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Showy, impractical to play, and looks like the 1980s: why we keep falling for the keytar

<p><em><a href="https://theconversation.com/profiles/paul-mac-mcdermott-1439419">Paul (Mac) McDermott</a>, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a></em></p> <p>This year, Perth synth-metal band Voyager finally succeeded in their long-running dream of representing Australia at Eurovision. After multiple attempts, they were directly chosen by the post-Australia Decides <a href="https://www.sbs.com.au/news/article/australias-voyager-though-to-eurovision-grand-final-how-did-they-get-into-the-contest/wancd9kyf">“committious mysterious”</a> and hopped on the long haul to Liverpool.</p> <p>They did not disappoint, making it through to the final. Their song, Promise, was voted ninth by an adoring fanbase. Not bad indeed!</p> <p>But what even is synth-metal?</p> <p>Traditionally, synths in metal, particularly onstage, were generally frowned upon and seen as a sign of inauthenticity. In the 1990s, I swore allegiance to baggy clothes, instrumental techno and synthesisers. The black t-shirt-wearing grunge fans worshipped guitar riffs, screamo lyrics and mosh pits.</p> <p>We kept in our lanes and followed the rules.</p> <p>Voyager’s proud embrace of synthesisers reject this rather 1990s separation and return metal to the melodic pomp of Van Halen’s <a href="https://www.youtube.com/watch?v=SwYN7mTi6HM">Jump</a> or Europe’s <a href="https://www.youtube.com/watch?v=9jK-NcRmVcw">The Final Countdown</a>. The band can still rock hard, but like the taco ad says, “Why not both?”</p> <p>If you were coming to the finals fresh, Promise followed the classic Eurovision three-act strategy to maximum effect.</p> <figure><iframe src="https://www.youtube.com/embed/GSoy_mJMlMY?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>Beginning with synthesised staccato pulses playing rich harmonic progressions, it feels like a classic Euro-trance anthem, not unlike the Swedish winner, <a href="https://www.youtube.com/watch?v=BE2Fj0W4jP4">Tattoo</a>. We find lead singer Daniel Estrin onstage driving his 1980s convertible, hair half-shaved and half in luscious locks. His mysterious passenger, bathed in neon – a red keytar.</p> <h2>A what? I haven’t seen one of those in ages!</h2> <p>The word “keytar” is a portmanteau of keyboard and guitar. It looks like a keyboard but is hung around the neck and played like a guitar.</p> <p>The first verse of Voyager’s song begins its ascent, “if you haven’t ever done anything like this before then you haven’t been alive”.</p> <p>I suppose not – I really need to get out with my keytar more often, this looks like fun.</p> <p>The keytar stays in its seat as the band rolls through stadium rock, synchronised guitar swings, hard drum hits and distorted guitar stabs. In the second act, Voyager are now death metal.</p> <p>It’s deep growls, drop-tuned power riffs, and scattergun kick drums. The audience’s collective mind explodes.</p> <p>After one more melodic pre-chorus, it’s time for the third and final act. With one boot threatening to scratch the duco of the car, the lead guitar solo lifts us up to melodic rock heaven.</p> <p>But wait. For the second half, Estrin grabs the red keytar and joins in. He throttles its neck and finishes with a lightning-fast arpeggiated flourish that ELO’s Jeff Lynne would be proud of.</p> <p>The finale repeats and ascends until we all rise to metal nirvana. A quick, traditional pyro-pop ends it all. That was truly genius!</p> <p>The power of the keytar is restored.</p> <h2>An instrument of mixed feelings</h2> <p>The keytar tends to be loved or loathed. Created in the late 1970s and popularised throughout the 1980s, it looks like a product of its time.</p> <p>Made of shiny plastic, shaped like the future, it’s showy and rather impractical to play.</p> <p>If you want to play chords, it is easier to play them on a horizontal keyboard, like a traditional synthesiser.</p> <p>The primary advantage of the keytar is portability and pose-striking. Like its distant ancestor, the piano accordion, a player is free to move around, finally free of the horizontal grip of gravity.</p> <figure><iframe src="https://www.youtube.com/embed/6TltAi_XbHY?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>Most guitarists thought of it as a joke, whereas new-wave synth players saw it as a cool accessory to their modern sound and fashion-forward hair.</p> <p>This was the future, as viewed from 1980.</p> <p>One early adoptor was Edgar Winter. His instrumental track <a href="https://www.youtube.com/watch?v=P8f-Qb-bwlU">Frankenstein</a> topped the Billboard chart in 1973. A multi-instrumentalist who played guitar, sax, percussion and keyboards, he took conventional synths and simply added shoulder straps to wear them like a guitar.</p> <p>While this is a cool look, it is not great for the spine.</p> <figure><iframe src="https://www.youtube.com/embed/P8f-Qb-bwlU?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>The first manufactured keytars were released in the late 1970s, the <a href="https://en.wikipedia.org/wiki/George_Mattson_(synthesizer_inventor)#The_Syntar">PMS Syntar</a> (see what they did there?) being exhibited at Atlanta’s 1979 NAMM show (National Association of Music Merchants).</p> <p>It was a time of extremely contrasting genres that nevertheless all had synthesisers at the core of their sound. More traditional progressive rock acts such as Yes vied with the new vision of electropunk by Devo. Glam metal bands adopted its look, while synth-driven electrofunk artists could overturn conventional rock theatrics.</p> <figure><iframe src="https://www.youtube.com/embed/j_QLzthSkfM?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <h2>The fall and the rise</h2> <p>The new, standardised MIDI language created an ecosystem that allowed musos to access any synth from any manufacturer, rather than being beholden to one. This quickly resulted in cheaper, easier-to-use synthesisers becoming more widely accessible, leading to the home recording boom we all enjoy today.</p> <p>This bastion of the future soon became as passe as the flat-tops, mohawks and mullets of the people who played them. As we moved into the 1990s, the joyous excesses of 1980s pop bands would soon be seen as daggy. Replaced by faceless DJs, flannel-wearing rockers and choreographed dancers, it was time to sell your keytar or put it into storage.</p> <p>But after a couple of decades of respectful silence, the humble keytar slowly began to re-emerge. Lady Gaga led the charge on her Fame Ball Tour in 2009. The keytar does make sense for such a look-driven, 1980s-influenced artist.</p> <figure><iframe src="https://www.youtube.com/embed/PecJgs75RxQ?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>So all hail the keytarists of the world. Thank you Thomas Dolby, A-Ha and Dave Stewart. Respect to Chick Korea, Herbie Hancock and Prince. To Muse, Arcade Fire, John Paul Jones and Lady Gaga, may you shred in space, without a hair in place. Thank you Voyager!<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/205640/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/paul-mac-mcdermott-1439419">Paul (Mac) McDermott</a>, Lecturer in Contemporary Music, Sydney Conservatorium of Music, University of Sydney, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/showy-impractical-to-play-and-looks-like-the-1980s-why-we-keep-falling-for-the-keytar-205640">original article</a>.</em></p>

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Cruising company launches its first literature-themed voyage

<p><span style="font-weight: 400;">A literature-themed cruise is being offered by Marella Cruises for book lovers to enjoy 16 days at sea. </span></p> <p><span style="font-weight: 400;">The all-inclusive cruise across the Atlantic leaves from </span><span style="font-weight: 400;">Montego Bay, Jamaica in April 2022, and sails over 16 days to the port of Dubrovnik in Croatia. </span></p> <p><span style="font-weight: 400;">This tailor-made experience will allow guests to attend guest talks and interactive workshops with authors and entertainers to satisfy any book lover. </span></p> <p><span style="font-weight: 400;">Guests will also be treated to the usual Marella Cruises experience, with all-inclusive food and drink spots, evening entertainment including game shows and quizzes and daytime activities like dance classes and yoga.</span></p> <p><span style="font-weight: 400;">Managing Director of Marella Cruises, Chris Hackney, says he hopes the new themed cruise will be as successful as ones run in the past. </span></p> <p><span style="font-weight: 400;">“It offers something different for guests onboard on a cruise where there are not as many days ashore as some of our other itineraries,” he said.</span></p> <p><span style="font-weight: 400;">Authors and entertainers joining the cruise include Sarah Cruddas, famous for her knowledge of Space exploration, Tony Strange, known for his comic entertainment and impressions, and crime novelist Barbara Nadel.</span></p> <p><span style="font-weight: 400;">The panelists will all share stories and run a series of workshops to guests onboard at no extra cost. </span></p> <p><span style="font-weight: 400;">After a difficult year from the pandemic, Marella Cruises will begin its Spanish sailings from September, before heading into Montego Bay where it will port for the winter before commencing the literary cruise. </span></p> <p><em><span style="font-weight: 400;">Image credit: Shutterstock</span></em></p>

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Sludge, snags and surreal animals: a voyage to the abyss of the deep blue

<p><em><strong>Tim O’Hara is a senior curator of Marine Invertebrates at the Museum of Victoria.</strong></em></p> <p>Over the past five weeks I led a “<span style="text-decoration: underline;"><strong><a href="https://www.nespmarine.edu.au/abyss-landing-%20page" target="_blank">voyage of discovery</a></strong></span>”. That sounds rather pretentious in the 21st century, but it’s still true. My team, aboard the CSIRO managed research vessel, the <span style="text-decoration: underline;"><strong><a href="http://www.csiro.au/RV-Investigator-virtual-tour/rv_investigator.html" target="_blank">Investigator</a></strong></span>, has mapped and sampled an area of the planet that has never been surveyed before.</p> <p>Bizarrely, our ship was only 100km off Australia’s east coast, in the middle of a busy shipping lane. But our focus was not on the sea surface, or on the migrating whales or skimming albatross. We were surveying The Abyss – the very bottom of the ocean some 4,000m below the waves.</p> <p>To put that into perspective, the <span style="text-decoration: underline;"><strong><a href="http://www.gnb.nsw.gov.au/place_naming/placename_search/extract?id=KWwGjzsETR" target="_blank">tallest mountain</a></strong></span> on the Australian mainland is only 2,228m. Scuba divers are lucky to reach depths of 40m, while nuclear submarines dive to about 500m. We were aiming to put our cameras and sleds much, much deeper. Only since 2014, when the RV Investigator was commissioned, has Australia had the capacity to survey the deepest depths.</p> <p>The months before the trip were frantic, with so much to organise: permits, freight, equipment, flights, medicals, legal agreements, safety procedures, visas, finance approvals, communication ideas, sampling strategies – all the tendrils of modern life (the thought “why am I doing this?” surfaced more than once). But remarkably, on May 15, we had 27 scientists from 14 institutions and seven countries, 11 technical specialists, and 22 crew converging on Launceston, and we were off.</p> <p><strong>Rough seas</strong></p> <p>Life at sea takes some adjustment. You work 12-hour shifts every day, from 2 o’clock to 2 o’clock, so it’s like suffering from jetlag. The ship was very stable, but even so the motion causes seasickness for the first few days. You sway down corridors, you have one-handed showers, and you feel as though you will be tipped out of bed. Many people go off coffee. The ship is “dry”, so there’s no well-earned beer at the end of a hard day. You wait days for bad weather to clear and then suddenly you are shovelling tonnes of mud through sieves in the middle of the night as you process samples dredged from the deep.</p> <p style="text-align: center;"><img width="500" height="333" src="https://oversixtydev.blob.core.windows.net/media/41245/discovering-the-deep-blue-in-text-1_500x333.jpg" alt="Discovering The Deep Blue In Text 1"/></p> <p style="text-align: center;"><em>Shifting through the mud of the abyss on the back deck. Image credit: Jerome Mallefet.</em></p> <p>Surveying the abyss turns out to be far from easy. On our very first deployment off the eastern Tasmanian coast, our net was shredded on a rock at 2,500m, the positional beacon was lost, tens of thousands of dollars’ worth of gear gone. It was no one’s fault; the offending rock was too small to pick up on our <span style="text-decoration: underline;"><strong><a href="http://mnf.csiro.au/Vessel/Investigator-2014/Equipment/Marine-acoustics-seafloor-mapping-and-fisheries-acoustics.aspx" target="_blank">multibeam sonar</a></strong></span>. Only day 1 and a new plan was required. Talented people fixed what they could, and we moved on.</p> <p>I was truly surprised by the ruggedness of the seafloor. From the existing maps, I was expecting a gentle slope and muddy abyssal plain. Instead, our sonar revealed canyons, ridges, cliffs and massive rock slides – amazing, but a bit of a hindrance to my naive sampling plan.</p> <p>But soon the marine animals began to emerge from our videos and samples, which made it all worthwhile. Life started to buzz on the ship.</p> <p><strong>Secrets of the deep</strong></p> <p>Like many people, scientists spend most of their working lives in front of a computer screen. It is really great to get out and actually experience the real thing, to see animals we have only read about in old books. The tripod fish, the <span style="text-decoration: underline;"><strong><a href="https://www.nespmarine.edu.au/faceless-fish-looks-happier-and-heartier-it-did-1887" target="_blank">faceless fish</a></strong></span>, the shortarse feeler fish (yes, really), red spiny crabs, worms and sea stars of all shapes and sizes, as well as animals that <span style="text-decoration: underline;"><strong><a href="https://www.nespmarine.edu.au/beam-us-j%C3%A9r%C3%B4me" target="_blank">emit light</a></strong></span> to ward off predators.</p> <p>The level of public interest has been phenomenal. You may already have seen <span style="text-decoration: underline;"><strong><a href="http://www.abc.net.au/news/2017-05-30/researchers-drag-faceless-fish-up-from-the-abyss/8572634" target="_blank">some of the coverage</a></strong></span>, which ranged from the <span style="text-decoration: underline;"><strong><a href="http://www.npr.org/2017/06/15/533063615/explorers-probing-%20deep-sea-%20abyss-off-australias-coast-find-living-wonders" target="_blank">fascinated</a></strong></span> to the amused – for some reason our discovery of <span style="text-decoration: underline;"><strong><a href="http://mashable.com/2017/06/18/peanut-worm-looks-phallic/#GAkg8P.vh8qC" target="_blank">priapulid worms</a></strong></span> was a big hit on <span style="text-decoration: underline;"><strong><a href="https://www.youtube.com/watch?v=VPgVtWDljcU" target="_blank">US late-night television</a></strong></span>. In many ways all the publicity mirrored our first reactions to animals on the ship. “What is this thing?” “How amazing!”</p> <p>The important scientific insights will come later. It will take a year or so to process all the data and accurately identify the samples. Describing all the new species will take even longer. All of the material has been carefully preserved and will be stored in museums and CSIRO collections around Australia for centuries.</p> <p style="text-align: center;"><img width="500" height="375" src="https://oversixtydev.blob.core.windows.net/media/41243/discovering-the-deep-blue-in-text-2_500x375.jpg" alt="Discovering The Deep Blue In Text 2 (1)"/></p> <p style="text-align: center;"><em>Scientists identifying microscopic animals onboard. Image credit: Asher Flatt.</em></p> <p>On a voyage of discovery, video footage is not sufficient, because we don’t know the animals. The modern biologist uses high-resolution microscopes and DNA evidence to describe the new species and understand their place in the ecosystem, and that requires actual samples.</p> <p>So why bother studying the deep sea? First, it is important to understand that humanity is already having an impact down there. The oceans are changing. There wasn’t a day at sea when we didn’t bring up some rubbish from the seafloor – cans, bottles, plastic, rope, fishing line. There is also old debris from steamships, such as unburned coal and bits of <span style="text-decoration: underline;"><strong><a href="http://www.ehow.com/info_12152358_causes-clinkers-coal-fired-boilers.html" target="_blank">clinker</a></strong></span>, which looks like melted rock, formed in the boilers. Elsewhere in the oceans there are plans to mine precious metals from the deep sea.</p> <p>Second, Australia is the custodian of a vast amount of abyss. Our marine <span style="text-decoration: underline;"><strong><a href="http://www.ga.gov.au/scientific-topics/national-location-information/dimensions/oceans-and-seas#heading-1" target="_blank">exclusive economic zone (EEZ)</a></strong></span> is larger than the Australian landmass. The Commonwealth recently established a <span style="text-decoration: underline;"><strong><a href="http://www.environment.gov.au/topics/marine/marine-reserves" target="_blank">network of marine reserves</a></strong></span> around Australia. Just like National Parks on land, these have been established to protect biodiversity in the long term. Australia’s <span style="text-decoration: underline;"><strong><a href="https://www.nespmarine.edu.au/" target="_blank">Marine Biodiversity Hub</a></strong></span>, which provided funds for this voyage, as been established by the Commonwealth Government to conduct research in the EEZ.</p> <p>Our voyage mapped some of the marine reserves for the first time. Unlike parks on land, the reserves are not easy to visit. It was our aim to bring the animals of the Australian Abyss into public view.</p> <p>We discovered that life in the deep sea is diverse and fascinating. Would I do it again? Sure I would. After a beer.</p> <p><em>Written by Tim O’Hara. First appeared on <a href="http://www.theconversation.com" target="_blank"><strong><span style="text-decoration: underline;">The Conversation</span></strong></a>.<img width="1" height="1" src="https://counter.theconversation.edu.au/content/79924/count.gif?distributor=republish-lightbox-advanced" alt="The Conversation"/></em></p>

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Europe’s biggest cruise ship embarks on maiden voyage

<p>Europe’s biggest cruise ship has left on its maiden voyage, departing from its dock in Saint-Nazaire, Brittany.</p> <p>The MSC Meraviglia, which cost $1 billion, measures 37.5 metres tall and 300 metres long.</p> <p>The ship holds 5,714 passengers, boasts 19 decks and has been dubbed as the world’s first “smart ship” due to MSC Cruises inclusion of high technology throughout the ship.</p> <p>It has the world’s biggest LED dome at sea, augmented reality mirror and virtual reality experiences. Daily cruise newsletters have been forgotten on this ship and instead guests book excursions, shows and restaurants on one of the 300 interactive screens on board.</p> <p>Children on board also have a smart bracelet where parents can track them via an app on their phone.</p> <p>The shopping precinct also embraces new technology with augmented reality boards which allow guests to try on different clothes without stripping in a changing room.</p> <p>A highlight of the ship is the Cirque du Soleil show which will be performed for the first time at sea.</p> <p>The show occurs in the ship’s Carousel Lounge, a custom-designed performance space which includes a 180-degree circular glass wall that is fitted with high-tech equipment.</p> <p>The ship also includes an aqua park with several swimming pools, an amusement park and a zipline which runs along the length of the ship.</p> <p>For the adults, there is a 25-metre swimming pool with no children allowed.</p> <p>The ship has attracted a lot of attention – French President Emmanuel Macron was one of the guests that waved the ship off as it departed on Wednesday.</p> <p>The ship will sail the Mediterranean until 2019 and then it will sail to Miami to offer Caribbean cruises.</p> <p>Cabins can be booked via their <a href="https://www.cruiseaway.com.au/ship/msc-meraviglia" target="_blank"><strong><span style="text-decoration: underline;">website</span></strong></a>.</p>

Cruising