This was never an option with Explorer. Moreover, Chrome is multi-platform: it can be used in other operating systems such as Linux, MacOS and on mobile devices, and was supporting a range of systems long before Edge was even released. Meanwhile, Explorer has <a href="https://www.zdnet.com/article/zune-hd-no-youtube-in-the-browser-for-you/" target="_blank" rel="noopener">mainly</a> been <a href="https://docs.microsoft.com/en-us/deployedge/microsoft-edge-supported-operating-systems" target="_blank" rel="noopener">restricted</a> to Windows, XBox and a few versions of MacOS. Under the hood Microsoft’s Edge browser is using the same <a href="https://www.chromium.org/chromium-projects/" target="_blank" rel="noopener">Chromium</a> open-source code that Chrome has used since its inception. This is encouraging, but it remains to be seen how Edge will compete against Chrome and other browsers to win users’ confidence. We won’t be surprised if Microsoft fails to nudge customers towards using Edge as their favourite browser. The latest stats suggest Edge is still far behind Chrome in terms of market share. Also, the fact Microsoft took seven years to retire Explorer after Edge’s initial release suggests the company hasn’t had great success in getting Edge’s uptake rolling. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=250&fit=crop&dpr=1 600w, https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=250&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=250&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=314&fit=crop&dpr=1 754w, https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=314&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=314&fit=crop&dpr=3 2262w" alt="A screenshot of a Microsoft web page showing Internet Explorer has been retired." /></a><figcaption>Only some Microsoft operating systems (mainly server platforms) will continue to receive security updates for Explorer under long-term support agreements. Screenshot</figcaption></figure> What’s next? Web browsers play a vital role in establishing privacy and security for users. Design and convenience are important factors for users when selecting a browser. So ultimately, the browser that can most effectively balance security and ease of use will win users. And it’s hard to say whether Chrome’s current popularity will be sustained over time. Google will no doubt want it to continue, since web browsers are significant <a href="https://fourweekmba.com/how-does-mozilla-make-money/" target="_blank" rel="noopener">revenue sources</a>. But Google as a corporation is becoming increasingly unpopular due to massive <a href="https://theconversation.com/google-is-leading-a-vast-covert-human-experiment-you-may-be-one-of-the-guinea-pigs-154178" target="_blank" rel="noopener">data gathering</a> and <a href="https://theconversation.com/is-google-getting-worse-increased-advertising-and-algorithm-changes-may-make-it-harder-to-find-what-youre-looking-for-166966" target="_blank" rel="noopener">intrusive advertising</a> practices. Chrome is a key component of Google’s data-gathering machine, so it’s possible users may slowly turn away. As for what to do about Explorer (if you’re one of the few people that still has it sitting meekly on your desktop) – simply <a href="https://docs.microsoft.com/en-us/troubleshoot/developer/browsers/installation/disable-internet-explorer-windows" target="_blank" rel="noopener">uninstall</a> it to avoid security risks. Even if you’re not using Explorer, just having it installed <a href="https://mashable.com/article/internet-explorer-hacker-windows-pc-exploit" target="_blank" rel="noopener">could present</a> a threat to your device. No one wants to be the victim of a cyber attack via a dead browser! <blockquote class="twitter-tweet"> 👋 Internet Explorer. Was one of the best subjects for memes, here's my favourite one from the collection. <a href="https://t.co/7T5u7jAB5C">pic.twitter.com/7T5u7jAB5C</a> — Shruti Kaushik (@ShrutiKaushikIT) <a href="https://twitter.com/ShrutiKaushikIT/status/1537005145711472641?ref_src=twsrc%5Etfw">June 15, 2022</a></blockquote> <img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/185130/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/mohiuddin-ahmed-698936" target="_blank" rel="noopener">Mohiuddin Ahmed</a>, Lecturer of Computing & Security, <a href="https://theconversation.com/institutions/edith-cowan-university-720" target="_blank" rel="noopener">Edith Cowan University</a>; <a href="https://theconversation.com/profiles/m-imran-malik-963778" target="_blank" rel="noopener">M Imran Malik</a>, Cyber Security Researcher, <a href="https://theconversation.com/institutions/edith-cowan-university-720" target="_blank" rel="noopener">Edith Cowan University</a>, and <a href="https://theconversation.com/profiles/paul-haskell-dowland-382903" target="_blank" rel="noopener">Paul Haskell-Dowland</a>, Professor of Cyber Security Practice, <a href="https://theconversation.com/institutions/edith-cowan-university-720" target="_blank" rel="noopener">Edith Cowan University</a> This article is republished from <a href="https://theconversation.com" target="_blank" rel="noopener">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/goodbye-internet-explorer-you-wont-be-missed-but-your-legacy-will-be-remembered-185130" target="_blank" rel="noopener">original article</a>. Image: Getty Images

Technology

How to leave a financial legacy in a tax-effective manner

The taxman needn’t be the biggest beneficiary of your financial legacy – so long as your plans are properly enacted while you still walk the earth. While Australia doesn’t have an inheritance tax per se, there are a range of other tax implications and inheritance rules to consider – which may determine how, and even if, you leave a financial legacy for your loved ones. Where there’s a will In 2015, it was estimated that just over half of Australians (59 per cent) have a will. I’d wager a good chunk of those are outdated too – not reflecting separations, remarriage or additions to the family. Most people without a will aren’t choosing to avoid one, but apathy about the need for one has set in. It is difficult to leave a financial legacy – other than confusion and conflict – if you don’t have a current will in place upon your death. Not only does it outline your wishes as to who gets what, it forces you to consider how each asset will be passed down and minimise the taxes and other costs your beneficiaries will inherit. Remember too that your beneficiary may be subject to Capital Gains Tax (CGT) on assets they sell. For example, if you leave someone a rental property, they will likely have to pay CGT when they sell it for the time you owned it – even if they made it their primary residence. That could come as a nasty shock to them. Nothing and no one is equal Not all assets are treated equally; neither are all beneficiaries. For instance, certain entities are governed separately from your will. Superannuation is perhaps the main one, but so too are trusts and companies. Hence you should nominate beneficiaries of these entities to ensure they pass on to your intended recipients. Otherwise, they may be subject to a forced sale – wiping out your legacy. Keep them updated too – otherwise your ex could get an unintended windfall. For jointly owned properties, whether you are tenants in common or joint tenants will determine whether they have automatic right of survivorship. A superannuation death benefit may or may not be taxable, depending on various factors at the time of your death. And if you leave an asset to charity that is subject to CGT, it is your estate – not the charity – which bears the tax burden. So, you may want to leave extra cash in your estate to cover this. Keeping assets in the family A financial legacy usually involves family and passing assets down through generations. How these assets are structured often dictates the ease and cost of doing so. As superannuation is treated outside of a will, it can be great for distributing money within a blended family to ensure everyone is provided for. Self-managed super funds (SMSFs) can include multiple generations but may add complexity when someone retires and begins drawing down super before others do. Or if the asset is illiquid. Conversely, family trusts can offer more flexibility for family-owned assets than super but may not provide the same tax benefits. Also consider how any children or grandchildren under 18 are provided for – and who oversees their inheritance until they turn 18. Testamentary Discretionary Trusts (TDTs) can be useful, taxing assets at the adult rate instead of the higher child tax rate. Good business Ownership structures and new management can affect the profitability and even viability of a business as a going concern, as well as its goodwill among customers, staff, and suppliers. Family businesses should have a plan for who will assume operational control, and whether each director will inherit an equal share. For business partnerships, consider buy/sell agreements to manage insurance policies and ownerships to surviving business partners and your spouse or children. Meanwhile, examine financial and tax implications too. Outstanding director loans to you can affect the tax status of both the business and your personal estate. And commercial transactions may attract transfer duties or stamp duty. Helen Baker is a licensed Australian financial adviser and author of the new book, On Your Own Two Feet: The Essential Guide to Financial Independence for all Women (Ventura Press, $32.99). Helen is among the 1% of financial planners who hold a master’s degree in the field. Proceeds from book sales are donated to charities supporting disadvantaged women and children. Find out more at www.onyourowntwofeet.com.au Image: Shutterstock

Money & Banking

Vale Stephen Wilhite, the creator of the GIF

Stephen Wilhite, the man who invented the wildly popular GIF, has died aged 74. His wife, Kathleen, broke the news that he died of Covid on March 14. Wilhite created the Graphics Interchange Format (GIF) - an image format with a short, looping video - while working at CompuServe in 1987. “He invented the GIF all by himself - he actually did that at home and brought it into work after he perfected it,” Kathleen told <a href="https://www.theverge.com/2022/3/23/22992066/stephen-wilhite-gif-creator-dies" target="_blank" rel="noopener">Verge</a>. “He would figure out everything privately in his head and then go to town programming it on the computer.” He was later recognised for his work in 2013 when he was awarded a Webby lifetime achievement. “I saw the format I wanted in my head and then I started programming,” he told The New York Times that same year, adding that the first image he created was of an airplane. <img src="https://oversixtydev.blob.core.windows.net/media/2022/04/01-06-17Avion.gif" alt="" width="400" height="149" /> The first GIF created was of an airplane that seemed to move through clouds. Image: <a href="https://thefanatic.net/this-was-the-first-ever-gif/" target="_blank" rel="noopener">TheFanatic.net</a> The inventor and programmer also ended the debate on how to pronounce the name of his creation once and for all, saying it used a soft ‘g’ sound, like Jif peanut butter. “Those using the hard ‘g’, as in ‘got’ or ‘given’ are wrong,” he said. “End of story.” Kathleen said there was more to her husband than his invention of the GIF, and his love of trains led to him having a room dedicated to them in the basement of their home with “enormous train tracks”. Even after he retired in 2001, she said “he never stopped programming”. According to his <a href="https://www.megiefuneralhome.com/obituaries/Stephen-E.-Wilhite?obId=24311617" target="_blank" rel="noopener">obituary page</a>, he had 11 grandchildren and 3 great-grandchildren and “remained a very humble, kind and good man” even with all his accomplishments. An unknown icon in internet culture Though Wilhite's name might be unfamiliar to many, his creation certainly isn’t. From an origin as a method of distributing high quality graphics in colour when internet speeds were at a snail’s pace, the GIF has become an useful tool used to communicate in digital spaces. In linguist Gretchen McCulloch’s book, <a href="https://gretchenmcculloch.com/book/" target="_blank" rel="noopener">Because Internet</a>, she describes how GIF’s are used most frequently now as depictions of people, animals or cartoon characters doing a certain action to represent your own body. <img src="https://oversixtydev.blob.core.windows.net/media/2022/04/safe_image-1.gif" alt="" width="640" height="572" /> Modern-day GIFs are often used to represent us laughing, crying, or gesturing in real life, just like this one in response to one of our memes. Image: Facebook Whether that’s commenting on a funny image with a GIF of an animal that’s beside itself in invisible laughter or sharing birthday messages with GIFs of cakes covered in flickering candles, most of us can recall a time we relied on these instead of writing or speaking. She also describes their use as emblems, a linguistic term for nameable gestures like the middle finger, jazz hands, eye rolling, winking, and dropping an invisible microphone, as well as a way to show that we’re actively listening to someone. Social media platforms have even caught onto how we use GIFs to communicate. “When you go to insert a GIF on Twitter, the built-in categories of GIF you’re offered are nameable, stylised gestures… such as applause, eww, eye roll, facepalm, fistbump, goodbye, happy dance hearts, high five (and others),” McCulloch writes. “Certain GIFs are so emblematic that they can be invoked by name, without an image file … when you want to convey your excitement in observing other people’s drama, you can send a GIF of Michael Jackson eating popcorn in a darkened movie theatre, eyes avidly glued to the screen, but you can also simply say #popcorngif or *popcorn.gif*.” <img src="https://oversixtydev.blob.core.windows.net/media/2022/04/giphy.gif" alt="" width="420" height="315" /> The MJ GIF in question. Image: Giphy.com With that in mind, Wilhite’s 35-year-old creation will stay popular as long as we continue to interact with others online in a legacy that many aren’t afforded. Yet Wilhite was more than his creation, and it’s important that we remember his name just as easily as we remember our go-to GIFs. Image: Getty Images

Technology

Actor David Gulpilil’s life and legacy honoured on Sydney Opera House

Content warning: Aboriginal and Torres Strait Islander readers are advised this article contains images of a person who has died. The family of the late actor has permitted use of his image and his surname. Tributes to iconic actor David Gulpilil Ridjimiraril Dalaithngu - who passed away last week - continue with the projection of his life on the sails of the Sydney Opera House. Gulpilil, a Yolηu man of the Mandhalpuyngu clan, was known for his roles in Rabbit Proof Fence, Crocodile Dundee, Australia and Storm Boy among others, and passed away at the age of 68, following a lengthy battle with lung cancer. Images spanning the length of his career - from his debut role in Walkabout to his last as an ailing cancer patient in I Am Gulpilil - have been displayed on Sydney’s iconic landmark, as the film industry prepares to award him with the country’s highest accolade. Gulpilil will receive the Longford Lyell Award at the AACTA Awards - Australia’s equivalent to the Oscars - on Wednesday night. He will join similarly illustrious recipients of the award, including Cate Blanchett, Jackie Weaver, and Crocodile Dundee co-star Paul Hogan. <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CW_3dpAvui7/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/CW_3dpAvui7/?utm_source=ig_embed&utm_campaign=loading" target="_blank">A post shared by AFI | AACTA (@aacta)</a> </div> </blockquote> “David carried the legacy of his people into all of his performances creating an authenticity that had never been seen widely before, and will never be forgotten,” AACTA chief executive Damian Trewhalla <a rel="noopener" href="https://www.msn.com/en-au/news/australia/sydney-opera-house-illuminates-life-and-career-of-late-nt-actor-david-gulpilil/ar-AARydlH?ocid=hplocalnews" target="_blank">said</a>. “By redefining how the world sees Indigenous Australians, he paved the way for the next generation to reject cultural stereotypes and express their own truths. “All Australia owe him a debt.” Gulpilil’s lifetime achievement award will be introduced at the ceremony by Yolηu rapper Baker Boy. The Sydney Opera House will show his tribute again on the night, as his award is posthumously presented. Yothu Yindi musician Witiyana Marika, who is Gulpilil’s son by lore and also an actor, will join the celebrations of his renowned relative at the AACTA Awards. Marika played a major role in the 2020 film High Ground - taking the part originally cast for Gulpilil, who was forced to pull out due to his cancer diagnosis. “I’ll be singin’ his name, I’ll be singin’ his estate … the place he comes from, the land, the water,” Marika said. “Healing the spirit. The powerful spirit of the land, and his name.” He said the film industry would offer their respects to the “boy who came out from the Marwuyu bush and became a big shining star”. “He was the first shining light for me, and for everyone else who believed in him, and who saw him,” the senior Rirratiηu clan elder said. “And he made a big change, you know? He was a Yolηu Mandhalpuyngu role model.” As tributes continue, the NT government says plans for a state funeral are yet to be confirmed. “We remain in discussions with the family around their wishes for Mr Dalaithngu’s funeral,” an NT government spokesman said. “This will take time. We will provide an update as soon as we have one.” Image: James D. Morgan (Getty Images)

Caring

Lawsuit bombshell shakes Kobe Bryant memorial service

The widow of sporting star Kobe Bryant has sued the owner of the helicopter that crashed amidst fog and killed the former Los Angeles Lakers player, their 13-year-old daughter and seven other people aboard. Vanessa Bryant announced the wrongful death lawsuit in Los Angeles Superior Court and first said on Tuesday in an emotional public ceremony amidst hundreds of sporting legends and musical artists that she would be going ahead with the suit. The lawsuit says the pilot was carelessly negligent by flying in cloudy weather conditions on January 26 and should have aborted the flight that killed all nine people aboard. The lawsuit names Island Express Helicopters Inc. and also targets pilot Ara Zobayan’s representative or successor, listed only as “Doe 1” until a name can be determined. It claims Zobayan was negligent in eight ways, including failing to correctly assess the weather, flying into conditions he wasn’t cleared for and failing to control the helicopter. <img style="width: 500px; height: 281.624500665779px;" src="https://oversixtydev.blob.core.windows.net/media/7834756/kobe-bryant-victims-2.jpg" alt="" data-udi="umb://media/ec128715b14e44ac8c73cd4d6a5f8bbb" /> Ara Zaboyan,50 was flying Bryant, 41, and his daughter Gianna, 13, along with Payton Chester, 13; Sarah Chester, 45; Alyssa Altobelli, 14; Keri Altobelli, 46; John Altobelli, 56; and Christina Mauser, 38 when it crashed and killed them. The lawsuit was filed the morning of the public memorial service for Kobe Bryant and the rest of the lives taken in the crash, including Zobayan. It was held at a sold-out crowd at Staples Center, an arena Bryant spent most of his career making memorable highlights in the NBA and achievements not many other sporting stars can claim. Zobayan was Bryant’s frequent pilot and had been attempting to navigate in heavy fog that limited visibility to the point that the Los Angeles police and sheriff’s departments had even grounded their helicopter fleets. Under the visual flight rules that Zobayan was following, he was supposed to be able to see exactly where he was going. Zobayan was cited by the Federal Aviation Administration in May 2015 for violating those rules by flying into reduced visibility airspace, the lawsuit said. In his last transmission, Zobayan had told air traffic control he was climbing to 1219m, strictly to get above the clouds. He was just 30m short of breaking through the cloud cover when the helicopter banked left and plunged into a hillside, according to the National Transportation Safety Board. While there is no final conclusion on what caused the crash in Calabasas, there is said to be no sign of a mechanical failure. However, a final report will not be expected for a full year or so.

Legal

“It will continue”: Janet Jackson speaks about Michael Jackson’s musical legacy

Despite sexual abuse allegations in a documentary surfacing earlier this year, Janet Jackson still believes her brother Michael Jackson’s legacy “will continue”. The documentary drew mixed reactions from friends, family and fans of the King of Pop, who passed away 10 years ago this month. However, Janet has said that his legacy is still going strong. Janet explained to <a href="https://www.thetimes.co.uk/article/interview-janet-jackson-on-michael-s-legacy-motherhood-and-life-in-pop-s-first-family-mnkg92pxj">The Sunday Times Magazine</a>: “I love it when I see kids emulating him, when adults still listen to his music. “It just lets you know the impact that my family has had on the world. “I hope I’m not sounding arrogant in any way — I’m just stating what is. It’s really all God’s doing and I’m just thankful for that.” Janet, 53, has supported her late brother through previous allegations. <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/BBSxwtsq-hM/" data-instgrm-version="12"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <a style="color: #000; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" rel="noopener" href="https://www.instagram.com/p/BBSxwtsq-hM/" target="_blank">From Usher to "Scream": We Spoke to Jimmy Jam About the Greatest Shit He's Ever Made http://bit.ly/1PQt4Xx via @noisey -Janet's Team</a> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" rel="noopener" href="https://www.instagram.com/janetjackson/" target="_blank"> Janet Jackson</a> (@janetjackson) on Feb 2, 2016 at 10:08am PST </div> </blockquote> She also explained that her father Joseph was forceful on his children having music careers, but he felt it was for a good reason. “When parents see something in their children, I guess they guide them in that direction. “Especially when you’re talking about children who grew up in that urban area. Music was a way to keep us off the streets. “My father saw a way out for his children. A better life. And thank God for that.” Janet said that her father was known for his cruel methods in making his children into music stars, but she felt like she needed everything to say before he passed. “I felt that I did say everything I needed to say to my father, I was thankful for the time that I did have him, with (my son) Eissa, the three of us together. Being together with my father in the end.”

Music

How Terri, Bindi and Robert are honouring Steve Irwin's legacy

Twenty years has passed since Steve Irwin first appeared on Animal Planet with his show The Crocodile Hunter. The show was a huge success, giving Steve Irwin an international platform and turning him into a household name. More than a decade since his tragic death, Steve Irwin’s family is returning to the network where it all started. On Wednesday, Animal Planet announced that Terri, Bindi and Robert Irwin will be carrying on Steve’s legacy with new television projects on the network. It has not yet been revealed what the shows will be, but it is safe to assume they will feature a great range of exotic animals. "Steve Irwin was a champion for all wildlife and he and Terri's excitement and enthusiasm brought viewers from around the world in touch with nature," Patrice Andrews, general manager of Animal Planet, said in a press release. “Their passion for animals, love for their family, and leadership in conservation awareness left a strong legacy that continues today. We are thrilled to have Terri, Bindi and Robert back in the Animal Planet family." In recent years, Bindi has appeared on TV as a contestant on the US version of Dancing with the Stars in 2015 and Robert has hosted the Discovery Kids series Wild But True. Robert has also appeared on The Tonight Show several times. Terri has been busy continuing her efforts as an activist for conservation and supporting the Steve Irwin Wildlife Reserve in Cape York. <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);" class="instagram-media"> <div style="padding: 8px;"> <div style="background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 28.10185185185185% 0; text-align: center; width: 100%;"> <div style="background: url(data:image/png; base64,ivborw0kggoaaaansuheugaaacwaaaascamaaaapwqozaaaabgdbtueaalgpc/xhbqaaaafzukdcak7ohokaaaamuexurczmzpf399fx1+bm5mzy9amaaadisurbvdjlvzxbesmgces5/p8/t9furvcrmu73jwlzosgsiizurcjo/ad+eqjjb4hv8bft+idpqocx1wjosbfhh2xssxeiyn3uli/6mnree07uiwjev8ueowds88ly97kqytlijkktuybbruayvh5wohixmpi5we58ek028czwyuqdlkpg1bkb4nnm+veanfhqn1k4+gpt6ugqcvu2h2ovuif/gwufyy8owepdyzsa3avcqpvovvzzz2vtnn2wu8qzvjddeto90gsy9mvlqtgysy231mxry6i2ggqjrty0l8fxcxfcbbhwrsyyaaaaaelftksuqmcc); display: block; height: 44px; margin: 0 auto -44px; position: relative; top: -22px; width: 44px;"></div> </div> <a style="color: #000; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" href="https://www.instagram.com/p/BaZLQrgHu9h/" target="_blank">Crikey! So excited to announce that we are officially returning to @AnimalPlanet next year! We love the @DiscoveryChannel family 💙</a> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by Bindi Irwin (@bindisueirwin) on Oct 18, 2017 at 7:54am PDT </div> </blockquote> Bindi posted a video on Instagram featuring her mum and brother to celebrate the exciting news. "Watch out for next year," Bindi said in the clip. "We have wonderful new adventures coming to your television screen."

What Prince William tells George and Charlotte about Granny Diana

His young children may never have the opportunity to meet their paternal grandmother, but in a candid new documentary special, Prince William has revealed how he’s keeping Princess Diana’s memory alive for Prince George and Princess Charlotte. In the TV special Diana, Our Mother: Her Life and Legacy, William opened up about how he and Kate are ensuring their young ones know “Granny Diana”. “We’ve got more photos up around the house now of her and we talk about her at bedtime,” he revealed. “It’s hard because, obviously, Catherine didn’t know her, so she cannot really provide that level of detail. I do, regularly, putting George and Charlotte to bed and talk about her and just try to remind them there are two grandmothers, there were two grandmothers in their lives. It’s important they know who she was and that she existed.” Prince Harry also spoke about his passion to ensure his mother’s legacy continues, chatting with Diana’s close friend, Sir Elton John, about a matter close to them all – HIV/AIDS. “It was considered to be a gay disease and for someone who was in the royal family and who was a woman and who was straight, just to have someone care from the other side was an incredible gift,” Sir Elton reflected. Harry, who brought out photos of Diana with AIDS patients, spoke of the positivity with which his mother radiated at a time when the reality was “all doom and gloom”. “Look at her face in every photograph. There’s a positive, wonderful glow,” Sir Elton agreed. “Also, she had this incredible ability – which he [Prince Harry] kind of inherited, and I told him that, and he said, ‘Thanks very much’ – to make people feel at ease and to make them feel that everything will be alright." “I haven’t experienced many people that have that ability, but she could walk into a room of people and make them feel as if everything was great.”

News

It’s time to talk to about your legacy

When is the last time you thought about your legacy? While it’s probably not something that’s front of mind in your day to day life, taking a moment to consider the lasting impression you will leave, and how you want to be remembered by your family, friends and members of your community is an important exercise. Writing a will, or making sure your document is up to date, is the best way to ensure the legacy you leave is a lasting one. We’re going to run through the dangers of not having a will completed, the benefits of doing so, options for including a donation to your favourite charity, and just how easy it is to get started making your will. Talking about your legacy today is the best way to ensure your family, friends and community are taken care of tomorrow. Dangers of not having a will Even if you don’t have a substantial estate, not having a will, or having one that isn’t up to date, can leave your family vulnerable. When you fail to provide a will, you leave your assets at the mercy of the Administration Act 1969. In this process, an administrator is appointed to distribute your assets to family members. While this process is completed in accordance with a set of regulations, ultimately it may not reflect your wishes. Dying without a will (intestate) can leave your family members left with thousands of dollars in legal fees, as they seek to make sure your final wishes are fulfilled. Benefits of completing a will Completing a will, or making sure your current document is up to date, is the best way to ensure you have control over how your assets are distributed and that your loved ones benefit from your will. Making your final wishes known in your will can save family disputes and conflict. Consider including a donation or gift to your community Once you have provided for your family and loved ones, it is simple to include a gift to your charity or community. This can be a percentage of your estate, or a defined amount. Your donation need not be a large one to make a difference to help the environment, youth, health, animals, the arts or your favourite charity. You don’t have to be rich to be generous. A method of charitable giving that is gaining momentum in New Zealand at the moment is giving through your local Community Foundation. Community foundations provide an opportunity for people to leave a gift to their community (either through donations or through a gift in their will). Their funds are pooled and invested in perpetuity; the interest from the funds are then distributed to local charities every year. Choosing to give through a community foundation means that your gift keeps giving back, every year, forever. It’s not hard to do Creating a will is surprisingly easy with the help of legal experts. Enlisting the help of those in the know makes seemingly complicated legal issues simple, so you can then have peace of mind knowing your final wishes will be fulfilled. A free offer <a href="http://www.wakefieldslaw.com/" target="_blank">Wakefields Lawyers</a> are offering the chance for our Wellington Region readers to make or change a will for free when you include a donation to your favourite charities via <a href="http://www.nikaufoundation.org.nz/" target="_blank">Nikau Foundation</a>, Wellington's community foundation. Register between 3-7 July 2017 by emailing <a href="mailto:adrienne@nikaufoundation.org.nz" target="_blank">adrienne@nikaufoundation.org.nz</a>. THIS IS SPONSORED CONTENT BROUGHT TO YOU BY <a href="http://www.nikaufoundation.org.nz/" target="_blank">NIKAU FOUNDATION</a>.

Legal

What legacy do you want to leave?

Simon Cunich is an award-winning documentary director and founder of <a href="http://www.heirloomfilms.com.au/" target="_blank">Heirloom Films</a>, an innovative service helping Australians record their life stories. How do you leave a legacy? On the internet, you can find countless “5 tips” articles that claim to have the answers. Most of these articles suggest you leave money to charity in your will or start volunteering for a good cause in your retirement. Both are virtuous things and should be encouraged whole-heartedly. But interviewing elders about their lives, as we do at Heirloom Films, you get another perspective on the question of leaving a legacy. The message we often hear from elders goes something like this: Leaving a legacy isn’t something that’s done in one go late in life. Nor is it something that happens when your will is dusted off. Your legacy is primarily the values you have lived by and have inspired in others. It’s about how you’re remembered, not necessarily what achievements you’re remembered for. For many elders we interview, leaving a legacy is about sharing stories and imparting life lessons. When we ask “What lessons would you like to pass on?”, we hear answers like: <ul> <li>“Relationships with family and friends are the most important achievement in life.”</li> <li>“Helping others helps yourself.”</li> <li>“Contentment is more important than happiness.”</li> <li>“Be honest with yourself – live your own life and don’t worry about what other people think.”</li> </ul> These life lessons represent a lifetime of accumulated wisdom, condensed into powerfully simple messages. They represent a wealth of understanding that can be transferred from one generation to the next; an invaluable legacy. Sometimes this wisdom is passed on automatically. Other times it’s not until we create a film that families hear for the first time what really matters to their loved ones. There’s a millennia-old Jewish tradition of writing an “ethical will”, a letter to pass on values, wisdom and stories from one generation to the next. In this vein, Barack Obama has written a “legacy letter” to his daughters, commencing “I want to tell you a little more about why I decided to take our family on this journey.” It includes lessons passed on from his grandmother and his own reflections and hopes for the future. Our life story films may come in a USB thumb drive rather than an envelope, but at their heart they are simply a multimedia version of this ancient tradition. The kind of legacy that will not only be treasured by families, but will continue to shape them for generations to come. First appeared on <a href="http://heirloomfilms.com.au/" target="_blank">Heirloom Films.</a> Related links: <a href="/lifestyle/family-pets/2016/08/tips-to-preserve-your-family-history/">4 tips to preserve your family history</a> <a href="/lifestyle/family-pets/2016/08/the-importance-of-family-gatherings/">The importance of family gatherings</a> <a href="/lifestyle/family-pets/2016/08/tip-to-overcome-generation-gap/">An over-60’s tip to overcome generation gap</a>

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