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Four ways to tell the designer fashion items worth investing in from the ones that aren’t

<p><em><a href="https://theconversation.com/profiles/naomi-braithwaite-156824">Naomi Braithwaite</a>, <a href="https://theconversation.com/institutions/nottingham-trent-university-1338">Nottingham Trent University</a></em></p> <p>Whether it’s aspiring to the “quiet luxury” or <a href="https://theconversation.com/new-clean-girl-and-old-money-aesthetics-on-tiktok-make-the-same-old-link-between-hygiene-and-class-208566">“old money” looks</a> taking over TikTok, or cringing at the “<a href="https://theconversation.com/far-from-the-ludicrously-capacious-what-the-fashion-of-succession-tells-us-about-the-show-and-about-society-202744">ludicrously capacious bag</a>” scene in the last season of Succession, designer clothes and accessories have been a hot topic in 2023. But with continued sales growth in <a href="https://www.mckinsey.com/industries/retail/our-insights/state-of-fashion">designer fashion</a>, and concerns about shopping more <a href="https://fashionunited.uk/news/retail/consumers-want-to-shop-sustainably-what-are-the-opportunities-for-brands/2022102465829">sustainably</a>, it’s worth considering investing your money in products that will last longer.</p> <p>Sales in luxury fashion have increased significantly since the pandemic. <a href="https://www.just-style.com/features/covid-two-years-on-expert-analysis-of-top-10-global-apparel-companies/?cf-view">Louis Vuitton</a>, for example, has increased its sales from 2019. And British luxury brand, Burberry, reported sales growth to be <a href="https://www.theguardian.com/business/2021/jul/16/burberry-sales-return-to-pre-pandemic-levels-as-younger-shoppers-splash-out">86% higher</a> in the year following the pandemic (though there has been <a href="https://news.sky.com/story/burberry-shares-take-10-hit-on-warning-of-slump-in-luxury-demand-13009401">another dip in sales</a> more recently).</p> <p>The <a href="https://www.limitlessmanufacturinggroup.com/blog/the-rise-of-athleisure-how-activewear-became-mainstream-fashion">rise of athleisure</a> in fashion and designer collaborations such as <a href="https://www.manoloblahnik.com/gb/the-latest/post/manolo-blahnik-for-birkenstock">Manolo Blahnik for Birkenstock</a>, <a href="https://www.gucci.com/uk/en_gb/st/capsule/adidas-gucci">Gucci x Adidas</a> and <a href="https://uk.burberry.com/c/collaborations-supreme-burberry/">Burberry x Supreme</a> have made luxury more available. But prices are still high, so how can you know whether a purchase will stand the test of time and become an investment piece or a fashion flop? Here are four key factors to consider when making a designer purchase.</p> <h2>1. Resale value</h2> <p>An expensive purchase price may not guarantee that your product will hold its value. A key factor to consider is what the resale value of your purchase will be, as this will indicate the item’s investment potential.</p> <p>A fashion investment piece tends to be a luxury product with a higher price ticket. Prices of luxury fashion have increased over the last decade. Chanel bags, for example, have <a href="https://www.forbes.com/sites/walterloeb/2022/02/21/luxury-brand-prices-rise-sharply--will-it-cut-demand/">almost doubled</a> in price. Chanel’s iconic medium flap bag has increased from <a href="https://luxecollectivefashion.com/blogs/communique/your-expert-guide-to-the-chanel-price-increases-2023">£7,550 in 2022 to £8,530 in 2023</a> and is considered to be one of the most covetable designs in the <a href="https://www.whowhatwear.co.uk/best-luxury-handbags-resale-value/slide2">resale market</a>.</p> <p>Similarly, Hermès’ famous Birkin and Kelly bag designs, renowned for their quality, are <a href="https://www.sothebys.com/en/articles/hermes-bag-review-2022-birkin-bag-and-hermes-kelly-bag-remain-most-popular">undoubtedly investment pieces</a>. Despite the high price ticket, <a href="https://www.whowhatwear.co.uk/birkin-bag-prices/slide2">Birkin bags are in demand</a>. They are the most collectable and classic of designer bags, with an average retail price of USD$10,000 (£8,237), <a href="https://www.scmp.com/lifestyle/fashion-beauty/article/3211640/why-hermes-birkin-bag-such-good-investment-according-experts-other-luxury-handbags-might-not-be">which can double in the resale market</a>.</p> <p>Luxury fashion <a href="https://www.pursebop.com/new-app-calculates-the-resale-value-of-designer-handbags/">resaler Vestiaire</a>, along with online marketplaces like eBay, are useful sources for researching and calculating what the value of your purchase will be in the resale market. While designer bags can hold their value post-purchase, <a href="https://www.yourmoney.com/investing/can-clothing-ever-be-considered-an-investment/">clothes can be less straightforward</a> and will depend on the other following factors.</p> <h2>2. Quality and style</h2> <p>A <a href="https://www.voguebusiness.com/fashion/marketing-at-scale-explaining-luxurys-new-brand-identifiers">2023 report</a> has stated that the overt use of logos in recent years, from brands such as <a href="https://www.surefront.com/blog/is-logomania-really-over">Balenciaga and Louis Vuitton</a>, has been replaced by an interest in quiet luxury.</p> <p>Quiet luxury means <a href="https://www.businessinsider.com/quiet-luxury-explained-which-brands-will-benefit-2023-4?r=US&amp;IR=T">more simplistic, classic and timeless styling</a>. The focus on exquisite fabrics and design gives a sense of fashion that is not disposable and durable. A cashmere sweater from <a href="https://uk.loropiana.com/en/c/woman/knitwear">Lorna Piana</a> may cost over £1,700 but its quality and classic styling will ensure it’s an investment piece that transcends fashion trend cycle.</p> <p>Consideration of fabrics, styling and design aesthetic are all key in ensuring your fashion investment has longevity.</p> <h2>3. Brand authenticity</h2> <p><a href="https://www.researchgate.net/publication/303917660_The_Role_of_Heritage_and_Authenticity_in_the_Value_Creation_of_Fashion_Brand">Heritage and authenticity</a> can secure the value of fashion purchases. Brands that have a strong heritage – that have been around and respected for a long time – are better investment pieces, <a href="https://wwd.com/fashion-news/designer-luxury/luxury-fashion-heritage-chanel-dior1234792018-1234792018/">particularly in the categories of watches, jewellery and handbags</a>. Rolex watches are renowned as investment pieces, with models that are most rare commanding the higher appreciation values.</p> <p>In the realm of clothing, Burberry’s iconic trench coat – which has remained largely untouched in design terms for over 100 years – has been reported to be a good wardrobe investment by <a href="https://www.vogue.co.uk/fashion/article/burberry-trench-coats">Vogue</a>. The trench’s timeless design, alongside its long history, has secured its place as an investment product.</p> <p>However, when it comes to making the purchase it is important to go with <a href="https://www.gentlemansgazette.com/burberry-trench-coat/">Burberry’s original design</a>, rather than the fashion-led versions whose value may diminish as seasonal trends move on.</p> <h2>4. Product endorsement</h2> <p>Celebrity endorsement is a popular brand strategy for increasing the value of fashion products. While it may drive sales, it is important to consider what effect it will have on investment quality.</p> <p>A recent example was when the British pop star <a href="https://www.imdb.com/name/nm4089170/">Harry Styles</a> wore the <a href="https://harpersbazaar.com.au/adidas-gucci-collaboration-collection/">luxe Adidas x Gucci Gazelle trainers</a>, during his 2023 tour, resulting in a <a href="https://www.sneakerfreaker.com/news/harry-styles-gucci-adidas-gazelle-samba-statistics?page=0">reported 100%</a> increase in sales of the trainer.</p> <p>While sneakers have previously had a bouyant <a href="https://www.fashionbeans.com/article/sneaker-reselling-guide/">resale market</a>, that is now <a href="https://www.voguebusiness.com/fashion/has-the-sneaker-bubble-finally-burst">declining</a>, raising questions as to whether they will continue to be positive investment pieces. Celebrities may create hype – but their endorsement does not always ensure the longevity of a product’s value.</p> <p>In 1999, <a href="https://hypebae.com/2018/10/dior-saddle-bag-history-john-galliano">Dior’s saddle bag</a> was featured on US TV series <a href="https://www.hbo.com/sex-and-the-city">Sex and the City</a>, securing its place as an <a href="https://garage.vice.com/en_us/article/mbxjmn/dior-saddle-bag-sex-in-the-city">iconic designer bag</a>. While this increased its value and desirability at the time, the bag eventually faded from view, until 2018, when Maria Grazia Chiuri, Dior’s current design director, relaunched it. This resulted in a frenzy of interest <a href="https://www.harpersbazaar.com/uk/fashion/a42118540/dior-saddle-bag/">in the original Galliano designs</a>.</p> <p>Endorsement creates hype and desirability, but occasionally it can also create a classic too. But this takes time, and it’s best to consider other factors including brand authenticity, quality and style when planning an investment purchase.</p> <p>Also, value does not always have to have a price attributed to it. In the world of designer fashion, it is important not to overlook the significance of the <a href="https://www.theguardian.com/fashion/2023/oct/13/fashion-thats-begging-for-love-designers-want-to-create-meaningful-stuff">emotional durability</a> of our purchases and how that can ensure an enduring value and longevity.</p> <p><em><a href="https://theconversation.com/profiles/naomi-braithwaite-156824">Naomi Braithwaite</a>, Associate Professor in Fashion Marketing and Branding, <a href="https://theconversation.com/institutions/nottingham-trent-university-1338">Nottingham Trent University</a></em></p> <p><em>Image credits: Shutterstock </em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/four-ways-to-tell-the-designer-fashion-items-worth-investing-in-from-the-ones-that-arent-215831">original article</a>.</em></p>

Beauty & Style

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The biggest faux pas for self-funded retirees

<p>Whether you have been retired for some time or are still looking forward to the time you can step back, chances are there are important considerations you may have overlooked.</p> <p>From planning and pensions to family and housing, these are the biggest self-funded retirement mistakes I come across, and some insights into how to avoid repeating them:</p> <ol> <li><strong>Lack of a plan</strong></li> </ol> <p>Not having a retirement plan is perhaps the most basic faux pas, but often the most costly.</p> <p>A detailed plan should cover things like:</p> <ul> <li>When you AND your partner will retire </li> <li>Where you will live (you may want to downsize, relocate, seek assisted living)</li> <li>Anticipated living costs (living situation, health, lifestyle)</li> <li>How you will spend your time (hobbies, travel, volunteering, time with family)</li> <li>Strategies to maximise investments and superannuation</li> <li>Tax minimisation strategies</li> </ul> <p>Remember: failing to plan = planning to fail.</p> <ol start="2"> <li><strong>Poor planning</strong></li> </ol> <p>Having a plan is the starting point, but it won’t get you far if it’s incomplete, not updated as circumstances change, or omits critical factors.</p> <p>For couples, not considering age differences is a big mistake. One partner retiring before the other can have big shifts on financial and tax dynamics and even the relationship itself. Then there is end-of-life care, particularly if the younger partner is still working.</p> <p>Not building in a safety buffer is another no-no. Too many retirees have been caught out by the high inflation of recent years, having calculated their anticipated income needs on much lower living costs.</p> <p>Balance short-term and long-term goals: being overly conservative early on can limit your financial situation down the track.</p> <p>And no plan is complete without contingencies for worst case scenarios – insurances, protections, back-up options.</p> <ol start="3"> <li><strong>Insecure housing </strong></li> </ol> <p>Government data has long shown major differences in quality of life for retirees who own their home versus those who don’t. </p> <p>Homelessness or insecure housing, the mercy of the rental market, and inability to customise your home as you age or if you need specialised support with disability or health issues are some of the challenges renters face.</p> <p>Furthermore, public estimates of how much the average Australian needs to retire typically assume home ownership – meaning rent is not part of that calculation. That’s a huge living cost you may not have factored into your retirement planning. </p> <ol start="4"> <li><strong>Unclaimed pensions</strong></li> </ol> <p>Contrary to popular belief, self-funded retirement and claiming a pension are not mutually exclusive. </p> <p>You may be eligible for a part-pension, calculated pro-rata according to the value of your assets and other income. Claiming a part-pension, no matter how small it may be, reduces how much income you need to draw down from super – making it last longer. </p> <p>Don’t fall into another common trap when applying – overestimating your assets. It’s easy to assume your non-monetary assets are worth more than what they really are, reducing how much pension you receive or negating your eligibility altogether.</p> <ol start="5"> <li><strong>Depleted Bank of Mum and Dad</strong></li> </ol> <p>With home ownership increasingly out of reach for younger adults, the Bank of Mum and Dad is often sought to bridge the gap. How you do so will impact your own situation.</p> <p>Giving more than you can afford can leave you overstretched. Missed loan repayments could see you fall behind on your own bills. Not putting agreements in writing can lead to disputes down the track. Having a loan guarantee called in could see you homeless.</p> <p>Be wise about decisions you make here and don’t let heartstrings cloud your judgement.</p> <ol start="6"> <li><strong>Suffering in silence</strong></li> </ol> <p>Elder abuse is a sad but significant problem. Given they have money in the bank, self-funded retirees are often the most vulnerable.</p> <p>Its effects can be far-reaching, impacting your mental and physical health, financial wellbeing, social interactions, and quality of life.</p> <p>Be aware of <a href="https://www.oversixty.com.au/finance/retirement-income/are-you-a-victim-of-elder-abuse-without-even-realising-it">the signs that something isn’t right</a>. If you recognise it happening to you – or someone you know – speak up and seek help. </p> <ol start="7"> <li><strong>Forgoing professional advice</strong></li> </ol> <p>How much of the above details did you already know? Chances are, not all of them. And that’s just the tip of the iceberg.</p> <p>Money is a complicated business and you simply don’t know what you don’t know, which is why seeking independent, tailored advice from a professional is so important. </p> <p>A good financial advisor can help you identify new opportunities and manage risks you may not have considered, limit expenses and also work with your accountant to minimise your tax.</p> <p><strong><em>Helen Baker is a licensed Australian financial adviser and author of On Your Own Two Feet: The Essential Guide to Financial Independence for all Women. Helen is among the 1% of financial planners who hold a master’s degree in the field. Proceeds from book sales are donated to charities supporting disadvantaged women and children. Find out more at <a href="http://www.onyourowntwofeet.com.au/">www.onyourowntwofeet.com.au</a></em></strong></p> <p><strong><em> Disclaimer: The information in this article is of a general nature only and does not constitute personal financial or product advice. Any opinions or views expressed are those of the authors and do not represent those of people, institutions or organisations the owner may be associated with in a professional or personal capacity unless explicitly stated. Helen Baker is an authorised representative of BPW Partners Pty Ltd AFSL 548754.</em></strong></p> <p><strong><em>Image credits: Shutterstock </em></strong></p>

Retirement Income

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All the head-turning looks from the 2024 Met Gala

<p>Known as "fashion's biggest night out", the Met Gala 2024 has kicked off in spectacular style with A-listers from all over the world gracing the carpet at the Metropolitan Museum of Art in New York City. </p> <p>The event, which is a fundraising event for the Met, is held every year on the first Monday of May, to celebrate the Costume Institute’s new exhibition, “Sleeping Beauties: Reawakening Fashion”.</p> <p>The dress code this year, The Garden of Time, is said to be inspired by a short story of the same title written by JG Ballard in 1962. </p> <p>The who's who of Hollywood hit the carpet at the Met this year, led by actress Zendaya, who is this year's co-chair of the event after returning to the Gala for the first time in five years. </p> <p>Many Aussie superstars walked the carpet, such as Nicole Kidman and Keith Urban, Naomi Watts, Troye Sivan, Chris Hemsworth and Kylie Minogue, who attended for the first time since 2014.</p> <p>Hugh Jackman also graced the Met carpet solo for the first time, last attending alongside his now ex-wife Deborra Lee-Furness in 2023. </p> <p>The Aussie actor took to Instagram to share that his dapper Tom Ford tuxedo was the very same outfit that he wore to his first Met Gala in 2004 that had been "refitted and repaired". </p> <p>Other Hollywood legends that graced the carpet included Sarah Jessica Parker, Meg Ryan, Jennifer Lopez, Uma Thurman, Penelope Cruz and many more. </p> <p><em>Image credits: Getty Images </em></p>

Beauty & Style

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Debate erupts over groom's unconventional footwear choice

<p>In what seems to be a picture perfect wedding, eagle-eyed social media users spotted one odd detail. </p> <p>The couple were snapped standing at the altar, and while everything else about their outfit seemed flawless, one Reddit user called the groom out for wearing black Crocs and black socks to his wedding. </p> <p>“Imagine you get ready for three hours and your groom shows up in Crocs,” the user said. </p> <p>“Crocs would be a legit reason to say no at the altar,” another wrote, before adding: <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">“Crocs are a valid reason to not date someone. They are horrible.”</span></p> <p>“He’s wearing a suit, maybe he has a problem with his feet that he can’t wear proper footwear,” a third commented</p> <p>“Surely no one, no matter how casual in style, voluntarily leaves the house in Crocs?”</p> <p>However many other social media users were quick to defend the wedding faux pas, with some saying that they wish they had done the same thing at their own weeding. </p> <p>“He probably has an injured foot or broken toe. He’s perfectly groomed (a pun) otherwise and obviously tried to camouflage his socks and crocs with his attire," one sympathised. </p> <p>“Ya I have really severe diabetic neuropathy in my feet, especially my toes. Doctor actually suggested Crocs as they have extra space and don’t restrict movement," another added.</p> <p>“I wore flip flops under my dress. I hate heels with a passion,” a third wrote. </p> <p>"He's wearing a nice suit, matching dark socks so I'm not seeing an issue here as he probably has some kind of foot or back injury or pain. If I were marrying him this wouldn't bother me," added a fourth. </p> <p>“Let the man get married in something comfortable. My wife could have shown up in a potato sack barefoot for all I cared, she is there to marry me, not for a fashion show," a fifth defended. </p> <p><em>Image: Reddit</em></p> <p> </p>

Relationships

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"What a life lived!": Fashion icon dies age 102

<p>New York designer and style icon Iris Apfel has passed away aged 102. </p> <p>Her death was confirmed by her commercial agent, Lori Sale, who called Apfel "extraordinary", although no cause of death was given. </p> <p>Apfel, who was born on August 29, 1921, was known for her eccentric outfits, oversized black-rimmed glasses, bright red lipstick and short white hair. </p> <p>Her death was also announced on the fashion icon's official Instagram page, on Friday US time, just one day after she celebrated her 102nd-and-a-half birthday. </p> <p>"Working alongside her was the honour of a lifetime. I will miss her daily calls, always greeted with the familiar question: 'What have you got for me today?'" Sale said in a statement.</p> <p>"She was a visionary in every sense of the word. She saw the world through a unique lens — one adorned with giant, distinctive spectacles that sat atop her nose."</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/C3_geMFu15Y/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/C3_geMFu15Y/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Iris Apfel (@iris.apfel)</a></p> </div> </blockquote> <p> </p> <p>Apfel was an expert on textiles and antique fabrics. She and her husband Carl owned textile manufacturing company, Old World Weavers, which specialised in restoration work, including projects at the White House under six different US presidents.</p> <p>Apfel first rose to fame in 2005 when the curator of the Metropolitan Museum of Art’s Costume Institute hosted a show about her called "Rara Avis". Latin for "rare bird".  </p> <p>They showcased the personal collection of vintage and designer accessories which were style on mannequins dressed in clothes Apfel would wear, and the exhibit became an instant success.</p> <p>Following the exhibit Apfel was awarded several opportunities including featuring in a 2007 coffee table book, a 2012 MAC Cosmetics campaign, and a 2014 documentary about her life, which was nominated for an Emmy award three years later. </p> <p>Apfel was also gained popularity among the younger generation, with over 3 million followers on Instagram, and over 250,000 on TikTok. </p> <p>"More is more & Less is a Bore," the bio read across her social media platforms. </p> <p>Despite her age, Apfel never retired, and told <em>Today</em>: "I think retiring at any age is a fate worse than death. Just because a number comes up doesn't mean you have to stop."</p> <p>Tributes have poured in from fans across the world. </p> <p>"What a life lived! What an example set! What footsteps you have left behind! Rest peacefully, icon!" one wrote. </p> <p>"She inspired so many women to be bold, and brave and truly authentic….to ignore the number of years we have lived and view age as an opportunity to shine. What a beautiful legacy," another added. </p> <p>"What a blessing to live that long and look that fabulous doing it," wrote a third. </p> <p>The style icon was married to Carl Apfel for 67 years until his death in 2015. They had no children. </p> <p><em>Images: Instagram</em></p> <p> </p>

Caring

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What to wear for a climate crisis

<p><em><a href="https://theconversation.com/profiles/rachael-wallis-568028">Rachael Wallis</a>, <a href="https://theconversation.com/institutions/university-of-southern-queensland-1069">University of Southern Queensland</a></em></p> <p>When people move to the country from the city, they need to change their wardrobes, my <a href="https://rgs-ibg.onlinelibrary.wiley.com/doi/abs/10.1111/area.12540">research on tree-changers</a> in Australia found. The new context of their lives means the clothes they wore for the city no longer work for their new lives. This is also true in the climate crisis.</p> <p>Our context has changed. When we decide what clothes to buy, we now need to bring into play a wider range of values than the appearance of a garment, its newness and novelty and whether we like it or not. As the Intergovernmental Panel on Climate Change (IPCC) <a href="https://www.ipcc.ch/assessment-report/ar6/">states</a>, if we are to have any hope of avoiding a world that is too hot and unpredictable to live in, we need to do everything we possibly can, right now, to cut greenhouse gas emissions into the atmosphere.</p> <p>The fashion industry contributes <a href="https://www.frontiersin.org/articles/10.3389/fenvs.2022.973102/full">up to 10% of global emissions</a> – more than international aviation and shipping combined. It also contributes to biodiversity loss, pollution, landfill issues, unsafe work practices and more.</p> <p>Australia’s carbon footprint from the consumption and use of fashion is the <a href="https://hotorcool.org/unfit-unfair-unfashionable/">world’s biggest</a>, a dubious distinction in a materialistic world.</p> <p>So this is an area where the choices we make can have big impacts. While individual action will not solve all of the above problems, it will help as we move towards the structural and systemic change needed to live sustainably.</p> <p>If we are concerned about these issues, responding thoughtfully means we will live our lives according to our values. And that’s an <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6326475/">important factor</a> in living well, flourishing and being happy.</p> <p><iframe id="datawrapper-chart-teOOs" style="border: none;" title="Carbon footprints from fashion consumption in G20 nations" src="https://datawrapper.dwcdn.net/teOOs/2/" width="100%" height="589" frameborder="0" scrolling="no" aria-label="Stacked Bars" data-external="1"></iframe></p> <h2>Lessons from wartime</h2> <p>It’s not the first time people have adapted their clothing in response to the demands of a crisis.</p> <p>During the second world war, <a href="https://www.iwm.org.uk/history/how-clothes-rationing-affected-fashion-in-the-second-world-war">clothing styles changed</a> in the United Kingdom and Australia. To conserve precious resources, shorter skirts, minimal detailing and a focus on utility became the norm.</p> <p>People adapted their personal aesthetics and appearance because the situation was grave and they wanted to “do their bit” to help with the war effort. This was a collective necessity in dire times.</p> <p>This wartime response reflected the priorities and values of society as a whole as well as most people in that society. In other words, buying less (rationing meant this was not just a choice), mending and making do with what was already there was part of a value system that contributed to the Allied victory.</p> <p>In novels and other writing from the era, it is clear that at times it was not easy and it could be frustrating. There was, however, a public consensus that it was necessary. This shared commitment to the war effort became a value that made personal sacrifices worthwhile and satisfying.</p> <h2>So what can we do today?</h2> <p>In our current context, the <a href="https://hotorcool.org/unfit-unfair-unfashionable/">most helpful thing we can do</a> is to buy fewer new clothes and wear them for longer.</p> <p>Australians buy a lot of clothes, about <a href="https://www.cleanup.org.au/fastfashion">56 items per year</a> on average. That makes Australians the <a href="https://hotorcool.org/unfit-unfair-unfashionable/">second highest textiles consumers in the world</a> after <a href="https://www.cleanup.org.au/fastfashion">the USA</a> , and is <a href="https://www.greenpeace.org/static/planet4-international-stateless/2017/09/76e05528-fashion-at-the-crossroads.pdf">60% more than we bought even 15 years ago</a>. The <a href="https://www.eea.europa.eu/publications/textiles-in-europes-circular-economy">price of clothes has dropped significantly</a> over the past couple of decades, and the <a href="https://hotorcool.org/unfit-unfair-unfashionable/">number of clothes</a> people have in their closets has grown.</p> <p>If we begin to shift away from our slavish devotion to newness and novelty – following the dictates of fashion – to a mindset of value-led sufficiency, we can appreciate more fully the feel of lived-in, mended or altered clothes. There is a feeling of comfort in pulling on an old garment that is soft with age and repeated washing. There is <a href="https://www.google.com.au/books/edition/Loved_Clothes_Last/StfnDwAAQBAJ?hl=en&amp;gbpv=1&amp;dq=joy+of+creative+mending&amp;pg=PT7&amp;printsec=frontcover#v=onepage&amp;q=joy%20of%20creative%20mending&amp;f=false">joy in extending a garment’s life</a> through creative mending, especially when that aligns with our values.</p> <p>The Berlin-based <a href="https://hotorcool.org/unfit-unfair-unfashionable/">Hot or Cool Institute</a> suggests a wardrobe of 74 garments (including shoes but excluding undergarments) is typically sufficient for people who live in a two-season climate (in the tropics) and 85 pieces for those who live in a four-season climate, as most Australians do. If we buy ten to 12 new items a year, we can replace our entire wardrobe in about seven years.</p> <p>Buying second-hand instead of new is even better because it doesn’t add to current production emissions. If we buy second-hand, it still doesn’t mean we should buy more than we need.</p> <h2>Choosing clothes to fit our values</h2> <p>To live authentic lives that are fulfilling and satisfying in deep and meaningful ways, we need to be true to our selves. In the case of clothing, we should evaluate our choices in relation to the values we hold. And if we do care about living sustainably, that means changing those choices we feel are no longer suited to the climate crisis.</p> <p>Clothes need to reflect a person’s situation as well as their identity to <a href="https://research.usq.edu.au/item/q4x53/the-phenomenological-and-discursive-practice-of-place-in-lifestyle-migration-a-case-study-of-stanthorpe-queensland">“work” well</a>. This may mean that what we wear changes as we make different buying decisions, just as people did in the second world war and as tree-changers do. We may start to look different, but that change signifies our values in action.</p> <p>Best of all, clothing choices that align with keeping global warming to less than 1.5 degrees will have a long-term impact as significant as winning the war.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/214478/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/rachael-wallis-568028">Rachael Wallis</a>, Research Assistant, Youth Community Futures, <a href="https://theconversation.com/institutions/university-of-southern-queensland-1069">University of Southern Queensland</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/what-to-wear-for-a-climate-crisis-214478">original article</a>.</em></p>

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Why we should embrace the joy of dressing ‘outside of the lines’ like Gen Z

<p><a href="https://theconversation.com/profiles/steven-wright-1416088">Steven Wright</a>, <em><a href="https://theconversation.com/institutions/university-of-south-wales-1586">University of South Wales</a></em> and <a href="https://theconversation.com/profiles/gwyneth-moore-1416089">Gwyneth Moore</a>, <em><a href="https://theconversation.com/institutions/university-of-south-wales-1586">University of South Wales</a></em></p> <p>Have you seen that <a href="https://www.voguescandinavia.com/articles/this-is-how-to-style-the-new-cargo-pant-according-to-these-danish-influencers">cargo pants are back</a>? Young people are once again swishing down hallways and they might even be wearing <a href="https://www.vogue.co.uk/fashion/article/crocs-lyst-hottest-product">Crocs</a> on their feet, because these are cool now too. For many this could be seen as dressing “badly” but Y2K (2000s fashion) is all the rage at the moment.</p> <p>Fashion has long been one of the most creative playgrounds to express yourself and also define your personal identity and status. Gen Z take this very seriously. However, they are no mere followers of fashion but are adventurously carving out their own trends and styles – joyfully playing with the way they dress and express themselves through their clothes.</p> <p>Gen Z are rejecting everything from outdated gender tropes <a href="https://www.businessoffashion.com/articles/beauty/why-gen-z-yellow-will-never-be-millennial-pink/">to curated colour schemes</a> and <a href="https://www.vox.com/22697168/body-positivity-image-millennials-gen-z-weight">the idea of the “perfect” body</a>.</p> <p>For several hundred years, it was the fashion industry who controlled what was on trend. It was <a href="https://www.jstor.org/stable/42978704">in bed with</a> the media, style icons, designers and the tycoons of the industry. This relationship has enabled trends to be predicted and for aesthetic movements to be planned and consumers to be catered for. The masses watched and waited to be told what was new and “hot”.</p> <p>This relationship is now being short-circuited by a <a href="https://www.tandfonline.com/doi/full/10.1080/17569370.2022.2149837">generation of digital natives</a> who live in a world where the distinction between the digital and the physical is blended.</p> <p>Gen Z will not be dictated to, they are not anxiously waiting to be told they are on trend, on social media they are making heir own trends by breaking rules, embracing creativity and finding joy in dressing bravely.</p> <h2>The democratisation of fashion</h2> <p>Each generation has changed fashion. The baby boomers brought us flower power in the 1960s and 1970s using free love in contrast to their parents’ <a href="https://www.jstor.org/stable/30036343?searchText=free+love+counter+culture+fashion&amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dfree%2Blove%2Bcounter%2Bculture%2Bfashion&amp;ab_segments=0%2FSYC-6744_basic_search%2Ftest-1&amp;refreqid=fastly-default%3A1b4986acdbd4197e33c408f8641061a6">clearly defined social and gender roles</a>.</p> <p>Boomers’ younger siblings brought us “punk” in the 1970s and 1980s, a subculture dedicated to using the symbols of the state against itself and deliberately playing with the obscene and vulgar. This was amid a global political climate of conservatism and repression.</p> <p>Then <a href="https://www.jstor.org/stable/742606?searchText=baby+boomer+fashion+flower+power&amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dbaby%2Bboomer%2Bfashion%2Bflower%2Bpower&amp;ab_segments=0%2FSYC-6744_basic_search%2Ftest-1&amp;refreqid=fastly-default%3Af122f7705806e1673dfa550b2fc44c16">again in the 1990s</a> we saw grunge, Gen X’s response to a futureless world post-cold war.</p> <p>Well, Gen X have had children and those kids have decided that they find joy in dressing outside of the lines (so to speak), you can be anything, you can be everything and you can be nothing.</p> <figure><iframe src="https://www.youtube.com/embed/9GUkkenYvlY?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>Gen Z (and even millenials) have witnessed the ever-increasing democratisation of fashion through social media sharing and the global reach of online platforms. They have seen thousands of tiny subcultures formed online where they undergo a near constant cycle of evolution, explosion and reformation.</p> <p>Take the early <a href="https://www.instyle.com/fashion/clothing/emo-style">2000s “emo” trend</a>. Once a big subculture, it was thrust to the corners of the internet where everyone thought it would languish and die.</p> <p>However, emo is experiencing a revival with people wearing all black, corsets becoming cool again and heavy eye makeup being sported by the likes of Gen Z darlings <a href="https://www.buzzfeed.com/mariasherm2/willow-smith-bullied-my-chemical-romance-paramore-emo">Willow Smith</a> and <a href="https://www.theatlantic.com/culture/archive/2021/12/juice-wrld-olivia-rodrigo-kid-laroi-emo-music/621069/">Olivia Rodrigo</a>.</p> <p>But Gen Z are not sticking to one style. Fashion has become a pick and mix of trends and ideas where an individual can use the ingredients to create and recreate identity as often as they desire. There is joy in dressing, not fear. There are no rules.</p> <h2>No rules</h2> <p>As new fashion consumers gleefully reinvent notions of good taste and beauty, the traditional trickle-down effect for trends has been replaced by a bubbling up from new sources defining what’s new and what’s next. From Instagrammers to icons, vloggers and TikTokkers, the <a href="https://www.emerald.com/insight/content/doi/10.1108/JFMM-12-2020-0275/full/html">sources for trends are broad and varied</a>.</p> <p><iframe style="border: none;" src="https://www.tiktok.com/embed/7127790531932949766" width="100%" height="400" frameborder="0" scrolling="no"></iframe></p> <p>Young people are creating <a href="https://journals.sagepub.com/doi/abs/10.1177/14614448221146174">their own place in a new world</a>. A world where crocs are high fashion and what “goes” is in the eye of the beholder. Boxers as a headdress or leggings as scarf? sure. Why not even wear a <a href="https://www.highsnobiety.com/p/jw-anderson-ss23-womens-runway-collection/">keyboard</a> as a top? <a href="https://www.tiktok.com/@saracampz/video/7127790531932949766">Maximalism</a> is being taken to new extremes as clothes are layered over more clothes and no colour, object or pattern is out of bounds.</p> <p>These are the COVID kids, a generation that came of age during a global calamity where the only form of communication was digital and two-dimensional.</p> <p>The loudest and boldest and most insane outfit is the one that will get you most attention on screen. For kids used to consuming media through TikToks rather than glossy editorials, <a href="https://myjms.mohe.gov.my/index.php/ijbtm/article/view/20001">only the most dramatic, fun and playful will do</a>. Fashion has taken itself way too seriously for way too long. A cleansing fire of young, creative people is exactly what is needed right now. We should all take a page out their book and find joy in dressing in whatever we want.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/199940/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/steven-wright-1416088">Steven Wright</a>, Head of Subject - Fashion Marketing and Photography, <a href="https://theconversation.com/institutions/university-of-south-wales-1586">University of South Wales</a> and <a href="https://theconversation.com/profiles/gwyneth-moore-1416089">Gwyneth Moore</a>, Course coordinator - BA (Hons) Fashion Business &amp; Marketing &amp; BA (Hons) Fashion Design, <a href="https://theconversation.com/institutions/university-of-south-wales-1586">University of South Wales</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/why-we-should-embrace-the-joy-of-dressing-outside-of-the-lines-like-gen-z-199940">original article</a>.</em></p>

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Belgium royal accused of copying the Princess of Wales

<p dir="ltr">A dress worn by Belgium’s Princess Delphine has caused a stir over its similarity to one of Princess Kate’s recent looks.</p> <p dir="ltr">The original designer of Kate’s dress, Andrew Gn, has called out Belgian design label Atelier ExC for creating a “shameless copy” of his work.</p> <p dir="ltr">The Singaporean designer expressed his anger via an Instagram story which has since expired.</p> <p dir="ltr">Princess Delphine wore a dress that featured colourful swirls and a blue trim that was embellished by matching blue crystals, during the country's National Day celebrations on Friday.</p> <p dir="ltr">Her dress bared a striking resemblance to the Princess of Wales’ green dress with satin trimmings and jewelled button-like decorations, which she wore at Trooping the Colour in June.</p> <p dir="ltr">Not only that, Gn had also worked closely with hat designer Philip Treacy to create a wide-brimmed hat for Kate, and Princess Delphine was pictured with a similar looking hat on Friday.</p> <p dir="ltr">The stylist who designed Princess Delphine’s outfit has denied the claims and said that her look was “inspired” by vintage Chanel.</p> <p dir="ltr">"For Princess Delphine's dress we were inspired by the Chanel style of the '60s," Jody Van Geert told <em>Vanity Fair </em>Spain.</p> <p dir="ltr">"Both the designer of Kate's dress and Atelier ExC copied from the best. Therefore, it is purely coincidental that the dresses are similar.</p> <p dir="ltr">"And, in fact, there are differences, like the ruffles on Princess Delphine's dress."</p> <p dir="ltr">Some royal fans were quick to judge, taking to Instagram to express their critiques.</p> <p dir="ltr">"When you ordered Kate's dress from wish," wrote one person.</p> <p dir="ltr">"It seems the Shein version of Catherine's outfit,” echoed another.</p> <p dir="ltr">However there were a few others who defended Atelier ExC’s design choices.</p> <p dir="ltr">"I'm a huge fan of AG so I can see why one would be inspired by him. His work is breath-taking,” wrote one person.</p> <p dir="ltr">"Everybody is inspired by someone. Kate's green dress by Andrew Gn was inspired by a hundred dresses before him, even with the buttons,” commented another.</p> <p dir="ltr"><em>Images: Getty</em></p>

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How 1920s high society fashion pushed gender boundaries through ‘freaking’ parties

<p><em><a href="https://theconversation.com/profiles/dominic-janes-347508">Dominic Janes</a>, <a href="https://theconversation.com/institutions/keele-university-1012">Keele University</a></em></p> <p>The 1920s brought about a rise in androgynous fashion among a high society set that broke boundaries and caused controversy. This drew on a subculture that had existed for decades, perhaps centuries, but after the first world war gender-bending fashions became front page news.</p> <p>It was a time of upheaval. Established regimes were toppling across Europe. In Britain, women over 30 had finally been given the vote and there was widespread concern about the new hedonism of their younger “flapper” sisters.</p> <p>There was also a new market for novels, such as Radcylffe Hall’s <a href="https://www.pbs.org/wgbh/roadshow/stories/articles/2019/4/1/radclyffe-hall-well-of-loneliness-legacy#:%7E:text=On%20November%2016%2C%201928%2C%20Biron,its%20immediate%20removal%20from%20circulation.">banned book</a> <a href="https://www.bbc.com/culture/article/20221121-the-well-of-loneliness-the-most-corrosive-book-ever">The Well of Loneliness</a> (1928) that focused on, rather than merely hinted at, queer lives. Daring male university students <a href="https://doi.org/10.1093/tcbh/hwab036">started wearing makeup</a>. One of these was <a href="https://www.vam.ac.uk/articles/cecil-beaton-an-introduction">Cecil Beaton</a>, the future celebrity photographer, who <a href="https://www.digitaltransgenderarchive.net/files/ht24wj66t">delighted in cross-dressing</a> both on stage and off.</p> <p>Beaton became part of a set of high society socialites who were known as the “<a href="https://www.npg.org.uk/whatson/cecil-beaton-bright-young-things/exhibition">bright young things</a>”. They were often socially privileged, many of them were queer and their antics were <a href="https://djtaylorwriter.co.uk/page10.htm">widely followed in the media</a> with a mixture of horror and fascination.</p> <p>The “things” took partying seriously and paid great attention to their outfits. They dressed to transgress. In 1920, high society magazine <a href="https://www.bloomsbury.com/uk/freak-to-chic-9781350172609/">The Sketch reported</a> that what it termed “freak parties” were suddenly in vogue with the younger set.</p> <p>Before the war, <a href="https://www.bloomsbury.com/uk/freak-to-chic-9781350172609/">articles had appeared</a> condemning unusual styles as “freak fashions”, but suddenly “<a href="https://www.bloomsbury.com/uk/freak-to-chic-9781350248083/">freaking</a>” was all the rage.</p> <p>Until this point, menswear had been heavily circumscribed. Black was the default colour for formal occasions and tweed for informal settings. But suddenly there was a circle who were keen to try out new looks, no matter how bizarre – or queer-looking – the results.</p> <h2>Queer parties, queer fashions</h2> <p>These styles were often worn as fancy dress, but they borrowed looks from marginalised queer communities such as feminine-styled queer men, some of whom made a living by selling sexual services.</p> <p>One such man was Quentin Crisp, whose memoir <a href="https://www.penguinrandomhouse.com/books/324730/the-naked-civil-servant-by-quentin-crisp/">The Naked Civil Servant</a> (1968) was dramatised as a <a href="http://www.crisperanto.org/news/NCSusa2007.html">pioneering TV drama</a>.</p> <p>Another source of inspiration was the <a href="https://press.uchicago.edu/ucp/books/book/chicago/S/bo3682948.html">freak show</a>. These displays, horrifying from a 21st century point of view, were a popular element of circuses at the time. They featured such stock characters as the muscled giant and the bearded lady, some of whom <a href="https://www.thehumanmarvels.com/annie-jones-the-esau-woman/">became celebrities</a> in their own right.</p> <p>Masquerade and fancy dress parties had long been a feature of urban social life, but the bright young things innovated in that they impressed less through the expense of their outfits and more through their queer implications.</p> <p>Many such parties were themed, such as a Greek-themed freak party that was hailed as the greatest “Dionysia” of 1929 (Dionysus being the Greek god of sex and pleasure). Androgynous and cross dressing looks were common and men such as Beaton designed their own frocks.</p> <p>In July 1927, <a href="https://www.routledge.com/Her-Husband-was-a-Woman-Womens-Gender-Crossing-in-Modern-British-Popular/Oram/p/book/9780415400077">one magazine declared</a> that an event attended by Beaton’s friend Stephen Tennant dressed as the Queen of Sheba and bisexual actress Tallulah Bankhead dressed as a male tennis star was: “one of the queerest of all the ‘freak’ parties ever given in London”.</p> <h2>The party’s over</h2> <p>The Wall Street crash of 1929 led to a rapid shift in public mood. Economic recession led people to favour sobriety over flamboyance. Money for the parties ran out and media attention faltered.</p> <p>Gender-bending style vanished from the fashionable arena, although it persisted on inner cities streets. Quentin Crisp’s mode of <a href="https://bodleianshop.co.uk/products/british-dandies">queer dandyism</a> was daring for its time, but it only became extraordinary by virtue of his unwillingness to modernise.</p> <p>Seemingly he, and pretty much he alone, continued to wear the queer looks of the interwar period into the television age. He duly <a href="http://www.crisperanto.org/news/AnEnglishmanInNYmovie.html">became a transatlantic celebrity</a> late in life when he became the inspiration for Sting’s song <a href="https://www.sting.com/discography/album/189/Singles">Englishman in New York</a> in 1987.</p> <p>Cecil Beaton, meanwhile, became a leading photographer for Vogue magazine and was commissioned to take official <a href="https://www.rct.uk/cecil-beaton-1904-80">coronation portraits of Elizabeth II</a>. He also designed the fantastic dresses worn by Audrey Hepburn in the film <a href="https://www.tatler.com/article/in-cecil-beatons-show-stopping-designs-for-my-fair-lady-lies-a-story-of-tantrums-and-top-hats">My Fair Lady</a> (1964), inspired by the gowns he and his compatriots had dreamed up for themselves some 40 years earlier.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/205893/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><em><a href="https://theconversation.com/profiles/dominic-janes-347508">Dominic Janes</a>, Professor of Modern History, <a href="https://theconversation.com/institutions/keele-university-1012">Keele University</a></em></p> <p><em>Image credits: Getty </em><em>Images </em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/how-1920s-high-society-fashion-pushed-gender-boundaries-through-freaking-parties-205893">original article</a>.</em></p>

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Style lessons from Iris Apfel

<p>Ninety-four-year-old Iris Apfel is an internet sensation, and she doesn’t even own a computer. Constantly spotted wearing outrageously fabulous outfits, we can all, young or old, learn a thing or two about style and confidence from the fashion icon.</p> <p><strong>1. It’s all about the accessories –</strong> You merely have to take a quick glance at Iris Apfel to know she’s a fan of the accessory. Constantly decked out in huge glasses and layers upon layers of opulent necklaces, Apfel lives the fashion version of the philosophy, “Go big or go home.”</p> <p><strong>2. Be yourself –</strong> Apfel wears what she wants, and is more afraid of conforming than standing out in the crowd. "They say they want to be different and they all wear a uniform. I mean, in New York you can probably tell somebody’s zip code by what they are wearing,” Apfel explained to AnOther Magazine.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CXCKjFxLRIS/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CXCKjFxLRIS/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Iris Apfel (@iris.apfel)</a></p> </div> </blockquote> <p><strong>3. You don’t have to be “pretty” to be fabulous –</strong> Apfel doesn’t follow the societal hype of conventional beauty, preferring to embrace what she’s been given, instead. The fashion icon explained to The Guardian, “I’m not a pretty person. I don’t like pretty – so I don’t feel badly ... Most of the world is not with me, but I don’t care.”</p> <p><strong>4. Style isn’t always effortless –</strong> Apfel spends hours searching for accessories and bartering with shop keepers to find the perfect fabric. Not one to sit behind the computer and shop online, Apfel procures all her fashion finds herself, and it pays off.</p> <p><strong>5. Happiness comes first –</strong> According to Apfel, one’s own contentedness should come before fashion. “It’s better to be happy than to be well dressed,” she says.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CrzBkoeMK5m/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CrzBkoeMK5m/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Iris Apfel (@iris.apfel)</a></p> </div> </blockquote> <p><strong>6. Don’t be boring –</strong> You’d be hard-pressed to find Apfel in an outfit that isn’t colourful or wild by conventional standards. Even when she wears black, she offsets this with texture, donning furs, feathers, metals, and jewels – everything, it would appear, but the kitchen sink. But if anyone could pull that off, we bet it would be Iris too.</p> <p><em>Images: Instagram</em></p>

Beauty & Style

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“Where’s Andy Murray?” Famous family fires up over Wimbledon faux pas

<p>The family of Andy Murray are up in arms after the tennis champion was left out of a promotional artwork ahead of the annual Wimbledon competition. </p> <p>On Tuesday, the All England Club unveiled the promotional image to their social media accounts, which shows 15 past tennis champions, past and present, walking down the stairs of the main building at Wimbledon. </p> <p>At the forefront of the image are members of the “next generation of headline acts” Spaniard world No. 2 Carlos Alcaraz and Italian Jannik Sinner, surrounded by sporting legends such as Roger Federer, Rafa Nadal, Novak Djokovic, Martina Navratilova, Chris Evert, John McEnroe, Bjorn Borg, Boris Becker, Stefan Edberg and the Williams sisters Serena and Venus.</p> <p>Despite the image being filled with famous tennis faces, there is no image of Andy Murray, a two-time Wimbledon champion, whose famous victory in July 2013 ended 77 years of waiting for a homegrown British male singles winner.</p> <p>Andy's family and fans reacted with outrage that Murray, who was officially knighted in May 2019, was left out of the composition.</p> <p>Murray’s uncle Niall Erskine tweeted, “Appalling at every level, all about the men in the forefront and your own British history-maker nowhere to be seen. You should be ashamed of yourselves.”</p> <p>Elder brother Jamie – who has won two Wimbledon mixed doubles titles – asked, “Where’s Andy Murray?”</p> <p>LA-based freelance illustrator Grant Gruenhaupt responded to the criticism by saying, “Worry not Jamie, there are more paintings on the way.”</p> <p>He added, “Back with Wimbledon on another fun series celebrating historic moments and players!"</p> <p>“This one featuring the greatest rivalries of the past and present as they make the historic walk through the clubhouse and onto Centre Court."</p> <p>“A lot of nuance in this one. Definitely one of the more challenging scenes I’ve had to tackle.”</p> <p><em>Image credits: All England Club / Getty Images</em></p>

Family & Pets

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“Proud of my wrinkles”: Twiggy’s guide to ageing gracefully

<p dir="ltr">Twiggy first exploded onto the modelling industry when she was crowned “The Face Of 1966”. The icon has since developed a stellar career and was even made a dame in 2019.</p> <p dir="ltr">Despite her rapid rise to fame (her photo was spotted by a fashion journalist) and her trusty address book full of celebrity contacts, the '60s icon remains grounded as she shared her love for the “ordinary things”.</p> <p dir="ltr">“We’ve all met people in the entertainment business who are kind of flying, they’re not quite with the world, are they? And that’s not me,” she said in an interview for the <em>Daily Mail</em>.</p> <p dir="ltr">“I love going to the supermarket, just ordinary things. I love my job, but my life is real life with Leigh and my kids, my grandkids, my friends”.</p> <p dir="ltr">Twiggy, whose real name is Lesley Hornby, is a proud grandmother who clearly loves going by adorable nicknames as she prefers to be called “mimi” instead of grandma.</p> <p dir="ltr">When speaking about her grandchildren, her face lights up. The former model has two biological grandchildren from her daughter, Carly, and three step-grandchildren from her partner, Leigh Lawson’s son, Jason.</p> <p dir="ltr">“He’s got three now, so when we get a houseful, it is noisy. But I love it. It’s what life’s about, isn’t it?” she said.</p> <p dir="ltr">Twiggy also proudly shared how different her life as “mimi” looks. The usually glammed up star said that in her day-to-day life she is usually bare-faced, with a ponytail.</p> <p dir="ltr">“That’s me when I’m out and about. Sunglasses, hair just pulled under a baseball cap,” she said.</p> <p dir="ltr">Unlike other stars who may have opted to go under the knife, Twiggy is proud of her natural look.</p> <p dir="ltr">“I’m kind of proud of my wrinkles,” she said.</p> <p dir="ltr">“I understand when people have little tweaks and maybe I’ll even do it, I don’t know.</p> <p dir="ltr">“But what I don’t think I’d ever do is all the stuff they inject, when they get those funny cheeks that look like cotton wool balls have been stuffed in them. It would frighten me,” she shared.</p> <p dir="ltr">She also shared how she embraces ageing by never getting botox.</p> <p dir="ltr">“It’s botulism, isn’t it?” she said of the procedure.</p> <p dir="ltr">“And I never fancied the idea of that floating round my body."</p> <p dir="ltr">She also said that she does Pilates once-a-week which helped her eliminate back pain, which had plagued her since she turned 60.</p> <p dir="ltr">Twiggy’s life story is going to be told for the first time in a documentary made by actor-turned-filmmaker Sadie Frost, with the final footage for the film taken just last week at the Cannes Film Festival.</p> <p dir="ltr">In September a Twiggy musical, <em>Close Up</em>, written and directed by Ben Elton is set to be released.</p> <p dir="ltr"><em>Images: Getty</em></p>

Beauty & Style

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11 ways your clothes could be killing you

<p><strong>Toxic fabrics</strong></p> <p>Man-made fabrics like polyester, nylon, rayon, and acrylic are dripping with dyes and chemicals. “These textiles are made with potentially toxic fibres, particularly those designed with fashion or convenience in mind,” explains Dr Gabriella Farkas. “Beware of stain resistant, insect-repelling, flame-retardant, water-repellent, waterproof, perspiration-proof, anti-static, anti-cling, and anti-shrink fabrics.” Just to name a few.</p> <p>The more benefits from said apparel, the more you might be subjecting yourself to toxic chemicals. “Those chemicals may separate from the clothes, set up shop on your skin, and eventually enter your bloodstream,” adds Caleb Backe, a health and wellness expert. This may spur a rash, but it’s even more concerning that the US Centers for Disease Control and Prevention has found that some chemicals in workout clothing like Dimethylformamide may be linked to liver damage. Opt for natural fibres, ideally organic, such as cotton, wool, silk, flax, and hemp.</p> <p><strong>High heels</strong></p> <p>Pumps and t-strap heels are causing you a lot more than just foot pain and blisters – wearing high heels days can actually lead to a shortened calf. When you slide on high heels day-in and day-out, anatomically the ankle becomes raised and the calf muscles contract. </p> <p>As these muscle fibres stiffen and become thicker, it can lead to discomfort when you’ve opted for flats. Ultimately, shortened calves may force you to walk on your tippy toes when you’re barefoot to avoid pain.</p> <p><strong>Skin tight jeans</strong></p> <p>You don’t need a Renaissance-style lace corset to trigger poor circulation, swollen legs, and blood clots – all you need are skinny jeans. A woman was cut out of her skinnies and hospitalised for four days after suffering numbness in her feet after squatting as she helped a relative move. </p> <p>And a study published in the <em>Journal of Neurology Neurosurgery &amp; Psychiatry</em> found that skinny jeans can damage muscle and nerve fibres in the legs.</p> <p><strong>Laundry detergent </strong></p> <p>Suffering from inexplicable bumps, redness, and rashes? Your laundry routine could be to blame. “Dyes and fragrances in detergent and laundry soaps contain chemicals that clean, deodorise, and disinfect,” explains Dr Jeffrey Fromowitz, a dermatologist. “For people with eczema or extremely sensitive skin, even the slightest contact can trigger a reaction.” </p> <p>He recommends avoiding dyes, fragrances, and harsh detergents and opting for liquid products, as they tend to leave fewer residues than powders. Use the “extra rinse” setting on your washing machine and keep your washing machine clean (i.e. lint-, dust-, and mould-free).</p> <p><strong>What you're not washing</strong></p> <p>Winter coats, scarves, and gloves that are washed only once per season are teeming with viruses and bacteria that can make you sick. Turns out, you should be washing hats and scarves weekly. Pyjamas should be washed daily and neckties that have grazed lunch tables and more should take a tumble every couple of wears, too.</p> <p><strong>Thongs and G-Strings</strong></p> <p>The issue with thongs isn’t necessarily the design, but what it’s composed of. Non-breathable materials trap moisture and can lead to urinary tract infections and yeast infections. Think a cotton crotch will do the trick? Think again. It’s just not enough to allow evaporation of moisture that breeds bacteria and helps maintain a healthy vaginal acidity.</p> <p>Since it is skimpy, make sure the next fabric your underwear makes contact with, i.e. skinny jeans, also offer a degree of breathability, too.</p> <p><strong>Bulky handbags</strong></p> <p>When walking with a big, bulky bag, we tend to raise our opposite shoulder to compensate for the weight. According to the Express Tribune, this may throw your sway off-kilter and lead to a collapsed foot arch corresponding to your weighted shoulder and a curved spine. </p> <p>This can ultimately lead to shoulder and neck pain, a trapped nerve, radiating pain into the arms, and carpal tunnel syndrome. Cue in back pain and arthritis as well. Consider switching to a backpack or distributing the weight between both shoulders evenly.</p> <p><strong>Flip flops or thongs</strong></p> <p>Flip flops are the official mascot of summer, but according to Katy Bowman, a biomechanist and author of Simple Steps to Foot Pain Relief, they fall short in a big way. “You have to clench the muscles in your feet the entire time you’re wearing them so they don’t fall off.” This can lead to shortened toe muscles, called hammer toes, and gait and balance changes, and it can affect how your whole body moves. </p> <p>“The ‘grip’ to keep footwear on makes some toe bones curl up and some down,” she adds. “It drives the end of some bones into the ground, creating higher-than-normal pressure which can lead to toe injury over time.” That friction can also lead to corns and calluses over time if there’s something for the toes to rub on overtop.</p> <p><strong>Compression garments</strong></p> <p>Compression around the midsection can be dangerous, too. Enter: Spanx and other smoothing garments. It can cause heartburn, bloating, gas, and nerve compression. What’s more, it can crush your organs and prevent your digestive system from working properly. </p> <p>According to a report by HuffPost, it can even cause blood clots and varicose veins. And that’s not all: Tight clothing of any sort can also trap moisture on the skin and cause infections and rashes, too.</p> <p><strong>Wrinkle-free clothing</strong></p> <p>Need a solid reason to toss that new top in the washer before wearing it to date night? Wrinkle-free clothing may be finished with a layer of formaldehyde, a known carcinogen that is not regulated in some countries.</p> <p><strong>Vintage clothing</strong></p> <p>What about used clothes whose source is unknown? “Bacteria, parasites, and fungi from a variety of diseases can survive on clothing for extended periods of time,” says Dr Farkas. </p> <p>Substantial heat is typically required to kill off any organisms, and experts recommend tumbling clothing with suspected ticks and other bugs in the dryer for 45 minutes before tossing them into the washer.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://www.readersdigest.co.nz/healthsmart/11-ways-your-clothes-could-be-killing-you?pages=1" target="_blank" rel="noopener">Reader's Digest</a>. </em></p>

Beauty & Style

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Stars lead the Met Gala carpet in stunning black and white

<p dir="ltr">Often dubbed the “Super Bowl of fashion”, the annual Met Gala has once again showcased the best that high fashion has to offer. </p> <p dir="ltr">The Met Gala serves as the annual fundraiser for New York’s Metropolitan Museum of Art’s Costume Institute, and gives the whos-who of Hollywood the chance to experiment with their wildest fashion choices. </p> <p dir="ltr">This year, the annual affair celebrated the exhibition “<a href="https://www.vogue.com/article/karl-lagerfeld-a-line-of-beauty-will-be-the-metropolitan-museum-of-arts-spring-2023-costume-institute-exhibition" target="_blank" rel="noopener">Karl Lagerfeld: A Line of Beauty</a>,” which honours the legacy of the late designer who died in February 2019. </p> <p dir="ltr">Lagerfeld helmed fashion houses such as Chanel, Fendi, and his own eponymous line, and raised funds for The Met’s Costume Institute while having an immeasurable impact on the fashion industry. </p> <p dir="ltr">As a result of this year’s theme, the stars largely turned out in various designs of black and white, which was a class colour combination that became Lagerfeld’s signature. </p> <p dir="ltr">Some looks on the star-studded carpet included Lagerfeld’s staples such as Chanel tweed, pearl embellishments, seemingly conflicting texture and endless, endless tulle. </p> <p dir="ltr">Celebrities such as Nicole Kidman, Glenn Close, Hugh Jackman, Pedro Pascal, Naomi Campbell, Jessica Chastain, Salma Hayek, and many many more graced the carpet, posing up a storm and showing off their intricately designed looks. </p> <p dir="ltr">One of the more unusual looks on the carpet came from actor and musician Jared Leto, who ran with his own unique interpretation of the theme and arrived dressed as Karl Lagerfeld’s cat Choupette, which translates to “sweetie” in French. </p> <p dir="ltr">While many of the celebrities in attendance interpreted the theme in their own ways, there is no doubt that the Hollywood A-listers who were lucky enough to be invited know how to make an entrance. </p> <p dir="ltr"><em>All image credits: Getty Images</em></p>

Beauty & Style

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Jean Harlow’s timeless style tips

<p>Known as the “Blonde Bombshell”, this sex symbol of the silver screen was known for her elegant, curve hugging gowns and a slinky attitude to match. She was the platinum blonde that paved the way for Marilyn Monroe.</p> <p>She famously claimed not to wear under garments so as not to spoil the lines of her dresses and personified classic glamour and cheeky, old world charm.</p> <p>Taken at only 26, Jean Harlow had a full life ahead of her that ended in sudden tragedy. In her short time however, she imparted her impeccable sense of character and flair on the world. Here are some of the starlet’s lasting beauty and style tips below. </p> <p>“I’d rather have a few dresses of very fine material, than a whole closetful of fussy cheap looking things.”</p> <p>“You have to have faith in your clothes, just as you have to have faith in yourself, to be successful in dressing.”</p> <p>"Personally, I dislike a made-up look. I never wear mascara unless my screen work demands it. I use only powder and lipstick."</p> <p>"I believe too much make-up is bad for women who prefer a healthy, natural complexion. Every woman knows what make-up she desires, and she should deal with it judiciously."</p> <p>"There are no tricks to the care of my hair at all. I use castile soap and shampoo it like everyone else might do. I never use a rinse. I shampoo it every four days, but I rub hot castor oil into my scalp before every shampoo."</p> <p>"Of course, we use different make-up for our screen work than we do in our personal lives. The same thing applies to clothes. Clothes and make-up are always a part of characterisation. You must adapt yourself to the character you are portraying on the screen. That is the reason they call us actresses and actors." </p> <p><em>Images: Getty</em></p>

Beauty & Style

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“Rip off”: Charity shop blasted over extortionate sale

<p dir="ltr">A local charity shop has come under fire for selling a pair of designer shoes for a hefty sum. </p> <p dir="ltr">The op-shop at Palm Beach on the Gold Coast is selling a pair of gold embellished Christian LouBoutin loafers for $500 after being discounted from $1,483. </p> <p dir="ltr">The eye-watering price tag was posted to Facebook and caused outrage among locals, as the shoes were propped up on a red velvet pillow. </p> <p dir="ltr">A woman by the name of Jo Sherwood posted the image to the Palm Beach community Facebook page, writing, “You know when Palmy has gone really upmarket (sic) … designer shoes at Vinnies.”</p> <p dir="ltr">Despite her claims, a spokesperson for the St Vincent de Paul Society has clarified the designer loafers were not from a Vinnies but another independent op shop in the area.</p> <p dir="ltr">Many were quick to slam the hefty price tag, calling the sale a “rip-off”. </p> <p dir="ltr">“It’s bloody disgusting the prices they charge on anything. I saw a Kmart dress in there last week, they were selling it for more than Kmart sold it for,” another wrote.</p> <p dir="ltr">Others were quick to call out many op shops who seem to have forgotten who they are there for. </p> <p dir="ltr">“Think they need to remember they are selling donated goods, not operating a boutique store,” someone replied.</p> <p dir="ltr">Another said that “all op shops have forgotten that they are meant to be there for the poor people, not just the hipsters.”</p> <p dir="ltr"><em>Image credits: Facebook</em></p>

Beauty & Style

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Twiggy leads tributes to Dame Mary Quant

<p>Dame Mary Quant has died “peacefully at home in Surrey” at the age of 93.</p> <p>Her family confirmed the news, with tributes pouring in from around the world, led by model Twiggy Lawson. </p> <p>“Dame Mary Quant died peacefully at home in Surrey, UK, this morning,” the statement from her family read. </p> <p>“Dame Mary, aged 93, was one of the most internationally recognised fashion designers of the 20th century and an outstanding innovator of the Swinging Sixties.</p> <p>“She opened her first shop Bazaar in the Kings Road in 1955 and her far sighted and creative talents quickly established a unique contribution to British fashion.”</p> <p>While Dame Mary’s contributions are numerous, the one she is perhaps best known for is her work in inventing - and popularising - the iconic miniskirt, a staple piece that played a major part in defining the Swinging ‘60s. </p> <p>As model Twiggy, an icon of the times, wrote on social media that Dame Mary “was such an influence on young girls in the late 50s early 60s.</p> <p>“She revolutionised fashion and was a brilliant female entrepreneur. The 1960s would have never been the same without her. Condolences to her family, RIP dear Dame Mary”.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/Cq-36MCNMgO/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/Cq-36MCNMgO/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Twiggy (@twiggylawson)</a></p> </div> </blockquote> <p>“A true influencer,” make-up artist Sandy Linter agreed, while comments poured in thanking Twiggy and Dame Mary for their contributions to the world of style, with many fans noting that the pair had been the main influence on their own fashion journeys. </p> <p>It was a similar scene when fellow model Pattie Boyd paid tribute, writing that it was “very sad news today to learn of the passing of the 60s daringly creative, fun genius, much-loved lady, Dame Mary Quant.</p> <p>“Mary insisted on making George's and my wedding coats in 1966; his, Black Mongolian Fur and mine, Red Fox. A true icon.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Very sad news today to learn of the passing of the 60s daringly creative, fun genius, much-loved lady, Dame Mary Quant.<br />Mary insisted on making George's and my wedding coats in 1966; his, Black Mongolian Fur and mine, Red Fox.<br />A true icon. RIP <a href="https://t.co/qQeNjyFz2T">pic.twitter.com/qQeNjyFz2T</a></p> <p>— Pattie Boyd (@thepattieboyd) <a href="https://twitter.com/thepattieboyd/status/1646506146063339520?ref_src=twsrc%5Etfw">April 13, 2023</a></p></blockquote> <p>Like Twiggy, Pattie was a model in the ‘60s, and made leaps and bounds in popularising Dame Mary’s clothing - alongside the likes of Jean Shrimpton and Cilla Black. </p> <p>And it has said that Dame Mary’s working relationship with Twiggy helped propel the signature ‘Chelsea Look’ to historic heights - with shop Bazaar at the centre of London’s ‘Swinging Chelsea’ after opening in 1955 - though she gave credit in 2014 to her customers, too. </p> <p>“It was the girls on King's Road who invented the mini,” she said. “I was making clothes which would let you run and dance and we would make them the length the customer wanted. I wore them very short and the customers would say, ‘shorter, shorter’.”</p> <p>Former <em>Vogue </em>editor Alexandra Shulman called her a “leader of fashion but also in female entrepreneurship” in her tribute, while also noting that she was “a visionary who was much more than a great haircut."</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">RIP Dame Mary Quant. A leader of fashion but also in female entrepreneurship- a visionary who was much more than a great haircut</p> <p>— Alexandra Shulman (@AShulman2) <a href="https://twitter.com/AShulman2/status/1646483984505884678?ref_src=twsrc%5Etfw">April 13, 2023</a></p></blockquote> <p>“She was one of the truly influential figures in fashion and defined the way women thought about themselves,” Alexandra also said. </p> <p>"Her influence on both fashion and women's liberation cannot be underestimated. Her sleek, simple designs were a million miles from the kinds of shapes and costumes women were wearing in the 1950s.</p> <p>"As well as short skirts, she had low-heeled pumps rather than high heels and her clothes entice you to behave in a different way after the formality of the past.</p> <p>"Her clothes reflect the way the social changes of the 1960s, with young women taking the pill and working more.”</p> <p>And as the Victoria &amp; Albert Museum wrote, “it’s impossible to overstate Quant’s contribution to fashion. She represented the joyful freedom of 1960s fashion, and provided a new role model for young women. </p> <p>“Fashion today owes so much to her trailblazing vision.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Dame Mary Quant (1930-2023)</p> <p>It’s impossible to overstate Quant’s contribution to fashion. She represented the joyful freedom of 1960s fashion, and provided a new role model for young women. </p> <p>Fashion today owes so much to her trailblazing vision. <a href="https://t.co/4z3MXp0tZl">pic.twitter.com/4z3MXp0tZl</a></p> <p>— V&amp;A (@V_and_A) <a href="https://twitter.com/V_and_A/status/1646488354626600964?ref_src=twsrc%5Etfw">April 13, 2023</a></p></blockquote> <p><em>Images: Getty</em></p>

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How pink became fashion’s colour of controversy: a brief history

<p>From the blush pink of royal mistresses to the hot pink of tabloid party girls, pink has gained a reputation for being a provocative colour for those who dare to wear it.</p> <p>Despite its various shades and the complexities of its cultural significance, it is a colour that is often branded with the same connotations of feminine frivolity and excess – whether girlish and innocent or womanly and erotic. </p> <p>So much so that worshippers at a North London church were ordered to remove pink chairs after an ecclesiastical judge claimed that the choice of colour scheme could <a href="https://www.thetimes.co.uk/article/church-sees-red-over-bright-pink-chairs-3trg9xpgk">“cause puzzlement”</a>.</p> <p>This pink panic invites the question: why is pink so controversial? </p> <p>A brief glimpse at its rather colourful history in the Western world reveals associations that both shape and challenge what pink means.</p> <h2>Pink’s past</h2> <p>According to historian <a href="https://thamesandhudson.com/pink-the-history-of-a-punk-pretty-powerful-colour-9780500022269">Valerie Steele</a>, the birth of pink in modern fashion began in the 18th century. By this period, pink had become the colour of choice among courtly elites of the Western world, including royalty and aristocrats.</p> <p>Developments in dye making and the French court’s penchant for cutting-edge garments provided the perfect pairing to begin pink’s success as an emerging fashion staple.</p> <p>Perhaps the most instrumental influence on pink’s power was Madame de Pompadour – the mistress of King Louis XV. She was often portrayed by the painter François Boucher sporting her signature pink gowns and shoes, most notably in his 1759 piece <a href="https://www.theguardian.com/culture/2001/sep/08/art">Madame de Pompadour</a>.</p> <p>In his 1758 painting, <a href="https://harvardartmuseums.org/collections/object/303561">Madame de Pompadour at Her Toilette</a>, she is shown applying rouge from a box of cosmetics – the blushed cheeks implying female sexuality. For Steele, the colour pink in this period becomes attached to both the frivolity of French high fashion and the eroticising of white femininity.</p> <p>From the 18th century court to the 20th century home, pink gained further traction in the 1950s. As British professor of design history <a href="https://books.google.co.uk/books/about/As_Long_as_It_s_Pink.html?id=By0qAAAAYAAJ">Penny Sparke</a> writes: “Linked with the idea of female childhood, [pink] represented the emphasis on distinctive gendering that underpinned 1950s society, ensuring that women were women and men were men.”</p> <p>Whether <a href="https://www.google.com/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=&amp;cad=rja&amp;uact=8&amp;ved=2ahUKEwjvufXu-vb7AhVJi1wKHY_RCrIQFnoECCYQAQ&amp;url=https%3A%2F%2Fwww.lofficielusa.com%2Ffashion%2Fhistory-behind-jackie-kennedy-pink-suit-chanel-jfk&amp;usg=AOvVaw2gvTMarBjpgCPRBDcV2AwN">adorning first ladies</a>, Hollywood stars or housewives, pink in this era represented a traditional femininity grounded in fixed gender roles.</p> <p>Marilyn Monroe’s iconic pink gown in <a href="https://www.imdb.com/title/tt0045810/">Gentleman Prefer Blondes (1953)</a> paired with her <a href="https://www.bloomsbury.com/uk/stars-9781838718374/">typecast “dumb blonde” film roles</a> and her <a href="https://www.huffingtonpost.co.uk/entry/a-visual-history-of-marilyn-monroe-pin-up-icon_n_56ba8d67e4b0c3c5504f5ee4">pin-up past</a> work together to reinforce the star as a sex symbol to be desired by audiences. As film scholar <a href="https://www.routledge.com/Heavenly-Bodies-Film-Stars-and-Society/Dyer/p/book/9780415310277">Richard Dyer</a> argues, Monroe represented the epitome of sex in conversative 1950s American society.</p> <p>On the other end of the scale, the first lady of the United States Mamie Eisenhower – wife of president Dwight D. Eisenhower (1953-1961) – cultivated an image of the ideal housewife through her famous “First Lady Pink” looks.</p> <p>Her stunning <a href="https://www.si.edu/newsdesk/photos/mamie-eisenhowers-inaugural-gown-1953">1953 inaugural outfit</a> was a sparkling pink gown embroidered with more than 2,000 rhinestones. She was well-known for her love of all things pink and transformed the White House with this colourful décor, so much so that the household staff called it a <a href="https://www.nps.gov/museum/exhibits/eise/Mamie/personal_interests/EISE3765_scale4.html">“Pink Palace”</a>.</p> <h2>Punk and protest</h2> <p>Beyond the 1950s, pink moved away from its associations of conformity and took on a new purpose: resistance.</p> <p>Paul Simonon, bassist for English punk band The Clash, <a href="https://www.economist.com/1843/2018/09/20/in-the-pink-the-fashion-history-of-a-divisive-colour">famously said</a> that “pink is the only true rock and roll colour”.</p> <p>We can certainly see this in the way that punk musicians reappropriate the sweet and girlish connotations of pink to create subversive performances.</p> <p>For her <a href="https://www.theguardian.com/arts/pictures/image/0,8543,-10704677171,00.html">1999 performance at Glastonbury</a>, Hole’s Courtney Love – notorious for her raw and raucous vocals – unexpectedly swapped her rebellious grunge girl look for a pink costume of ballet slippers and fairy wings.</p> <p>Pink is also the colour of feminist activism. The 2017 women’s march saw protesters taking to streets in pink “pussy hats”. </p> <p>They were responding to <a href="https://www.nytimes.com/2016/10/08/us/donald-trump-tape-transcript.html">a recording</a> of then president Donald Trump, in which he boasted about <a href="https://www.google.com/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=&amp;cad=rja&amp;uact=8&amp;ved=2ahUKEwiO4Z7P-_b7AhVMEsAKHdtLBAgQFnoECAoQAQ&amp;url=https%3A%2F%2Ftheconversation.com%2Ffrom-chaucer-to-trump-sexist-banter-has-been-defended-as-entertainment-for-600-years-84804&amp;usg=AOvVaw0dCQPpZyNUtNJACNJ7CANh">grabbing women “by the pussy”</a>.</p> <p>This explicit connection between pink, female genitalia and activism is a feminist statement that emphasises women’s lack of autonomy over their own bodies in a patriarchal society.</p> <h2>Pink reclaimed</h2> <p>The connotations of pink are not fixed, but malleable. Whether worn by film stars, musicians or celebrities, the colour takes on new meanings through irony and reclamation.</p> <p>The 2001 film <a href="https://www.imdb.com/title/tt0250494/">Legally Blonde</a> subverts the gendered <a href="https://www.routledge.com/Neo-Feminist-Cinema-Girly-Films-Chick-Flicks-and-Consumer-Culture/Radner/p/book/9780415877749">“dumb blonde” stereotypes </a>associated with wearing pink by following the successes of a sorority girl who goes to law school.</p> <p>When Madonna donned her pink Material Girl look, she positioned herself as <a href="https://mcfarlandbooks.com/product/the-performance-identities-of-lady-gaga/">the new Marilyn Monroe</a>: a blonde bombshell for the era of Second Wave Feminism. She reworked Monroe’s tragic stardom into a narrative about female empowerment and survival.</p> <p>On TikTok, the <a href="https://www.refinery29.com/en-gb/2020/12/10217066/tiktok-bimbo-gen-z-trend">#Bimbo trend</a> involves feminine-presenting content creators finding inspiration in the once derogatory “bimbo” label. Their videos <a href="https://www.theguardian.com/commentisfree/2022/mar/23/the-bimbo-is-back-and-as-a-feminist-i-couldnt-be-more-delighted">reclaim the label</a> as a playful aesthetic and a new feminist lifestyle.</p> <p>Despite its longstanding associations with feminine frivolity and excess, pink consistently proves itself to be a transgressive colour. It moves with the times and does not shy away from parodying its own past.</p> <p>If Paris Hilton’s <a href="https://www.vogue.co.uk/fashion/article/paris-hilton-versace-show">surprise runway appearance</a> earlier this year in sparkling pink Versace bridal wear tells us anything, it’s that pink should never be underestimated. It still has the power to shock, fascinate and make a statement.</p> <p><em>Image credits: Shutterstock</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/how-pink-became-fashions-colour-of-controversy-a-brief-history-196535" target="_blank" rel="noopener">The Conversation</a>. </em></p>

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Gen Z grew up in a world filled with ugly fashion – no wonder they love their Crocs

<p>In 2017, Julia Hobbs of British Vogue <a href="https://www.vogue.co.uk/gallery/crocs-sandals-christopher-kane-trend-test">declared</a> Crocs “have an unrivalled ability to repel onlookers and induce sneers”.</p> <p>But over the two decades since the notoriously ugly shoes were released, the clogs seem to be going from strength to strength. </p> <p>No longer just the comfortable, easy-to-wear boat shoes they were designed as, now they’re being worn by celebrities like <a href="https://www.vogue.com/vogueworld/article/ariana-grande-crocs-controversial-shoe-trend">Ariana Grande</a>, <a href="https://www.latimes.com/entertainment-arts/story/2020-10-13/justin-bieber-crocs-bad-bunny-post-malone">Justin Bieber</a>, <a href="https://www.hellomagazine.com/film/20220531141686/the-view-whoopi-goldberg-divides-fans-backstage-photo-concern-for-safety/">Whoopi Goldberg</a> and Drew Barrymore, who has her <a href="https://us.fashionnetwork.com/news/Drew-barrymore-launches-crocs-collection,943183.html">own collection</a>.</p> <p>Bedazzled white Crocs are being worn with <a href="https://nypost.com/2023/02/15/brides-mocked-for-wearing-blinged-out-crocs-on-their-big-day/">wedding dresses</a>, #crocs has more than 7.3 billion views <a href="https://www.tiktok.com/tag/crocs?lang=en">on TikTok</a>, and diehard fans can buy <a href="https://www.carousell.sg/p/preorder-mini-crocs-jibbitz-accessory-charms-fun-quirky-1174036132/">mini Crocs</a> to decorate their Crocs with.</p> <p>Even supermodel <a href="https://www.youtube.com/watch?v=oT-LLMIjIQM">Kendall Jenner</a> admitted on the <em>Tonight Show with Jimmy Fallon</em> that she is not ashamed of her comfy Crocs.</p> <p>But the most common place you’re likely to see Crocs today is on the feet of Generation Z. They grew up with ugly fashion, and are now making it their own.</p> <h2>A brief history</h2> <p>Crocs’ ancestors are the clog: a cheap, comfortable, lightweight, practical wooden shoe popular in medieval Europe and Scandinavia. </p> <p>Traditional wooden clogs were easy to clean, non-slip, protected the wearer’s feet and kept them warm and dry. </p> <p>The oldest surviving pair found in Holland <a href="https://isgeschiedenis.nl/reportage/geschiedenis-van-de-klompen">date to 1230</a>.</p> <p>Crocs premiered their shoe at the Fort Lauderdale Boat Show in 2002. Made from a tough form of injection-moulded ethylene-vinyl acetate (EVA) foam, which moulds to the wearer’s foot, all 200 pairs at the show sold out. </p> <p>Crocs were easy to clean, non-slip, could easily be pulled on and off, and would not suffer from continued exposure to water. </p> <p>But they weren’t popular in all corners. Time magazine included Crocs in their 2010 list of <a href="https://content.time.com/time/specials/packages/article/0,28804,1991915_1991909_1991743,00.html">the 50 worst inventions</a>.</p> <p>And from the outset, even Crocs’ cofounders considered them <a href="https://www.parents.com/kids/style/fashion/crocs/">ugly</a>. </p> <h2>Ugly fashion</h2> <p>The 21st century’s love of deliberately ugly fashion can be traced to 1996, with Miuccia Prada launching her <a href="https://www.vogue.com/fashion-shows/fall-1996-ready-to-wear/prada">“Bad Taste” collection</a>. </p> <p>The early 2000s gave us ugly comfort dressing in the form of the bright, velour <a href="https://www.refinery29.com/en-us/2014/06/70125/juicy-couture-stores-closing">Juicy Couture</a> tracksuit. Britney Spears and Justin Timberlake’s <a href="https://people.com/style/britney-spears-justin-timberlake-matching-denim-moment-20th-anniversary/">iconic matching double denim moment</a> at the 2001 American Music Awards embodied the era’s ugliness.</p> <p><a href="https://www.pewresearch.org/fact-tank/2019/01/17/where-millennials-end-and-generation-z-begins/">Generation Z</a> grew up in this ugly fashion world. Many rocked their first brightly coloured pair of Crocs as toddlers. </p> <p>This generation also learned to express themselves online, where <a href="https://journals.sagepub.com/doi/10.1177/1470412914544516">Internet Ugly</a> – a deliberately grotesque, anti-authoritarian and amateurish aesthetic – is a key look of memes. </p> <p>Memes celebrate ugliness as a relatable, authentic foil against the slickly perfect images generated by filters, Hollywood and self-serious corporate design. Memes evolve, but the images, templates and looks of memes stays similar and the ugly aesthetic continues to spread and be enjoyed.</p> <p>Crocs are, in a sense, wearable memes for Gen Z. </p> <p>Like memes, Crocs have changed and returned through nostalgic affectation. </p> <p>In the two decades since their launch, Crocs have constantly reinvented themselves. There have been new colours and collaborations with popular brands, including <a href="https://www.crocs.com.au/collab/minecraft">computer games</a> and high fashion houses like <a href="https://www.crocs.com.au/p/liberty-london-x-crocs-classic-clog/206447.html">Liberty of London</a>.</p> <p>Each generation rediscovers the objects of its youth and replicates these objects in new ways. The resulting objects – in this case, Crocs – are passed around and either made uglier or beautified in the eye of the beholder. Every pair of Crocs can be customised with “<a href="https://www.crocs.com.au/c/jibbitz">Jibbitz</a>”, a small ornament that fits into the holes throughout the shoe to beautify Crocs for their owner. </p> <p>In the United Kingdom, Crocs <a href="https://www.mylondon.news/lifestyle/fashion/primark-shoppers-hysterics-hideous-9-25693380">paired with</a> fast-fashion retailer Primark and high-street bakery Greggs to create ugly, fur-lined, black £9 Crocs with Greggs’ logo. </p> <p>At the other end of the budget, you can buy <a href="https://www.elle.com/uk/fashion/trends/g36656071/croc-collaborations/">Balenciaga’s lime green Crocs</a> with a black sole and black stiletto heel.</p> <h2>Crocs and the pandemic</h2> <p>Ugliness lets viewers laugh and release tensions in situations where they <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674024090">are helpless to act</a>.</p> <p>Adrian Holloway, Crocs’ general manager, told <a href="https://www.vogue.co.uk/fashion/article/crocs-rubber-shoe-trend">Vogue, "</a>In times of stress and uncertainty, consumers seem to want comfort […] Everything was so heavy and scary, it felt good to treat yourself to something cheerful and inexpensive, but also practical and comfortable."</p> <p>The COVID pandemic left Gen Z unable to participate in important social rites of passage like graduations, milestone birthdays, weddings and funerals. </p> <p>Global lockdowns also left people feeling a strange blend of shock, boredom and irritation. </p> <p>Like laughing at ugly memes, laughing at cute, ugly Crocs helped release feelings of powerlessness. </p> <h2>Here to stay</h2> <p>Popular predictions of <a href="https://thesociologicalreview.org/magazine/june-2022/clothes/comfort-or-style/">post-pandemic fashions</a> suggest there are two options: we will continue to dress for comfort, or we will embrace eye-catching colours and patterns and strange silhouettes. </p> <p>The popularity of Crocs among Gen Z suggests a third option: a combination of the comfortable with the crazy.</p> <p>Worn today, these shoes signal the wearer’s capacity for casualness, irony, rebellion, and a desire to forge their own fashion rules in an Internet Ugly world. </p> <p>Crocs are <a href="https://www.harpersbazaar.com/fashion/trends/g41416862/spring-2023-shoe-trends/">here to stay</a>.</p> <p><em>Image credits: Shutterstock</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/gen-z-grew-up-in-a-world-filled-with-ugly-fashion-no-wonder-they-love-their-crocs-200718" target="_blank" rel="noopener">The Conversation</a>. </em></p>

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