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Transgress to impress: why do people tag buildings – and are there any solutions?

<p><em><a href="https://theconversation.com/profiles/flavia-marcello-403040">Flavia Marcello</a>, <a href="https://theconversation.com/institutions/swinburne-university-of-technology-767">Swinburne University of Technology</a></em></p> <p>In 1985 photographer Rennie Ellis <a href="https://trove.nla.gov.au/work/8707788">defined graffiti</a> as “the result of someone’s urge to say something – to comment, inform, entertain, persuade, offend or simply to confirm his or her own existence here on earth”. Since the mid-1980s, graffiti has crossed from vandalism to an accepted form of art practice through large murals or “pieces” and stencil art aimed at informing, entertaining and persuading us.</p> <p>But these are outnumbered by the tags you see everywhere. These stylised icon-type signatures define a hand style and confirm their author’s existence on Earth. These, for many of us, remain an eyesore. If you walk through an urban environment filled with tags, you may feel less safe. Heavily tagged areas can suggest the area is not cared for or surveilled.</p> <p>So why are Australian cities so full of tags? The problem is, the main solution proven to work is expensive. When tags go up, paint over them – and keep doing it. While anti-graffiti paint exists, it’s not widely used at present.</p> <h2>Why do people tag?</h2> <p>Graffiti in urban centres is often tied to the world-wide proliferation of hip-hop culture. Along with DJing, rapping and breakdancing, “Graf” or “writing” is considered one of its <a href="https://www.britannica.com/art/hip-hop">four pillars</a>.</p> <p>Posturing (or showing off) is a big part of tagging. When you see a tag on a freeway overpass or seemingly inaccessible building parapet, it’s not only confirming the tagger’s existence, it’s bragging. See how high I climbed! See what crazy risks I took!</p> <p>As one tagger in Sydney’s outer south-western suburb of Campbelltown <a href="https://www.aic.gov.au/sites/default/files/2020-05/vandalism-graffiti-state-rail-authority-nsw.pdf">told researchers</a> in the 1980s:</p> <blockquote> <p>If you get on a train and see your name and know you’ve been here before that’s real good. Like, I was here. Or you see your mate’s name and you can say, hey, I know him […] It’s really good if you can get your name up in a difficult place where nobody else has. Other kids look at that and think, great!</p> </blockquote> <p>So why do people tag?</p> <ul> <li> <p>it boosts self-esteem and a sense of belonging to a social network, particularly for teens experiencing alienation at school</p> </li> <li> <p>it demonstrates bravado. Risky places have the added advantages of being both highly visible and harder to remove</p> </li> <li> <p>it gives graf artists practice for bigger pieces. You have to work quickly and accurately, especially in precarious positions where you could get caught at any moment.</p> </li> </ul> <p>While cities like Melbourne <a href="https://www.timeout.com/melbourne/art/where-to-find-the-best-street-art-in-melbourne">have embraced</a> larger murals and pieces as street art – even making them a tourist attraction – tagging isn’t regarded the same way.</p> <p>So why do non-taggers hate it? On a broader level, tagging can signify a sense of social degradation which makes people feel less safe.</p> <p>There’s no clear link between <a href="https://www.aic.gov.au/publications/rip/rip6">more graffiti and more crime</a>. Even so, the public perception is that tagging is a sign warning of the presence of <a href="https://www.aic.gov.au/sites/default/files/2020-05/vandalism-graffiti-state-rail-authority-nsw.pdf">disaffected and potentially violent</a> people in gangs.</p> <p>Asked to picture a tagger and you will most likely come up with a stock photo stereotype: a male teenager in a hoodie from a seedy area. But you would not be completely right. It is true just under half (46%) of graffiti damage and related offences are committed by 14 to 16 year old males, but the largest percentage of offenders actually come from <a href="https://www.goodbyegraffiti.wa.gov.au/Schools/Facts-for-Students/Who-are-the-most-likely-offenders-of-graffiti">middle- to high-income families</a>.</p> <p>So what tools do we have to manage it?</p> <h2>Punishment</h2> <p>It’s perfectly legal to commission a graf artist to paint a wall of a building you own. Many people do this to avoid a street-facing wall being tagged. For it to be illegal, tagging or graffiti has to be done without the owner’s permission.</p> <p>Since the majority of taggers are under 18, if they’re caught, punishment will usually include a caution, fines (presumably paid by bemused but cashed up parents) and cleaning off tags.</p> <p>But punitive measures only go so far because the appeal of graffiti is the transgression. Other measures include keeping spray paint locked away or not for sale to under 18s as well as zero-tolerance rapid removal. This can work for a while, but taggers know their tags are temporary. It’s a constant game of cat and mouse a committed tagger will eventually win.</p> <h2>Technical solutions</h2> <p>If you’ve walked past workers scrubbing or pressure washing tags off walls, you may have wondered why there are no coatings which don’t let paint stick.</p> <p>These actually <a href="https://www.ipcm.it/en/article/anti-graffiti-paints-what-are-they-and-how-they-work.aspx">do exist</a>, and can work well. When in place, you can remove graffiti with a solvent rather than having to repaint. But they’re not widely used.</p> <p>Unless paints such as <a href="https://interestingengineering.com/innovation/7-inventions-from-mexico-that-would-go-on-to-change-the-world">Deletum 3000</a> are used everywhere this approach is unlikely to be effective.</p> <h2>Prevention</h2> <p>The problem with punitive and technical measures is the limited reach. The vast majority of unwanted graffiti <a href="https://www.aic.gov.au/publications/rip/rip6">goes unreported</a>. That’s why prevention is becoming more popular.</p> <p>How do you prevent tagging? By making it easier to report. By setting aside areas for taggers and graf artists. By commissioning pieces to deter graffers from illegal modes. And by talking directly to taggers about strategies. But these behaviour change efforts take time.</p> <p>People who hate tagging often believe taggers are motivated by negative emotions such as <a href="https://www.aic.gov.au/publications/rip/rip6">boredom and rebelliousness</a>. For them it’s vandalism, a criminal act associated with gangs, petty crime, broken windows and a less attractive environment to live in.</p> <p>But the truth is, taggers are often motivated by positive emotions. Tagging, for them, brings pride, pleasure, enjoyment and community. That’s why behaviour change approaches can be hard.</p> <h2>So what’s the best way forward?</h2> <p>In the 1990s, many cities declared war on skateboarders, using punishment and installing metal stoppers on well-skated urban areas. But the real solution was simpler: create skate parks.</p> <p>For taggers, the answer may be similar. Give them spaces such as little-used alleyways to practise their art. And for the rest of us, the solution may be to look at tags with different eyes. Not as a sign of crime and the collapse of civilisation, but as a need for validation, for transgression, for community and all the other things you probably wanted when you were a teenager.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/205492/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><em><a href="https://theconversation.com/profiles/flavia-marcello-403040">Flavia Marcello</a>, Professor of Design History, <a href="https://theconversation.com/institutions/swinburne-university-of-technology-767">Swinburne University of Technology</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/transgress-to-impress-why-do-people-tag-buildings-and-are-there-any-solutions-205492">original article</a>.</em></p>

Art

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“This is disgusting”: Mural for murdered women defaced with graffiti

<p dir="ltr">A street artist has been captured painting over a mural depicting the names and photos of women murdered across Australia in acts of domestic violence. </p> <p dir="ltr">The mural, plastered on Melbourne’s famous Hosier Lane, depicts some of the almost 80 women killed since the start of 2023, and the locations they died around Australia. </p> <p dir="ltr">The mural also shows the alarming statistics of domestic violence across Australia in data compiled by The RED HEART Campaign - an ongoing memorial project dedicated to tracking the known women and children killed in acts of gendered violence.</p> <p dir="ltr">The mural was painted in the lane on International Women’s Day (March 8th), and was defaced just 10 days later. </p> <p dir="ltr">An unknown street artist was captured on video spray painting over the women’s faces, with the words “13 WOLF 69” covering most of the mural, as the beginning of a large orange text covering the southeast corner of the map.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">When murdered women are erased for the second time! <a href="https://twitter.com/hashtag/femicide?src=hash&amp;ref_src=twsrc%5Etfw">#femicide</a> <a href="https://twitter.com/hashtag/shematters?src=hash&amp;ref_src=twsrc%5Etfw">#shematters</a> <a href="https://t.co/TYpLQFmpCx">pic.twitter.com/TYpLQFmpCx</a></p> <p>— Sherele Moody (Femicide Researcher) 🌈 (@ShereleMoody) <a href="https://twitter.com/ShereleMoody/status/1636880510269128705?ref_src=twsrc%5Etfw">March 18, 2023</a></p></blockquote> <p dir="ltr">The video, posted by the campaign founder Sherele Moody, then pans slowly to capture the artist still spraying the wall with orange paint – what seem to be the finishing touches to the large piece that stretches for metres toward Flinders Street.</p> <p dir="ltr">“That’s more important, that’s lovely,” someone can be heard sarcastically saying in the footage.</p> <p dir="ltr">“That’s not even art!”</p> <p dir="ltr">Sherele captioned the video as an example of “when murdered women are erased for a second time”.</p> <p dir="ltr">“The dude could have moved his scribble a few feet and not painted over the faces of murdered women,” she added.</p> <p dir="ltr">“The Lane is pretty big – there’s room for all of us!”</p> <p dir="ltr">Supporters of the campaign immediately reacted in disgust to the “selfish, heartless artist”, with many saying the disregard for the mural really “hurts”.</p> <p dir="ltr">“What the actual f,” one woman wrote.</p> <p dir="ltr">“This is disgusting. This is about murdered women and a memorial. When did we become so disrespectful.”</p> <p dir="ltr">While most of the backlash was in support of the advocates, others questioned whether the artist was even aware of what he had done or was partially covering. </p> <p dir="ltr">Others simply said it was the harsh nature of Melbourne’s internationally renowned street art culture.</p> <p dir="ltr"><em>Image credits: Twitter</em></p>

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Soup on Van Gogh and graffiti on Warhol: climate activists follow the long history of museums as a site of protest

<p>Andy Warhol’s Campbell’s Soup Cans at the National Gallery of Australia are just the <a href="https://www.theguardian.com/culture/2022/nov/09/climate-activists-target-andy-warhols-campbells-soup-cans-at-australias-national-gallery">latest artistic target</a> of climate protesters, who have been throwing <a href="https://www.theguardian.com/environment/2022/oct/14/just-stop-oil-activists-throw-soup-at-van-goghs-sunflowers">soup</a>, <a href="https://www.washingtonpost.com/world/climate-protesters-throw-mashed-potatoes-at-monet-painting/2022/10/23/cc39e636-52f0-11ed-ac8b-08bbfab1c5a5_story.html">mashed potatoes</a> and <a href="https://www.washingtonpost.com/world/climate-protesters-throw-mashed-potatoes-at-monet-painting/2022/10/23/cc39e636-52f0-11ed-ac8b-08bbfab1c5a5_story.html">cake</a> at art worth millions of dollars.</p> <p>The actions have received a <a href="https://www.artnews.com/art-news/news/in-doha-four-museum-directors-talk-the-climate-protests-1234644472/">muted response</a> from some museum directors, but the protesters know exactly what they are doing. </p> <p>As the activists who threw soup on Van Gogh’s Sunflowers <a href="https://www.frieze.com/article/interview-just-stop-oil">said, "</a>We know that civil resistance works. History has shown us that."</p> <p>Indeed, there is a long history of museums and art being used for political protest.</p> <h2>For women’s suffrage and women artists</h2> <p>In 1914, suffragette Mary Richardson <a href="https://womensarttours.com/slashing-venus-suffragettes-and-vandalism/">slashed</a> the canvas of Velázquez’s Rokeby Venus at London’s National Gallery. </p> <p>Richardson wanted to attract publicity to Emmeline Pankhurst’s imprisonment for her suffragette actions. Richardson selected this painting in part because of its value, and because of “the way men visitors gaped at it all day long”.</p> <p>Her tactics are credited as <a href="https://www.surfacemag.com/articles/just-stop-oil-protests-museums-environmental-activism/">motivating</a> Extinction Rebellion and Just Stop Oil.</p> <p>Since 1985, the <a href="https://eprints.mdx.ac.uk/25207/1/Camillabrownpaper.pdf">Guerrilla Girls</a> have been exposing sexual and racial discrimination in the art world.</p> <p>Their actions have usually occurred at the outskirts of museums: in museum foyers, on nearby billboards and on New York City buses. Perhaps their most famous work <a href="https://www.tate.org.uk/art/artworks/guerrilla-girls-do-women-have-to-be-naked-to-get-into-the-met-museum-p78793">asked</a>: “do women have to be naked to get into the Met Museum?”</p> <h2>Against corporate sponsorship and artwashing</h2> <p><a href="https://www.artnews.com/art-news/news/decolonize-this-place-kanders-whitney-nine-weeks-of-art-and-action-12207/">Decolonize this Place</a> brings together campaigns against racial and economic inequality. </p> <p>They organised a campaign beginning in 2018 targeting the then vice-chair of New York’s Whitney Museum, Warren B. Kander, whose company sold tear gas that had reportedly been used against asylum seekers along the US-Mexico border. </p> <p>The campaign’s first event was held in the museum’s foyer. <a href="https://www.artnews.com/art-news/news/no-space-profiteer-state-violence-decolonize-place-protests-whitney-vice-chair-warren-b-kanders-11507/">Protesters burned sage</a> to mimic tear gas, which wafted through the lobby until the fire department arrived. </p> <p>The protesters argued Kander’s business interests meant he was not fit to lead a globally significant cultural heritage institution that sought relevance for a wide and diverse public constituency. Kander <a href="https://www.nytimes.com/2019/07/25/arts/whitney-warren-kanders-resigns.html">resigned</a> from the museum’s board in 2019.</p> <p>Since 2018, artist <a href="https://news.artnet.com/art-world/sackler-nan-goldin-victoria-albert-1704450">Nan Goldin</a> and her “Opioid Activist Group” have been staging “die-ins” at the museum to protest against the galleries named for sponsorship from the Sackler family.</p> <p>The Sackler family business is Purdue Pharma, infamous for OxyContin, a major drug in the US <a href="https://www.npr.org/2022/03/03/1084163626/purdue-sacklers-oxycontin-settlement">opioid crisis</a>. </p> <p>Activists have targeted galleries around the world, and so far the Sackler name has been removed from galleries including the <a href="https://www.nytimes.com/2019/07/18/arts/sackler-family-museums.html">Louvre</a>, the <a href="https://www.theguardian.com/culture/2022/mar/25/british-museum-removes-sackler-family-name-from-galleries">British Museum</a>, the <a href="https://news.artnet.com/art-world/sackler-name-change-guggenheim-museum-2110993">Guggenheim</a> and, as of last month, the <a href="https://www.theguardian.com/artanddesign/2022/oct/01/campaigners-celebrate-as-va-severs-sackler-links-over-opioids-cash">Victoria and Albert Museum</a>.</p> <h2>For the return of cultural artefacts</h2> <p>The highest-profile actions against the British Museum have targeted its rejection of calls to return objects including the <a href="https://www.artnews.com/art-news/news/parthenon-marbles-british-museum-protest-1234632365/">Parthenon Marbles</a> of Greece, the <a href="https://morningstaronline.co.uk/article/b/british-museum-closes-gallery-in-response-to-protesters">Benin Bronzes</a> from modern-day Nigeria, and the <a href="https://morningstaronline.co.uk/article/b/british-museum-closes-gallery-in-response-to-protesters">Gweagal shield</a> from Australia. </p> <p>In 2018, a group of activists performed a “<a href="https://camd.org.au/stolen-goods-tour-of-bm-protest/">Stolen Goods Tour</a>” of the museum. Participants from across the world gave a different story to what visitors read in the museum’s object labels and catalogues, as the activist tour guides explained their continuing connections with objects in the collection.</p> <p>The tour did not convince the museum to return cultural items, but drew extensive global attention to <a href="https://www.theguardian.com/world/2022/oct/11/nigeria-benin-repatriate-bronzes-smithsonian">ongoing campaigns</a>seeking restitution and repatriation.</p> <h2>In the culture wars</h2> <p>Protests using art and museums aren’t just the domain of the left.</p> <p>In 1969, <a href="https://www.routledge.com/Museums-and-Social-Activism-Engaged-Protest/Message/p/book/9780415658539">an arsonist destroyed</a> a display at the National Museum of American History that commemorated Martin Luther King Jr, who had been recently assassinated. The perpetrator was never identified.</p> <p>In 2017, <a href="https://www.theguardian.com/us-news/2017/jun/18/noose-found-hanging-washington-museum">nooses</a> were left at various museums of the Smithsonian, including The National Museum of African American History and Culture. No groups ever came forward to claim responsibility or express a motive, but the noose is a potent and divisive symbol of segregation and racially motivated violence.</p> <p>In December 2021, doors to the Museum of Australian Democracy in Canberra were <a href="https://www.abc.net.au/news/2021-12-30/act-protesters-set-old-parliament-house-on-fire/100731444">set alight</a> twice by protesters with a number of grievances, including opposition to COVID-19 vaccines.</p> <p>The museum’s <a href="https://www.abc.net.au/news/2022-01-20/multimillion-dollar-repair-bill-for-old-parliament-house-fire/100770268">director said</a> the “assault on the building” would force the museum to rethink its commitment to being “as open as possible, representing all that is good about Australian democracy”, and at the same time keeping it protected.</p> <h2>‘Direct action works’</h2> <p>The past two decades have seen a surge of art-focused demonstrations. </p> <p>In 2019, Decolonize this Place and Goldin’s anti-Sackler coalition met with members of 30 other groups in front of Andy Warhol’s “The Last Supper” (1986) at the Whitney. </p> <p>They were there to celebrate the Tate Museum in London and the Guggenheim Museum in New York, who had announced they would stop taking funding from the Sackler family. One participant cried “<a href="https://hyperallergic.com/491418/decolonize-this-place-nine-weeks-launch/">direct action works!</a>” </p> <p>Even when protests at museums and art achieve less concrete outcomes than this, they remain central tools for building public awareness around political and social issues. </p> <p>It is unlikely actions against museums and art will subside anytime soon.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/soup-on-van-gogh-and-graffiti-on-warhol-climate-activists-follow-the-long-history-of-museums-as-a-site-of-protest-193009" target="_blank" rel="noopener">The Conversation</a>. </em></p>

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New artwork appears over existing Banksy art

<p><span style="font-weight: 400;">A mysterious artwork has appeared on the wall of a house in Bristol that once showcased an original Banksy work before it was vandalised. </span></p> <p><span style="font-weight: 400;">The original artwork, which shows a girl firing a slingshot of flowers, appeared on Valentine’s Day in 2020 and was subsequently vandalised. </span></p> <p><span style="font-weight: 400;">The destruction of the piece prompted the owners of the house to cover up the ruined work, and encase the untouched flower explosion in a glass case to prevent any further damage. </span></p> <p><span style="font-weight: 400;">Now, a new tag has appeared on the wall that shows a man in a balaclava attempting to pry away the covering with a crowbar.</span></p> <p><img style="width: 500px; height: 281.25px;" src="https://oversixtydev.blob.core.windows.net/media/7846891/banksy-bristol.jpg" alt="" data-udi="umb://media/78080f293fda4bbfa32b94145cb127e7" /></p> <p><em><span style="font-weight: 400;">The original artwork appeared on Valentine’s Day 2020. Image credits: Getty Images</span></em></p> <p><span style="font-weight: 400;">Despite the new work being in Banksy’s signature street art style, the work featured a tag of the word “Pouchy”, leaving locals to wonder if the new work is Banksy’s at all, or the work of a copycat artist.</span></p> <p><span style="font-weight: 400;">Banksy has yet to claim the piece online. </span></p> <p><span style="font-weight: 400;">After the piece was originally vandalised and covered up, Banksy </span><span style="font-weight: 400;">himself released a statement in which he said he was “kind of glad” the artwork was vandalised as he released a series of “better” sketches of it. </span></p> <p><em><span style="font-weight: 400;">Image credits: Getty Images / Instagram @damianjvcunningham</span></em></p>

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Banksy goes on a mural-making spree in England

<p><span style="font-weight: 400;">The elusive street artist Banksy has been producing works in secret along the east coast of England.</span></p> <p><span style="font-weight: 400;">His latest project, the Great British Spraycation, has seen a series of his murals pop up throughout the country displaying his signature style.</span></p> <p><span style="font-weight: 400;">The anonymous artist took to his Instagram to share news of his project, focusing on his travels in a campervan.</span></p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-permalink="https://www.instagram.com/tv/CShWMUwFKkI/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="13"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/tv/CShWMUwFKkI/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by Banksy (@banksy)</a></p> </div> </blockquote> <p><span style="font-weight: 400;">The first of the murals, featuring a couple dancing on top of a bus shelter and a man playing an accordion, was spotted in Norfolk by eagle-eyed fans.</span></p> <p><span style="font-weight: 400;">The second artwork shows an arcade toy-grabber crane that appeared in a small town just 10 minutes away from the first mural. </span></p> <p><span style="font-weight: 400;">More artworks, one depicting a child building a sandcastle with a crowbar, the other featuring three children in a boat, soon arrived in the neighbouring county of Suffolk. </span></p> <p><span style="font-weight: 400;">In an unusual move for the artist, Banksy also left a miniature thatched stable bearing his signature at the Merrivale Model Village.</span></p> <p><span style="font-weight: 400;">His short film posted to Instagram brought attention to his more wholesome artworks, such as an ice cream cone and tongue added to a statue of Frederick Savage, a 19th century mayor of King’s Lynn.</span></p> <p><span style="font-weight: 400;">One critical passerby is captured in the video, calling one of his mural’s “mindless vandalism”.</span></p> <p><span style="font-weight: 400;">One of his artworks from the Great British Spraycation, which depicted two children on an inflatable dinghy, has already been removed by local authorities, claiming it was distasteful.</span></p> <p><span style="font-weight: 400;">Council members in the town of Great Yarmouth told the BBC that the artwork was covered up amid “sensitivity” to a young girl who died after being flung from an inflatable trampoline on a nearby beach in 2018. </span></p> <p><em><span style="font-weight: 400;">Image credits: Getty Images</span></em></p>

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15 cities with unbelievable street art

<p>Graffiti has long been seen by many as simply a criminal eyesore on the face of otherwise clean cities, but in recent years we’ve seen a huge shift towards spectacularly creative, politically-inspired and socially-conscious pieces adorning the streets of international cities thanks to new laws, street art initiatives and better tools.</p> <p>Take a look through the gallery above to see some of the most incredible works of street art in the world.</p> <ol> <li>Melbourne, Australia</li> <li>Barcelona, Spain</li> <li>Paris, France</li> <li>Berlin, Germany</li> <li>Los Angeles, USA</li> <li>Bristol, UK</li> <li>George Town, Malaysia</li> <li>Mexico City, Mexico</li> <li>Prague, Czech Republic</li> <li>Lisbon, Portugal</li> <li>Sao Paulo, Brazil</li> <li>Jerusalem, Israel</li> <li>Hongdae, South Korea</li> <li>Reykjavik, Iceland</li> <li>Montreal, Canada</li> </ol> <p>Tell us in the comments below, how many of these cities have you visited? What are your thoughts when it comes to street art – is it creativity or vandalism?</p> <p><strong>Related links:</strong></p> <p><a href="/entertainment/art/2016/08/works-of-art-made-with-plants/"><em><span style="text-decoration: underline;"><strong>Incredible works of art made with only plants</strong></span></em></a></p> <p><a href="/entertainment/art/2016/08/woman-with-ms-turns-mris-into-art/"><span style="text-decoration: underline;"><em><strong>Woman diagnosed with MS turns her brain scans into art</strong></em></span></a></p> <p><a href="/entertainment/art/2016/05/artist-creates-fashion-designs-with-food/"><strong><em><span style="text-decoration: underline;">Artist creates incredible fashion designs using food</span></em></strong></a></p>

Art

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Discover Melbourne’s reinvented laneways

<p>Melbourne is known as one of the street art capitals of the world - the perfect destination for a "spraycation".</p> <p>Now it is boasting even more vibrant colour after more than 250 artists from all over Australia met to fill the city with fresh art.</p> <p>The inaugural Meeting of Styles Melbourne graffiti and street art festival was held across 20 of the city's iconic laneways, including Croft Alley, Union Lane, Hosier Lane and Flinders Court, as well as the suburbs of Fitzroy and Footscray.</p> <p>Over three days, the laneways were completely repainted by the artists - something never done before in Melbourne.</p> <p>The event was organised by local graffiti artist Duke Grimo and Adrian Doyle, who runs the Melbourne Street Art Tours.</p> <p>Meeting of Styles began 15 years ago in an abandoned slaughterhouse in Wiesbaden, Germany.</p> <p>Originally known as the International Wall Street Meeting, the event attracted thousands of visitors from all over Germany.</p> <p>Over the years, the slaughterhouse evolved into a hall of fame, until 2001 when it was announced it would be converted into a car park.</p> <p>The following year the event was revived and its name changed to Meeting of Styles.</p> <p>Melbourne organisers described the event as an "unmitigated success" and said it would be even bigger and better next year.</p> <p>What do you think of this street art? Can you see the artistic merit, or do you prefer other more conventional forms of art?</p> <p>Let us know in the comments below.</p> <p><em>Image credit: Instagram / mosmelbourne</em></p> <p><em>First appeared on <a href="http://Stuff.co.nz" target="_blank"><strong><span style="text-decoration: underline;">Stuff.co.nz</span></strong></a>.</em></p> <p><strong>Related links:</strong></p> <p><a href="http://www.oversixty.co.nz/travel/international/2016/05/melbourne-a-foodies-paradise/"><span style="text-decoration: underline;"><em><strong>Melbourne: A foodie's paradise</strong></em></span></a></p> <p><span style="text-decoration: underline;"><a href="/travel/international/2016/05/10-free-things-to-do-in-melbourne/"><em><strong>10 free things to do in Melbourne</strong></em></a></span></p> <p><a href="/travel/international/2016/05/the-best-time-to-visit-mount-kosciuszko/"><span style="text-decoration: underline;"><em><strong>The best time to visit Mount Kosciuszko</strong></em></span></a></p>

International Travel

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Boy blames lipstick graffiti on Batman

<p>According to this little rascal, the caped crusader has turned to a life or crime. Quick-thinking Noel spins his tale so aptly that it’s nearly impossible not to believe him.</p> <p>This adorable video shows his mother, Laura Hopkins, in their home in Inverness, Scotland, asking her little one “Who drew on mummy’s mirror, was it you?”</p> <p>Noel stands in front of the lipstick spoiled mirror and shifts the blame to the first conceivable person he can think of. “Batman. Batman, Batman did it, he says.</p> <p>Hopkins posted the ridiculously cute clip to the <a href="https://www.facebook.com/theunmumsymum/" target="_blank"><em><strong><span style="text-decoration: underline;">Unmumsy Mum</span></strong></em></a> Facebook group on Friday, with the tongue-in-cheek caption, “If anyone sees Batman can you tell him I’m wanting a word.”</p> <p><strong>Related links:</strong></p> <p><span style="text-decoration: underline;"><strong><a href="http://www.oversixty.co.nz/lifestyle/family-pets/2016/04/dont-praise-clever-kids-and-celebrating-effort/"><em>Why we shouldn’t praise clever kids and start celebrating effort</em></a></strong></span></p> <p><span style="text-decoration: underline;"><strong><a href="http://www.oversixty.co.nz/lifestyle/family-pets/2016/03/things-not-to-say-when-disciplining-kids/"><em>5 things you should not say when disciplining kids</em></a></strong></span></p> <p><span style="text-decoration: underline;"><strong><a href="http://www.oversixty.co.nz/lifestyle/family-pets/2016/03/kids-getting-meaner/"><em>Are our kids getting meaner?</em></a></strong></span></p>

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