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Expert shares best destinations for solo female travellers

<p dir="ltr">At 63 years old, Christina Ford is a seasoned traveller, with most of her travels being done alone. </p> <p dir="ltr">After exploring dozens of countries with just her own company, Ford has shared her tips on where to go and how to stay safe for other women who are contemplating seeing the world by themselves. </p> <p dir="ltr">When asked for her favourite destinations for solo female travellers, Ford told <em><a href="https://www.dailymail.co.uk/travel/article-13865159/solo-travel-tips-women-best-countries-italy-canada.html">MailOnline</a></em> that there are two places she will also recommend. </p> <p dir="ltr">She said, “I am a huge fan of Italy and have travelled there extensively. My favourite solo place is Cinque Terre, five ancient fishing villages connected by sea, train or hiking. It's the perfect combination of healthy living, gorgeous vistas and fabulous food.”</p> <p dir="ltr">Christina also recommends her home country of Canada as “great for solo travellers”, explaining, “If you prefer something more urban, Toronto is a fantastic choice. Often described as New York run by the Swiss, it’s a great food town with safe and clean public transit. As a solo traveller, it’s easy to get a single ticket for a Broadway-style show.” </p> <p dir="ltr">“Canada is generally a safe country filled with friendly people who will gladly point you in the right direction - and probably apologise if you get lost. But part of the fun and growth of travelling is allowing yourself to get lost!”</p> <p dir="ltr">Christina went on to emphasise that “safety is crucial” for solo women travellers, and recommended to always carry a phone charger as “you never know where the day could take you” and sharing your live location with a friend or family member can provide peace of mind. </p> <p dir="ltr">She also always pins her hotel's location on Google Maps and advises “using your common sense” around “sketchy areas”, and also recommends not travelling anywhere without travel insurance. </p> <p dir="ltr">After falling in love with travelling solo, Christina wants to share how valuable travelling alone is, and urges women not to be dissuaded by seeing the world if you don’t have a companion. </p> <p dir="ltr">She said, “There are so many fabulous things about travelling solo. You’re on your own schedule, doing what you want to do. Your time is your own, and you can pivot at any moment.”</p> <p dir="ltr">“And you meet new people. Far more than if you were travelling with someone. Plus, you learn how capable you are. I’ve learned more about myself travelling alone than at almost any other time - it’s amazing discovering what great company you are!”</p> <p dir="ltr"><em>Image credits: Instagram </em></p>

Travel Tips

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Female artists earn less than men. Coming from a diverse cultural background incurs even more of a penalty – but there is good news, too

<p>Artists all over the world, regardless of their gender, earn <a href="https://www.sciencedirect.com/handbook/handbook-of-the-economics-of-art-and-culture">considerably less</a> than professionals in occupations requiring similar levels of education and qualifications. </p> <p>But there’s an additional income penalty for artists who are female. </p> <p>In an analysis of gender differences in the incomes of professional artists in Australia that <a href="https://australiacouncil.gov.au/advocacy-and-research/the-gender-pay-gap-among-australian-artists/">we undertook in 2020</a>, we found the creative incomes of women were 30% less than those of men. </p> <p>This is true even after allowing for differences in such things as hours worked, education and training, time spent in childcare and so on. This income penalty on women artists was greater than the gender pay gap of 16% experienced in the overall Australian workforce at the time.</p> <p><a href="https://theconversation.com/screen-australia-celebrates-its-work-in-gender-equality-but-things-are-far-from-equal-122266">Some sectors</a> of the arts have tried to redress this problem. However, women continue to suffer serious and unexplained gender-based discrimination in the artistic workplace.</p> <p>Cultural differences are <a href="https://www.nber.org/papers/w27725">also known</a> to influence pay gaps in many countries. </p> <p>In new research <a href="https://australiacouncil.gov.au/advocacy-and-research/culture-and-the-gender-pay-gap-for-australian-artists">out today</a>, we considered whether cultural factors might also affect the gender pay gap of artists in Australia. In addition, we analysed the gender pay gap for remote Indigenous artists for the first time.</p> <h2>A larger gap for women from a non-English speaking background</h2> <p>In our <a href="https://australiacouncil.gov.au/advocacy-and-research/making-art-work/">2016 survey of 826 professional artists</a> working in metropolitan, regional and rural Australia, we asked participants if they came from a non-English speaking background. </p> <p>Only a relatively small proportion of artists – 10% – came from a non-English-speaking background, compared to 18% for the Australian labour force as a whole. </p> <p>A non-English-speaking background appears to carry an income penalty only for women artists, not for men. </p> <p>We found the annual creative earnings of female artists from a non-English-speaking background are about 71% of the creative incomes of female artists whose first language is English. But there is little difference between the corresponding incomes of male artists.</p> <p>Within the group of artists from language backgrounds other than English, the annual creative earnings of female artists are about half (53%) those of their male counterparts. </p> <p>By contrast, the ratio of female to male creative earnings among English-speaking background artists is 73%. </p> <p>These results suggest that women artists from a non-English-speaking background suffer a triple earnings penalty – from being an artist (and hence as a group earning less than comparable professionals), from their gender, and from their cultural background.</p> <p>Despite this earnings disadvantage, 63% of artists who identified as having a first language other than English thought their background had a positive impact on their artistic practice. Only 16% thought it had a negative impact.</p> <p>When artists were asked whether being from a non-English speaking background was a restricting factor in their professional artistic development, 17% of women answered “yes”, compared to only 5% of men from a similar background. </p> <p>Nevertheless, like their male colleagues, these women artists continue to celebrate their cultural background in their art. They contribute to the increasingly multicultural content of the arts in Australia, holding up a mirror to trends in Australian society at large.</p> <h2>No gender gap in remote Indigenous communities</h2> <p>For First Nations artists working in remote communities, a different picture emerges. </p> <p>For this research, we used results for remote communities in three regions of northern Australia drawn from our <a href="https://apo.org.au/node/257301">National Survey of Remote Aboriginal and Torres Strait Islander Artists</a>.</p> <p>The gender gap is not replicated among remotely practising First Nations artists. </p> <p>There are some minor variations in this finding for subgroups in different regions, depending in part on differences in the mix of visual and performing artists in the population. But whatever other differentials may exist between female and male earnings, they do not appear to be attributable to the sorts of systemic gender-based discrimination that affects the residual gender gap for other Australian artists.</p> <p>A possible reason relates to fundamental differences between the cultural norms, values and inherited traditions that apply in remote and very remote First Nations communities. </p> <p>Gender roles in Aboriginal and Torres Strait Islander communities have been <a href="https://anthrosource.onlinelibrary.wiley.com/doi/10.1525/can.1992.7.2.02a00020">described</a> by researchers as distinctively different, rather than superior or inferior. The importance of both women and men as bearers of culture has been clearly articulated. </p> <p>The unique cultural content of Aboriginal and Torres Strait Islander music, dance, visual art and literature is an essential feature of the work of these artists. These characteristics pass through to the marketplace, and there does not appear to be any obvious gender gap in the way the art from these remote communities is received. </p> <p>There is always differentiation between the art produced in different remote regions of Australia which varies depending on the complexities of different inherited cultural traditions. But there is no indication of any gender-based discrimination associated with these regional differences.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/female-artists-earn-less-than-men-coming-from-a-diverse-cultural-background-incurs-even-more-of-a-penalty-but-there-is-good-news-too-195646" target="_blank" rel="noopener">The Conversation</a>. </em></p>

Art

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With the strokes of a guitar solo, Joni Mitchell showed us how our female music elders are super punks

<p>The iconic Joni Mitchell’s recent surprise performance at the <a href="https://www.youtube.com/watch?v=jxiluPSmAF8&amp;feature=youtu.be">2022 Newport Folk Festival</a> prompted a world-wide outpouring of love and respect. </p> <p>This was her first musical performance since suffering from a brain aneurysm in 2015 that left her unable to walk and talk. Last year, she spoke of having <a href="https://www.nme.com/en_au/news/music/joni-mitchell-addresses-health-issues-in-rare-speech-at-2021-kennedy-center-honors-3112447">polio as a child</a> as “a rehearsal for the rest of my life”. </p> <p>The tributes for Mitchell celebrated her triumph from illness to recovery, but they also paid homage to Mitchell’s career that has pivoted on protest. </p> <p>Mitchell is largely associated with folk scenes of the 60s and 70s. She has produced a prolific body of work, advocating for social change. As a committed activist she has spoken against environmental degradation, war, LGBTQI+ discrimination, and most recently, removed <a href="https://www.theverge.com/2022/1/29/22907696/joni-mitchell-spotify-joe-rogan-podcast-misinformation-covid-19">her music catalogue</a> from Spotify in a protest against anti-vaccine propaganda. </p> <p>Now, with the <a href="https://www.youtube.com/watch?v=G7wOdpxGctc">strokes of a guitar solo</a> she repositioned herself from folk hero to punk provocateur, defying the “permissible” ways older women “should” behave. </p> <p>In commanding public space and using one of the most traditionally masculinised expressions of popular music practice, she directly challenged the sorts of expectations many people have around gendered norms, particularly what women in their elder years look and sound like.</p> <h2>Not everyone gets to age on stage</h2> <p>Some of the most persistent social restrictions placed on women and gender diverse musicians are in relation to age. </p> <p>Ongoing expectations of older women are to be passive, quiet and very much in the background. They are rarely asked, or expected, to “take up space” in the same ways their male counterparts do. </p> <p>Whereas men step through phases of youthful experimentation into established music legends, there are tiresome obstacles for female and gender diverse people to do the same. </p> <p>And while exceptions are often exceptional, they are not plentiful.</p> <p>It’s not just age. Women have long been sidelined when it comes to acknowledging their skills on the electric guitar. Much like Mitchell.</p> <p>The electric guitar has been an important part of rock and punk genres. There is a symbiotic relationship between how these genres – and the instrumentation that defines them – have unwittingly become gendered. The electric guitar solo in particular has come to be associated with machismo: fast, loud, expert, brave. </p> <p>If you like to imagine a world where women don’t exist, google “best guitar solos ever”. </p> <p>A recent <a href="https://www.nytimes.com/interactive/2022/04/02/opinion/grammys-rock-guitar-solo.html">New York Times article</a> suggested things are starting to change. Citing guitarists like Taja Cheek and Adrianne Lenker, the Times suggested the guitar solo has shifted from a macho institution into a display of vulnerability, a moment (perhaps many) of connectivity. </p> <p>Mitchell’s performance sits somewhere in this domain. </p> <p>For the hundreds of thousands of women and gender diverse guitarists world-wide, myself included, the electric guitar and the genres it is entwined with offer a cool, optional extra: to test the cultural norms of gender with other markers of identity like class, culture, sexuality and age, to blur ideas of what we should and shouldn’t do.</p> <h2>Australian women to the front</h2> <p>Australian women and gender diverse rock and punk musicians are often subject to a double act of erasure – missing from localised histories, and also from broader canons of contemporary music, which often remain persistently rooted in the traditions of the UK and the US.</p> <p><a href="https://www.goodreads.com/en/book/show/55669013-my-rock-n-roll-friend">Tracey Thorn’s brilliant biography</a> of the Go-Between’s drummer Lindy Morrison is a love lettered homage that steps out the complex local, emotional, personal and structural ways that Australian women and gender diverse people are often omitted from cultural spaces. </p> <p>“We are patronised and then we vanish,” writes Thorn.</p> <p>The work of women and gender diverse artists is often compared to the glossy pedestal of the male creative genius.</p> <p>In this light, we don’t play right, we don’t look right, we don’t sound right. </p> <p>And then, somehow, we don’t age right. </p> <p>Other reasons are far more mundane. Women contribute around <a href="https://www2.deloitte.com/au/en/blog/economics-blog/2019/Value-unpaid-work-care.html">13 hours more unpaid work</a> than men each week. </p> <p>Carrying plates overflowing with generous gifts of labour, the maintenance of a music practice – a largely underpaid endeavour – is often the first to fall by the wayside. </p> <p>Add to the mix ingrained social networks of knowledge sharing, and the dominance of men making decisions higher up the chain, and it is easy to see how women and gender diverse musicians stay submerged as men rise to the limited real estate of music elders. </p> <p>The problem isn’t so much about starting up. It’s about finding the time to keep up.</p> <h2>Our female and gender diverse music elders</h2> <p>There are so many Australian female and gender diverse music elders. Some are visible, but many ripple beneath the surface. </p> <p>Regardless of genre, in maintaining decades-long practice, they are the super punks whose legacy can be heard in venues across the country. </p> <p>The challenge now is to support the current crop of excellent musicians beyond the flushes of youth so that we have a more sustainable, textured and diverse Australian music culture. One where Mitchell’s defiance of expectations represents the status quo of how older women should and can be.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/with-the-strokes-of-a-guitar-solo-joni-mitchell-showed-us-how-our-female-music-elders-are-super-punks-188075" target="_blank" rel="noopener">The Conversation</a>. </em></p>

Music

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"This is the devil's work!": Nun pulls apart female models sharing a kiss

<p dir="ltr">A shocked nun caused quite a stir in the streets of Italy when she pulled away two female models who were kissing for a photoshoot.</p> <p dir="ltr">The nun was dressed in a white habit and rushed to stop Serena de Ferrari and Briton Kyshan Wilson who had locked lips in a Naples backstreet as they posed for a photo for Not Yet magazine.</p> <p dir="ltr">“What are you doing? This is the devil's work,” the nun shouted at them as they giggled.</p> <p dir="ltr">She looked around at the cameramen and crossed herself before saying: “Jesus, Joseph and Mary”.</p> <p dir="ltr">Make up artist Roberta Mastalia, who was on the shoot, said they had to ask the nun to leave thinking she was just joking.</p> <p dir="ltr">“We were on location in the Spanish Quarter in Naples, in a little sidestreet with the two models when all of a sudden the nun walked past,” he said, <a href="https://www.dailymail.co.uk/news/article-11027633/Italian-nun-splits-two-female-models-kissing-photoshoot-calling-devils-work.html" target="_blank" rel="noopener">The Daily Mail</a> reported.</p> <p dir="ltr">“She asked us if we had been to Mass that day and when we said 'No' she started blaming young people for Coronavirus and then she saw the two models posing up ready to kiss and that's when she ran forward to split them up.</p> <p dir="ltr">“Our first reaction was we were all stunned. They took it as a bit of a joke and you can see from the video the two girls are laughing.</p> <p dir="ltr">“We then had to ask the nun to leave as we explained we had work to do and she slowly walked off.”</p> <p dir="ltr">Both Serena and Briton shared clips of the incident to their social media with the caption “God doesn’t love LGBT”.</p> <p dir="ltr">Local priest Father Salvatore Giuliano The Church is constantly updating its views but some of the older generation have not yet accepted it.</p> <p dir="ltr"><em>Images: Instagram</em></p>

Travel Trouble

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For the love of Thor! Why it’s so hard for Marvel to get its female superheroes right

<p>When it was first revealed that Natalie Portman was to become the “female Thor” in Marvel’s latest superhero instalment, Thor: Love and Thunder, fans were quick to <a href="https://www.igi-global.com/chapter/if-she-be-worthy/259582" target="_blank" rel="noopener">condemn the decision</a> on social media.</p> <p>Portman was lambasted as not “<a href="https://www.urbandictionary.com/define.php?term=Swole" target="_blank" rel="noopener">swole</a>” enough, too petite, and generally not what people imagined the character to be. Ten months of <a href="https://www.news.com.au/entertainment/movies/new-movies/natalie-portmans-trainer-reveals-how-the-star-got-so-ripped-for-thor/news-story/f068c4080ebb18716dcd25855905611b" target="_blank" rel="noopener">intensive workouts and a high-protein diet</a> later, and Portman is being <a href="https://www.independent.co.uk/life-style/women/natalie-portman-thor-arms-madonna-b2117769.html" target="_blank" rel="noopener">applauded</a> for arms that “could actually throw giant hammers at baddies’ heads”.</p> <p>Yet that early reaction to Portman’s casting attests to how the representation of female superheroes can be difficult for movie-makers when the established audience is often perceived to be young, white, cisgender and male.</p> <p>It seemingly doesn’t matter that the number of women consuming superhero content has <a href="https://www.tandfonline.com/doi/full/10.1080/09540253.2019.1633460?journalCode=cgee20" target="_blank" rel="noopener">increased</a>. Offering feminist depictions of characters that could challenge the defining masculinity of the genre remains a problem.</p> <div data-id="17"> </div> <p>What does this mean for Portman and the female superheroes who have come before (and will follow) her? The answer seems to be that the makers of superhero movies inevitably <a href="https://rowman.com/ISBN/9781793624598/The-Superhero-Multiverse-Readapting-Comic-Book-Icons-in-Twenty-First-Century-Film-and-Popular-Media" target="_blank" rel="noopener">subvert some gender stereotypes</a> while maintaining others.</p> <p>In short, they offer token female representation so as not to ostracise audiences. So while she might now be more muscular, Portman is still subordinated to Chris Hemsworth’s Thor by highlighting that she is first and foremost his love interest.</p> <h2>Too few female superheroes</h2> <p>Granted, the Marvel Cinematic Universe (MCU) franchise has at least attempted to cast female leads and to advocate for women’s issues. For example, Black Widow’s standalone film was in part <a href="https://www.independent.co.uk/arts-entertainment/films/news/scarlett-johansson-black-widow-feminist-me-too-times-up-empire-a9704806.html" target="_blank" rel="noopener">intended to contribute</a> to the dialogue around the #Timesup and #MeToo movements.</p> <p>And the latest Thor offering explores the value of female friendships, with co-star <a href="https://www.usatoday.com/story/entertainment/movies/2022/06/22/thor-love-and-thunder-natalie-portman-building-mighty-physique/7687523001/" target="_blank" rel="noopener">Tessa Thompson attesting</a> to her character Valkyrie being “happy to have found a new sister”.</p> <p>There’s no doubt female viewers can identify with these powerful women and their stories and as a result form positive attitudes to the superhero genre in general. But that means more superhero films need to be made with the female viewer in mind.</p> <p>Such offerings are few and far between, however. Let’s not forget it took Marvel ten years to give Black Widow her own film after her original introduction to the franchise (in 2010’s Iron Man 2).</p> <p>In many ways, Marvel’s films continue to depict women as auxiliaries – damsels in distress, love interests, or subordinate in some way to their male counterparts. In fact, actress <a href="https://www.bbc.com/news/entertainment-arts-57524423" target="_blank" rel="noopener">Scarlett Johansson criticised</a> the earlier “hyper-sexualisation” of her Black Widow character.</p> <p>Similarly, Scarlet Witch, one of the most powerful of the Avengers characters, is often defined by the male relationships in her life. In the recent Dr Strange: The Multiverse of Madness, she typifies many <a href="https://theconversation.com/the-witch-treatment-what-dr-stranges-wanda-tells-us-about-representations-of-female-anger-184509" target="_blank" rel="noopener">unfavourable female tropes</a>, including the “hysterical woman” and “monstrous mother”.</p> <h2>The hyper-sexualised stereotype</h2> <p>Treating even powerful female characters as <a href="https://www.panicdiscourse.com/wp-content/uploads/2019/04/5-19-Holding-Out-for-a-Heroine.pdf" target="_blank" rel="noopener">subordinate or dependent</a> might reassure male fans that superheroines aren’t a threat to the masculine undertones of the genre, but it does a disservice to the female audience.</p> <p>Asked to assess superhero graphic novels and films, most women in <a href="https://journals.sagepub.com/doi/abs/10.1177/1045159514546214" target="_blank" rel="noopener">one study</a> said they disliked and avoided the DC Comics character of Catwoman because she was presented as manipulative and emotional.</p> <p>Other <a href="https://onlinelibrary.wiley.com/doi/abs/10.1002/car.1094" target="_blank" rel="noopener">research has found</a> that exposure to messages of powerlessness can lead girls to feel demoralised and dissatisfied with their own identities, and the overly sexualised depiction of female superheroes can result in <a href="https://link.springer.com/article/10.1007/s11199-015-0455-3" target="_blank" rel="noopener">lower body esteem</a> in women.</p> <p>On the other hand, some also rebel against the <a href="https://www.tandfonline.com/doi/full/10.1080/21504857.2014.916327" target="_blank" rel="noopener">stereotypes</a>. <a href="https://thehawkeyeinitiative.tumblr.com/" target="_blank" rel="noopener">The Hawkeye Initiative</a>, for example, parodies the male gaze within the comic book genre by depicting men in the same absurd costumes and poses normally reserved for female characters.</p> <h2>Male backlash and box office risk</h2> <p>The real issue, though, is whether women should even have to challenge such depictions. If more films and comics were made by women for women, perhaps there would be fewer tokenistic portrayals to begin with.</p> <p>Marvel has rejected criticism of its female characters, with its <a href="https://www.thewrap.com/marvels-kevin-feige-calls-black-widow-backlash-a-little-strange-boasts-his-movies-are-full-of-smart-intelligent-powerful-women/" target="_blank" rel="noopener">president saying</a> the studio has always “gone for the powerful woman versus the damsel in distress” and pointing to the recent release of female-led superhero films and TV programs such as She-Hulk and Ms Marvel.</p> <p>Trouble is, it’s hard to keep everyone happy. Marvel has felt the backlash from die-hard male fans to a supposed feminist agenda underpinning the studio’s direction. 2019’s Captain Marvel, for example, was touted as <a href="https://www.latimes.com/entertainment/movies/la-ca-mn-captain-marvel-directors-20190228-story.html" target="_blank" rel="noopener">bringing feminism</a> to the Marvel universe, but <a href="https://www.nytimes.com/2019/03/13/movies/captain-marvel-brie-larson-rotten-tomatoes.html" target="_blank" rel="noopener">poor reviews and audience ratings</a> were attributed in part to perceived political correctness and a narrative based on female agency.</p> <p>Researchers such as <a href="https://www.tandfonline.com/doi/full/10.1080/21504857.2016.1219958?casa_token=DXr8QHcO8nUAAAAA%3AHBBbBqJoe6-VxG-a1kak5O-52rNPUXySYFwJRKjh9ALcXyO9KpYTQLcRL0j-7Q6AVIdGp6Kq7pVibA" target="_blank" rel="noopener">Stephanie Orme</a> have contended that the dominance of men in the superhero genre leaves many female fans feeling alienated and unable to change the gender stereotypes, precisely because they’re not seen as the target audience.</p> <p>It seems that without more and better film and comic female superheroes telling women’s stories, these male-centric genres will continue to alienate female audiences – and to fall short of their creative and commercial potential.</p> <p><em><strong>This article originally appeared on <a href="https://theconversation.com/for-the-love-of-thor-why-its-so-hard-for-marvel-to-get-its-female-superheroes-right-186639" target="_blank" rel="noopener">The Conversation</a>.</strong></em></p> <p><em>Image: YouTube</em></p>

Movies

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Female tennis stars speak out against all-white Wimbledon dress code

<p dir="ltr">Wimbledon, one of the most long standing and prestigious tennis competitions on the sporting calendar, is steeped in tradition, including a strict all-white dress code for its players.</p> <p dir="ltr">While Nick Kyrgios came under fire for wearing red shoes and a red cap on the court, female players have spoken out about the anxiety the dress code causes when it comes to a common experience: periods.</p> <p dir="ltr">Aussie player Daria Saville told <em><a href="https://www.instagram.com/p/CfpkO3ChCzY/" target="_blank" rel="noopener">The Daily Aus</a></em> she has needed to skip her period as a result of the dress code, while others have spoken about the stress that comes from worrying about bleeding through their ‘Wimbledon whites’.</p> <p dir="ltr">“Recently just being at Wimbledon, I was talking with my friends saying that I love the all-white look,” the no. 98 told the outlet.</p> <p dir="ltr">“But then a few girls said they hate it because it sucks to wear all white while being on your period.</p> <p><span id="docs-internal-guid-a4d3f821-7fff-b193-7108-8df2c756bfeb"></span></p> <p dir="ltr">“It’s true, I myself had to skip my period around Wimbledon for the reason that I didn’t want to worry about bleeding through, as we already have enough stress.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">As we enter the last week of <a href="https://twitter.com/hashtag/Wimbledon?src=hash&amp;ref_src=twsrc%5Etfw">#Wimbledon</a>, we think its time to have a real discussion around the all white dress code and how it feeds period shame amongst professionals and young girls. <a href="https://t.co/oKhDXB2Jo9">https://t.co/oKhDXB2Jo9</a></p> <p>— holly (@hollygordonn) <a href="https://twitter.com/hollygordonn/status/1543877058496978944?ref_src=twsrc%5Etfw">July 4, 2022</a></p></blockquote> <p dir="ltr">Wimbledon’s strict dress code was written in the 1880s, when any form of sweat on an athlete’s clothing was considered improper and rude, with “undergarments” that are visible or could be visible because of sweat also subject to the rule.</p> <p dir="ltr">The all-white attire was believed to minimise the visibility of sweat while helping the players stay cool, according to <em><a href="https://www.sbs.com.au/news/the-feed/article/female-tennis-stars-detail-anxiety-of-strict-wimbledon-dress-code/m1zsxut2i" target="_blank" rel="noopener">SBS</a></em>.</p> <p dir="ltr">As beneficial as it may be to help players stay cool in hotter temperatures, its impact on female players seems to outweigh any benefits, with some athletes even turning to birth control to skip their period around the competition.</p> <p dir="ltr">“I’ll probably go on the pill just to skip my period for Wimbledon,” British player Heather Watson recently told the <em>BBC</em>. “That’s the thought process and the conversation girls have around it.”</p> <p dir="ltr">British star Alicia Barnett recently opened up about the mental stress of wearing white while on her period, all while also dealing with the accompanying symptoms that impact her performance.</p> <p dir="ltr">In an interview with the PA news agency, she said that though she loves the tradition, “some traditions could be changed” in her opinion.</p> <p dir="ltr">“I, for one, am a massive advocate for women’s rights and I think having this discussion is just amazing, that people are now talking about it,” Barnett said.</p> <p dir="ltr">“Personally, I love the tradition of all-whites and I think we will handle it pretty well.</p> <p dir="ltr">“I think being on your period on tour is hard enough, but to wear whites as well isn’t easy.”</p> <p dir="ltr">Reflecting on the physical impact of menstruation on performance, Barnett told PA: “Your body feels looser, your tendons get looser, sometimes you feel like you’re a lot more fatigued, sometimes your coordination just feels really off, and for me I feel really down and it’s hard to get motivation.</p> <p dir="ltr">“Obviously, you’re trying to play world-class tennis but it’s really hard when you're PMS-ing and you feel bloated and tired.<br />“Why do we need to be shy about talking about it?”</p> <p dir="ltr"><span id="docs-internal-guid-1f2b69c7-7fff-fa34-f9df-adc49784764e"></span></p> <p dir="ltr">Former athlete Monica Puig addressed the issue on Twitter in May, responding to commentator David Law’s tweet where he revealed that he had never considered the physical impact of menstruation on athletes during his 25 years working in tennis.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Definitely something that affects female athletes! Finally bringing it to everyone’s attention! Not to mention the mental stress of having to wear all white at Wimbledon and praying not to have your period during those two weeks. <a href="https://t.co/PzyHnPlSJk">https://t.co/PzyHnPlSJk</a></p> <p>— Monica Puig (@MonicaAce93) <a href="https://twitter.com/MonicaAce93/status/1531588251642912768?ref_src=twsrc%5Etfw">May 31, 2022</a></p></blockquote> <p dir="ltr">“Definitely something that affects female athletes!” Puig wrote in response. “Finally bringing it to everyone’s attention! Not to mention the mental stress of having to wear all white at Wimbledon and praying not to have your period during those two weeks.”</p> <p dir="ltr">Law is among a growing number of commentators also addressing the issue, including The Tennis Podcast host Catherine Whitaker, who has said the dress code has outlived its time and has called for the rules to be more flexible.</p> <p dir="ltr">“I would like to see it change,” she said in one interview. “If they had a clothing policy that affected men in the way that it does women, I don’t think that particular tradition would last.</p> <p dir="ltr">“I cannot imagine going into the biggest day of my life, with my period, and being forced to wear white.”</p> <p dir="ltr"><span id="docs-internal-guid-d7e8b3a1-7fff-1842-646a-9329fcbc23a1"></span></p> <p dir="ltr"><em>Image: Getty Images</em></p>

Beauty & Style

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Why women make up more than 80 per cent of true crime podcast listeners

<p dir="ltr">It’s been a running joke for a while that most true crime podcast listeners are female.</p> <p dir="ltr">But it has now been revealed that young women make up a whopping 80 per cent of true crime podcast listeners. </p> <p dir="ltr">Dr Julia Shaw, a criminal psychologist and co-host of the true crime and science podcast Bad People, said the simple reason was due to women’s experiences.</p> <p dir="ltr">She explained that growing up, women are told to keep an eye out for any danger such as a man staring at you for too long or following you home. </p> <p dir="ltr">“Women seem particularly interested in the intricacies of the criminal mind,” she told The Daily Mail. </p> <p dir="ltr">“There is a real drive to understand the 'why', not just the 'how' of the crime.”</p> <p dir="ltr">Claire Bord, a publisher at Bookouture concurred with Dr Shaw’s statement explaining how easy it was for women to “resonate” with the situation.</p> <p dir="ltr">“These kind of storylines tap into dark themes that resonate with readers because we can see ourselves in these everyday scenarios and then imagine what could happen,” she said.</p> <p dir="ltr">“I also think there are aspects of the dark themes explored in psychological thrillers, and indeed true crime, that can speak deeply to readers who have experienced difficult times in their own lives.”</p> <p dir="ltr"><em>Image: Shutterstock</em></p>

Mind

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New study reveals fascinating fact about gender balance in books

<p dir="ltr">Characters in books are almost four times more likely to be male than female, according to a new artificial intelligence study on female prevalence in literature.</p> <p dir="ltr">Researchers at the USC Viterbi School of Engineering used artificial intelligence to examine more than 3,000 English-language books with genres ranging from science fiction, to mystery and romance, including novels, short stories, and poetry.</p> <p dir="ltr">The team used Named Entity Recognition (NER), a prominent NLP method used to extract gender-specific characters.</p> <p dir="ltr">Lead researcher Mayank Kejriwal was inspired to research the topic and was surprised to find that gender bias was prevalent in the books. </p> <p dir="ltr">“Gender bias is very real, and when we see females four times less in literature, it has a subliminal impact on people consuming the culture,” she said.</p> <p dir="ltr">“We quantitatively revealed in an indirect way in which bias persists in culture.”</p> <p dir="ltr">Co-author of the study Akarsh Nagaraj discovered the four to one ratio which showed male characters were more common in books.</p> <p dir="ltr">“Books are a window to the past, and the writing of these authors gives us a glimpse into how people perceive the world, and how it has changed,” she said.</p> <p dir="ltr">“It clearly showed us that women in those times would represent themselves much more than a male writer would.”</p> <p dir="ltr">Using the technology, the team found the most common adjectives used to describe gender specific characters.</p> <p dir="ltr">“Even with misattributions, the words associated with women were adjectives like ‘weak,’ ‘amiable,’ ‘pretty,’ and sometimes ‘stupid,’” said Nagaraj. </p> <p dir="ltr">“For male characters, the words describing them included ‘leadership,’ ‘power,’ ‘strength’ and ‘politics.’”</p> <p dir="ltr"><em>Image: Shutterstock</em></p>

Books

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British Museum unveils female spiritual beings exhibit

<p dir="ltr">A unique exhibition is set to open at the British Museum later this year that celebrates how femininity has been perceived across the globe through history. </p> <p dir="ltr">The exhibit, titled <em>Feminine power: the divine to the demonic</em>, is the first of its kind to be showcased in the British museum. </p> <p dir="ltr">The figures on display range from a Hindu goddess considered the master of death, to a magical Greek enchantress, as the exhibit explores women in both world belief and mythological traditions. </p> <p dir="ltr">The exhibition includes representations of Lilieth, a character from Jewish mythology thought to be the first wife of Adam and later the consort of Satan, as well as Guanyin, the Chinese goddess of mercy.  </p> <p dir="ltr">The idea behind the exhibit is to bring together ancient sculptures, sacred artefacts and contemporary art from six continents to explore how femininity has been portrayed, and how it influenced the way we view women and their power today. </p> <p dir="ltr">For the first time, the British Museum has invited special guest contributors to respond to the themes in the exhibition, sharing their personal and professional viewpoints.</p> <p dir="ltr">The special guests include doctors, professors, activists, authors, lawyers and former members of the British Army, who will share their own stories of feminism, and how they have fought for the rights of women. </p> <p dir="ltr">Muriel Gray, Deputy Chair of Trustees of the British Museum, said, “The Citi exhibition <em>Feminine power: the divine to the demonic</em> is brimming with magic, wisdom, fury and passion.”</p> <p dir="ltr">“I am very proud that through the breadth and depth of the British Museum's collection, alongside special loans, we can tell such powerful and universal stories of faith and femininity from the most ancient cultures to living traditions around the world.</p> <p dir="ltr">Following the display at the British Museum, the exhibition will be seen internationally, starting at the National Museum of Australia in Canberra.</p> <p dir="ltr"><em>Image credits: The Trustees of the British Museum</em></p>

Art

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8 sneaky female heart attack symptoms women might be ignoring

<p><strong>Women aren't men</strong></p><p>There’s a big disconnect between what women think a heart attack would feel like – excruciating chest pain – and what it often does feel like. “Other than the reproductive system, the cardiovascular system has the most differences between genders,” says Professor Jean McSweeney, PhD, RN. So it’s to be expected that female heart attack symptoms – while sometimes shared with men in a general sense – can also be experienced differently. After all, “we have much smaller vessels in our heart,” says Dr McSweeney, who was among the first to zero in on women’s heart attack symptoms in a 2003 study, published in the journal <em>Circulation</em>. “And we’re constructed differently.”</p><p>When a woman’s main arteries are blocked, she’ll often experience a constellation of signs, including chest pain, pressure or tightness, along with multiple non-chest symptoms, says Judith Hilevi Lichtman, PhD, department chair and associate professor of epidemiology at the Yale School of Public Health. What’s more, not every woman experiences the same symptoms, and the symptoms don’t necessarily happen all at once. We spoke with experts and female heart-attack survivors about what some of those symptoms might be and what they feel like. Here are eight that surprised us most.</p><p><strong>A strange-feeling arm</strong></p><p>“I felt like my arm was asleep,” says Tara Robinson, a school counsellor, who, incredibly, survived three heart attacks in one week at the age of 40. For the first two, the feeling would emerge for a couple of minutes and then go away. By the time she arrived at the hospital, the symptoms were gone and she was sent back home without treatment. “I thought maybe I was working out too hard at the gym or I slept on my arm wrong,” she says. By the time the third heart attack struck, that feeling was much more intense and persistent – and impossible to ignore.</p><p>Another heart attack survivor, Lilly Rocha, described her arm as feeling “sore.” In fact, she felt general soreness in her entire upper left side, along with her jaw and chest. At the time, she was 37 and a corporate vice president who organised international events; she’d jet-set from country to country on a regular basis – so she attributed the soreness to the stress of travel. It wasn’t until a co-worker (who had himself experienced a heart attack) insisted on taking her to a hospital did she realise the shocking truth: She’d just had a heart attack.</p><p><strong>A really sore jaw</strong></p><p>Along with arm issues, fatigue and shortness of breath, jaw problems often emerge months before an attack and then intensify during the actual event. Robinson described it as “like the way your mouth feels after you’ve come home from the dentist and the Novocaine hasn’t quite worn off.” As with the arm, the jaw also acts up because of what doctors call “referred” pain, explains Suzanne Steinbaum, DO, attending cardiologist and the director of Women’s Cardiovascular Prevention, Health, and Wellness at The Mount Sinai Hospital in New York City and author of Suzanne Steinbaum’s Heart Book: <em>Every Woman’s Guide to a Heart-Healthy Life</em>. “That pain comes from the heart,” she says. Dr McSweeney recalls a patient who first complained about her jaw to her dentist and was given treatment for TMJ. When that didn’t help, her wisdom tooth was removed. Of course, the pain only got worse – until she ended up in the hospital with a heart attack and was finally properly treated.</p><p><strong>Nausea and vomiting</strong></p><p>In a 2018 <em>Circulation </em>study that examined women and men who experienced a heart attack before age 55, two-thirds of women said they’d experienced epigastric (upper-abdominal) issues, such as indigestion, nausea, or stomach pain, notes Dr Lichtman, the article’s lead author. Only half the men reported similar problems. As Robinson describes that day she was rushed to the hospital with her third heart attack: “I wanted to vomit so badly.” After treatment, she adopted lifestyle changes that included eating a heart-healthy diet. She now helps lead other patients in living healthier.</p><p><strong>Shortness of breath</strong></p><p>This can catch you by surprise while you’re in the middle of running a meeting at work, doing household chores, or even lying down. An early symptom of a heart condition can be the need to prop yourself up in bed in order to breathe better. “You feel out of breath because when your arteries are blocked, there is not enough oxygen being delivered throughout the body,” explains Dr Steinbaum. “If the heart has been damaged or a heart attack is happening, the heart may not have the ability to push the blood forward and this can cause fluid to back up into the lungs.”</p><p><strong>Extreme fatigue</strong></p><p>“Women tend to dismiss heart attack symptoms because we are used to feeling uncomfortable on a monthly basis,” says Dr Steinbaum. “The key to knowing when to get checked is to assess whether the things you do every day and are normal for you suddenly become difficult or you get symptoms while trying to do them.” Robinson remembers having to crawl back to her bedroom after cleaning her shower; she felt weak and wanted to take a nap.</p><p>Dr McSweeney tells of one patient who reported being so tired that she could only make one side of the bed. She needed to rest before making the other. “It’s not this pronounced in every woman,” says Dr McSweeney. But if the fatigue gets progressively worse, or you don’t feel better after you’ve slept, you should see your doctor.</p><p>When Rocha was hit with episodes of extreme fatigue, she blamed it on her hectic travel schedule. By the time she arrived at the hospital, where she waited a long time to be seen – no one suspected she was having a heart attack – the fatigue and feelings on the left side of her body became so overwhelming that she couldn’t move or talk. “I felt like I was going to pass out,” she says. Fortunately, she received treatment before it was too late. She now owns her own company in order to have control over her work-life balance.</p><p><strong>Upper-back pain</strong></p><p>Robinson reports that her back problem was the only symptom she’d describe as actually painful. “It felt as if it was behind my heart,” she says. Other women have described it as a sharp pain between the shoulder blades, which intensified at the time of the heart attack.</p><p><strong>An odd feeling in the chest</strong></p><p>Women don’t necessarily describe it as “chest pain” – much less a “Call an ambulance!” kind of pain. “They may call it ‘chest tightness’ or ‘chest pressure,’” says Dr Lichtman, who adds that women may not associate their symptoms with a heart attack because they’re experiencing other symptoms unrelated to the chest, like fatigue or muscle pain. Rocha felt a “strong tingling sensation – almost like electricity was shooting out of my chest.” It would come and go, she recalls, and in the beginning would last two or three minutes at a time. About six months before her heart attack, she went to her primary care physician (who was also her ob-gyn) because she was convinced she had breast cancer. The doctor did a breast exam, found nothing, and sent her home. Rocha eventually noticed that her entire left side – chest, jaw, and arm – just felt “weird.”</p><p><strong>Flu-like symptoms</strong></p><p>“Women might say, ‘I’m so tired. I must have a virus,’” says Dr Steinbaum. They might convince themselves that all they have are flu symptoms, many of which resemble the conditions above, including body aches, fatigue and nausea. But if the sensations seem different or more intense than anything you’ve felt before, get it checked out. While they may turn out not to be symptoms of a heart condition or precursors to a heart attack, you’re better off not ruling out the possibility – even if you’re under 55 and especially if you have a family history of early-onset heart disease. If you have even the slightest thought that you might be having a heart attack, call an ambulance.</p><p><strong>Wear Red Day is Feb 14, Valentine’s Day, but <a href="https://www.heartresearch.com.au/redfeb/" target="_blank" rel="noopener">Heart Research Australia</a> is raising awareness for the whole month of February (aka RedFeb). Getting involved is as simple as wearing red and donating. #wearredanddonate</strong></p><p><em><span id="docs-internal-guid-b17a06eb-7fff-dd09-11c8-ce867b3d8400">Written by Joanne Chen. This article first appeared in <a href="https://www.readersdigest.co.nz/healthsmart/conditions/heart-blood-pressure/8-sneaky-female-heart-attack-symptoms-women-might-be-ignoring" target="_blank" rel="noopener">Reader’s Digest</a>. For more of what you love from the world’s best-loved magazine, <a href="http://readersdigest.innovations.co.nz/c/readersdigestemailsubscribe?utm_source=over60&amp;utm_medium=articles&amp;utm_campaign=RDSUB&amp;keycode=WRA87V" target="_blank" rel="noopener">here’s our best subscription offer.</a></span></em></p><p><em>Image: Getty Images</em></p>

Body

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Police release footage of the moment a cop grabbed a female officer by the throat

<p dir="ltr">A Florida police officer is under investigation after he was caught on video grabbing a fellow officer by the throat.</p> <p dir="ltr">Sergeant Christopher Pullease of the Sunrise Police Department was caught on bodycam footage attacking the 28-year-old officer after she tried to pull him away from a handcuffed suspect. The incident took place outside a convenience store on November 19.</p> <p dir="ltr">The incident took place when Pullease and several other officers were arresting a man for aggravated battery after he had hit people outside the Shop &amp; Save convenience store. Body camera footage, released just last week, showed Pullease walking up to the suspect as officers were attempting to get him into the police car. He then allegedly leaned into the car, pulled out his pepper spray, and aimed it at the suspect as he spoke to him.</p> <p dir="ltr">The female officer ran over and tugged on Pullease’s belt in an attempt to get him away from the suspect. The footage then shows Pullease turning around, grabbing her neck, and shoving her against another patrol car. The video does not include audio.</p> <p dir="ltr">Sunrise Police Chief Anthony Rosa described Pullease’s behaviour as “disgusting”, and said that he escalated what should have been an otherwise calm situation. He added, “I find it to be inappropriate and unprofessional, because what he did is he escalated the situation when calm was actually required.”</p> <p dir="ltr">Rosa went on to praise the female officer, who has only been with the department for two and a half years, for stepping in. He said, “I’m very proud of this police officer. She took some definitive action. I can only imagine what she must be feeling. She’s a newer officer, and he’s a very senior sergeant.”</p> <p dir="ltr">Pullease has been assigned to desk work amid an ongoing investigation, and no charges have yet been filed against him.</p> <p dir="ltr"><em>Image: Sunrise Police Department</em></p>

Legal

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Furious backlash after school offers shapewear to female students

<p><em>Image: Facebook/Getty</em></p> <p>A Mississippi middle school has offered body-slimming shapewear to female students this month, leading to furious backlash.</p> <p>Southaven Middle School in northern Mississippi sent a letter home to parents of teen and tween girls, educating on the issue of negative body image.</p> <p>The letter concluded with an offer from the school's counselors to provide shapewear — a foundation garment that's used alter a person's body shape. This offer was made to any of the students, aged 10 to 14, whose parents agreed to it.</p> <p>The letter was shared on social media by mom Ashley Heun, who said that she was 'beyond p***ed.'</p> <p>'This is what was sent home with my 8th-grade daughter,' Heun, whose daughter Caroline attends the school, wrote on Facebook.</p> <p>The memo is headed with the nonsensical title 'Why Do Girls Suffer from Body Image?' — which should more accurately say suffer from 'bad' or 'negative' body image.</p> <p>The memo goes on to discuss how 'social and cultural experiences' create a 'desire to adhere to an "ideal" body shape,' and how girls are 'more likely than boys to have negative body image.'</p> <p>While the memo is mostly thoughtful, noting that 'women in the United States feel pressured to measure up to strict and unrealistic social and cultural beauty ideals,' it also asserts that girls with a positive body image are more likely to have good self esteem, physical health and mental health — and it offers a surprising way of supporting that.</p> <p>'We, the counsellors of Southaven Middle School, would like to have an opportunity to offer some healthy literature to your daughter on maintaining a positive body image.</p> <p>'We are also providing girls with shapewear, bras, and other health products if applicable.'</p>

Body

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Country’s first female PM quits on very first day

<p><em>Image: Getty</em></p> <p>Hours after being voted in as Sweden’s first female prime minister, Magdalena Andersson has resigned.</p> <p>Andersson’s ascension was a milestone for Sweden, viewed for decades as one of Europe’s most progressive countries when it comes to gender relations, but which had yet to have a woman in the top political spot.</p> <p>Parliament approved Andersson as prime minister after she recently became the new leader of the Social Democratic party, replacing Stefan Lofven as party leader and PM.</p> <p>However, just a few hours later Andersson was announcing her equally shocking and sudden resignation after suffering a budget defeat in parliament and coalition partner the Greens left the two-party minority government.</p> <p>"For me, it is about respect, but I also do not want to lead a government where there may be grounds to question its legitimacy," Andersson told a news conference.</p> <p>Andersson has informed parliamentary Speaker Anderas Norlen that she is still interested in leading a Social Democratic one-party government.</p> <p>She said that "a coalition government should resign if a party chooses to leave the government. Despite the fact that the parliamentary situation is unchanged, it needs to be tried again".</p> <p>Norlen, the speaker of Sweden's 349-seat parliament, said he had received Andersson's resignation and would contact the party leaders "to discuss the situation".</p> <p>He is expected to announce the road ahead today, Thursday 25th November.</p> <p>The government's own budget proposal was rejected in favour of one presented by the opposition that includes the right-wing populist Sweden Democrats. Sweden's third-largest party is rooted in a neo-Nazi movement.</p> <p>"Now the government has voted for a budget that has been negotiated by a right-wing extremist party," Green Party spokesperson Per Bolund said. "That is something we deeply regret."</p> <p>Earlier in the day, when parliament voted to approve Andersson as prime minister, independent politician Amineh Kakabaveh, who supported Andersson, noted that Sweden is currently celebrating the 100th anniversary of a decision to introduce universal and equal suffrage in the Scandinavian country.</p> <p>"If women are only allowed to vote but are never elected to the highest office, democracy is not complete," said Kakabaveh who is of Iranian Kurdish descent.</p> <p>"There is something symbolic in this decision," she added. "Feminism is always about girls and women being complete people who have the same opportunities as men and boys."</p> <p>"I was really moved by what she said. She pinpointed exactly what I thought," Andersson said after her appointment in parliament where she got a standing ovation and a bouquet of red roses.</p> <p>"I have been elected Sweden's first female prime minister and know what it means for girls in our country," Andersson said.</p>

News

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5 gripping memoirs by women with grit

<h2>1. Wave by Sonali Deraniyagala</h2> <p><span style="font-weight: 400;">Sonali Deraniyagala’s devastating memoir recounts the unthinkable losses she endured during the 2004 Sri Lankan tsunami. She’s on holiday with her parents, husband, and two young children when everything changes forever. With generous clarity she relays a peaceful, normal morning, and then the confusion that turns to horror as the wave comes in. Deraniyagala’s account takes you through unbearable, agonising losses. Her straightforward narration pulls you close to what would otherwise remain unimaginable.</span></p> <h2>2. The Suicide Index by Joan Wickersham</h2> <p><span style="font-weight: 400;">Joan Wickersham’s riveting memoir goes over the circumstances of her father’s unexpected death by his own hand. She artfully captures the enigma of this unbearable act and its aftermath. In doing so, she takes the reader along on her attempt to make sense of her father’s passing. She structures her book like an index as a way to organise her father’s life and understand its mysteries. Wickersham’s beautifully haunting narration keeps you riveted.</span></p> <p><a href="https://www.readersdigest.com.au/true-stories-lifestyle/65-books-everyone-should-read-before-they-die"><span style="font-weight: 400;">Here are 65 books everyone should read before they die</span></a><span style="font-weight: 400;">.</span></p> <h2>3. Tomorrow Will Be Different by Sarah McBride</h2> <p><span style="font-weight: 400;">If Sarah McBride’s name sounds familiar, it’s because she just made history (or, herstory) as the first-ever transgender person elected to the United States Senate. Sworn into office in January 2021, she’s also the National Press Secretary of the Human Rights Campaign. Before she ran for office, she wrote this moving book, telling her own coming-out story, her journey into activism, and her husband’s tragic battle with cancer. Also, not for nothing, but now-President Joe Biden wrote the foreword.</span></p> <h2>4. I Feel Bad About My Neck by Nora Ephron</h2> <p><span style="font-weight: 400;">The screenwriter responsible for </span><span style="font-weight: 400;">Silkwood</span><span style="font-weight: 400;">, </span><span style="font-weight: 400;">When Harry Met Sall</span><span style="font-weight: 400;">y, and </span><span style="font-weight: 400;">Sleepless in Seattle</span><span style="font-weight: 400;"> was also an insightful novelist, director and essayist. This hilarious essay collection depicts Nora Ephron’s reflections on ageing. As usual, Ephron is relatable and charming while dishing out insights on parenting and relationships and their inevitable changes. You can’t go wrong with Ephron’s wit and charm showing you how to deal.</span></p> <h2>5. Blackout by Sarah Hepola</h2> <p><span style="font-weight: 400;">Sarah Hepola’s memoir is addictive as it chronicles the ups and downs of the drinking habit she needs to curb. It’s one of those can’t-put-it-down, just-one-more-page, keep-you-up-all-night books. Her voice is relatable and funny, honest and open. Hepola manages to be critical of her alcoholism while at the same garnering all your sympathy. The book is also about how the author finds her voice as a writer and a woman. It’s a stunning debut from a fantastic writer.</span></p> <p><a href="https://www.readersdigest.com.au/true-stories-lifestyle/thought-provoking/13-books-we-bet-you-never-knew-were-banned"><span style="font-weight: 400;">Here are 13 books you never knew were banned</span></a><span style="font-weight: 400;">.</span></p> <p><em><span style="font-weight: 400;">Written by Molly Pennington. This article first appeared in <a href="https://www.readersdigest.co.nz/book-club/15-gripping-memoirs-by-women-who-overcame-the-impossible">Reader’s Digest</a>. Find more of what you love from the world’s best-loved magazine, <a href="https://readersdigest.innovations.co.nz/c/readersdigestemailsubscribe?utm_source=over60&amp;utm_medium=articles&amp;utm_campaign=RDSUB&amp;keycode=WRA93V">here’s our best subscription offer</a>.</span></em></p>

Books

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5 memoirs you won’t want to put down

<h2>1. Men We Reaped by Jesmyn Ward</h2> <p><span style="font-weight: 400;">Jesmyn Ward writes about coming to terms with the loss of five young men she was close to – including her brother. Each young man comes from her close-knit community in small-town Mississippi – a location fraught with a racist history. Ward’s acclaimed and award-winning memoir captures a strong sense of place and the cultural problems that ensnare it. Her moving account honours the lives lost as it examines them. It’s a poignant call to understand the intricacies of history and its constant impact on the present.</span></p> <h2>2. Happens Every Day by Isabel Gillies</h2> <p><span style="font-weight: 400;">You may recognise author Isabel Gillies from </span><span style="font-weight: 400;">Law &amp; Order SVU</span><span style="font-weight: 400;"> where she played Det. Stabler’s wife. The actress has writerly talents that come out in her can’t-put-it-down memoir about her husband’s affair. He was a poet-professor who took up with a colleague. Meanwhile, Gillies was trying to be the perfect homemaker in their big house with their two small children. The book’s title comes from what the “other woman” told Gillies when she mentioned fears that her husband was straying: happens every day. Gillies fills her story with strength and humour in the midst of a shocking loss that leads her and the kids back to her parents’ New York City apartment after the truth comes out.</span></p> <h2>3. Under Red Skies by Karoline Kan</h2> <p><span style="font-weight: 400;">Kan, a former </span><span style="font-weight: 400;">New York Times</span><span style="font-weight: 400;"> reporter, tells the story of strife in China as the country grows into a global superpower, through the stories of three women in her own family, and her own story. Her grandmother struggles to support her family during the Great Chinese Famine; her mother gives birth to her in defiance of the one-child policy; and her cousin, who works in a shoe factory, is scraping by on wages equivalent to 88 cents an hour. Kan examines their legacy in her journey to make her way in a changing country and world.</span></p> <h2>4. The Long Goodbye by Meghan O’Rourke</h2> <p><span style="font-weight: 400;">Meghan O’Rourke’s The Long Goodbye is a lovely meditation on grief itself and how to do it. She chronicles her mother’s shocking diagnosis and eventual passing. The book is a moving companion for anyone dealing with the loss of a beloved parent. O’Rourke’s background in poetry gives her memoir a lyrical quality that captures the layers of grief. This acclaimed book tells the author’s personal story as it examines the ways our culture is often inept at preparing us to go through the demanding and intense process of grieving.</span></p> <h2>5. Comfort: A Journey Through Grief by Ann Hood</h2> <p><span style="font-weight: 400;">Ann Hood’s beautiful and unbearable book begins by relaying the tragic circumstances that led to the passing of her young and vivacious daughter. You’ll mourn the loss with her as you learn about the infection that arose without warning. Hood writes with generosity as she carries you through the details of an unthinkable shock. This book will clutch your heart and stay with you long after you’ve closed the cover.</span></p> <p><a href="https://www.readersdigest.com.au/true-stories-lifestyle/inspirational/I-Would-Like-to-Help-Find-You-Some-Good-Books"><span style="font-weight: 400;">Next, be inspired by how a woman started a bookclub for prisoners, and how it changed her life</span></a><span style="font-weight: 400;">.</span></p> <p><em><span style="font-weight: 400;">Written by Molly Pennington. This article first appeared in <a href="https://www.readersdigest.co.nz/book-club/15-gripping-memoirs-by-women-who-overcame-the-impossible">Reader’s Digest</a>. Find more of what you love from the world’s best-loved magazine, <a href="https://readersdigest.innovations.co.nz/c/readersdigestemailsubscribe?utm_source=over60&amp;utm_medium=articles&amp;utm_campaign=RDSUB&amp;keycode=WRA93V">here’s our best subscription offer</a>.</span></em></p>

Books

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Are there ‘male’ and ‘female’ brains? Computers can see a distinction

<p>How useful are the well-known and hotly contested categories of “male brain” and “female brain”?</p> <p>Among experts, nobody really questions that anatomical sex differences in the brain exist. But since the advent of brain science, the scientific community has been divided over how many differences there are, which ones have been definitively proven, how large or small they are, and what they actually mean.</p> <p>And, over the past several years, a new debate has been brewing among experts. Do anatomical differences in the brain “add up” to two clearly recognisable (sex-specific) brain types? Or do they rather “mix up” and form idiosyncratic combinations or “mosaics”, independent of sex?</p> <p><strong>A mosaic of male and female features</strong></p> <p>The mosaic hypothesis was supported by the results of a <a href="https://www.pnas.org/content/112/50/15468">ground-breaking study</a> published in 2015 by Daphna Joel and her collaborators at Tel-Aviv University.</p> <p>Using brain scans of more than 1,400 participants, Joel and company identified the 10 regions showing the largest differences in size between men and women. Next, they classified each region of each brain as “male-typical”, “female-typical” or “intermediate”.</p> <p>Most of the brains turned out to be “mosaics” of male-typical <em>and</em> female-typical features, rather than being consistently male-typical (“male brains”) or female-typical (“female brains”). Joel concluded that brains “cannot be categorised into two distinct classes: male brain/female brain”.</p> <p><strong>Algorithms can ‘predict’ sex from brain data</strong></p> <p>Critics of the mosaic brain theory, however, point to <a href="https://onlinelibrary.wiley.com/doi/full/10.1002/hbm.24462">machine-learning algorithms</a> that can use a brain scan to “predict” an individual’s sex with 80 to 90 percent accuracy.</p> <p>If an algorithm can classify brains into sexes so easily, the argument goes, it must be recognising some underlying difference.</p> <p>To some extent, this is a disagreement about what the terms “male brains” and “female brains” should entail. For Joel, using these categories would only be justified if, for example, knowing somebody had a “female” or “male” brain allowed you to predict other things about their brain’s features.</p> <p>But for Joel’s critics, the important thing is predicting the individual’s sex. It doesn’t matter whether or not slotting somebody’s brain into a sex category gives you more information about its structure.</p> <p>Most machine-learning classification algorithms are “black boxes”, which means they don’t reveal anything about <em>how</em> they combine brain features to define “male” and “female” brains. Despite the accuracy of the algorithms, their definitions may not even be consistent: <a href="https://www.frontiersin.org/articles/10.3389/fnhum.2018.00399/full">some evidence</a> suggests the algorithms use different brain features when classifying different subpopulations of females and males.</p> <p><strong>Algorithms’ sex prediction may depend on head size</strong></p> <p>And now even this classification accuracy is under challenge. A research team led by one of us (Carla Sanchis Segura) published <a href="https://rdcu.be/b50w1">a new study</a> that considers a neglected complication. On average, women have smaller bodies, heads and brains than men.</p> <p>In the early days of brain science, these differences in body and brain were mistakenly taken as evidence of (white) men’s intellectual superiority. But in recent years, it has been recognised that head size variation poses a problem for neuroscientists interested in sex differences.</p> <p>When you see a female/male difference in the size of a brain region, how do you know if you are seeing a specific effect of sex? It might simply be a difference between larger brains (more of which belong to males) and smaller brains (more of which belong to females), or a combination of the two.</p> <p>Neuroscientists try to solve this problem by statistically “controlling” for head size. But exactly how is this done?</p> <p>There are several different statistical methods in use. The current “gold standard” for assessing their validity is comparing the sex differences in the brain they find with those obtained in selected groups of females and males matched to have similar head sizes.</p> <p>Using this “gold standard”, the Sanchis-Segura research team found, <a href="https://bsd.biomedcentral.com/articles/10.1186/s13293-019-0245-7">in an earlier study</a>, that not all currently used methods are effective and valid. They also found that the method used has a major impact on the number, the size and even the direction of the estimated sex differences.</p> <p>Having worked out which statistical control techniques are the most valid, Sanchis-Segura and her team were able to investigate an important question: to what extent does the high accuracy of “brain sex” classification depend on head size variation?</p> <p>The researchers tested 12 different sex-predicting machine-learning algorithms with data that had been properly adjusted for head size variation, data that had been poorly adjusted, and data that had not been adjusted at all.</p> <p>The algorithms delivered highly accurate results when using both raw data and poorly adjusted data. But when the same 12 algorithms were fed with properly adjusted data, classification accuracy dropped to 10% above ‘chance’, at about 60% accuracy.</p> <p>One particularly deflationary finding of the study was that the algorithms achieved high accuracy if they were given just one piece of information – namely, head size!</p> <p>These new findings continue to challenge the usefulfness of the categories “male brain” and “female brain”. Sex certainly affects the brain, and sex effects are important to study. But current attempts to classify brains into the categories “male brain” or “female brain” using machine-learning algorithm seem to add little beyond what has been known since the inception of modern science – that men, on average, have larger heads.</p> <p><em>Written by Cordelia Fine. Republished with permission of <a href="https://theconversation.com/are-there-male-and-female-brains-computers-can-see-a-distinction-but-they-rely-strongly-on-differences-in-head-size-143972">The Conversation.</a> </em></p>

Art

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Airline makes female passenger take pregnancy test ahead of flight

<p><span>A Hong Kong airline has apologised after it demanded a passenger take a pregnancy test before allowing her to board a flight to the US Pacific island of Saipan.</span></p> <p><span>25-year-old Japanese citizen Midori Nishida was checking in for a flight at Hong Kong International Airport when a staff from the low-cost airline Hong Kong Express asked her to take a pregnancy test as part of a “fit-to-fly” assessment.</span></p> <p><span>Despite having marked on a check-in questionnaire that she wasn’t pregnant, the staff escorted Nishida to a washroom and handed her a pregnancy test, barring her from boarding until the test came back negative.</span></p> <p><span>Nishida told the <em><a href="https://www.wsj.com/articles/ticket-passport-pregnancy-test-flying-to-saipan-can-be-complicated-11578664961">Wall Street Journal</a> </em>that the experience was “very humiliating and frustrating”.</span></p> <p><span>The airline indicated in the permission form that the test was required for women who are “observed to have a body size or shape resembling a pregnant woman”.</span></p> <p><span>It was reportedly part of Hong Kong Express’s response to immigration concerns in Saipan. The island, the largest of the US commonwealth Northern Mariana Islands, is a popular destination for birth tourism, allowing foreign nationals to ensure their babies become American citizens.</span></p> <p><span>There is <a href="https://edition.cnn.com/travel/article/saipan-birth-tourism-airlilne-pregnancy-test-intl-hnk/index.html">no federal law</a> banning pregnant foreign citizens to enter the country or give birth on US soil. </span></p> <p><span>“We would like to apologise unreservedly to anyone who has been affected by this,” the airline said in a statement. </span></p> <p><span>“In response to concerns raised by authorities in Saipan, we took actions on flights to Saipan from February 2019 to help ensure US immigration laws were not being undermined.</span></p> <p><span>“Under our new management, we recognise the significant concerns this practice has caused. We have immediately suspended the practice while we review it.”</span></p>

International Travel

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New study shows men feel stressed if female partners earn more than 40 percent of household income

<p>The best marriages are probably based on teamwork. But it seems individual contributions do matter – specifically, who earns how much of the household income.</p> <p><a href="https://journals.sagepub.com/doi/10.1177/0146167219883611">My research</a> shows that in, heterosexual couples, men are happier when both partners contribute financially – but much prefer to be the main breadwinners.</p> <p>With stress levels high when they are sole breadwinners, men appear to be more relaxed when their wives or partners earn anything up to 40% of the household income.</p> <p>But their distress levels increase sharply as their spouse’s wages rise beyond that point. And they find it most stressful when they are entirely economically dependent on their partners.</p> <p>The findings are based on an <a href="https://psidonline.isr.umich.edu/">analysis</a> of over 6,000 married or cohabiting heterosexual couples over a period of 15 years. Levels of distress are calculated based on feeling sad, nervous, restless, hopeless, worthless, or that day to day life is an effort.</p> <p>Men who are the only earners are relatively unhappy but they were not as stressed as men whose partners are the principal earners. Neither of the extreme scenarios is good for male mental health.</p> <p>The exception is men who knowingly partner with a high-earning woman. These men do not appear to suffer from higher psychological distress when their partners earn more. People do not pick their partners at random, so if the woman was the higher earner before marriage, then the potential income gap was already clear to the man – perhaps even a reason to partner with them.</p> <p><strong>Balance of power</strong></p> <p>There are a variety of reasons which may explain why husbands who are “outearned” by their partners may suffer from psychological distress.</p> <p>When one person in a couple earns a much greater proportion of the joint income, it may create a relationship imbalance. For example, if the relationship deteriorates significantly, the possibility of divorce or separation can make the lower earner feel more vulnerable, financially speaking. These effects are larger among cohabiting couples, possibly due to the <a href="https://ifstudies.org/blog/less-stable-less-important-cohabiting-families-comparative-disadvantage-across-the-globe">higher probability of break up</a>.</p> <p>Even if breaking up is not on the cards, money that comes into the household predominantly through one partner also affects the balance of power. This is important if partners have a different view on what is best for their family, how much to save, what to spend their money on, and various plans and big decisions.</p> <p><strong>Traditional gender identity norms</strong></p> <p>Another theory involves the historic effect of social, psychological and cultural norms when it comes to gender roles. The social construct of a male breadwinner has been highly durable in the past.</p> <p>For generations, in many cultures, there has been an expectation that men will be the primary income provider in the family, and masculinity is highly linked to <a href="https://www.jstor.org/stable/1389781?seq=1#page_scan_tab_contents">fulfilling this expectation</a>. Faced with a change in this outcome by being outearned by their partners, means men are likely to experience high levels of psychological distress.</p> <p>But the reality is that things are changing. In places like the US, the percentage of wives outearning their husbands <a href="https://muse.jhu.edu/article/630326/pdf">is growing</a>. In 1980, only 13% of married women earned about as much or more than their husbands. In 2000, that figure almost doubled to 25%, and in 2017 it was 31%. This trend is likely to continue into the future and similar patterns <a href="https://papers.ssrn.com/sol3/papers.cfm?abstract_id=1136176">have been observed</a> in other countries.</p> <p><strong>The stress of being a sole bread winner</strong></p> <p>On average, men in my study said they experienced the lowest levels of psychological distress when their partners earned no more than 40 percent of household income.</p> <p>But for men, being the sole breadwinner may also come at a psychological price. For even if social gender norms support this situation, being the only income earner in a household comes with a lot of responsibility and pressure and so may result in significant anxiety and distress.</p> <p><img src="https://images.theconversation.com/files/302676/original/file-20191120-524-40h5dt.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt="" /> <span class="caption">How perceived stress levels vary.</span> <span class="attribution"><span class="source">Joanna Syrda</span>, <span class="license">Author provided</span></span></p> <p>And while the emerging profile of a female breadwinner and its possible consequences has been <a href="https://www.researchgate.net/publication/225702056_The_Female_Breadwinner_Phenomenological_Experience_and_Gendered_Identity_in_WorkFamily_Spaces">widely researched</a>, very little attention has been devoted to the psychological hurdles faced by male primary breadwinners.</p> <p>This lack of research is perhaps symptomatic of the strength of the male bread-winning tradition. Health and wellbeing research is typically devoted to new phenomena, rather than widely accepted norms in society.</p> <p><a href="https://academic.oup.com/qje/article/130/2/571/2330321">Gender identity norms</a> clearly still induce a widely held aversion to a situation where the wife earns more than her husband. And as the number of women outearning their male partners grows, the traditional social norm of the male breadwinner may begin to adjust.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important; text-shadow: none !important;" src="https://counter.theconversation.com/content/126620/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: http://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/joanna-syrda-386410">Joanna Syrda</a>, Lecturer in Business Economics, <a href="http://theconversation.com/institutions/university-of-bath-1325">University of Bath</a></em></p> <p><em>This article is republished from <a href="http://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/men-feel-stressed-if-their-female-partners-earn-more-than-40-of-household-income-new-research-126620">original article</a>.</em></p>

Money & Banking

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The real story of the Barbie doll: Strong female leadership behind the scenes

<p>In marking the 60th anniversary of one of the world’s best-known toys, the Barbie doll, scholars and journalists have a wealth of angles to explore. The impact of the Barbie doll on <a href="https://theconversation.com/is-barbie-bad-for-body-image-33725">girls’ body images</a> and the spread of a <a href="https://theconversation.com/barbie-at-60-instrument-of-female-oppression-or-positive-influence-113069">stereotypical model of womanhood</a> has been the subject of extended reflections. They can also focus on the American company that markets it, Mattel, and its current difficulties in dealing with more interactive toys. Yet one story that’s much less known is that of Ruth Handler, the creator of Barbie and one of the founders of Mattel.</p> <p><strong>A succession of trials and tribulations</strong></p> <p>The first part of Ruth Handler’s life is a succession of challenges. Born Ruth Moskowicz in Denver, Colorado, in 1916, she and her family were Polish Jews who had earlier immigrated to the United States. The youngest of 10 children, she could not attend university and initially found work as a secretary. She married Elliot Handler in 1938 and together they traversed the ordeal of World War II, which affected all of the United States. Then came financial hardship for the young couple, living in California with two children. At the time Ruth was 30, but she had a huge ambition for her life and a big vision for the Handler family.</p> <p>She encouraged her husband to use his design skills to create a company manufacturing plastic objects. Mattel was founded in 1945 and success quickly arrived. Behind the scenes, Ruth’s creativity, energy, intelligence, willingness to take risks and determination worked wonders. While she didn’t take the title of president until 1967, these qualities made her the real leader of Mattel.</p> <p><strong>Poker and strategic breakthroughs</strong></p> <p>One of Ruth Handler’s rare qualities was her visionary ability to anticipate. She was able to analyze subtle signals in the marketplace, identify potential innovations, and develop strategic breakthroughs.</p> <p>For example, Mattel was looking for an original way to promote one of its first toys, a plastic machine gun. While toys has previously been marketed to parents, who chose them for their offspring, Ruth had the idea of speaking directly to the end users, as such. The approach was the Mickey Mouse Club television program, which Mattel sponsored in 1955. After seeing the program, thousands of children asked their parents for the new toy, a reversal from the traditional process. While this idea may seem unremarkable to us in the 21st century, it was a clear break in the marketing dogma of the time.</p> <p>Another innovation was the cost of this promotion: $500,000, which at the time was the entire financial value of Mattel. A skillful poker player, Ruth Handler was ready to risk her firm’s entire future on a single advertising campaign.</p> <p>Ruth wanted to make a toy for girls, and knew that she had a test market close at hand, her daughter Barbara. The idea emerged during a trip that the family took to Switzerland in 1956. In the window of a Swiss shop Ruth discovered a sex-symbol doll with a generous shape, <a href="https://allthatsinteresting.com/bild-lilli">Bild Lilli</a>, based on a cartoon character created for the German tabloid Bild. Ruth immediately understood the marketing potential of the doll, and took several back to the United States.</p> <p>In the 1950s, dolls intended for girls were often babies or mother or housewife characters. Ruth Handler’s insight was that girls of the 1950s no longer wanted to grow up just to be mothers, and the Barbie doll announced a certain emancipation from the exclusive role of a mother. While we can now see in Barbie the personification of the woman as object, Ruth Handler’s idea was to create a toy that reflected women’s ability to work and be autonomous. <a href="https://www.nytimes.com/2002/04/29/arts/ruth-handler-whose-barbie-gave-dolls-curves-dies-at-85.html">As she stated</a> in her 1994 autobiography:</p> <p>“My whole philosophy of Barbie was that through the doll, the little girl could be anything she wanted to be. Barbie always represented the fact that a woman has choices.”</p> <p>When Ruth Handler presented her new concept to the head of a major American advertising agency, he stated: “It has no chance of succeeding. You’re joking”. Mattel’s executive committee – composed entirely of men except for Ruth – also opposed the idea. She not only imposed the project, she persuaded Mattel’s R&amp;D department to make a doll that would be sold at cost, with profits coming from the sale of clothes and accessories.</p> <p>At the same time, the innovation of a product whose profit comes from consumables (in this case, accessories) was born. We have here a stimulating break: the doll is sold at a very low price to capture a market and the profit is generated by the sale of accessories. This business model has now become the norm in many economic sectors.</p> <p><strong>Speaking directly to children</strong></p> <p>When the Barbie doll was presented at the New York International Toy Fair in 1959, all the big buyers, including the major American store brands were unimpressed and refused to buy any. While many entrepreneurs would have given up, Ruth Handler decided to sell her doll directly to consumers. A major publicity campaign was launched, which resulted in the worldwide success that we know today.</p> <p>For the next decade Ruth Handler was instrumental in Mattel’s rise. However, in 1975 she and her husband <a href="https://www.nytimes.com/1975/11/04/archives/mattel-settles-5-class-lawsuits-30-million-payment-set-to-toy.html">resigned after a financial scandal</a>. She died in 2002 and Elliot in 2011. Mattel and Barbie live on, however, its earnings reaching a <a href="https://www.cnbc.com/2019/02/07/mattel-jumps-17percent-after-earnings-and-revenue-beat-.html">five-year high</a> in the first quarter of 2019, and Barbie continues to prosper, with sales up 12%.</p> <p>Yet on the 60th anniversary of her creation, Ruth Handler’s contributions aren’t as well-known as they should be. She was an independent, creative and powerful woman, and a model of female leadership. And ultimately, a much more interesting and important model than Barbie doll herself.</p> <p><em>Written by Bertrand Venard. Republished with permission of </em><a href="https://theconversation.com/the-real-story-of-the-barbie-doll-strong-female-leadership-behind-the-scenes-118708"><em>The Conversation</em></a><em>.</em></p>

Beauty & Style