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Booking a summer holiday deal? Beware ‘drip pricing’ and other tactics to make you pay more than you planned

<a href="https://theconversation.com/profiles/jeannie-marie-paterson-6367">Jeannie Marie Paterson</a>, <a href="https://theconversation.com/institutions/the-university-of-melbourne-722">The University of Melbourne</a> Have you ever spotted what looked like a great deal on a website, added it to your “basket” and proceeded to checkout – only to find extra fees added on at the last minute? It’s frustratingly common when making airline, hotel and many other kinds of bookings to see an advertised price get ratcheted up at checkout with additional fees – perhaps “shipping insurance”, “resort fees” or just “taxes”. The practice is known as “<a href="https://www.accc.gov.au/consumers/pricing/price-displays">drip pricing</a>” and it can <a href="https://www.whitehouse.gov/wp-content/uploads/2023/03/WH-Junk-Fees-Guide-for-States.pdf">distort</a> consumer decision-making and affect competition. Nonetheless, there is no specific ban on this conduct in Australia. Some companies have, however, effectively been prosecuted for it under the Australian Consumer Law, which contains some strict rules about misleading consumers through advertising. Many of us have already begun booking flights, hotels and more as we head into the summer holiday season. Here’s what the law says about companies changing prices in the lead-up to checkout, and how you can protect yourself as a consumer. <h2>What’s wrong with drip pricing?</h2> The tactic that underpins drip pricing is to draw a customer in with an attractive “headline” price but then add in other fees as the customer approaches the checkout. It’s reasonable to ask whether there’s anything wrong with this practice: after all, the customer still sees the final price at checkout. Why might that be seen as misleading conduct under Australian Consumer Law? The reasons lie in views about consumer buying behaviour and the nature of the statutory prohibition. Typically, the closer a consumer gets to a sale, the less likely they are to pull out or even fully notice any additional fees. They may then end up paying more than they intended and also have lost the opportunity to deal with other suppliers of the same product at a better price. In the relevant section of Australian Consumer Law, there’s no requirement of an intention to mislead. It’s also not necessarily relevant that the true pricing situation is eventually revealed to the consumer or that it’s in the “fine print”. Thus, in the eyes of the law, it can be enough that consumers were enticed by an attractive headline price. <h2>Price surprises</h2> This legal position is well illustrated by a <a href="https://www8.austlii.edu.au/cgi-bin/viewdoc/au/cases/cth/HCA/2013/54.html">case</a> settled by the High Court in 2013, after the Australian Competition and Consumer Commission (ACCC) took on telecom provider TPG Internet in <a href="https://www.mondaq.com/australia/advertising-marketing-branding/282802/advertising-and-the-acl-fine-print-couldnt-save-tpg-internet-in-the-high-court">2010</a>, alleging misleading conduct. In this case, TPG had been advertising broadband internet services for $29.99 per month. But on reading the fine print, you’d have discovered this deal was only available with a landline service costing an additional $30 per month. The case moved up through Australia’s court system, but ultimately, the High Court majority held that the telco had engaged in misleading conduct. The High Court recognised that the very point of advertising is to draw consumers into “the marketing web”. It is therefore not enough to disclose the true (higher) price only at the point the transaction is concluded. TPG was fined $2 million in this case. Since then, the maximum penalties have increased, now the higher of: <ul> <li>$50 million</li> <li>three times the value obtained from the contravention, or (if the benefit can not be determined)</li> <li>30% of the business’s adjusted turnover during the breach period.</li> </ul> <h2>Dynamic pricing</h2> Other pricing complaints have been in the news recently, including concerns about point-of-sale dynamic pricing. Basically, this means using an algorithm that adjusts ticket prices in response to demand, as consumers wait in a virtual purchasing queue. Recent media reporting has centred on <a href="https://www.abc.net.au/news/2024-10-14/ticketmaster-live-nation-dynamic-pricing-tickets-class-action/104469646">concerns</a> about the use of point-of-sale dynamic pricing in the events ticketing industry. A form of dynamic pricing is used by hotels and airlines. They increase prices seasonally and according to demand. But these “dynamic” prices are clearly visible to consumers as they start looking for a deal. Some bodies even publish helpful tables of likely prices at different times. The kind of dynamic pricing that happens at the very point consumers are waiting to buy is very different and arguably creates an “unfair surprise”. Whether these kinds of practices also fall within the category of misleading conduct remains to be seen. But it is arguable that consumers could reasonably expect the real-time movement of prices to be disclosed upfront. Earlier this year, the government announced <a href="https://theconversation.com/albanese-government-promises-to-ban-dodgy-trading-practices-234142">plans</a> to address both drip pricing and dynamic pricing as part of a broader ban on unfair trading practices. <h2>What can consumers do?</h2> While all this law reform and litigation is playing out, here are some things you can do to avoid pricing shock. 1. Slow down. One of the strategies that online markets often rely on is “<a href="https://www.theguardian.com/australia-news/2024/oct/12/accc-suing-coles-woolworths-pricing-strategies-allegations">scarcity signalling</a>” – those clocks or numbers you see counting down as you move through a website. The very purpose of these is to make a consumer rush – which can mean failing to notice those additional fees that may make the buy not a good deal. 2. Take screen shots as you progress. Remember what it is you thought you were getting. Doing this also provides a basis for lodging a complaint if the headline and actual price don’t match up. 3. Check. Take a close look at the final bill before pressing pay. 4. Report. Tell your local Fair Trading Office or the ACCC if the advertised deal and the final price don’t meet up. A recent action taken by the ACCC against <a href="https://www.theguardian.com/australia-news/2024/sep/23/accc-suing-coles-woolworths-discounts-misleading">Woolworths and Coles</a> alleging “illusory” discounts was launched because of consumer tip-offs.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/244825/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/jeannie-marie-paterson-6367">Jeannie Marie Paterson</a>, Professor of Law, <a href="https://theconversation.com/institutions/the-university-of-melbourne-722">The University of Melbourne</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/booking-a-summer-holiday-deal-beware-drip-pricing-and-other-tactics-to-make-you-pay-more-than-you-planned-244825">original article</a>.

Travel Trouble

Hotel booking sites actually make it hard to get cheap deals, but there’s a way around it

<a href="https://theconversation.com/profiles/peter-martin-682709">Peter Martin</a>, <a href="https://theconversation.com/institutions/crawford-school-of-public-policy-australian-national-university-3292">Crawford School of Public Policy, Australian National University</a> Booking a place to stay on holidays has become a reflex action. The first thing many of us do is open a site such as <a href="https://www.wotif.com/">Wotif</a>, <a href="https://au.hotels.com/?locale=en_AU">Hotels.com</a> or <a href="https://www.trivago.com.au/">trivago</a> (all of which are these days owned by the US firm <a href="https://www.accc.gov.au/media-release/accc-will-not-oppose-expedia%E2%80%99s-proposed-acquisition-of-wotif">Expedia</a>), or their only big competitor, <a href="https://www.booking.com/">Booking.com</a> from the Netherlands. Checking what rooms are available – anywhere – is wonderfully easy, as is booking, at what usually seems to be the lowest available price. But Australia’s Assistant Competition Minister Andrew Leigh is concerned there might be a reason the price seems to be the lowest available. It might be an <a href="https://ministers.treasury.gov.au/ministers/andrew-leigh-2022/media-releases/supporting-tourism-and-accommodation-providers-set-their">agreement not to compete</a>, or the fear of reprisals against hotel owners who offer better prices. <h2>Agreements to not compete</h2> Leigh has asked the treasury to investigate, and if that’s what it finds, it may be the booking sites have the perverse effect of keeping prices high, especially when the substantial fees they charge hotels are taken into account. For now, the treasury is seeking information. It has set a deadline of <a href="https://treasury.gov.au/consultation/c2022-338978">January 6</a> for hotel operators and booking sites to tell it: <ul> <li> the typical fees charged by online booking platforms </li> <li> the details of any agreements not to compete on price </li> <li> whether hotels that try to compete get ranked lower on booking sites. </li> </ul> What’s likely to come out of it is a ban on so-called price-parity clauses that prevent discounting, or a ban on “algorithmic punishment,” whereby hotels that do discount get pushed way down the rankings on the sites. But in the meantime, there are things we can do to get better prices, and they’ll help more broadly, as I’ll explain. <h2>Flight Centre precedent</h2> <figure class="align-right zoomable"></figure> Back in 2018, in a case that went all the way to the High Court, the Australian Competition and Consumer Commission (ACCC) forced <a href="https://www.accc.gov.au/media-release/flight-centre-ordered-to-pay-125-million-in-penalties">Flight Centre</a> to pay a penalty of A$12.5 million for attempting to induce airlines not to undercut it on ticket prices. That the ACCC eventually won the case might be an indication price-parity clauses are already illegal under Australian law. But it’s a difficult law to enforce. This is why the treasury is considering special legislation of the kind in force in France, Austria, Italy and Belgium. The ACCC has known for some time that Expedia and Booking.com have included clauses in their contracts preventing hotels offering the same room for any less than they do, even directly. Rather than take the big two to court, in 2016 the ACCC “reached agreement” with them to delete the clauses that prevented hotels offering better deals <a href="https://www.accc.gov.au/media-release/expedia-and-bookingcom-agree-to-reinvigorate-price-competition-by-amending-contracts-with-australian-hotels">face-to-face</a>. <h2>The concession that conceded little</h2> From then on, hotels were able to offer better deals than the sites over the phone or in person, but not on their own websites. Given we are less and less likely to walk in off the street or even use the phone to book a hotel, it wasn’t much of a concession. Then, in 2019, with the Commission under renewed pressure from hotel owners for another investigation, Expedia (but not Booking.com) reportedly <a href="https://www.smartcompany.com.au/business-advice/competition/expedia-allow-hotels-undercut-prices-online/">waived</a> the rest of the clauses, giving hotel owners the apparent freedom to advertise cheaper prices wherever they liked including on their own sites without fear of retribution. Except several appear to fear retribution, and very few seem to have jumped at the opportunity. <h2>Algorithmic punishment</h2> An Expedia spokesman gave an indication of what might be in store when he was quoted as saying a hotel that undercut Expedia might “find itself ranked <a href="https://www.smartcompany.com.au/business-advice/competition/expedia-allow-hotels-undercut-prices-online/">below its competitors</a>, just as it would if it had worse reviews or fewer high-quality pictures of its property”. Being ranked at the bottom of a site is much the same as not being ranked at all, something Leigh refers to as “algorithmic punishment”. It’s not at all clear the present law prevents it, which is why Leigh is open to the idea of legislating against it. Although you and I may not often think about what hotels are paying to be booked through sites such as Wotif and Booking.com, and although what’s charged to the hotel isn’t publicised, it appeard to be a large chunk of the cost of providing the room. One figure quoted is <a href="https://www.smartcompany.com.au/industries/tourism/online-travel-booking-fed-up-small-businesses-call-accc-action/">20%</a>. Leigh says hotel owners have told him the fees are in the “<a href="https://ministers.treasury.gov.au/ministers/andrew-leigh-2022/transcripts/interview-geraldine-doogue-abc-saturday-extra">double digits</a>”, something he says is quite a lot when you consider the sites don’t need to clean the toilets, change the sheets or help on the front desk. <h2>‘Chokepoint capitalism’</h2> What this seems to mean (the treasury will find out) is almost all bookings are more expensive than they need to be because firms that sit at the “<a href="https://theconversation.com/chokepoint-capitalism-why-well-all-lose-unless-we-stop-amazon-spotify-and-other-platforms-squeezing-cash-from-creators-194069">chokepoint</a>” between buyers and sellers are squeezing sellers. A hotel could always abandon the sites and offer much cheaper prices, but for a while – perhaps forever – it will be much harder to find. In their defence, the operators of the platforms might say they need to get the best offers from hotels in order to make it worthwhile for the operators to invest in their sites, an argument the treasury is inviting them to put. In the meantime, with some hotels reluctant to put their best rates on their websites, but with them perfectly able to offer better rates over the phone, there’s a fairly simple way we can all get a better deal – and help fix the broader problem by weight of numbers. If we look up the best deal wherever we want online, and then phone and ask for a better one (or a better room), we might well find we get it. We might be saving the owner a lot of money. Leigh reckons the more we do ring up, the more the sites might feel pressure to discount their own fees, helping bring prices down even before he starts to think about writing legislation.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/196460/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/peter-martin-682709">Peter Martin</a>, Visiting Fellow, <a href="https://theconversation.com/institutions/crawford-school-of-public-policy-australian-national-university-3292">Crawford School of Public Policy, Australian National University</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/hotel-booking-sites-actually-make-it-hard-to-get-cheap-deals-but-theres-a-way-around-it-196460">original article</a>.

Travel Trouble

Readers response: What’s the best book you’ve read recently, and what did you love about it?

With hundreds of new books on the market, it's hard to know what are the best to recommend. We asked our readers what the best book they've read recently is and what did they love about it, and the response was overwhelming. Here's what they said. Helen Ulgekutt - The Venice Hotel by Tess Woods, loved it start to finish. Zoy Crizzle - The Little Paris Bookshop by Nina George. Great book, so easy to read and an interesting story line. I loved it. Keralie Stack - I have just finished Fallen Woman by Fiona McIntosh. A good read. Karen Peardon - The Borrowed Life of Frederick Fife by Anna Johnston. A great story. Nola Schmidt - The Perfect Passion Company by Alexander McCall Smith. It was clever, witty, and gentle. June Lennie - People of the Book by Geraldine Brooks. Interesting story set in different historical periods. Brilliantly written and researched. Christine Hayes - Where the Crawdads Sing, just beautiful. Sandra Moores - All That's Left Unsaid by Tracey Lien. A great debut based in Cabramatta, very compelling read. Greg Cudmore - 'To Alpha From Omega'. Although very much Australian, its themes are universal. Denise Zephyr - The Days I Loved You Most. Such a beautiful story and a beautiful ending. Marie Chong - Minding Frankie by Maeve Binchy. I love all her books, she tells a good story. Yvonne Bercov - The Nightingale by Kristin Hannah, couldn’t put it down. Image credits: Shutterstock

Books

We know parents shape their children’s reading – but so can aunts, uncles and grandparents, by sharing beloved books

<a href="https://theconversation.com/profiles/emily-grace-baulch-1399683">Emily Grace Baulch</a>, <a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a> <a href="https://creative.gov.au/news/media-releases/revealing-reading-a-survey-of-australian-reading-habits/">Over 80%</a> of Australians with children encourage them to read. Children whose parents enjoy reading are <a href="https://www.booktrust.org.uk/news-and-features/news/news-2023/new-research-from-booktrust-reveals-the-impact-of-parental-reading-enjoyment-on-childrens-reading-habits/">20% more likely</a> to enjoy it too. My research has found parents aren’t the only family members who play an important role in developing a passion for reading – extended family, from grandparents to siblings, uncles and great-aunts, also influence readers’ connections to books. I surveyed 160 Australian readers about their home bookshelves and reading habits. More than 80% of them acknowledged the significant influence of family in what and how they read. Reading to children is often <a href="https://www.booktrust.org.uk/globalassets/resources/research/booktrust-family-survey-research-briefing-2-reading-influencers.pdf">the invisible workload of mothers</a>: 95% of mothers read to children, compared to 67% of fathers. Yet intriguingly, those I surveyed – whose ages ranged from their early 20s to their 70s – collectively talked about books being passed down across eight generations. Family members were associated with their most valued books – and their identities as readers. <h2>Treasured possessions</h2> Books passed down through generations often become treasured possessions, embodying a shared family history. One person discussed an old hardcover copy of <a href="https://www.harpercollins.com.au/9780732284350/blinky-bill/">Blinky Bill</a> by Dorothy Wall. Originally given to her father and his siblings by their great-aunt in 1961, the book’s pages are now discoloured and falling out. “Although I always think of my mother as having been my reading role model,” she wrote, “actually my father had an equally big impact, just in another way.” Her father is a central organising figure on her home bookshelf: she has dedicated a whole shelf to the books he liked. The story she tells about his old copy of Blinky Bill, however, crosses generations. The book’s battered state is a testament to its longevity and well-loved status. Its inscription to her family members makes the copy unique and irreplaceable. Another person remembered a set of Dickens’ novels, complete with margin notes and century-old newspaper clippings, carefully stored with her most special books. These volumes, initially owned by her great-great-grandmother and later gifted by her great-aunt, represent a reading bond passed down through generations. Such books can never be replaced, no matter how many copies might be in circulation. These books are closely associated with memories and experiences – they are invaluable for who they represent. A third person has her father’s “old” Anne McCaffrey’s <a href="https://www.goodreads.com/series/40323-dragonriders-of-pern">Dragonriders of Pern</a> series: he read it to her as a teenager, then passed it down. The book “sparked” her interest in science-fiction, and she now intends to pass it on to her own teenager. Her book, too, is “battered”, with “chunks falling out when you read it”. The cover is falling off. The deteriorating state of a book is part of the book’s legacy. It shows how loved it has been. Reading passions can be deliberately cultivated through family, but their value is less connected to reading comprehension or literacy than a sense of connection through sharing. Inherited, much-loved books bind families together. They can anchor absent family members to the present. These books can come to symbolise love, connection and loss. The family members who’ve passed down their books might not be physically present in children’s lives – they may not be reading aloud to them at bedtime – but through their books, they can have a strong presence in their loved ones’ memories. That indelible trace can be sustained into adulthood. <h2>Buying books for the next generation</h2> Another way relatives contribute to a family reading legacy is by buying new copies of much-loved books for the next generation. Theresa Sheen, from The Quick Brown Fox, a specialist children’s bookstore in Brisbane, notes that customers often ask for copies of books they had when they were younger. They may have read them to their children and now want them for their grandchildren. For example, <a href="https://www.goodreads.com/series/40767-the-baby-sitters-club">The Babysitters Club series</a> by Ann M. Martin was mentioned multiple times as a nostalgic favourite, now being sought after by grandparents. Readers’ habits of re-buying favourite books can affect the publishing industry. With older children’s classics still selling, publishers seek to update the text to reflect contemporary cultural mores. Enid Blyton is one author who endures through intergenerational love and nostalgia. However, her work is regularly <a href="https://www.news.com.au/entertainment/books-magazines/books/enid-blytons-famous-five-books-edited-to-remove-offensive-words/news-story/47a63bb79a5d870f19aed58b19469bb5">edited and bowdlerised</a> to update it. Books can be imbued with the voices and emotions of others. They are more than just physical objects – they are vessels of shared experiences that can be passed down, up and across generations. This enduring bond between family members does more than preserve individual stories. It actively shapes and sustains a vibrant reading culture.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/232372/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/emily-grace-baulch-1399683">Emily Grace Baulch</a>, Producer at Ludo Studio & Freelance Editor, <a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/we-know-parents-shape-their-childrens-reading-but-so-can-aunts-uncles-and-grandparents-by-sharing-beloved-books-232372">original article</a>.

Family & Pets

Things to remember when booking a group tour

When it comes to travelling abroad, many people opt to take part in a group tour to get the most out of their holiday. However, there are always a few logistics to iron out before you book your trip, because running into issues on a tour can make or break your vacation. Thankfully, travel expert Dilvin Yasa has shared her go to tips for getting the most out of your group tour. Budget accordingly When planning your group tour, budgeting is one of the most important factors, as these trips are rarely all-inclusive. Dilvin Yasa told <a href="https://travel.nine.com.au/latest/things-first-timers-get-wrong-on-group-tours/61fa10d2-ce80-40bb-ab92-9008b3d9296d">9Travel</a> it’s important to “read the itinerary carefully before you book and add up all the exclusions until you arrive at your 'real figure'.” Extra costs on a group tour could include lunches, dinners, attractions and additional activities, so make sure you factor these potential costs in. Know your geography Yasa advised against skipping between different destinations, as strict time constraints could prevent you from partaking in back to back tours. “If the itinerary doesn't list distances or time between destinations, hit up Google Maps to get an idea of how long you're expected to be in transit during each leg of the tour.” Don’t arrive at the last minute The travel expert said if you’re heading on a group tour, don’t leave it until the day the tour departs to arrive at your destination. “The last thing you want is to miss a connecting flight or hit any other sort of delay that could see you miss the first or two of the tour you've paid for,” Yasa said. “Aim to arrive the day before at the very latest and give yourself a little extra free time at the tail end as well - just in case.” Keep some cash on hand While most of your tour should already be paid for before you depart, you should always be prepared for extra expenses. Especially when travelling to more remote locations, or if you’re visiting smaller food vendors or markets, you shouldn’t assume everywhere will take card payments. Yasa said, “Make sure you have local currency on you at all times and you're good to go.” Image credits: Shutterstock

Travel Tips

So when should you book that flight? The truth on airline prices

<a href="https://theconversation.com/profiles/yuriy-gorodnichenko-144556">Yuriy Gorodnichenko</a>, <a href="https://theconversation.com/institutions/university-of-california-berkeley-754">University of California, Berkeley</a> and <a href="https://theconversation.com/profiles/volodymyr-bilotkach-145437">Volodymyr Bilotkach</a>, <a href="https://theconversation.com/institutions/newcastle-university-906">Newcastle University</a> How airlines price tickets is a source of many <a href="http://airtravel.about.com/od/travelindustrynews/a/mythticket.htm">myths</a> and urban legends. These include tips about the best day of the week to buy a ticket, last-minute discounts offered by the airlines, and the conspiracy theories suggesting that the carriers use cookies to increase prices for their passengers. None of these three statements is entirely true. Studies have suggested that prices can be higher or lower on a given day of the week – yet, there is no clear consensus on which day that is. Offered prices can in fact drop at any time before the flight, yet they are much more likely to increase than decrease over the last several weeks before the flight’s departure. Further, the airlines prefer to wait for the last-minute business traveler who’s likely to pay full fare rather than sell the seat prematurely to a price conscious traveler. And no, the airlines do not use cookies to manipulate fare quotes – adjusting their inventory for specific customers appears to be beyond their technical capabilities. What is true about pricing in the airline industry is that carriers use complex and sophisticated pricing systems. The airline’s per passenger cost is the lowest when the flight is full, so carriers have incentive to sell as many seats as possible. This is a race against time for an airline and, of course, no company wants to discount its product more than it has to. Hence, the airlines face two somewhat contradictory goals: to maximize revenue by flying full planes and to sell as many full-fare seats as possible. This a process known in the industry as yield or revenue management. <h2>Airlines and their bucket lists</h2> Here is how <a href="http://commons.erau.edu/cgi/viewcontent.cgi?article=1522&context=jaaer">yield management</a> works. For each flight or route (if we are talking about multi-segment itineraries), the airline has a set of available price levels – from the most expensive fully refundable fare to the cheapest deeply discounted non-refundable price. The industry jargon for these prices is “buckets.” Then, seats can be interpreted as balls that are allocated among these buckets. Initial allocation of seats between the price buckets is determined by historical data indicating how well a certain flight sells. For example, fewer deeply discounted seats will be offered on a flight on Thanksgiving week than on the same flight during the third week of February. As the seats on a flight sell, yield managers monitor and adjust the seat allocation. If, for instance, the sales are slower than expected, some of the seats might be moved to lower-priced buckets – this shows up as a price drop. As noted above, such price drops can occur at any time before the flight. However, the general trend of price quotes is upward starting from about two to three weeks before the flight departure date. Of course, an average traveler wants to know when he or she should buy the tickets for the next trip. Another important question is where to buy this ticket. Airlines distribute their inventory on their own websites and on several computer distribution systems, meaning that prices can sometimes differ depending on where one looks. We are not entirely sure what precipitates this phenomenon – likely explanations include differences in contracts between the airlines and the distribution systems/travel agents, implying that different travel agents may not have access to the airline’s entire inventory of available prices. <h2>When to book</h2> The airlines’ yield managers start looking at flight bookings about two months before the departure date. This implies that it generally does not pay to book more than two months in advance: studies show that initially the airlines leave the cheapest price buckets empty, and yield managers may move some seats into those buckets if a couple of months before the departure date the flight is emptier than expected. Between two months and about two to three weeks before the flight date, the fare quotes remain mostly flat, with a slight upward trend. However, and perhaps paradoxically, there is a good chance of a price drop during this period. We tend to monitor prices for several days – sometimes up to a week – hoping for a potentially lower quote. It does not always pay off, but sometimes we do manage to save a considerable amount of money. Two to three weeks before the flight date, the price quotes start increasing. This is the time when business travelers start booking. While price drops are still possible, a chance of a price increase is much higher if you wait to book within this time period. This is also the time when one can find significant differences between price quotes, depending on where one looks and what contract they have with the airlines. Thus, if we book a trip earlier than three weeks before the flight date, we tend not to delay the purchase. At the same time, we check quotes from multiple travel agents, or go directly to a site that allows for a quick comparison of prices (such as <a href="https://www.kayak.com">kayak.com</a> or <a href="http://www.skyscanner.net">skyscanner.net</a>). Or check the airline itself. As for answering the original question we posed, here are some simple tips. First, if you have to travel during a peak period, such as Thanksgiving week, it is generally best not to delay buying that ticket. Otherwise, it might pay to monitor the offered prices for some time before committing. The best strategy for booking within the last couple of weeks before the flight, however, is not to delay the purchase, but to try getting quotes from several agents, which is easy to do in the internet age.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/34033/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/yuriy-gorodnichenko-144556">Yuriy Gorodnichenko</a>, Associate Professor of Economics, <a href="https://theconversation.com/institutions/university-of-california-berkeley-754">University of California, Berkeley</a> and <a href="https://theconversation.com/profiles/volodymyr-bilotkach-145437">Volodymyr Bilotkach</a>, Senior Lecturer in Economics, <a href="https://theconversation.com/institutions/newcastle-university-906">Newcastle University</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/so-when-should-you-book-that-flight-the-truth-on-airline-prices-34033">original article</a>.

Travel Tips

Man books 58 flights for free

A Jetstar passenger has become locked in a legal battle with the Aussie airline after exploiting a promotion to get 58 flights for free. Lawyer Tyrone Barugh was one of many travellers who made use of Jetstar’s promotion that offered people a free return fare. Barugh booked a flight from Auckland to Sydney for $260 and received the free return, although he soon cancelled the outbound flight and was given credit with the airline. However, he did not cancel the return trip. Mr Barugh then used the credit to book another flight, before doing the same thing a further 57 times. The would-be passenger told n<a href="https://www.news.com.au/finance/business/travel/man-locked-in-tribunal-battle-with-jetstar-after-booking-58-free-flights/news-story/1e3f67324c952ce232f3a583575d7ddc">ews.com.au</a> that he had not planned to board any of the flights, and has taken Jetstar to the Disputes Tribunal of New Zealand, claiming he is entitled to approximately $4,500 in taxes owed on the flights. “They’re [Jetstar] not out here with the most saintly of intentions,” he said. “They have terms and conditions that are designed to potentially avoid having to do the right thing by a lot of their customers and limit their liability to their customers, and they’re pretty happy to pull those out when it suits them.” He claims he is owed the money as he has paid the Passenger Movement Charge, which is a $60 fee the Australian Government collects when a person leaves the country. Mr Barugh says he would accept a settlement of a “small flight credit and a toy plane”. “There is a spirit of larrikinism,” he said. A spokesman for Jetstar declined to comment on the case, saying, “As this is a matter before the Tribunal, we won’t be making any comment.” Image credits: Shutterstock

Travel Trouble

10 questions you must ask before booking a tour

A tour can be a memorable experience, for the right and wrong reasons. Here are 10 questions you must ask yourself before booking one on your next holiday. 1. Are there minimum or maximum group sizes? This applies for two reasons. Firstly, you need to decide how many people you’d like to travel with. Small group tours will have no more than a dozen or so while larger tours could be up to 50. The size will drastically impact your tour experience, affecting everything from the mode of transport to the type of meals. Secondly, you need to know if there’s a minimum group size needed for the tour to run. If you’re the only one who books you may find it cancelled. 2. What is your cancellation/refund policy? As a rule of thumb, you should ask this question about any kind of travel you book before you hand over your cash. With a tour, make sure you find out their policies around inclement weather, too few passengers or if you need to cancel. And as always, travel insurance is your best friend. 3. Are you available for support throughout? One of the good things about travelling with a tour is that you’ll have the services of at least one guide. It’s also good to know if the tour office itself is available for assistance when you’re on the road. This comes in handy if you have to make changes, get sick or are unhappy with the experience. 4. Do you have any reviews I can read? If you can’t find the tour company on TripAdvisor or a similar review site, ask the company if they have any testimonials from previous customers. Before you make your final decision, it’s nice to know what other people have said about the tour and its style. 5. What experience/qualifications do the guides have? Many tour companies now pride themselves on using locals or people who have lived in a country for many years to guide tours. You don’t want to be stuck with someone who just reads from a guidebook – you can do that yourself for half the price. Find out what they know before you go. 6. How active is it? There is a huge spectrum when it comes to tours, ranging from coach journeys with very little walking to active treks where you cover hard ground every day. Make sure you find out exactly what will be involved and if that suits your abilities and fitness level. And be realistic – you and the tour group will suffer otherwise. 7. What is the demographic? You don’t want to get stuck on a tour with a bunch of 25 year olds who are just looking for the pub. Most people prefer to travel with people around their own age and in similar demographics (such as solo travellers, seniors, families etc), so make sure you find out who is likely to be in your group before you book. 8. Is everything included or will I have to pay for extras? You should be able to get a detailed break down of exactly what is – and what isn’t – included in the price. What looked like a good deal can quickly become very expensive if you have to pay for day excursions, admission fees, alcohol or other surprises. 9. How much time do you spend in each place? Are you looking to tick many famous sites off your list or do you want to have the time to immerse yourself in a destination? When you’re looking at an itinerary, ask questions about how long you will actually be spending at each place to ensure that you get enough time to really enjoy it. 10. Will I get any free time on my own? After many days as part of a group, it’s nice to have some time on your own. You can explore sites that aren’t on your itinerary, try a new restaurant or just have a well deserved nap. Find out how rigid the schedules are and if there will be some time to do your own thing. Image credits: Shutterstock

Travel Tips

Rebel Wilson exposes A-lister who "threatened" her over book release

Rebel Wilson has slammed a Hollywood A-lister for allegedly threatening her over the release of her new memoir. The Aussie actress is set to release her autobiography Rebel Rising on April 2nd, which details her rise to stardom from Australia to the US. In the book, she has dedicated a chapter to one particular actor who she had an unfortunate experience with on the set of a movie in 2014. Now, Rebel claims Sacha Baron-Cohen, husband of Aussie actress Isla Fisher, has "threatened" her about the release of such information in the upcoming book. Taking to her Instagram, Rebel named and shamed the actor, writing, “I will not be bullied or silenced with high priced lawyer or PR crisis managers. The ‘a**hole’ that I am talking about in ONE CHAPTER of my book is Sacha Baron Cohen.” "Now the a**hole is trying to threaten me. He’s trying to stop press coming out about my new book. But the book WILL come out and you will all know the truth.” Sacha Baron-Cohen was quick to release a statement in response to the allegations, with his representative sharing the statement with <a href="https://www.tmz.com/2024/03/25/rebel-wilson-calls-out-sacha-baron-cohen-book-memoir/" target="_blank" rel="noopener">TMZ</a>. “While we appreciate the importance of speaking out, these demonstrably false claims are directly contradicted by extensive detailed evidence, including contemporaneous documents, film footage, and eyewitness accounts from those present before, during and after the production of The Brothers Grimsby,” the statement said. Wilson and Baron-Cohen worked on the comedy film The Brothers Grimsby in 2014, where Rebel alleges that Baron-Cohen acted sexually inappropriate towards her for the duration of the shoot. Image credits: Getty Images

Legal

Readers Respond: What's a book you love that most people have never heard of?

Looking for a new book to kickstart your year? Look no further we've got you covered. Here are a few of our reader's book recommendations that you may not have heard of. Ruth Fontaine - I’m reading We of the Never Never atm. Not sure if it’s still well known. I’ve read it before but awhile back and love it. I love reading how they lived nearly 120 years ago. Elaine Rosenberg - The Abbey Girls Series by Elsie J Oxenham. Maryika Welter - The courage to be disliked. ... Furmitake Kogan, Ichiro Kishimi. Janice Stewart - A Fortunate Life by Albert Facey Suzanne Midson - On Our Selection by Steele Rudd. Read it when I was about 10/12. Best laugh ever. Australian humour at its best. Julie Anderson - Episode of Sparrows by Rumor Goddin Nancie Golsby - The Half Burned Tree by Dympna Cusack June Maynard - Sahara, by Paula Constant. Preceded by Slow Journey South. A thrilling, actual account of her adventure. Peter Rayner - Enforcer by Caesar Campbell Meg Milton - I Heard the Owl Call My Name by Margaret Craven Edie Dore - The Curious Incident of the Dog in the Night-time by Mark Haddon. Christine Cornforth - A Grief Observed by CS Lewis. Wendy Oliver - The Good Earth by Pearl Buck Do you have any other recommendations that we might have missed? Image: Getty

Books

Second “royal racist” accidentally named in new book

A second member of the royal family has been accused of being "racist", after the bombshell royal exposé implied them in the scandal over baby Archie's skin colour. In Omid Scobie's new book Endgame, he discusses the comments that members of the royal family made to Meghan Markle when she was pregnant with baby Archie. Markle first shared the bombshell allegations in her tell-all interview with Oprah Winfrey in 2021, but she refused to name the royal family member who made the comments, saying, “I think that would be very damaging to them.” On Wednesday, reports emerged that copies of the book were being <a href="https://oversixty.co.nz/entertainment/books/new-royal-book-pulled-from-shelves-over-huge-legal-blunder" target="_blank" rel="noopener">pulled from shelves</a> as the Dutch translation of the book accidentally named the person involved in the scandal. Omid Scobie admitted he does know who made the comments, but UK libel laws prevented him from naming them in the book. Now, as copies of the tell-all book have been flying off shelves, it seems another member of the royal family has been implicated in the book, which is now said to be frantically being pulled from shelves. It comes after Mr Scobie denied responsibility for the Dutch translation of his new book “accidentally naming” a member of the Royal Family. Publishers Xander Uitgevers yesterday said they were seeking to remove Mr Scobie’s work from bookshelves saying there had been an “error”. Speaking to Dutch TV on Wednesday night, Mr Scobie defended his book, saying, “The book is in several languages, and unfortunately I do not speak Dutch”. “But if there are translation errors, I’m sure the publishers will have it under control." “I wrote and edited the English version. There’s never been no version that I’ve produced that has names in it.” In the English version, Mr Scobie writes, “In the pages of these private letters [given to Oprah by Markle], two identities were revealed. UK laws prevent me from reporting who they were”. But the Dutch version reads, “In those private letters, an identity was revealed and confirmed” — before going on to name a senior royal. Dutch royal reporter Rick Evers says he was one of only two journalists to be given a manuscript of Endgame last Wednesday. Mr Evers said, “I was shocked that no one else in the world mentioned the fact that a member of the royals was named in the book as the racist”. “That was the main accusation in the book that I noticed and what I put in my (review) article, which was published with a photo of that royal." “I began to question if it was only my manuscript that had the name in it. I went to get the book from a store and it was exactly the same,” Mr Evers said. “A woman called from the publisher saying there was a legal problem and my article had to be removed.” It is unclear how the error occurred, but Mr Scobie confirmed that the first royal family member named in the book is not the one stated in the letters from Meghan Markle. Image credits: Getty Images

Legal

New royal book pulled from shelves over huge legal blunder

Copies of an explosive new book about the royal family are being pulled from shelves and destroyed after a translation error "accidentally named" the alleged "royal racist". Sales of the new book Endgame, written by Omid Scobie who also wrote Finding Freedom about Harry and Meghan's exit from the royal family, were "temporarily" put on hold just days after its release after what has been labelled an error. According to Xander, the publishers of the Dutch edition of Scobie's book, a translation error led to a member of the royal family being identified as the person who made comments about baby Archie's skin colour. “[We are] temporarily withdrawing the book by Omid Scobie from sale. An error occurred in the Dutch translation and is currently being rectified,” the company said in a statement on Tuesday. Meanwhile, <a href="https://www.thesun.co.uk/royals/24884315/royal-racist-accidentally-named-omid-scobie/" target="_blank" rel="noopener">The Sun</a> claims that thousands of copies of the book are now being destroyed as a result. The "racist royal" scandal dates back to when Prince Harry and Meghan Markle sat down with Oprah Winfrey for a tell-all interview in 2021, when Markle alleged that while she was pregnant with their first child, Prince Archie, there were “concerns and conversations” from a member of the royal family about how dark his skin might be. The Duchess of Sussex stopped short of naming the person involved, telling Winfrey, “I think that would be very damaging to them.” In the original edition of his book, Scobie also declines to identify the royal, claiming libel laws prevented him from doing so – although he has confirmed he knows who it is. “I do know who made the comments about Archie’s skin colour,” he told UK program Good Morning during his book press tour. “The names were mentioned in letters between Meghan and Charles that were exchanged sometime after the Oprah interview." “We know from sources that Charles was horrified that that’s how Meghan felt. Those conversations were, and that he wanted to, sort of as a representative for the family, have that conversation with her. “And it is why I personally think they have been able to move forward with some kind of line of communication afterwards. Though they may not see eye-to-eye on it.” It’s understood the royal family member accidentally named in the Dutch edition was not the person Meghan had been referring to. Image credits: Getty Images / Harper Collins

Books

8 signs you should be booking a group tour

Not sure if you should take a tour or go it alone? These are the times you’re going to want that expert on hand. 1. When you’re on a really tight schedule A tour will help you squeeze in as much as possible in a very short time. It will plan out a sensible itinerary with no backtracking or wasted journeys and will give you a realistic idea of how much you can fit in for a day. Plus you won’t have to puzzle out public transport for yourself. 2. When you’re feeling nervous Arriving in a new place can be scary sometimes, so having someone to walk you through it will make all the difference. If a city has a reputation for being unsafe or if it’s just your first time in a foreign country, a tour will give you a great worry-free introduction. 3. When there’s a big language barrier We’re lucky in that much of the world speaks English, so we can usually muddle our way around. But in some countries you’ll find there’s a significant language barrier, so having a native speaker is going to make all the difference. 4. When you want to meet some locals This might sound counterintuitive, but an organised tour can be one of the best ways to meet some locals. First of all, your guide is likely to be local and can introduce you to their hometown. Secondly, it’s daunting to walk into a crowded bar or cool café when you don’t know anyone. A guide can smooth the way and ensure you don’t get stuck in tourist traps. 5. When it’s really busy If you don’t fancy joining the huge line outside a popular museum or waiting hours for tickets, a tour could be the way to go. They can often organise private or after hours visits, get special passes to cut the line or take you to areas that are off limits to the general public. 6. When it’s the law Want to visit North Korea? You’re going to need to join a tour. Some governments have restrictions in place that mean foreign tourists can only visit when accompanied by a registered tour guide and independent travel is simply not an option. 7. When you’re doing something really adventurous Trekking, white water rafting, canyoning or safaris – for safety reasons you’re going to need to join a tour. These kinds of activities can be dangerous, so you don’t want to be risking them on your own. A tour or private guide will show you the best way to get your heart pumping. 8. When you’re going right off the grid Places like Antarctica, the Arctic, remote corners of Africa or tricky countries like Russia are best done on a tour. Often the logistics of simply getting there are impossible for the independent traveller or you will need help navigating the complex visa process. In these instances, it’s a relief to put yourself in someone else’s hands and just concentrate on having fun. Image credits: Getty Images

Travel Tips

How to start your own book club

Starting a book club is easy – all you need is to love reading. Here’s how to get yours off to a flying start. Finding Fellow Readers Ask around your existing personal networks, including neighbours, friends, social media, or a community noticeboard. Once you mention you want to start a club, you’ll be surprised how many people may want to come along. Ask at your local bookshop and library for ideas – many run regular reading groups and can point you in the right direction for good books. Identify what common interests you and your group have and use these to help draw like-minded people. Once you start looking, you’ll find book clubs for men or women, seniors, sci-fi lovers, teenagers or cookery buffs. The Time, the Place Once you have a group, agree on how often you want to meet – typically clubs meet monthly, though the time-poor may want to make it bi-monthly. For many clubs, meeting at home works best as you don’t have to get dressed up, and noisy public venues can make talking hard. If members bring a plate of food or a bottle, it takes the pressure off the host. But try rotating your meeting location as this will help to stimulate fresh thoughts. Idea Tailor your venue according to the book’s subject matter. The Light Between the Oceans by M.L. Stedman was discussed over fish’n’chips by one club, while The Red Tent by Anita Diamant was chewed over at a Middle Eastern restaurant. Size Matters According to Christine Callen, a book club veteran of 15 years, you need a minimum number of people per meeting to make it interesting. “Seven is the magic number – fewer and there’s not enough for healthy debate,” she says. “You can have ten people in the club – not everyone will be able to make it every time – seven provides enough opinions.” Choosing the Books If you’re the club instigator, it’s easier if you pick the first book. Seek out book reviews in good magazines and newspapers and at bookshops. The flavour of the books you choose will be largely dictated by the personalities attending – you might like to have a wide range of genres from sci-fi to romance to travel epics. Or stick to one genre, such as history books. Decide on a strategy and a time frame – say five to 12 books across the year – then review how everything appeals to the majority. Take turns to come up with a list of four or five titles, then circulate the list via email shortly after your last discussion. Members can then vote on their preferred next book and meeting time. The member scheduled to host the next meeting coordinates the responses to decide the title and date most voted for. Starting Discussion Callen recommends beginning by asking all members to briefly give their opinion on the book. “Everyone arrives and has a drink to loosen up,” she explains. “Then we take it in turns to go around the room and each give the book a mark out of ten, saying in a few sentences what we liked or disliked about it. This gives everyone a chance to speak early in the night and stops one person dominating the conversation from the start.” Tip There is no one way to interpret a book. In fact, differing opinions are good. This article first appeared in <a href="http://www.readersdigest.co.nz/home-tips/How-to-Start-Your-Own-Book-Club">Reader’s Digest</a>. Images: Getty

Books

Stan Grant’s new book asks: how do we live with the weight of our history?

<a href="https://theconversation.com/profiles/heidi-norman-859">Heidi Norman</a>, <a href="https://theconversation.com/institutions/university-of-technology-sydney-936">University of Technology Sydney</a> This month, journalist and public intellectual Stan Grant published his fifth book, <a href="https://www.harpercollins.com.au/9781460764022/the-queen-is-dead/">The Queen is Dead</a>. And last week, he abruptly stepped away from his career in the public realm, <a href="https://www.abc.net.au/news/2023-05-19/stan-grant-media-target-racist-abuse-coronation-coverage-enough/102368652">citing</a> toxic racism enabled by social media, and betrayal on the part of his employer, the ABC. “I was invited to contribute to the ABC’s coverage as part of a discussion about the legacy of the monarchy. I pointed out that the crown represents the invasion and theft of our land,” <a href="https://www.abc.net.au/news/2023-05-19/stan-grant-media-target-racist-abuse-coronation-coverage-enough/102368652">he wrote</a> last Friday. “I repeatedly said that these truths are spoken with love for the Australia we have never been.” And yet, “I have seen people in the media lie and distort my words. They have tried to depict me as hate filled”. Grant has worked as a journalist in Australia for more than three decades: first on commercial current affairs – and until this week, as a main anchor at the ABC, where he was an international affairs analyst and the host of the panel discussion show Q+A. The former role reflects his global work, reporting from conflict zones with esteemed international broadcasters such as CNN. His second book, <a href="https://www.harpercollins.com.au/9781460751985/talking-to-my-country/">Talking to my Country</a>, won the Walkley Book Award in 2016. <hr /> Review: The Queen is Dead – Stan Grant (HarperCollins) <hr /> In this new book, Grant yearns for a way to comprehend the forces, ideas and history that led to this cultural moment we inhabit. The book, which opens with him grappling with the monarchy and its legacy, is revealing in terms of his decision to step back from public life. Released to coincide with <a href="https://theconversation.com/coronation-arrests-how-the-new-public-order-law-disrupted-protesters-once-in-a-lifetime-opportunity-205328">the coronation</a> of the new English monarch, Charles III, The Queen is Dead seethes with rage and loathing – hatred even – at the ideas that have informed the logic and structure of modernity. Grant’s work examines the ideas that explain the West and modernity – and his own place as an Indigenous person of this land, from Wiradjuri, Kamilaroi and Dharawal country. That is: his work explores both who he is in the world and the ideas that tell the story of the modern world. He finds the latter unable to account for him. “This week, I have been reminded what it is to come from the other side of history,” he writes in the book’s opening pages. “History itself that is written as a hymn to whiteness […] written by the victors and often written in blood.” He asks “how do we live with the weight of this history?” And he explains the questions that have dominated his thinking: what is <a href="https://theconversation.com/whiteness-is-an-invented-concept-that-has-been-used-as-a-tool-of-oppression-183387">whiteness</a>, and what is it to live with catastrophe? <h2>The death of the white queen</h2> In his account, his rage is informed by the observation that the weight of this history was largely unexplored on the occasion of Queen Elizabeth II’s death last September. The death of the white queen is the touchpoint always returned to in this work – and the release of the book coincides with the apparently seamless transition to her heir, now King Charles III. <figure class="align-right zoomable"><a href="https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=237&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=917&fit=crop&dpr=1 600w, https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=917&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=917&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=1152&fit=crop&dpr=1 754w, https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=1152&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=1152&fit=crop&dpr=3 2262w" alt="" /></a><figcaption></figcaption></figure> In the lead-up to the coronation, “long live the king” echoed across the United Kingdom. Its long tentacles reached across the globe where this old empire once ruled, robbing and ruining much that it encountered. The death of the queen and the succession of her heir occurred with ritual and ceremony. Small tweaks acknowledged the changing world – but for the most part, this coronation occurred without revolution or bloodshed, without condemnation – and without contest of the British monarchs’ role in history and the world they continue to dominate, in one way or another. Grant argues the end of the 70-year rule of Queen Elizabeth II should mark a turning point: a global reckoning with the race-based order that undergirds empire and colonialism. Whereas the earlier century confidently pronounced the project of <a href="https://theconversation.com/the-power-of-yindyamarra-how-we-can-bring-respect-to-australian-democracy-192164">democracy</a> and liberalism complete, it seems time has marched on. History has not “ended”, as Francis Fukuyama <a href="https://theconversation.com/the-end-of-history-francis-fukuyamas-controversial-idea-explained-193225">declared</a> in 1989 (claiming liberal democracies had been proved the unsurpassable ideal). Instead, history has entered a ferocious era of uncertainty and volatility. Grant reminds us that people of colour now dominate the globe. Race, <a href="https://theconversation.com/racism-is-real-race-is-not-a-philosophers-perspective-82504">as we now know</a>, is a flexible and slippery made-up idea, changing opportunistically to include and exclude groups, to dominate and possess. Grant examines this with great impact as he considers the lived experience of his white grandmother, who was shunned when living with a black man, shared his conditions of poverty with pluck and defiance, then resumed a place in white society without him. And writing of his mother, the other Elizabeth, Grant elaborates the complexity of identity not confined to the colour of skin, but forged from belonging to people and kinship networks, and to place – which condemns the pseudoscience of <a href="https://humanrights.gov.au/about/news/speeches/power-identity-naming-oneself-reclaiming-community-2011">blood quantum</a> that informed the state’s control of Aboriginal lives. This suspect race science has proved enduring. Grant’s account of the death of the monarch is a genuine engagement with the history of ideas to contemplate the reality of our 21st-century present. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=400&fit=crop&dpr=1 600w, https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=400&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=400&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=502&fit=crop&dpr=1 754w, https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=502&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=502&fit=crop&dpr=3 2262w" alt="" /></a><figcaption>Grant argues the end of the queen’s 70-year rule should mark ‘a global reckoning with the race-based order that undergirds empire and colonialism’. Yui Mok/AP</figcaption></figure> <h2>Liberalism and democracy = tyranny and terror</h2> In several essays now, Grant has engaged with the ideas of mostly Western philosophers and several conservative thinkers to explain the crisis of liberalism and democracy. Grant argues that, like other -isms, liberalism and democracy have descended into tyranny and terror. The new world order, dominated by <a href="https://theconversation.com/friday-essay-stan-grant-on-how-tyrants-use-the-language-of-germ-warfare-and-covid-has-enabled-them-204183">China</a> and people of colour, is in dramatic contrast to the continued rule of the white queen and her descendants. In this, perhaps more than his other books and essays, Grant moves between big ideas in history – the <a href="https://theconversation.com/criticism-of-western-civilisation-isnt-new-it-was-part-of-the-enlightenment-104567">Enlightenment</a>, modernity and democracy – to consider himself, his identity, and his own lived experience of injustice, where race is an undeniable organising feature. In this story he explains himself, as an Indigenous person, “an outsider, in the middle”; “an exile, living in exile, struggling with belonging”; living with the “very real threat of erasure”. <h2>Love, friendships, family, Country</h2> In the final section of the book, Grant’s focus switches to the theme of “love”, and to friendships, family and Country. He speculates that his focus on these things is perhaps a mark of age. Now, he accounts for the things in life that are truly valuable – and this includes deep affection for the joy that emanates from Aboriginal families. Being home on his Country, paddling the river, he finds quiet and peace. The death of the monarch of the British Empire, who ruled for 70 years, should speak to the history of empire and colonial legacy and all its curses – especially in settler colonial Australia. Yet her passing – which coincides with seismic change in the global economic order with China’s ascendance and the decline of the United States and the UK, the global cultural order and the racial order – has been largely unexamined in public discourse in Australia. The history of colonisation and of ideas that have debated ways to comprehend the past have been a feature of Grant’s intellectual exploration, including on the death of the queen. As he details in his new book, the reaction from some quarters to this conversation has exposed him to unrelenting and racist attack. In this work and in others, exploration of the world of ideas to understand the past and future sits alongside accounts of the everyday; of the always place-based realities of Aboriginal accounts of self. The material deprivations and indignities, the closely held humility that comes with poverty and powerlessness - shared socks, a house carelessly demolished, burials tragically abandoned – are countered by another reality: the intimacy of most Aboriginal lives, characterised by deep love, affection, laughter and belonging. These place-based, “small” stories Grant shares sit alongside the bigger themes of modern history, such as democracy and freedom. In this latest work, Grant details his sense of “betrayal” at the discussion he sought about the monarch’s passing and the discussion that was actually had, the history of ideas and his own place in this. And now, of course, he has announced his intention to exit the public stage. Racism, we are reminded, is an enduring feature of the modern world – a world yet to allow space for an unbowing, Wiradjuri-Kamilaroi-Dharawal public intellectual.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/204756/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/heidi-norman-859">Heidi Norman</a>, Professor, Faculty of Arts and Social Sciences, <a href="https://theconversation.com/institutions/university-of-technology-sydney-936">University of Technology Sydney</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/stan-grants-new-book-asks-how-do-we-live-with-the-weight-of-our-history-204756">original article</a>. Images: Q+A / ABC

Books

5 authors who hated the film adaptation of their book

Most movies these days are adapted from something – whether it’s a book, a musical, a news story or even another film. However, commercial and critical success doesn’t necessarily guarantee everyone will be happy. Surprisingly, the authors of these 5 movies didn’t think much of the film adaptations of their books. 1. Mary Poppins Author of Mary Poppins P. L. Travers initially had no problem with her book being turned into a film, until she discovered that Disney had disregarded almost all of her edits. When it was released in 1964, then-65-year-old Travers voiced her disapproval at the animated scenes and the downplaying of Poppins’ stricter side. She reportedly spent most of the film premiere crying, and vowed never to let Disney near another of her books. 2. The Shining With such a prolific author like Stephen King, there are bound to be a few hits and misses when it comes to film adaptations. After King put his faith in acclaimed director Stanley Kubrick, whom he greatly admired, he found himself extremely disappointed in the final product, which went on to become a horror classic. “Kubrick just couldn't grasp the sheer inhuman evil of The Overlook Hotel,” the author explained. “So he looked, instead, for evil in the characters and made the film into a domestic tragedy with only vaguely supernatural overtones.” 3. Forrest Gump The 1995 Best Picture winner was a hit with everyone – except author Winston Groom, that is. Angry at the filmmakers for toning down the language and sexual references as well as omitting certain important plot points, Groom got back at Hollywood in the first few lines of the book’s sequel: “Don't never let nobody make a movie of your life's story,” he writes "Whether they get it right or wrong, it don't matter.” Groom sued the producers after failing to receive his promised 3% cut of the profits, and wasn’t mentioned in any of the six Oscar acceptance speeches by the cast and crew. 4. A Clockwork Orange It’s one thing to hate the film adaptation of your book, but to end up hating the book itself? It seems strange, but that’s exactly what happened to Anthony Burgess. Years after the release of the book and the film, Burgess claimed he regretted writing the book, which he wrote in three weeks and only because he was desperate for money, so was unhappy when it was turned into a film that “seemed to glorify sex and violence.” He adds, “The film made it easy for readers of the book to misunderstand what it was about, and the misunderstanding will pursue me till I die.” 5. Willy Wonka and the Chocolate Factory One of the most beloved films of all time, the adaptation of Charlie and the Chocolate Factory certainly wasn’t beloved by Roald Dahl. He thought the 1971 film was “crummy” and that Gene Wilder’s portrayal of Willy Wonka was “pretentious” and “bouncy”, claiming director Mel Stuart had “no talent or flair”. For this reason, as long as the rights to his work is in the hands of his family, you’ll never see the book’s sequel, Charlie and the Great Glass Elevator, grace the silver screen. Images: Getty

Books

“A lesson learned”: Uni student lands herself in an overdue book nightmare

A university graduate student received the shock of her academic career when an email arrived in her inbox to inform her she owed her school’s library a whopping $11,900 in overdue book fines. Hannah took to TikTok to share her story, posting a snippet of the horror email, and the news that her library account had amassed a debt of “$11,9000 owed for 119 lost books”. The books had been declared lost, though Hannah was quick to note that she was “still using” each of them, and had every intention of returning them once she was finished with her studies. To drive home the fact that the books were not missing, and instead safely in her scholarly possession, Hannah panned around the various piles of tomes stacked around her home, with a caption reading “the books aren’t lost, I’m just hoarding them until I finish my dissertation.” The email itself explained the books were marked as lost in the library’s system if they exceeded 30 days overdue, and that there was a flat rate of $100 per book in such instances. And according to the library, it was up to each patron to renew their books, and that Hannah “received overdue notices on the following dates prompting you to renew your library books before they are declared lost.” As she explained to The Daily Dot, she had checked out her collection three years prior while she’d been preparing for exams, and confirmed that she had received four reminders to either renew or return the books, but she’d put it off each time. “Then I got the automatic email,” she added, “saying all of the books were marked as lost and my account was charged $100 per book.” Hannah’s woe drew a mixed response from her audience, with some surprised that her library had even let her withdraw that many books in the first place, others unable to wrap their heads around the fact she could have let her situation get so bad, and many quick to defend the librarian, who they declared had only been doing her job. “My library only lets me check out 5 books at a time,” one wrote. “That’s why keeping library books past their due date is considered stealing,” another said, to which Hannah responded to promise her lesson had been learned. “Only 30 days over due??? Damn give a lil more time,” said one, with Hannah informing them that she’d had the books for years by that point. It wasn’t all bad for the budding scholar though, with Hannah explaining in another comment that “it was hunky dory”, as the library had waived her fees as soon as she’d responded to them, and that she’d been allowed to keep all 119 for an additional year. And, as she told another follower, “I’ve never replied to an email faster.” Images: TikTok

Books

Murder charge levelled at children's book author

Author Kouri Richins wrote a children’s book on grief following the death of her husband in 2022. She is now being charged with his murder. Richins was arrested on May 7 in Utah and is accused of charging documents of poisoning her husband with a lethal dose of fentanyl at their home in Kamas, a small mountain town near Park City. Prosecutors allege Richins called authorities in the middle of the night in March 2022 to report that her husband, Eric Richins, was “cold to the touch”. The mum-of-three told authorities she had made her husband a mixed vodka drink to celebrate him selling a home and then went to soothe one of their children in their bedroom. She later returned and found her husband unresponsive, which prompted her to call 911. A medical examiner later found five times the lethal dosage of fentanyl in his system. Additionally, Richins is facing charges involving the alleged possession of GHB - a narcolepsy drug typically used in recreational settings, including at dance clubs. The charges, which are based on officers’ interactions with Richins that evening and the account of an “unnamed acquaintance” who claimed to have sold her the fentanyl, come two months after Richins appeared on local television to promote Are You With Me, a picture book she wrote to help children cope with the death of a loved one. For a segment called Good Things Utah, Richins referred to her husband’s death as unexpected and explained how it sent her and her three boys spiralling. In terms of children, she said, grieving was about “making sure that their spirit is always alive in your home”. “It’s ... explaining to my kid just because he’s not present here with us physically, doesn’t mean his presence isn’t here with us,” she told the reporters, who commended her for being an amazing mother. Richins’ lawyer, Sky Lazaro, declined to comment on the charges. Image credit: Instagram

Legal

Artist keeps craft alive with beautifully bound books

In a world taken over by digitised forms of just about everything, book artist Liz Constable says her beautifully bound bohemian journals, handmade envelopes and painstakingly stitched self-help books still inspire the biggest shrieks of delight from total strangers. Journaling in cafés, Constable often feels eyes shrouding over her diary. "They say, oh that looks like a very old book," Constable says. "Oh yes, it's two weeks old," she laughs. Type 'book art' into online creative depository, Pinterest, and it will come up with 636 ways of turning old, clunky books into works of art. Likewise, Google images paints a pretty picture of the ways you can up-cycle unwanted novels. But unlike the art we relegate to a shelf or a picture hook, Constable's creations are usable. They're designed to be drawn on, hauled around in a tote and pulled out to illustrate ideas, and are made with any material she can get her hands on. "It's that old worldy style," she says. "Everyone wants things to look old. You see people with laptops in bags that look like they're carrying old typewriters." What started off as a hobby 16 years ago turned into a full time business called Book Art Studios in 2007, when Constable, then a careers counsellor, says she counselled herself out of her former job and into where her heart truly lay- making books. It began with dying her journal papers with tea and coffee, then a friend introduced her to coloured dye. Now the "scavenger by nature" says her books are made with paper taken from the likes of old shipping maps, cloth and other recycled materials, before being stitched and bound in her own West Auckland studio. The UK migrant makes books for the likes of happy couples who need something special to keep track of wedding guests, to soda giant Coca Cola who commissioned Constable to make books for staff training, and Fonterra, whose Constable-made creations went all the way to a conference in China. Constable believes it's the nostalgia that inspires such gushing responses from people who frequently request to hug her when they see her creations. Not so long ago she hand delivered a job application written in a handmade book, nestled in a mail art envelope. She despairs walking into bookstores and seeing the rows and rows of identical book spines, prompting ever more thoughts about how she can make her work stand out. It's a thought at the forefront of her mind as Constable prepares to undertake something she's never done- producing her first book series en masse by enlisting the help of potential publishers at the Frankfurt Book Fair in October. After years of ensuring each of her works is unique, Constable said the decision to take hand made to mass made came after reading a theory that it takes 10,000 hours to perfect a skill. Constable realised she'd clocked up more than enough over time, and enjoyed 'the simple life' long enough to begin relishing the fruits of her labour. She wants to produce a series of semi-autobiographical self-help books, whose roots can be traced back to the death of Constable's aunt many years ago. "Oh, I see a door," were her finals words on her death bed, prompting Constable to wonder just what exactly was behind that door. "I was so curious," Constable says. The words kept coming and before she knew it, nine books were conceived. The Martha series, she calls it. Stories for adults grappling with bigger issues. In March she published and began selling another self-help book, One Small Drop, in order to help fundraise for Frankfurt. Unlike the text heavy self help books of yester-year, you can hold One Small Drop in one hand. The pages are laser cut with small drops that turn into hearts with every page turn, the colours gradually turning from dark to light. More than 7,000 authors and book makers at the book fair will be vying for the attention of publishers who scout the exhibits for "innovate business models". After attending the fair some years ago Constable walked around searching for fellow book artists, disheartened to find they were "miles away from anywhere." Her exhibit, she promises, will be like walking into one of her storybooks. "I came back and I said I'm not going to stand in a queue trying to get someone to read it. I said I don't care how it happens, I'm going to get someone to pick up the Martha series." Written by Kelly Dennett. First appeared on <a href="http://www.stuff.co.nz" target="_blank" rel="noopener">Stuff.co.nz</a>. Image credit: Getty

Books

Why reading books is good for society, wellbeing and your career

TikTok allows video up to 10 minutes, but says surveys show almost half its users are stressed by anything <a href="https://www.wired.co.uk/article/tiktok-wants-longer-videos-like-not">longer than a minute</a>. An Instagram video can be up to 90 seconds, but experts reckon the ideal time to maximise engagement is <a href="https://blog.hootsuite.com/instagram-reel-length/">less than 15 seconds</a>. Twitter doubled the length of tweets in 2017 to <a href="https://techcrunch.com/2018/10/30/twitters-doubling-of-character-count-from-140-to-280-had-little-impact-on-length-of-tweets/?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAE7Ou03VeQ_VU9SZA2zdsZOLh6KKtVl5dj2ti0R3YgY_T_G9h7s3Ry9GOzQNecfcZbs_ko9I9YGELzKTM_2Ox9PTglVrcKM_xbBwh23aBAm12Q126TLMvre8SujfV3KkZnRIisVGD19Q3j5uP-P3RMMJuATO_ooLJgkF19ECOs3g">280 characters</a>, but the typical length is more like <a href="https://www.wired.com/2015/10/many-characters-tweet-ask-experts/">33 characters</a>. It’s easy to get sucked into short and sensational content. But if you’re worried this may be harming your attention span, you <a href="https://www.theguardian.com/science/2022/jan/02/attention-span-focus-screens-apps-smartphones-social-media">should be</a>. There’s solid evidence that so many demands on our attention make us <a href="https://www.curtin.edu.au/news/media-release/short-attention-spans-linked-to-social-media-distress/">more stressed</a>, and that the endless social comparison <a href="https://theconversation.com/why-social-media-makes-you-feel-bad-and-what-to-do-about-it-197691">makes us feel worse</a> about ourselves. For better mental health, read a book. Studies show a range of psychological benefits from book-reading. Reading fiction can increase your capacity for <a href="https://www.science.org/doi/10.1126/science.1239918">empathy</a>, through the process of seeing the world through a relatable character. Reading has been found to reduce stress as effectively as <a href="https://clutejournals.com/index.php/TLC/article/view/1117">yoga</a>. It is being prescribed for depression – a treatment <a href="https://psycnet.apa.org/record/2004-95164-009">known as bibliotherapy</a>. Book-reading is also a strong marker of curiosity – a <a href="https://hbr.org/2018/09/the-business-case-for-curiosity">quality prized</a> by employers such as Google. Our research shows reading is as strongly associated with curiosity as interest in science, and more strongly than mathematical ability. And it’s not just that curious minds are more likely to read because of a thirst for knowledge and understanding. That happens too, but our research has specifically been to investigate the role of reading in the development of curious minds. <h2>Tracking reading and curiosity</h2> Our <a href="https://www.tandfonline.com/doi/full/10.1080/00036846.2023.2174943">findings</a> come from analysing data from the <a href="https://www.lsay.edu.au/aboutlsay">Longitudinal Surveys of Australian Youth</a>, which tracks the progress of young Australians from the age of 15 till 25. Longitudinal surveys provide valuable insights by surveying the same people – in this case a group of about 10,000 young people. Every year for ten years they are asked about their achievements, aspirations, education, employment and life satisfaction. There have been five survey cohorts since 1998, the most recent starting in 2016. We analysed three of them – those beginning in 2003, 2006 and 2009, looking at the data up to age 20, at which age most have a job or are looking for one. The survey data is rich enough to develop proxy measures of reading and curiosity levels. It includes participants’ scores in the OECD <a href="https://www.oecd.org/pisa/">Programme for International Student Assessment</a> tests for reading, mathematics and science ability. There are survey questions about time spent reading for pleasure, time reading newspapers or magazines, and library use. To measure curiosity, we used respondents’ answers to questions about their interest in the following: <ul> <li>learning new things</li> <li>thinking about why the world is in the state it is</li> <li>finding out more about things you don’t understand</li> <li>finding out about a new idea</li> <li>finding out how something works.</li> </ul> We used statistical modelling to control for environmental and demographic variables and distinguish the effect of reading activity as a teenager on greater curiosity as a young adult. This modelling gives us confidence that reading is not just correlated with curiosity. Reading books helps build curiosity. <h2>Gloom and doom-scrolling</h2> Does this mean if you’re older that it’s too late to start reading? No. Our results relate to young people because the data was available. No matter what your age, deep reading has benefits over social-media scrolling. The <a href="https://www.amazon.com.au/Dopamine-Nation-Finding-Balance-Indulgence/dp/152474672X">short-term dopamine rush</a> of scrolling on a device is an elusive promise. It depletes rather than uplifts us. Our limbic brain – the part of the brain associated with our emotional and behavioural responses – remains trapped in a spiral of pleasure-seeking. Studies show a high correlation between <a href="https://academic.oup.com/hcr/article-abstract/44/1/3/4760433">media multitasking and attention problems</a> due to <a href="https://www.taylorfrancis.com/books/mono/10.4324/9781315167275/emotional-cognitive-overload-anne-fran%C3%A7oise-rutkowski-carol-saunders">cognitive overload</a>. The effect is most evident among young people, who have grown up with <a href="https://link.springer.com/article/10.1007/s11126-017-9535-6">social media overexposure</a>. US social psychologist <a href="https://www.nature.com/articles/d41586-020-00296-x">Jonathan Haidt</a> is among the researchers <a href="https://jonathanhaidt.substack.com/p/social-media-mental-illness-epidemic">warning</a> that high social media use is a major contributor to declining mental health for teenage girls, "Boys are doing badly too, but their rates of depression and anxiety are not as high, and their increases since 2011 are smaller." Why this “giant, obvious, international, and gendered cause”? Haidt writes, "Instagram was founded in 2010. The iPhone 4 was released then too — the first smartphone with a front-facing camera. In 2012 Facebook bought Instagram, and that’s the year that its user base exploded. By 2015, it was becoming normal for 12-year-old girls to spend hours each day taking selfies, editing selfies, and posting them for friends, enemies, and strangers to comment on, while also spending hours each day scrolling through photos of other girls and fabulously wealthy female celebrities with (seemingly) vastly superior bodies and lives." In 2020 Haidt published <a href="https://www.nature.com/articles/d41586-020-00296-x">research</a> showing girls are more vulnerable to “fear of missing out” and the aggression that social media tends to amplify. Since then he’s become even more convinced of the correlation. Social media, by design, is addictive. With TikTok, for example, videos start automatically, based on what the algorithm already knows about you. But it doesn’t just validate your preferences and feed you opinions that confirm your biases. It also varies the content so you don’t know what is coming next. This is the same trick that keeps gamblers addicted. <h2>Tips to get back into books</h2> If you are having difficulty choosing between your phone and a book, here’s a simple tip <a href="https://www.katymilkman.com/book">proven by behavioural science</a>. To change behaviour it also helps to change your environment. Try the following: <ul> <li> Carry a book at all times, or leave books around the house in convenient places. </li> <li> Schedule reading time into your day. <a href="https://howtoliveameaningfullife.com/you-should-read-everyday-but-for-how-long-the-science-says/?fbclid=IwAR03mbaXPpM19aoaO4p1AsTD0EvZsLgFQJy0RoJo8JTx9g1Q6ukh4_FEbIU">20 minutes is enough</a>. This reinforces the habit and ensures regular immersion in the book world. </li> <li> If you’re not enjoying a book, try another. Don’t force yourself. </li> </ul> You’ll feel better for it – and be prepared for a future employer asking you what books you’re reading. This article originally appeared on <a href="https://theconversation.com/why-reading-books-is-good-for-society-wellbeing-and-your-career-200447" target="_blank" rel="noopener">The Conversation</a>. Images: Getty

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Why reading books is good for society, wellbeing and your career