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Do natural fabrics really keep us cooler in summer? Here’s the science

<p><em><a href="https://theconversation.com/profiles/nisa-salim-1442233">Nisa Salim</a>, <a href="https://theconversation.com/institutions/swinburne-university-of-technology-767">Swinburne University of Technology</a></em></p> <p>The Bureau of Meteorology has warned Australia is facing one of the <a href="https://www.abc.net.au/news/2024-10-12/australia-facing-one-of-hottest-summers-on-record-bom/104464014">hottest summers on record</a>. As the weather warms, many of us reach for light-coloured clothes in natural fabrics, such as cotton and linen.</p> <p>But why are natural fabrics like these so much better at keeping us cool when the weather is hot?</p> <p>Here’s what the science says.</p> <h2>Natural fabrics and sweat: a match made in heaven</h2> <p>In hot weather, we sweat. As sweat evaporates, it carries heat away, which helps cool the body down.</p> <p>In hot weather, then, we want clothes that help take moisture away from the body as efficiently as possible.</p> <p>Natural fabrics are made using fibres extracted from plant- or animal-based sources such as cotton, linen, hemp, wool and silk.</p> <p>The primary component of all plant-based fibres is cellulose. Animal-based fibres are made up of proteins such as keratin and silk fibroin.</p> <p>Cellulose molecules are rich in compounds called hydroxyl groups that attract water and moisture. In scientific terms, they are hydrophilic – they love water.</p> <p>So, clothing made of cotton and linen is highly hydrophilic. It tends to absorb moisture and disperse it across the fabric, allowing it to evaporate more easily.</p> <p>This takes the sweat away quickly, making it more comfortable and breathable and allowing us to stay cool in sweltering temperatures.</p> <p>One downside of the natural fabrics is they wrinkle quickly (some people, of course, like that look).</p> <p>And on a really hot, sweaty day, natural fabrics can get heavy and wet.</p> <p>Animal fibres are basically proteins, and their properties vary depending on the source.</p> <p>Wool has been bio-engineered over millions of years to be comfortable to wear. Wool fibres are hydrophilic on the inside and hydrophobic on the outside, meaning they’re both water resistant and good at wicking moisture away.</p> <p>On the other hand, silk fabrics are very good at helping regulate temperature; they keep us cool in hot weather and warm in cold weather.</p> <h2>Synthetic fabrics: less wrinkly, more sweaty</h2> <p>Synthetic fabrics, on the other hand, are lighter and tend to wrinkle less.</p> <p>Common synthetic fabrics (such as polyester, nylon and acrylic) are all made from petroleum-based chemicals.</p> <p>Most synthetic fibres are made of long chains of hydrogen and carbon atoms and do not contain the hydroxyl groups we discussed earlier.</p> <p>Such fibres are therefore hydrophobic – they hate water. This means the water can’t spread evenly across the fabric and evaporate easily.</p> <p>They trap sweat against the skin, making the clothes less breathable and comfortable when the weather is warm and humid.</p> <p>However, some synthetic fabrics used in certain types of active wear can wick sweat away from body.</p> <p>And some semi-synthetic fabrics such as rayon or tencel (which are made from wood pulp or cotton with synthetic fibres) are more breathable than other synthetic fabrics such as polyester or nylon.</p> <h2>Fabric weave makes a difference, too</h2> <p>The colour of the clothing is also a contributing factor to keep you cool during summer. Light colours reflect sunlight away from you and help to keep the body cooler.</p> <p>There is some evidence dark colours absorb the <a href="https://www.sciencedirect.com/science/article/pii/S2214157X23012054">sunlight and associated heat</a>, making the surface of the skin warmer than normal.</p> <p>Another factor affecting breathability and comfort of clothing is the way the fabrics are woven.</p> <p>Fabrics that are loosely woven (sometimes known as “open weave”) with thinner materials naturally have more airflow, which helps you keep cool.</p> <p>For a quick, non-scientific test, hold a fabric up and see how much light passes through it. The more light you can see, the more breathable it likely is.</p> <p>The way the fabric is treated can play a role, too; such as for softening and wrinkle resistance.</p> <p>Using a fabric softener when you do a load of laundry usually doesn’t affect fabric breathability; softeners modify the surface of the fabric but don’t change the internal structure or porous nature of the fabrics.</p> <p>Wrinkle resistance is the ability of the fabric to stay smooth and polished even after washing. Synthetic fabrics are inherently wrinkle resistant. Natural fibres are more prone to wrinkles but can be chemically treated on the fabric surface during manufacturing to make them wrinkle resistant.</p> <p>Such treatments, however, may form layers on top of the fabric blocking the airflow, leading them to be less breathable.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/240909/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><em><a href="https://theconversation.com/profiles/nisa-salim-1442233">Nisa Salim</a>, Senior Lecturer at the School of Engineering, <a href="https://theconversation.com/institutions/swinburne-university-of-technology-767">Swinburne University of Technology</a></em></p> <p><em>Image credits: Shutterstock</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/do-natural-fabrics-really-keep-us-cooler-in-summer-heres-the-science-240909">original article</a>.</em></p>

Beauty & Style

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Bringing art into public spaces can improve the social fabric of a city

<p>You don’t need to look far to see the impact of art in public spaces. Art can connect us to place and record history as it unfolds. </p> <p>Throughout the COVID-19 pandemic, stories on the <a href="https://www.publicartarchive.org/public-art-covid19/">importance of public art</a> are being <a href="https://www.nytimes.com/2020/05/01/travel/coronavirus-street-art.html">told globally</a>. And this isn’t new. Times of crisis have often inspired some of the most influential artistic movements. </p> <p>Displaying visual symbols of resistance publicly, like the face of George Floyd, can connect <a href="https://www.thisiscolossal.com/2020/06/george-floyd-global-murals/">social movements across the world</a>. And in Canada, the display of statues like Egerton Ryerson have been <a href="https://theconversation.com/egerton-ryerson-racist-philosophy-of-residential-schools-also-shaped-public-education-143039">deemed unacceptable</a> as we reckon with our ongoing colonial history.</p> <p>Public art <a href="https://www.routledge.com/The-Everyday-Practice-of-Public-Art-Art-Space-and-Social-Inclusion/Cartiere-Zebracki/p/book/9781138829213">can be defined</a> as art that is available to the general public outside of museums and galleries; publicly funded; and related to the interests or concerns of, and used by a public community.</p> <p>Public art is referred to by some as <a href="https://www.deeproot.com/blog/blog-entries/creative-placemaking-using-the-arts-as-a-tool-for-community-development">creative placemaking</a>: a process of artistic creation and collaboration that helps to shape the surrounding built, natural and social environments.</p> <p>For French philosopher <a href="https://www.versobooks.com/books/1029-the-emancipated-spectator">Jacques Rancière</a>, art is disruptive. Done right, he says, it can make the spectator rethink their understanding of politics and society by calling to attention previously hidden inequalities. </p> <p>For many, the power of public art rests in its ability to turn artistic practice into a <a href="https://www.artnews.com/art-news/news/art-of-social-practice-is-changing-the-world-one-row-house-at-a-time-2415/">social practice</a>. It challenges the viewer to confront social issues that affect the very place they stand.</p> <h2>Art in times of crisis</h2> <p>COVID-19 is just one example of a period of shared adversity when our connection to the arts has flourished. <a href="https://time.com/5827561/1918-flu-art/">The Dadaists’ commentary on the 1918 flu</a> reflected an intense and collectively frustrated desire for meaning in a world filled with chaos.</p> <p>During the Great Depression, the arts became increasingly experimental. In the United States, President Franklin D. Roosevelt’s New Deal saw the largest public art <a href="https://www.smithsonianmag.com/arts-culture/1934-the-art-of-the-new-deal-132242698/">funding initiative</a>the country had seen. A few decades later, in the 1980s, provinces and municipalities in Canada followed suit and began <a href="https://canadianart.ca/features/art-in-condoland/">significantly investing in public art</a>.</p> <p><a href="https://theconversation.com/the-soundtrack-of-the-sixties-demanded-respect-justice-and-equality-105640">Protest music</a> during the civil rights movement and Vietnam War expressed anger, despair and hope. Gay artists and writers <a href="https://www.cairn.info/revue-etudes-anglaises-2008-3-page-350.htm">during the AIDS crisis memorialized a collective grief</a> that was being either ignored or vilified. The art from both eras came at an immense cost, and has been profoundly culturally and socially influential. </p> <p>Today, the pandemic has highlighted and exacerbated inequalities that were already present.</p> <p>But there has also been engagement and social solidarity: from <a href="https://www.thestar.com/news/gta/2021/05/23/19-black-canadians-on-what-has-changed-one-year-since-george-floyds-murder-and-what-next-steps-we-need-to-take.html">Black Lives Matter</a>, to the Indigenous <a href="https://www.macleans.ca/opinion/what-were-seeing-in-2020-is-idle-no-more-2-0/">Land Back movement</a> and <a href="https://podcasts.apple.com/ca/podcast/we-are-not-the-virus/id1530051155">support for unhoused people</a>.</p> <p>Those who have the privilege not to pay attention are finding this option less viable. This engagement arguably comes with its own <a href="https://theconversation.com/what-is-solidarity-during-coronavirus-and-always-its-more-than-were-all-in-this-together-135002">set of problems</a>, but it is a momentum that can be built upon to imagine and do the work needed to create better futures for society. </p> <p>Artists are well positioned to do this creative imagining. </p> <h2>Art beyond the gallery</h2> <p>As we each search for meaning throughout our intensely local and geographically limited lives during the pandemic, public art finds, creates and shares the beauty, joy and solidarity that can be found in public spaces.</p> <p>Galleries are often isolated from the communities in geographical proximity. They have often been <a href="https://doi.org/10.1080/00043249.2017.1367190">places of exclusion</a>, and have historically served to uphold a dominant, European <a href="https://jps.library.utoronto.ca/index.php/des/article/view/20250">settler-centred narrative</a>. They have played a role in perpetuating colonial and racist attitudes towards Indigenous communities, their art and histories. </p> <p>Indigenous artists have long been <a href="https://www.rebeccabelmore.com/artifact-671b/">challenging these narratives</a>. Mainstream art is catching on, and there has been an unprecedented level of Indigenous <a href="https://www.tandfonline.com/doi/abs/10.1080/00043249.2017.1367191">representation and leadership</a> within gallery spaces in recent decades.</p> <p>This leadership should shape public art in Canada. Public spaces, like art galleries, have also <a href="https://theconversation.com/6-ways-to-approach-urban-green-spaces-in-the-push-for-racial-justice-and-health-equity-160227">privileged some</a> more than others. Bringing art outside of the gallery space is not a catch-all solution. What matters more is how it’s done. </p> <h2>Toronto’s year of public art</h2> <p>In Toronto, the municipal government has announced that its “<a href="https://www.toronto.ca/explore-enjoy/history-art-culture/public-art/year-of-public-art/">Year of Public Art</a>” will begin in the fall with a total budget of $4.5 million in 2021. This is the inauguration of a 10-year public art plan. It responds to calls for an improved public art strategy, with a greater commitment to equity in the location of installations, the level of engagement with communities and the artists who create works.</p> <p>Toronto has promised a strong commitment to Indigenous self-determination, leadership and placemaking within its public art strategy.</p> <p>The city’s public art installations have <a href="http://www.theartfulcity.org/home/2017/3/9/50-years-of-public-art-in-toronto-where-do-we-go-from-here">increased in the past 50 years</a>, with over 700 installations added between 1967 and 2015. </p> <p>Toronto’s <a href="https://www.toronto.ca/city-government/planning-development/official-plan-guidelines/design-guidelines/percent-for-public-art-inventory/">Percent for Public Art program</a>, a commonly used strategy in cities in North America and Europe, encourages developers to donate one per cent of their gross construction costs towards public art in their development’s direct vicinity. </p> <p>The program is <a href="https://www2.ocadu.ca/sites/www2.ocadu.ca/files/project/Pt1%20-%20Redefining%20Public%20Art%20Toronto%202017.pdf">voluntary</a> though. And because most development is happening in the downtown core, this is where public art has been concentrated, meaning neighbourhoods with less development have received less investment in public art. </p> <p>Nonetheless, the city is home to a multiplicity of adept communities and talented artists who continue to use public art to build community capacity and foster social inclusion. </p> <p>Listening to artists of diverse backgrounds and elevating communities to participate meaningfully will support important conversations that determine our collective future. And that makes the investment in public art worthwhile for us all.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/bringing-art-into-public-spaces-can-improve-the-social-fabric-of-a-city-162991" target="_blank" rel="noopener">The Conversation</a>.</em></p>

Art

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How to: homemade laundry powder and softener

<p>With all of the cleaning products one needs to buy for the house the bill at the supermarket can add up quickly. One thing we cannot go with out – and that can also be quite pricey – is washing detergent and softener. </p> <p>While this might sound like a small saving, in today’s economic climate saving even a small amount of money each week is worth the effort – and the dollars will add up over a year.</p> <p>What's more is that using these items from around the home to make your washing needs will save the envorinment too. Here's our recipe for homemade washing powder and fabric softener.</p> <p><strong><span style="text-decoration: underline;">LAUNDRY POWDER</span></strong></p> <p><strong>Ingredients</strong></p> <ul> <li>1 bar of grated soap (a homemade laundry bar, Dr Bronner’s, Ivory, ZOTE – try and opt for something natural with no nasties)</li> <li>1 cup Borax</li> <li>1 cup baking soda</li> <li>2 cups washing soda</li> <li>A large bucket</li> <li>An airtight container</li> </ul> <p><strong>Instructions</strong></p> <p>1. Process (or grate) the bar of soap bar until it is fine.</p> <p>2. Carefully mix everything together in the large bucket.</p> <p>3. Transfer to an airtight container and voila you’re done. Use one tablespoon per wash.</p> <p><strong><span style="text-decoration: underline;">FABRIC SOFTENER</span></strong></p> <p><strong>Ingredients</strong></p> <ul> <li>White distilled vinegar</li> <li>A bunch of your favourite fresh herbs of your choice (think lavender, rosemary, chamomile, lemon myrtle)</li> <li>Essential oil of your choice</li> <li>0.5 to 1 litre sealable glass bottle</li> </ul> <p><strong>Instructions:</strong></p> <p>1. Pour vinegar into glass bottle.</p> <p>2. Add in the herbs.</p> <p>3. Pour in about ten drops of your favourite essentials oil – think about a complementary scent to your herbs. Voila, you’re done. You just need to add ¼ cup to your wash.</p>

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