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Who really was Mona Lisa? More than 500 years on, there’s good reason to think we got it wrong

<p><em><a href="https://theconversation.com/profiles/darius-von-guttner-sporzynski-112147">Darius von Guttner Sporzynski</a>, <a href="https://theconversation.com/institutions/australian-catholic-university-747">Australian Catholic University</a></em></p> <p>In the pantheon of Renaissance art, Leonardo da Vinci’s Mona Lisa stands as an unrivalled icon. This half-length portrait is more than just an artistic masterpiece; it embodies the allure of an era marked by unparalleled cultural flourishing.</p> <p>Yet, beneath the surface of the Mona Lisa’s elusive smile lies a debate that touches the very essence of the Renaissance, its politics and the role of women in history.</p> <h2>A mystery woman</h2> <p>The intrigue of the Mona Lisa, also known as <a href="https://archiv.ub.uni-heidelberg.de/artdok/4207/1/Zoellner_Leonardos_portrait_of_Mona_Lisa_1993.pdf">La Gioconda</a>, isn’t solely due to Leonardo’s revolutionary painting techniques. It’s also because the identity of the subject is unconfirmed to this day. More than half a millennium since it was first painted, the real identity of the Mona Lisa remains one of art’s greatest mysteries, intriguing scholars and enthusiasts alike.</p> <p>The painting has traditionally been associated with Lisa Gherardini, the wife of Florentine silk merchant Francesco del Giocondo. But another compelling theory suggests a different sitter: Isabella of Aragon.</p> <p>Isabella of Aragon was born into the illustrious House of Aragon in Naples, in 1470. She was a princess who was deeply entwined in the political and cultural fabric of the Renaissance.</p> <p>Her 1490 marriage to Gian Galeazzo Sforza, Duke of Milan, positioned Isabella at the heart of Italian politics. And this role was both complicated and elevated by the ambitions and machinations of Ludovico Sforza (also called Ludovico il Moro), her husband’s uncle and usurper of the Milanese dukedom.</p> <h2>Scholarly perspectives</h2> <p>The theory that Isabella is the real Mona Lisa is supported by a combination of stylistic analyses, historical connections and reinterpretations of Leonardo’s intent as an artist.</p> <p>In his <a href="https://www.bookstellyouwhy.com/pages/books/51791/robert-payne/leonardo-1st-edition-1st-printing">biography of Leonardo</a>, author Robert Payne points to <a href="https://emuseum.hydecollection.org/objects/94/study-of-the-mona-lisa?ctx=760b87fd-efbf-4468-b579-42f98e9712d2&amp;idx=0">preliminary studies</a> by the artist that bear a striking resemblances to Isabella around age 20. Payne suggests Leonardo captured Isabella <a href="https://emuseum.hydecollection.org/objects/94/study-of-the-mona-lisa?ctx=760b87fd-efbf-4468-b579-42f98e9712d2&amp;idx=0">across different life stages</a>, including during widowhood, as depicted in the Mona Lisa.</p> <p>US artist Lillian F. Schwartz’s <a href="https://www.sciencedirect.com/science/article/pii/0097849395000317">1988 study</a> used x-rays to reveal an initial sketch of a woman hidden beneath Leonardo’s painting. This sketch was then painted over with Leonardo’s own likeness.</p> <p>Schwartz believes the woman in the sketch is Isabella, because of its similarity with a cartoon Leonardo made of the princess. She proposes the work was made by integrating specific features of the initial model with Leonardo’s own features.</p> <p>This hypothesis is further supported by art historians Jerzy Kulski and <a href="https://www.youtube.com/watch?v=owjJWxcnKrE">Maike Vogt-Luerssen</a>.</p> <p>According to Vogt-Luerssen’s <a href="https://www.kleio.org/de/buecher/wer-ist-mona-lisa/">detailed analysis</a> of the Mona Lisa, the symbols of the Sforza house and the depiction of mourning garb both align with Isabella’s known life circumstances. They suggest the Mona Lisa isn’t a commissioned portrait, but a nuanced representation of a woman’s journey through triumph and tragedy.</p> <p>Similarly, Kulski highlights the <a href="https://www.academia.edu/40147186/The_Mona_Lisa_Portrait_Leonardos_Personal_and_Political_Tribute_to_Isabella_Aragon_Sforza_the_Duchess_of_Milan">portrait’s heraldic designs</a>, which would be atypical for a silk merchant’s wife. He, too, suggests the painting shows Isabella mourning her late husband.</p> <p>The Mona Lisa’s enigmatic expression also captures Isabella’s self-described state post-1500 of being “<a href="https://onlinelibrary.wiley.com/doi/full/10.1111/1468-0424.12683">alone in misfortune</a>”. Contrary to representing a wealthy, recently married woman, the portrait exudes the aura of a virtuous widow.</p> <p>Late professor of art history <a href="https://brill.com/display/book/edcoll/9789004304130/B9789004304130_014.xml?language=en">Joanna Woods-Marsden</a> suggested the Mona Lisa transcends traditional portraiture and embodies Leonardo’s ideal, rather than being a straightforward commission.</p> <p>This perspective frames the work as a deeply personal project for Leonardo, possibly signifying a special connection between him and Isabella. Leonardo’s reluctance to part with the work also indicates a deeper, personal investment in it.</p> <h2>Beyond the canvas</h2> <p>The theory that Isabella of Aragon could be the true Mona Lisa is a profound reevaluation of the painting’s context, opening up new avenues through which to appreciate the work.</p> <p>It elevates Isabella from a figure overshadowed by the men in her life, to a woman of courage and complexity who deserves recognition in her own right.</p> <p>Through her strategic marriage and political savvy, <a href="https://www.scopus.com/record/display.uri?eid=2-s2.0-85147429412&amp;origin=resultslist">Isabella played a crucial role in the alliances and conflicts</a> that defined the Italian Renaissance. By possibly choosing her as his subject, Leonardo immortalised her and also made a profound statement on the complexity and agency of women in a male-dominated society.</p> <p>The ongoing debate over Mona Lisa’s identity underscores this work’s significance as a cultural and historical artefact. It also invites us to reflect on the roles of women in the Renaissance and challenge common narratives that minimise them.</p> <p>In this light, it becomes a legacy of the women who shaped the Renaissance.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/220666/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><em><a href="https://theconversation.com/profiles/darius-von-guttner-sporzynski-112147">Darius von Guttner Sporzynski</a>, Historian, <a href="https://theconversation.com/institutions/australian-catholic-university-747">Australian Catholic University</a></em></p> <p><em>Image credits: Xinhua News Agency/Shutterstock Editorial </em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/who-really-was-mona-lisa-more-than-500-years-on-theres-good-reason-to-think-we-got-it-wrong-220666">original article</a>.</em></p>

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Climate activists throw soup at Mona Lisa

<p>Two climate change activists have hurled soup at the bullet-proof glass protecting Leonardo da Vinci’s iconic painting, the Mona Lisa, at the Louvre Museum in Paris. </p> <p>On Sunday morning, local time, a video posted on social media showed two women throwing red and orange soup onto the glass protecting the painting to the shock of bystanders. </p> <p>The incident came amid days of protests by French farmers across the country demanding better pay, taxes, and regulations.</p> <p>The two women, with the words "FOOD RIPOSTE" or "Food Counterattack" written on their T-shirts,  managed to pass under the security barrier and stood in front of the painting, while shouting slogans for a sustainable food system.</p> <p>“What is more important? Art or the right to healthy and sustainable food?” they asked. </p> <p>“Your agricultural system is sick. Our farmers are dying at work,” they added, before the security put black panels in front of the painting, and asked visitors to evacuate the space. </p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="fr">ALERTE - Des militantes pour le climat jettent de la soupe sur le tableau de La Joconde au musée du Louvre. <a href="https://twitter.com/CLPRESSFR?ref_src=twsrc%5Etfw">@CLPRESSFR</a> <a href="https://t.co/Aa7gavRRc4">pic.twitter.com/Aa7gavRRc4</a></p> <p>— CLPRESS / Agence de presse (@CLPRESSFR) <a href="https://twitter.com/CLPRESSFR/status/1751538762687893894?ref_src=twsrc%5Etfw">January 28, 2024</a></p></blockquote> <p>On its website, the "Food Riposte" group said that the French government is breaking its climate commitments, and they demanded a state-sponsored health care system to be put in to give people better access to healthy food, while providing farmers with a decent income. </p> <p>The protests comes after the French government announced a series of measures for agricultural workers on Friday, which they believe do not fully address their demands. </p> <p><em>Image: Twitter</em><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;"> </span></p>

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Italian historian makes major Mona Lisa breakthrough

<p dir="ltr">A small town in Tuscany is revelling in excitement after it was claimed that a bridge in the backdrop of the Mona Lisa belongs to the town. </p> <p dir="ltr">Italian historian Silvano Vinceti determined that the bridge in the background of the most famous portrait in the world is in fact the Romito di Laterina bridge in the province of Arezzo: about 80km southeast of Florence. </p> <p dir="ltr">Leonardo da Vinci painted the masterpiece in Florence in the early 16th century, and ever since, it has been subject to disputes over the inspiration for the portrait. </p> <p dir="ltr">The identity of the woman in the painting - who is widely believed to be Lisa del Giocondo – has triggered as much speculation as the distant backdrop.</p> <p dir="ltr">Past theories have identified the bridge as Ponte Buriano, close to Laterina, as well as Ponte Bobbio in the northern Italian city of Piacenza.</p> <p dir="ltr">Using historical documents and drone images, and by making comparisons between the painting and photographs of the area, Vinceti said he is confident it was “the Etruscan-Roman bridge, Romito”.</p> <p dir="ltr">Vinceti told reporters in Rome that the most telling detail of the bridge’s identity is the number of arches. </p> <p dir="ltr">The bridge in Leonardo’s painting had four arches, as did the Romito. Ponte Buriano, on the other hand, has six arches, while Ponte Bobbio has more than six.</p> <p dir="ltr">Another telltale sign, according to Vinceti, is the fact that the bridge was once a “very busy, functioning bridge”, that provided a shortcut between Florence and Arezzo.</p> <p dir="ltr">Simona Neri, the mayor of Laterina, said Vinceti’s theory had caused a lot of excitement in the town of just over 3,500 people. </p> <p dir="ltr">She said, “We need to try to protect what’s left of the bridge.”</p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

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What’s so special about the Mona Lisa?

<p>Every day, <a href="https://www.nytimes.com/2018/04/27/arts/design/mona-lisa-instagram-art.html">thousands</a> of people from around the world crowd into a stark, beige room at Paris’s Louvre Museum to view its single mounted artwork, Leonardo da Vinci’s Mona Lisa. </p> <p>To do so, they walk straight past countless masterpieces of the European Renaissance. So why does the Mona Lisa seem so special? </p> <h2>The mystery of her identity</h2> <p>The story told by one of Leonardo’s first biographers, Giorgio Vasari, is that this oil portrait depicts Lisa Gherardini, second wife of a wealthy silk and wool merchant Francesco del Giocondo (hence the name by which it is known in Italian: La Gioconda). </p> <p>Leonardo likely commenced the work while in Florence in the early 1500s, perhaps when he was hoping to receive the commission to take on a massive wall painting of <a href="https://en.wikipedia.org/wiki/The_Battle_of_Anghiari_(Leonardo)">The Battle of Anghiari</a>.</p> <p>Accepting a portrait commission from one of the city’s most influential, politically-engaged citizens might well have helped his chances. A recently discovered marginal note by Agostino Vespucci, <a href="https://web.archive.org/web/20131105050239/http://www.ub.uni-heidelberg.de/Englisch/news/monalisa.html">one-time assistant to the diplomat and writer Niccolò Machiavelli,</a> records that Leonardo was working on a painting of “Lisa del Giocondo” in 1503.</p> <p>The Italian painter Raphael, a great admirer of Leonardo, leaves us a sketch from around 1505-6 of what seems to be <a href="https://www.wga.hu/frames-e.html?/html/r/raphael/7drawing/3/09drawin.html">this work</a>. When Leonardo later moved to France in 1516, he took this still unfinished work with him. </p> <p>However, art scholars have increasingly voiced doubts about whether the image in the Louvre can indeed be Vasari’s Lisa, for the style and techniques of the painting match far better Leonardo’s later work from 1510 onwards. </p> <p>Additionally, a visitor to Leonardo’s house in 1517 recorded seeing there a portrait of “a certain Florentine woman, done from life,” made “at the instance of the late magnificent Giuliano de Medici.” Medici was Leonardo’s patron in Rome from 1513 to 1516. Was our visitor looking at the same image Vasari and our marginal diarist describe as Lisa, or another portrait of a different woman, commissioned later? </p> <p>All in all, just who we are seeing in the Louvre remains one of the work’s many mysteries.</p> <h2>A portrait stripped bare</h2> <p>In comparison to many contemporary images of the elite, this portrait is stripped of the usual trappings of high status or symbolic hints to the sitter’s dynastic heritage. All attention is thus drawn to her face, and that enigmatic expression. </p> <p>Before the 18th century, emotion was more commonly articulated in painting through gestures of the hand and body than the face. But in any case, depictions of individuals did not aim to convey the same kinds of emotions we might look for in a portrait photograph today — think courage or humility rather than joy or happiness.</p> <p>Additionally, a hallmark of elite status was one’s ability to keep the passions under good regulation. Irrespective of dental hygiene standards, a broad smile in artworks thus generally indicated ill-breeding or mockery, as we see in Leonardo’s own study of Five Grotesque Heads.</p> <p>Our modern ideas about emotions leave us wondering just what Mona Lisa might have been feeling or thinking much more than the work’s early modern viewers likely did.</p> <h2>A 20th century phenomenon</h2> <p>In fact, there is a real question as to whether anyone before the 20th century thought much about the Mona Lisa at all. The historian <a href="https://books.google.com.au/books/about/Becoming_Mona_Lisa.html?id=L_3fPAAACAAJ&amp;source=kp_book_description&amp;redir_esc=y">Donald Sassoon has argued that much of the painting’s modern global iconic status</a> rests on its widespread reproduction and use in all manner of advertising.</p> <p>This notoriety was “helped” by its theft in 1911 by former Louvre employee, <a href="https://www.imdb.com/title/tt1816681/">Vincenzo Peruggia</a>. He remarkably walked out of the museum one evening after closing time with the painting wrapped in his smock coat. He spent the next two years with it hidden in his lodgings.</p> <p>Shortly after its return, the Dadaist Marcel Duchamp used a postcard of the Mona Lisa as the basis for his 1919 ready-made work, LHOOQ, initials that sound in French as “she has a hot ass”.</p> <p>Although not the first, it is perhaps among the best known examples of Mona Lisa parodies, along with <a href="https://web.archive.org/web/20091028014015/http://www.studiolo.org/Mona/MONA14.htm">Salvador Dali’s Self Portrait as Mona Lisa, 1954</a>.</p> <h2>Cultural furniture</h2> <p>From Duchamp and Dali, we have increasingly seen the Mona Lisa used as a trope. Balardung/Noongar artist <a href="https://artsearch.nga.gov.au/detail.cfm?irn=167350">Dianne Jones has reprised the work in her inkjet photographic portraits of 2005</a>, which are less pointed in their swipe at white European art and more luminous in their appropriation of Mona Lisa’s sense of dream-like plenitude. </p> <p>The painting appears as cultural furniture in the <a href="https://www.telegraph.co.uk/music/news/apeshit-beyonce-jay-zs-new-video-reinvented-louvre/">recent music video Apeshit, 2019, by Beyoncé and Jay Z</a>, in which they romp across the Louvre backed by a troupe of scantily clad dancers, striking Lady Hamilton-like poses in front of famous works of art.</p> <p>Apeshit itself closely imitates earlier works of contemporary high culture, not least French New Wave film director Jean-Luc Godard’s Bande à Part (Band of Outsiders), 1964, in which three friends, including Mona Lisa-like Anna Karina (Godard’s famous muse), meet up and run through the Louvre in record time.</p> <p>Meanwhile, the <a href="http://www.openculture.com/2018/03/when-german-performance-artist-ulay-stole-hitlers-favorite-painting.html">notorious theft of a work of art by German performance artist Ulay</a> in 1976, in which he removed the most famous (and kitsch) painting in the National Gallery in Berlin, Carl Spitzweg’s 1839 portrait of The Poor Poet, was a reprise of the theft of the Mona Lisa in 1911.</p> <p>Many contemporary artists have rubbished all the reverence surrounding bucket-list art visits such as that to the Mona Lisa. </p> <p>Recently, Belgian art provocateur Wim Delvoye (whose shit-producing machine, Cloaca, 2000, is one of the centrepieces of Hobart’s Museum of Old and New Art) installed Suppo (2012), a giant steel corkscrew suppository, under the Louvre’s central glass entry pyramid. This made it the first sighting of art in the museum to which the Mona Lisa’s visitors flock.</p> <p>Still, the mysteries of the Mona Lisa look set to intrigue us for years to come. It is precisely the breadth and depth of possible interpretations that makes her special. Mona Lisa is whoever we want her to be - and doesn’t that make her the ultimate female fantasy figure?</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/whats-so-special-about-the-mona-lisa-117180" target="_blank" rel="noopener">The Conversation</a>. </em></p>

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Mona Lisa voted the greatest artwork of all time

<p dir="ltr">The <em>Mona Lisa</em> has been voted the greatest artwork of all time in an extensive poll of British art enthusiasts. </p> <p dir="ltr">The survey found that the majority of Brits still consider the classics to be the greatest works of art, and that two thirds consider themselves “art lovers”. </p> <p dir="ltr">Leonardo da Vinci's masterpiece has been hailed the country's favourite piece of art, with 34 percent of Brits voting it number one.</p> <p dir="ltr">The <em>Mona Lisa</em> is widely regarded as the most iconic artwork, with millions travelling to the Louvre each year to see her elusive smile. </p> <p dir="ltr">Vincent Van Gough's <em>Sunflowers</em> was not far behind in second place, with the painting getting 32 percent of the vote.</p> <p dir="ltr">Painted in Arles, in the south of France, in 1888 and 1889, the series consists of five large canvases with sunflowers in a vase.</p> <p dir="ltr">Painted in Arles in the south of France in 1888 and 1889, the series consists of five large canvases with sunflowers in a vase, with it being said that the sunflower paintings had a special significance for Van Gogh, communicating gratitude.</p> <p dir="ltr">Third on the list of the most admired works of art was the ceiling of the Sistine Chapel.</p> <p dir="ltr">With six million visitors flocking to the Vatican every year to gaze at its beauty, the ceiling was painted in fresco by Michelangelo between 1508 and 1512, and is considered a cornerstone work of High Renaissance art.</p> <p dir="ltr">Other great works on the list included Antony Gormley's <em>The Angel of the North</em>, <em>Balloon Girl</em> by Banksy, Edward Munch’s <em>The Scream</em>, and <em>The Kiss</em> by Gustav Klimt. </p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

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Why is the Mona Lisa so famous?

<p dir="ltr">Since its creation in 1503, Leonardo da Vinci’s portrait of a Florentine woman has struck a chord around the world. </p> <p dir="ltr">The Mona Lisa has appeared in pop culture references from music, movies and even other artworks. </p> <p dir="ltr">Her global popularity has prompted people to try stealing and vandalising her, as well as drawing in crowds of millions of people each year. </p> <p dir="ltr">But why is the portrait, and the subject’s elusive smile, so enticing?</p> <p dir="ltr">History professor and recent Leonardo biographer Walter Isaacson argues that her fame is due to viewers emotionally engaging with her, while others claim that her mystery has helped make her notorious.</p> <p dir="ltr">Here are just a few reasons why the Mona Lisa is synonymous with modern art. </p> <p dir="ltr"><strong>We’re not sure who she is</strong></p> <p dir="ltr">Leonardo started the iconic portrait around 1503 when he was living in Florence, where the lady’s identity was never confirmed.</p> <p dir="ltr">The artist also didn’t leave any clues to her identity in the painting, like he did with other portraits of women. </p> <p dir="ltr">Early sources, such as 16th-century art historian Giorgio Vasari, who described the Mona Lisa in The Lives of the Most Excellent Painters, Sculptors, and Architects, claim she is Lisa Gherardini, the wife of Florentine silk merchant Francesco del Giocondo. </p> <p dir="ltr">There has never been any confirmation of these rumours, leaving Mona Lisa’s true identity a major mystery of the art world. </p> <p dir="ltr"><strong>She’s not like the others</strong></p> <p dir="ltr">Leonardo was known for experimentation and innovation, and the Mona Lisa is no exception.</p> <p dir="ltr">However, the iconic work did demonstrate the artist’s new understanding of facial musculature, which helped him produce the first known anatomical drawing of a smile.</p> <p dir="ltr">“In this work of Leonardo there was a smile so pleasing, that it was a thing more divine than human to behold,” Vasari wrote of the Mona Lisa. “It was nothing but alive.”</p> <p dir="ltr"><strong>She’s become an endless source of parodies</strong></p> <p dir="ltr">By 1914 the Mona Lisa had become highly recognizable, making her a ripe subject for appropriation.</p> <p dir="ltr">She has been parodied by artists including Fernand Léger, Philippe Halsman, Fernando Botero, Andy Warhol and many more. </p> <p dir="ltr">Following Andy Warhol’s rendition, the Mona Lisa started to cameo regularly in marketing campaigns. </p> <p dir="ltr">During the 1970s, she featured in around 23 new advertisements per year, and that number increased to 53 per year in the following decade.</p> <p dir="ltr"><strong>She’s a Parisian landmark</strong></p> <p dir="ltr">The Mona Lisa hangs behind bulletproof glass in a gallery of the Louvre Museum in Paris, where it has been a part of the museum's collection since 1804. </p> <p dir="ltr">It was part of the royal collection before becoming the property of the French people during the Revolution (1787–99).</p> <p dir="ltr">The Mona Lisa has regularly been on tour to major museums and galleries around the world, and is always welcomed back to Paris with immense fanfare. </p> <p dir="ltr">A leaked French Ministry of Culture report from 2018 disclosed, among other things, that even with all the masterpieces contained in the Louvre’s permanent collection, nine out of ten visitors claim they come to see the Mona Lisa and her familiar smile.</p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

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5 times the Mona Lisa was threatened

<p dir="ltr">Since the <em>Mona Lisa</em> began hanging in the Louvre Museum in Paris in 1804, many have attempted to either vandalise or steal the priceless artwork. </p> <p dir="ltr">Leonardo da Vinci’s <em>Mona Lisa</em> is widely considered one of the most beloved artworks in the world, with millions of people each year flocking to see her elusive smile. </p> <p dir="ltr">This level of fame has left the <em>Mona Lisa</em> vulnerable to threats of vandalism and theft, with five notable attempts leaving the artwork subject to much higher security. </p> <p dir="ltr"><strong>1911: The <em>Mona Lisa</em> is stolen</strong></p> <p dir="ltr">In 1911, Italian handyman Vincenzo Peruggia and his two accomplices hid in a closet in the Louvre until the museum closed to steal the <em>Mona Lisa</em>. </p> <p dir="ltr">The artwork, which was considered a minor work by da Vinci at the time, was taken by the men and stashed in the floorboards beneath Peruggia’s Paris apartment. </p> <p dir="ltr">Two years after the theft, Peruggia attempted to sell the work to a dealer in Florence, Italy, who inevitably called the police on the thief. </p> <p dir="ltr">Peruggia spent six months in prison and the painting was returned to the Louvre. </p> <p dir="ltr"><strong>1956: A rock is thrown at the <em>Mona Lisa</em></strong></p> <p dir="ltr">In the year of 1956, the <em>Mona Lisa</em> was vandalised twice by two different assailants. </p> <p dir="ltr">First, the vandal attempted to take a razor blade to the painting, though no damage ended up being inflicted. </p> <p dir="ltr">Then, a Bolivian man named Hugo Unjaga Villegas tossed a rock at the painting. </p> <p dir="ltr">“I had a stone in my pocket and suddenly the idea to throw it came to mind,” he said at the time.</p> <p dir="ltr">Thankfully, the painting was already behind glass, meaning the rock did no permanent damage. </p> <p dir="ltr"><strong>1974: The <em>Mona Lisa</em> is nearly damaged while on tour in Tokyo</strong></p> <p dir="ltr">When da Vinci’s masterpiece was on display for a limited time at the National Museum in Tokyo, 1.15 million people came to see the painting. </p> <p dir="ltr">One of those people was Tomoko Yonezu, a 25-year-old Japanese woman who tried to spray paint the canvas in red on its first day on view.</p> <p dir="ltr">In the days before the opening, the presentation had been the subject of discussion among disability activists, who claimed that in refusing access to those who needed assistance in the name of crowd control, the National Museum was discriminating against the disabled. </p> <p dir="ltr">In an act of defiance, Yonezu managed to spray between 20 and 30 droplets of paint on the artwork, which was able to be restored. </p> <p dir="ltr">Yonezu was convicted of a misdemeanour and made to pay a fine of 3,000 yen, as the National Museum set aside a day when the disabled could exclusively visit the <em>Mona Lisa</em>.</p> <p dir="ltr"><strong>2009: The <em>Mona Lisa </em>is hit with a teacup</strong></p> <p dir="ltr">On an otherwise ordinary day at the Louvre, a Russian woman came to the gallery in 2009 and smashed a teacup against the iconic artwork. </p> <p dir="ltr">She had come to the museum with the cup concealed in her bag, with representatives at Louvre claiming she had let loose because she had been denied French citizenship. </p> <p dir="ltr">Thanks once again to her glass case, the <em>Mona Lisa</em> was not damaged. </p> <p dir="ltr">Still, some took the attempted vandalism as proof that greater security was needed, as the Louvre eventually upgraded the glass on the <em>Mona Lisa</em> in 2019. </p> <p dir="ltr"><strong>2022: The <em>Mona Lisa </em>gets caked</strong></p> <p dir="ltr">In May 2022, the painting was targeted by climate change activists who <a href="https://oversixty.com.au/finance/legal/mona-lisa-gets-caked-in-climate-activist-stunt">smeared cake</a> on the protective glass of the artwork. </p> <p dir="ltr">The 36-year-old man who staged the vandalism had arrived at the museum in a wheelchair dressed as a woman, as some caught the aftermath of the event on video and posted it to social media. </p> <p dir="ltr">“There are people who are destroying the Earth,” the man said in one video, speaking in French. “All artists, think about the Earth. That’s why I did this. Think of the planet.”</p> <p dir="ltr">The man was immediately detained, and the Louvre has filed a criminal complaint, with the <em>Mona Lisa</em> once again remaining intact. </p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

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See inside the new experience exclusively for women

<p dir="ltr">Step into a lavish world of hobnobbing, wine and lavish food with your very own butler at the latest, most exclusive event from Tasmania’s Museum of Old and New Art (MONA).</p> <p dir="ltr">The <a href="https://mona.net.au/stuff-to-do/experiences/ladies-lounge" target="_blank" rel="noopener">High Tea for Two</a>, held in the museum’s opulent Ladies Lounge, was created by artist and curator Kirsha Kaechele and is an experience only available for women.</p> <p dir="ltr">Kaechele was inspired by the ladies-only parties thrown by her great-grandmother “Tootsie”, a scandalous socialite, which involved a fleet of dancing butlers, 400-year-old wines, and occasional visits from Spanish painter Pablo Picasso.</p> <p><span id="docs-internal-guid-ca9dc0e3-7fff-0da4-fed8-74061b30baa3"></span></p> <p dir="ltr">With a dress code of green, gold, black and white finery, you can expect to be greeted by your butler with elbow-length velvet gloves and extravagant jewellery for you to wear, followed by a 12-course high tea in the chandelier-lit lounge where works from Picasso are among those donning the walls.</p> <p dir="ltr"><img src="https://oversixtydev.blob.core.windows.net/media/2022/06/mona-tea1.jpg" alt="" width="1280" height="720" /></p> <p dir="ltr"><em>The High Tea for Two is inspired by the women-only parties held by its creator’s great-grandmother. Images: MONA</em></p> <p dir="ltr">Though the lounge is open to any women visiting the museum, high tea sessions are restricted to just two ladies, your butler Hepburn, his sidekick “Robinson”, and a blindfolded saxophonist - making you part of the artwork that others can observe.</p> <p dir="ltr">The two-hour experience runs twice daily (11am and 2.30pm) on Saturdays and Sundays, with the total $500 package including nibbles, matched drinks, butler service and museum entry.</p> <p dir="ltr">To book your experience, head <a href="https://culturalattractionsofaustralia.com/experiences/high-tea-for-two/" target="_blank" rel="noopener">here</a>.</p> <p dir="ltr"><span id="docs-internal-guid-26d1fd6d-7fff-2a06-fd6c-6dd19be4bd31"></span></p> <p dir="ltr"><em>Image: MONA</em></p>

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Mona Lisa gets caked in climate activist stunt

<p>The Mona Lisa has been targeted by vandals, when a visitor at the Louvre museum in Paris smeared frosting all over the Renaissance-era painting’s protective glass.</p> <p>The man posed as an elderly visitor in a wheelchair and a wig as he approached the painting, before throwing a piece of cake at the famous artwork, according to a statement from the Louvre.</p> <p>The vandal then walked away from the scene before being approached by security. </p> <p>“A visitor simulated a disability in order to use a wheelchair to approach the work, which was installed in a secure display case,” the statement noted.</p> <p>“The Louvre applied its usual procedures for people with reduced mobility, allowing them to admire this major work of art."</p> <p>“While standing near the painting, this individual threw a pastry he had hidden in his personal belongings at the Mona Lisa’s glass case."</p> <p>“This act had no effect on the painting, which was not damaged in any way.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Can anybody translate what ole dude was saying as they where escorting him out?😂 <a href="https://t.co/Uy2taZ4ZMm">pic.twitter.com/Uy2taZ4ZMm</a></p> <p>— Lukeee🧃 (@lukeXC2002) <a href="https://twitter.com/lukeXC2002/status/1530940469492035584?ref_src=twsrc%5Etfw">May 29, 2022</a></p></blockquote> <p>A spokesperson clarified that visitors in wheelchairs are allowed to move in front of other museum-goers to better see the artworks. </p> <p>The 36-year-old man was arrested and taken to a psychiatric infirmary in the police headquarters, according to the Paris prosecutor’s office.</p> <p>An investigation has been opened by the prosecutor for “the attempt of damaging a cultural property”.</p> <p>In a video shared by a museum-goer to Twitter, the man is heard yelling in French, “Think of planet Earth, there are people destroying it” while security escorts the man, with rose petals scattered on the floor of the museum.</p> <p>Leonardo da Vinci’s masterpiece, arguably the most famous painting in the world, draws millions of visitors each year to see her enigmatic smile. </p> <p><em>Image credits: Twitter @klevisl007</em></p>

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Can new lighting save the Mona Lisa?

<div class="copy"> <p>Next time you’re in a museum or art gallery, observe each painting a little more closely. You may notice cracks on the surface of the canvas, especially if the painting is very old.</p> <p>The damage you see is caused by radiant energy striking the painting’s surface – and light (visible radiation) causes irreversible damage to artwork.</p> <p>However, all is not lost. <a rel="noopener" href="https://doi.org/10.1080/15502724.2018.1533852" target="_blank">Our new research</a> shows that optimised smart lighting systems can reduce damage to paintings while preserving their colour appearance.</p> <h2>The dilemma</h2> <p>Damage to artwork by infrared, ultraviolet and visible radiation is <a rel="noopener" href="http://www.cie.co.at/publications/control-damage-museum-objects-optical-radiation" target="_blank">well documented</a>. When a photon (an elementary light particle) is absorbed by a pigment in paint, the pigment molecule elevates to a higher energy state. In this excited state, the molecule’s chemical composition changes. This is called a photochemical action.</p> <p>Viewed from the human perspective, the photochemical action manifests itself as cracks, discolouration, or surface hardening.</p> Not surprisingly, daylight, which includes infrared and ultraviolet radiation, is highly damaging to paintings. In museums, it is common practice to use incandescent, and more recently, light emitting diodes (LEDs), to reduce damage. <p>However, a group of researchers <a rel="noopener" href="http://www.vangogh.ua.ac.be/" target="_blank">showed</a> that light can cause colour degradation regardless of the lighting technology. Bright yellow colours in Van Gogh’s famous Sunflowers are turning dark brown due to absorption of blue and green light from LEDs. Research on the conservation of artwork makes it look like this is a losing battle.</p> <p>Of course, you will be right in thinking that the best conservation method would be the complete absence of light. But we need light for visibility and to appreciate the beauty of a painting.</p> <p>This leaves us with a dilemma of two conflicting parameters: visibility and damage.</p> <h2>Light optimisation</h2> <p>Lighting technology in itself may not be enough to tackle this dilemma. However, the way we use technology can make a difference.</p> <p>Our approach to address this problem is based on three key facts:  </p> <ol> <li>light triggers photochemical actions only when it is absorbed by a pigment</li> <li>the reflectance factor of a pigment (its effectiveness in reflecting light) determines the amount of light absorption</li> <li>light output (composition of the light spectrum, and the intensity of the light) of lighting devices, such as LEDs, can be fine-tuned.</li> </ol> <p>It is possible to measure the reflectance factor of a painting and optimise lighting to reduce absorption. Previous research <a rel="noopener" href="https://www.osapublishing.org/oe/abstract.cfm?uri=oe-23-11-A456" target="_blank">shows</a> that optimising light to lessen absorption can reduce energy consumption significantly, and with <a rel="noopener" href="https://www.osapublishing.org/oe/abstract.cfm?uri=oe-25-11-12839" target="_blank">no loss</a> in visual experience. Objects look equally natural and attractive under optimised light sources compared to regular white light sources.{%recommended 8046%}</p> <p>In this new study, we optimised LEDs for five paintings to reduce light absorption. Using a <a rel="noopener" href="https://ieeexplore.ieee.org/abstract/document/996017" target="_blank">genetic algorithm</a> (an artificial intelligence technique), we reduced light absorption between 19% and 47%. Besides the benefits for the painting, this method almost halved the energy consumed by lighting.</p> <p>In addition to increased sustainability and art conservation, the colour quality of the paintings was another parameter in our optimisation process. Colour appearance and brightness of paintings were held constant not to lower the appreciation of the artwork.</p> <p>This is possible due to a quirk in our visual system. Photoreceptor cone cells, the cells in our retinas which enable human colour vision, are not equally sensitive to the whole visible spectrum.</p> <p>Different combinations of wavelength and intensity can result in identical signals in our brain. <a rel="noopener" href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC1331666/?page=1" target="_blank">This understanding</a> gives us the flexibility of using different light sources to facilitate identical colour appearances.</p> <p>This smart lighting system requires scanning of the artwork to obtain colour information. Then, a <a rel="noopener" href="https://doi.org/10.1117/12.2281482" target="_blank">precise projection system</a> emits optimised lighting to the painting.</p> <p>This method offers a solution to extend the lifetime of works of art, such as the world-famous Mona Lisa, without leaving them in the dark.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: http://theconversation.com/republishing-guidelines --></p> <p><em>Image credits: Getty Images</em></p> </div> <div id="contributors"> <p><em>This article was originally published on <a rel="noopener" href="https://cosmosmagazine.com/technology/can-new-lighting-save-the-mona-lisa/" target="_blank">cosmosmagazine.com</a> and was written by The Conversation. </em></p> </div>

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13 strangest unsolved mysteries of the art world

<p><strong>Did Leonardo da Vinci really paint Salvator Mundi?</strong></p> <p><span>The painting, Salvator Mundi, sold at Christie’s in 2017 for an eye-popping $450 million, in large part because it was attributed to Leonardo da Vinci. But some art experts, including Oxford art historian Matthew Landrus, believe that only 20 percent of the painting was completed by Leonardo himself. </span></p> <p><span>Citing artistic details and painting techniques evident in the brushwork, Landrus suspects the rest of the painting was done by Leonardo’s assistant, Bernardino Luini. Bernardino’s work has never fetched more than $654,545. </span></p> <p><span>Adding fuel to the fire, it’s thought that da Vinci completed a mere 15 paintings in his lifetime.</span></p> <p><strong>Are these watercolours really by Adolf Hitler?</strong></p> <p><span>Even though Adolf Hitler was rejected from art school, he did quite a bit of painting in his youth. And there are people in the world who’d pay good money (anywhere from $150 to $51,000) to acquire the artistic efforts of der Führer, art being subjective after all. </span></p> <p><span>But recently, German prosecutors confiscated 63 paintings signed “A. Hitler” on suspicion of forgery. The jury is out (figuratively) on their authenticity, and verification is apparently extremely challenging.</span></p> <p><strong>The scandalous death of Joseph Boehm</strong></p> <p><span>Sir Joseph Boehm was a prolific Victorian-age sculptor credited with, among other things, creating the British Victoria-head coin. In 1890, at the age of 56, Boehm died suddenly of a stroke in his studio, but he wasn’t alone when he died. </span></p> <p><span>He was with Queen Victoria’s sixth daughter, Princess Louise, a sculptor herself. Many believe his death occurred in the midst of a sexual encounter with Louise. Historians, including Lucinda Hawksley, author of <em>Queen Victoria’s Mysterious Daughter: A Biography of Princess Louise</em>, believe Louise and Joseph had been engaged in a long-time affair.</span></p> <p><strong>The shooting death of Vincent Van Gogh</strong></p> <p><span>Dutch post-impressionist painter Vincent Van Gogh died at age 37 as a result of a gunshot wound at close range, and although it’s long been assumed the emotionally unstable artist committed suicide, there’s always been debate as to whether he was actually shot by a 16-year-old schoolboy. </span></p> <p><span>The movie <em>At Eternity’s Gate</em>, starring Willem Dafoe as the tortured artist, argues that it was not suicide, but it also wasn’t murder, but rather an unfortunate accident, a view put forth by others, including forensic expert, Dr Vincent Di Maio.</span></p> <p><strong>What's the David sculpture holding in his right hand?</strong></p> <p><span>Michelangelo Buonarroti sculpted the magnificent David with a sling in his left hand, leading to the presumption Michelangelo envisioned the biblical figure as a lefty. </span></p> <p><span>But some experts believe David’s right hand tells the more important story: it is disproportionately oversized, which some speculate is a nod to David’s having been “strong of hand.” </span></p> <p><span>And some point to the bulging veins in the hand and surmise David is gripping something tightly, which may or may not be another weapon.</span></p> <p><strong>Why did Caravaggio kill?</strong></p> <p><span>The artist, Caravaggio, was known as a troublemaker. For starters, in 1596, he killed another man during a brawl in Rome. </span></p> <p><span>No one knows what led to the brawl, although possibilities include money, sports, and romantic jealousy, but what’s even more mysterious is whether Caravaggio spent the rest of his life expressing his guilt through his paintings, some of which art historians believe contain thinly veiled confessions. </span></p> <p><span>These include his painting of the murder of St. John the Baptist and his depiction of a despondent Goliath as Caravaggio himself.</span></p> <p><strong>Was Caravaggio the victim of lead poisoning?</strong></p> <p><span>But maybe his violent tendencies weren’t Caravaggio’s fault exactly; maybe, just maybe, he was a victim of lead poisoning, which is known to cause changes to the nervous system. </span></p> <p><span>This position is supported by scientists who analysed his bones and determined with 85 percent certainty that Caravaggio had enough lead in his system to make him behave erratically and to ultimately cause his death. </span></p> <p><span>If this is true, the lead most likely came from the paints Caravaggio was using, especially since he was notoriously messy with them.</span></p> <p><strong>Did Rembrandt reveal a murder plot in one of his paintings?</strong></p> <p><span>Rembrandt’s painting, <em>The Night Watch</em>, depicts a civilian militia rousing to action in the middle of the night. But some, including the director and artist, Peter Greenaway, believe the painting is “really an exposé of a murder – of one officer by another.” </span></p> <p><span>It’s a theory he supports with 20 points – all visual and based on the painting – in his films, <em>Night Watching</em> and <em>Rembrandt J’Accuse</em>.</span></p> <p><strong>Who is the man hidden under Picasso's <em>The Blue Room</em>?</strong></p> <p>In 2014, scientists announced they found, hidden beneath the surface of Pablo Picasso’s The Blue Room, a portrait of a man wearing a bow tie, his chin resting on his hand.</p> <p>It’s not all that unusual for an artist to reuse a canvas, but what’s mysterious is the identity of the man. Some speculate he might be the art dealer who hosted Picasso’s first show in 1901 (Ambroise Vollard). What’s known for sure is that it is not a self-portrait.</p> <p><strong>Is there another woman hidden beneath the Mona Lisa?</strong></p> <p><span>In 2017, French scientist Pascal Cotte revealed he’d discovered the hidden image of a woman beneath the surface of Leonardo da Vinci’s Mona Lisa. </span></p> <p><span>It had taken him more than a decade of examination and analysis and has led to speculation about who the woman might be. Cotte has said it’s another woman from Florence, Pacifica Brandano. But not only is the jury out on that, not all experts even agree there’s actually a different woman depicted. </span></p> <p><span>Some believe what Cotte discovered is nothing more than a painter’s “first draft” of the finished product.</span></p> <p><strong>Who pulled off the Isabella Stewart Gardner Museum Heist?</strong></p> <p><span>In 1990, 13 works of art worth approximately $500 million were stolen from the Isabella Stewart Gardner Museum in Boston in a robbery perpetrated by two men posing as law enforcement officers. </span></p> <p><span>“Despite some promising leads in the past, the… theft…remains unsolved,” the Museum states on its website. In fact, the Museum is offering a $10 million reward for information leading directly to the recovery of the art, plus a separate reward of $100,000 for the return of one specific piece.</span></p> <p><strong>Where is the missing art from the Rotterdam heist?</strong></p> <p><span>In 2012, thieves broke into the Kunsthal Museum in Rotterdam and made off with seven paintings, including works by Picasso, Monet and Gauguin. </span></p> <p><span>Four Romanian men were arrested and convicted of the theft in 2013, but no one knows what happened to the stolen artworks. The mother of one of the thieves confessed to burning the paintings but then retracted her confession. </span></p> <p><span>In 2018, someone planted a very realistic looking Picasso-esque painting beneath a rock in a forest in Romania, but it was discovered to be fake. The paintings remain missing.</span></p> <p><strong>Who is Banksy?</strong></p> <p><span>The artist, Banksy, has been around since the early 1990s, creating striking and highly recognisable street art in public places. </span></p> <p><span>Y</span><span>et their identity remains a mystery. Who is Banksy? “Over the years several different people have attempted to ‘unmask’ Banksy,” writes Artnet, in its 2016 analysis of ten popular theories, to which street artist Carlo McCormick, contributed his own opinions (could he be Banksy?).</span></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared in <a rel="noopener" href="https://www.readersdigest.co.nz/uncategorized/13-strangest-unsolved-mysteries-of-the-art-world?pages=1" target="_blank">Reader's Digest</a>. </em></p>

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7 Mysteries of the Mona Lisa

<p>As the most famous painting in the world, the Mona Lisa draws more than six million admirers to the Louvre each year. Just what is her peculiar power?</p> <p><strong>Monda Lisa mystery #1: Who was Mona Lisa?</strong></p> <p><img style="width: 0px; height: 0px;" src="/nothing.jpg" alt="" data-udi="umb://media/96ac8753d46042ba935d8ca973208772" /><img style="width: 500px; height: 359.5679012345679px;" src="https://oversixtydev.blob.core.windows.net/media/7844235/mona-lisa-um.jpg" alt="" data-udi="umb://media/96ac8753d46042ba935d8ca973208772" /></p> <p>Over the past century, it has been proposed that Mona Lisa was a noblewoman – Isabella d’Este, Marquise of Mantua, or Costanza d’Avalos, Duchess of Francavilla. Others have stared at that unsettling visage and seen the face of a man – Leonardo da Vinci himself, or the man who was for 20 years his assistant (and perhaps his lover), Gian Giacomo Caprotti. There is even a theory that the picture may have started out as a portrait from life but, over the years that Leonardo worked on it, evolved into an abstract vision of the feminine ideal.</p> <p>These days, most experts agree that the Mona Lisa is a portrait of Lisa Gherardini del Giocondo, wife of a Florentine silk merchant named Francesco del Giocondo (hence the name by which she is known in Italy and France, La Gioconda, or La Joconde). When she sat for Leonardo da Vinci, in around 1503, she was about 24 years old. Her <em>contrapposto</em> pose – with the body angled away from the viewer, head turned forward – was widely admired and copied by Leonardo’s contemporaries. And his<em> sfumato</em> technique, where sharp edges are blurred to create an uncannily lifelike effect, was seen as a brilliant technical innovation, very unlike the slightly frozen human figures of earlier, lesser painters.</p> <p><strong>Mona Lisa mystery #2: The hidden initials</strong></p> <p>In 2010, Silvano Vinceti, chairman of Italy’s National Committee for Cultural Heritage, claimed to have discerned letters minutely painted on Mona Lisa’s eyes: L and V (Leonardo da Vinci’s initials) in the right eye, and perhaps C, E or B in the left. The Louvre responded that Vinceti’s letters were simply microscopic cracks in the paint.</p> <p><strong>Mona Lisa mystery #3: The broken backdrop</strong></p> <p><img style="width: 0px; height: 0px;" src="/nothing.jpg" alt="" data-udi="umb://media/d24b5d5c75c44f5aa5f5219632097fab" /><img style="width: 500px; height: 281.5442561205273px;" src="https://oversixtydev.blob.core.windows.net/media/7844236/mona-lisa-backdrop-um.jpg" alt="" data-udi="umb://media/d24b5d5c75c44f5aa5f5219632097fab" /></p> <p>The distant, dreamlike vista behind Mona Lisa’s head seems to be higher on the right-hand side than on the left. It is hard to see how the landscape would join up. This is subliminally unsettling: Mona Lisa appears taller, more erect, when one’s gaze drifts to the left than when it is on the right.</p> <p><strong>Mona Lisa mystery #4: The bewitching smile</strong></p> <p>In 2000, scientists at Harvard University suggested a neurological explanation for Mona Lisa’s elusive smile. When a viewer looks at her eyes, the mouth is in peripheral vision, which sees in black and white. This accentuates the shadows at the corners of her mouth, making the smile seem broader. But the smile diminishes when you look straight at it. It is the variability of her smile, the fact that it changes when you look away from it, that makes her seem so alive, so mysterious.</p> <p><strong>Mona Lisa mystery #5: The unknown bridge</strong></p> <p><img style="width: 0px; height: 0px;" src="/nothing.jpg" alt="" data-udi="umb://media/2138f0c4b92d42fd8502466377e2c2b8" /><img style="width: 500px; height: 280.97982708933716px;" src="https://oversixtydev.blob.core.windows.net/media/7844234/mona-lisa-3-bridge-um.jpg" alt="" data-udi="umb://media/2138f0c4b92d42fd8502466377e2c2b8" /></p> <p>The Mona Lisa’s background landscape seems unreal, but the bridge might be one that Leonardo knew. It is usually said to be Ponte Buriano in Tuscany, but in 2011, a researcher claimed it depicts the Bobbio Bridge over the Trebbia, which was washed away in a flood in 1472.</p> <p><strong>Mona Lisa mystery #6: Da Vinci’s obsession</strong></p> <p>Leonardo da Vinci worked on the painting for four years, and possibly at intervals after that. He always took it with him when he travelled, and he never signed or dated it. The picture went with him when, towards the end of his life, he moved to France.</p> <p>It was sold to his last patron, King François I, and remained out of sight in the royal collection for almost 200 years. In 1799 Napoleon came across the painting and commandeered it for his bedroom. Only in 1804 did the Mona Lisa go on public display – in the newly founded Louvre Museum.</p> <p>At that time, it was not seen as particularly interesting, but in the middle of the 19th century Leonardo’s stock as an artist slowly rose. He came to be seen as the equal of the two acknowledged Renaissance greats, Michelangelo and Raphael. This new interest in Leonardo as a painter drew attention to his few known works.</p> <p><strong>Mona Lisa mystery #7: Was Mona Lisa unwell?</strong></p> <p>Mona Lisa has often been scrutinised by medical experts. In 2010, an Italian doctor looked at the swelling around her eyes and diagnosed excess cholesterol in her diet. Other conditions ascribed to her include facial paralysis, deafness, even syphilis.</p> <p>More happily, it has been suggested that the look of contentment on her face indicates she is pregnant. Dentists have also posited bruxism, compulsive grinding of the teeth; or that the line of her top lip suggests that her front teeth are missing – which, along with the faintest hint of a scar on her lip, raises the possibility that she was a victim of domestic violence.</p> <p>Jungians have seen her as an accomplished representation of the anima, the female archetype that resides in each one of us. It seems that almost any condition can be read into that puzzling face.</p> <p><em><sub>From Great Secrets of History © 2012. The Reader’s Digest Association, inc.</sub></em></p> <p><em>This article originally appeared on </em><em><a href="https://www.readersdigest.com.au/true-stories-lifestyle/entertainment/mysterious-mona-lisa">Reader’s Digest</a></em></p> <p><em>Images: Reader’s Digest</em></p> <p><em> </em></p>

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France told to sell Mona Lisa to cover coronavirus losses

<p>France should offset its financial losses from the coronavirus pandemic by selling Leonardo da Vinci’s masterpiece Mona Lisa for at least €50 billion, a tech CEO has suggested.</p> <p>Stephane Distinguin, founder and CEO of tech company Fabernovel, told <em>Usbek &amp; Rica </em>magazine that the country should “sell the family jewellery” to help deal with the “unfathomable” crisis.</p> <p>“Day after day, we list the billions engulfed in this slump like children counting the fall of a stone into a well to measure its depth,” Distinguin said.</p> <p>“We are still counting, and this crisis seems unfathomable.</p> <p>“As an entrepreneur and a taxpayer, I know that these billions are not invented and that they will necessarily cost us. An obvious reflex is to sell off a valuable asset at the highest price possible, but one that is the least critical as possible to our future.”</p> <p>Distinguin said France has “a lot of paintings”, which are “easy to move and therefore to hand over”.</p> <p>He said: “In 2020, we have to get the money where it is. So sell family jewellery … The price is the crux of the matter and the main subject of controversy. The price has to be insane for the operation to make sense.”</p> <p>The 46-year-old also suggested that the 16th century Italian Renaissance painting could be “tokenised” with a form of cryptocurrency, allowing it to be shared between countries around the world.</p> <p>“It would be like a big global subscription,” he said. “Legally and technically, this solution would have many advantages: it would allow France and the Louvre to keep control of the painting.”</p> <p>The <a href="https://www.imf.org/en/Publications/WEO/Issues/2020/04/14/weo-april-2020">International Monetary Fund</a> expected France’s GDP to contract by 7.2 per cent in 2020 as a result of the coronavirus outbreak. Many French tourism operators also <a href="https://www.forbes.com/sites/tamarathiessen/2020/05/02/forget-french-travel-this-year-tourism-operators-warn/#4719c0b554bd">fear the country will remain off-limits to international visitors this year</a>.</p>

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Female and male models used for Mona Lisa

<p>Mona Lisa's enigmatic smile draws millions of viewers from across the world, all eager to see the art world's most famous female face. But is it?</p> <p>An Italian art detective is arguing that research backs his long-standing claim that Leonardo Da Vinci used both a female and male model to create the acclaimed portrait that hangs in Paris' Louvre museum.</p> <p>While the identity of the woman is not certain, historians believe Lisa Gherardini, the wife of Florentine silk merchant Francesco del Giocondo, sat for Da Vinci for the painting.</p> <p>But Silvano Vinceti, who heads Italy's National Committee for the Promotion of Historic and Cultural Heritage, says he used infrared technology to examine the painting and made key findings in its first layer.</p> <p>“In that layer we can see that she was not smiling and joyful but looked melancholic and sad,” he said, adding the second model was Gian Giacomo Caprotti - Da Vinci's male apprentice, known as Salai.</p> <p>Using Photoshop, Vinceti compared the Mona Lisa face to other Da Vinci works Salai is believed to have posed for, including St John the Baptist.</p> <p>“We have used all the paintings in which Leonardo used Salai as a model and compared them to the Mona Lisa and certain details correspond perfectly; so he used two models and added creative details which came from his own imagination,” he said.</p> <p>“I believe that this goes with a long-time fascination of Leonardo's, that is, the subject of androgyny. In other words, for Leonardo, the perfect person was a combination of a man and a woman.”</p> <p>Vinceti also bases his theory on claims by 16th Italian art historian and painter Giorgio Vasari that Gherardini's husband hired clowns to try to make her smile for the sitting.</p> <p>Salai's name has in the past been linked to the Mona Lisa, but other historians have dismissed the claims.</p> <p>Have you ever seen the Mona Lisa? What did you think about Da Vinci’s masterpiece? Share your thoughts in the comment section below.</p> <p><em>First appeared on <a href="http://Stuff.co.nz" target="_blank"><strong><span style="text-decoration: underline;">Stuff.co.nz.</span></strong></a></em></p> <p><strong>Related links:</strong></p> <p><a href="/entertainment/art/2016/04/the-highest-selling-artworks-of-all-time/"><span style="text-decoration: underline;"><em><strong>The highest selling artworks of all time</strong></em></span></a></p> <p><a href="/entertainment/art/2016/01/classic-art-reimagined-in-modern-times/"><span style="text-decoration: underline;"><em><strong>Artists reimagines classical paintings in modern times</strong></em></span></a></p> <p><a href="/entertainment/art/2015/12/artists-childhood-photos/"><strong><span style="text-decoration: underline;"><em>Famous artists share their childhood photos</em></span></strong></a></p>

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Is there a painting hidden beneath the Mona Lisa?

<p>A French scientist has claimed to have discovered a hidden portrait under the Mona Lisa.</p> <p>Pascal Cotte, co-founder of Lumiere Technology in Paris, claims he has used reflective light technology to uncover an image of another woman under Leonardo Da Vinci’s masterpiece.</p> <p>Mr Cotte suggest that the other woman in the painting is assuming a different post to the Mona Lisa’s direct, enigmatic gaze, instead looking off to the side slightly and not smiling.</p> <p>While Mr Cotte’s research takes nothing away from the beauty of the painting, it has the potential to raise a few questions for art historians interested in the identity of the Mona Lisa’s subject.</p> <p><img width="300" height="441" src="https://oversixtydev.blob.core.windows.net/media/11917/mona-lisa.jpg" alt="Mona Lisa" style="display: block; margin-left: auto; margin-right: auto;"/></p> <p>Mona Lisa’s identity is ultimately as mystery, but it is widely believed that she was Lisa Gherardini, the wife of a Florentine silk merchant. Mr Cotte’s research suggests otherwise.</p> <p>"When I finished the reconstruction of Lisa Gherardini, I was in front of the portrait and she is totally different to Mona Lisa today. This is not the same woman," Mr Cotte told the BBC.</p> <p>The Louvre Museum declined to comment on Mr Cotte’s claims because it "was not part of the scientific team". Art historians are also sceptical of the discovery.</p> <p>"They [Cotte's images] are ingenious in showing what Leonardo may have been thinking about. But the idea that there is that picture as it were hiding underneath the surface is untenable," said Martin Kemp, Emeritus Professor of the History of Art at the University of Oxford "I do not think there are these discrete stages which represent different portraits. I see it as more or less a continuous process of evolution. I am absolutely convinced that the Mona Lisa is Lisa." </p> <p><strong>Related links:</strong></p> <p><a href="http://www.oversixty.co.nz/entertainment/art/2015/12/forger-claims-he-created-da-vinci-portrait/"><span style="text-decoration: underline;"><em><strong>Forger claims he is the artist behind $200 million da Vinci painting</strong></em></span></a></p> <p><a href="http://www.oversixty.co.nz/entertainment/art/2015/12/preserve-tattoos-after-you-die/"><span style="text-decoration: underline;"><em><strong>One can now keep tattoos forever</strong></em></span></a></p> <p><a href="http://www.oversixty.co.nz/entertainment/art/2015/11/fulvio-obregon-contrasting-celebrity-drawings/"><span style="text-decoration: underline;"><em><strong>Celebrities drawn next to their younger selves</strong></em></span></a></p>

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