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Michael Jackson's staggering debt revealed

<p>Michael Jackson was reportedly drowning in massive debt at the time of his death in 2009. </p> <p>According to newly released court documents, the late King of Pop owed more than $500 million ($747.05 million AUD) to more than 65 creditors just before he passed.</p> <p>Jackson had “more than half a dozen lawsuits pending worldwide” and more than “65 creditors’ claims were filed in the estate spawning additional lawsuits, of which several resulted in litigation,” the documents state. </p> <p>According to the documents, that were filed in a Los Angeles court on June 21st, the executors of Jackson's will were able to “renegotiate and restructure financing arrangements,” including a lucrative deal with Sony over rights he had to music publishing for several artists, at “substantially reduced interest rates” to avoid further losses and rectify the debts.</p> <p>The $750 million ($1.120 billion AUD) agreement allowed Sony to acquire Sony/ATV, which held the rights to almost 3 million famous songs from artists including John Lennon and Paul McCartney, David Bowie and Taylor Swift.</p> <p>Despite settling the major agreement with the record label, the Jackson estate still reportedly owes a significant amount of money as “there remain challenging business, tax and legal issues that the executers and their counsel continue to deal with.”</p> <p>The filing reportedly also notes a pending final decision on a victory in a 2021 court battle with the IRS.</p> <p>Jackson’s three children, Prince, 27, Paris, 26, and Bigi Jackson, 22 — who are the beneficiaries of his estate — have been blocked from receiving money from their trust until the IRS dispute has been settled.</p> <p>A spokesperson for the estate clarified, “The estate has a very cooperative relationship with Michael’s children and whenever they need anything, the estate works with them to ensure that they are very well taken care of, just as Michael would have wanted.”</p> <p>The <em>Los Angeles Times</em> previously reported that Michael accrued so much debt largely in part because of his excessive spending habits, which were aired during his 2003 interview with Martin Bashir that laid bare his extravagant spending. </p> <p><em>Image credits: Mousse/ABACA/Shutterstock Editorial </em></p>

Money & Banking

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Teen athlete's tragic death just weeks before Paris Games

<p>A young Olympic hopeful has tragically died just weeks out from making his debut at the Paris Games. </p> <p>Jackson James Rice, 18, was found dead after a diving accident in Faleloa, Tonga on Saturday from a “suspected shallow water blackout”.</p> <p>The teenager had been set to become the first caucasian to represent Tonga at an Olympic Games, having qualified for the new kite-foiling event.</p> <p>He had been free diving from a boat when the tragedy unfolded. </p> <p>His body was found beneath the boat and despite several resuscitation attempts, he could not be revived. </p> <p>Rice's heartbroken father confirmed the news of the teenager's death to the Matangi Tonga newspaper, as tributes flowed for the young athlete.</p> <p>Rice’s sister Lily paid an emotional tribute to her brother on social media on Sunday, as she wrote on Facebook, “I was blessed with the most amazing brother in the whole world and it pains me to say that he’s passed away."</p> <p>“He was an amazing kitefoiler and he would have made it to the Olympics and come out with a big shiny medal … he made so many amazing friends all over the world.”</p> <p>Other friends paid tribute to the teenager on social media, with one writing, “I can’t begin to put into words what I’m feeling right now. I still cannot believe it, when I woke up to this news I thought you were playing around. You’re the most amazing friend anyone could ask for and anyone who has spent time with you would agree.”</p> <p>Rice was originally born in the US but moved to Tonga at a young age with his British-born parents. </p> <p>He grew up in Haʻapai, where his parents run a tourist lodge, and always viewed himself as Tongan.</p> <p>The talented athlete qualified for what had been due to be his first Olympic Games last December, after placing eighth at a Sail Sydney event.</p> <p><em>Image credits: Instagram </em></p>

Caring

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Oscar-winning politician Glenda Jackson passes away at 87

<p dir="ltr">Two-time Academy Award-winning performer-turned-politician Glenda Jackson has passed away at 87 years old. </p> <p dir="ltr">The news was confirmed by Jackson’s agent, Lionel Larner, who announced that she had died at home in London after a short illness. Larner also noted that Jackson had “recently completed filming <em>The Great Escaper </em>in which she co-starred with Michael Caine.”</p> <p dir="ltr">And 90-year-old Caine had only kind words to say of his co-star, sharing that she was “one of our greatest movie actresses. I shall miss her.” </p> <p dir="ltr">Jackson was born into a working-class family in northwest England, and laid the groundwork for her career in the arts when she won a spot at London’s Royal Academy of Dramatic Art.</p> <p dir="ltr">Her work as an actress was successful, with Jackson taking home her first Academy Award for Best Actress in 1971 and her second in 1974 - for<em> Women in Love</em> and<em> A Touch of Class</em> respectively.</p> <p dir="ltr">Jackson also held two Emmy Award wins, both for her portrayal of Queen Elizabeth I in the series <em>Elizabeth R</em>. She wasn’t to be stopped there, either, with the star also taking home a Tony Award in 2018 for her performance in <em>Three Tall Women</em>. </p> <p dir="ltr">But after more than three decades in the arts, Jackson chose a different path for herself, branching into the world of politics, fuelled by her frustration for the working classes at the hands of then-British Conservative prime minister Margaret Thatcher between 1979 and 1990.</p> <p dir="ltr">And at 55 years old, in 1992, Jackson secured a seat in parliament. As she said at the time, “we must work for the poor, the homeless, the unemployed, the frail, the sick.”</p> <p dir="ltr">Jackson spent 23 years with the Labour Party, and even served as a minister for transport in Tony Blair’s first government in 1997. However, the two seemed to find themselves on opposing sides when it came to the 2003 invasion of Iraq, with Jackson admitting that the decisions made left her feeling “deeply, deeply ashamed.</p> <p dir="ltr">"The victims will be as they always are, women, children, the elderly.”</p> <p dir="ltr">After leaving politics in 2015, Jackson chose to return to performing, where she went on to enjoy some of the most acclaimed roles of her entire career.</p> <p dir="ltr">And for all of her passion and success, Jackson is remembered fondly by her loved ones - those who knew her beyond her work, and those who supported her for it - who flocked to social media to pay tribute. </p> <p dir="ltr">“Glenda Jackson was both the best actress of our generation and an incredibly principled passionate and eloquent advocate of social justice as an MP and as a government minister. I will remember her as a friend whom I admired greatly and what she achieved will never be forgotten,” former-prime minister for the United Kingdom, Gordon Brown, wrote. </p> <p dir="ltr">“Very sad to hear of the passing of Glenda Jackson. An acclaimed actress, a formidable politician and an inspirational woman to so many of us in the Labour Party,” British politician Angela Rayner said. “My thoughts are with her family, friends and many others who loved her.”</p> <p dir="ltr">“Devastated to hear that my predecessor Glenda Jackson has died. A formidable politician, an amazing actress and a very supportive mentor to me. Hampstead and Kilburn will miss you Glenda,” friend and fellow politician Tulip Siddiq said. </p> <p dir="ltr">And, as her friends and fans the Muppets wrote, “here’s to Glenda Jackson, legendary actress and scourge of the Seven Seas! In her unforgettable episode of The Muppet Show, she and her merry band of plundering pirates turned our theatre into a ship and set out to sea. </p> <p dir="ltr">“We’ll always treasure the time we spent with you, Glenda.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Here’s to Glenda Jackson, legendary actress and scourge of the Seven Seas! In her unforgettable episode of The Muppet Show, she and her merry band of plundering pirates turned our theater into a ship and set out to sea. We’ll always treasure the time we spent with you, Glenda. <a href="https://t.co/zQ8cPVc8Jk">pic.twitter.com/zQ8cPVc8Jk</a></p> <p>— The Muppets (@TheMuppets) <a href="https://twitter.com/TheMuppets/status/1669398500243587092?ref_src=twsrc%5Etfw">June 15, 2023</a></p></blockquote> <p dir="ltr"><em>Images: Getty</em></p>

News

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Jamie Lee Curtis on ageing in Hollywood

<p class="p1"><span class="s1">Hollywood star Jamie Lee Curtis has taken a swipe at society’s emphasis on youth, no more apparent than in her own industry.</span></p> <p class="p1"><span class="s1">The 59-year-old, visiting Sydney to promote new movie Halloween, the sequel to the 1978 horror classic of the same name, spoke of her dislike of the term “anti-ageing”.</span></p> <p class="p1"><span class="s1">“The term anti-ageing makes me crazy, the amount of marketing towards anti-ageing and making it a pejorative,” Curtis told <em><a href="https://www.dailytelegraph.com.au/entertainment/sydney-confidential/actor-jamie-lee-curtis-on-why-the-term-antiageing-makes-her-angry/news-story/eec877ecef45fbb08670b1d872d2f8d5">The Daily Telegraph</a></em>.</span></p> <p class="p1"><span class="s1">“(Ageing) cannot be the pejorative because it happens to everybody. It is like everything else, it is an evolution,” said the actor.</span></p> <p class="p1"><span class="s1">Curtis’ comments come at an apt time in her career. She has reprised her iconic role as Laurie Strode, who took on serial killer Michael Myers 40 years ago on Halloween. Decades on, her character, now a grandmother, is still deeply affected by their battle but is as strong as ever and more than ready for the next round.</span></p> <p class="p1"><span class="s1">The actress too, seems at the top of her game. The sequel is raking it in at the US box office, and not only is she a formidable performer in the film, but it was really Curtis doing many of the fight scenes too.</span></p> <p class="p1"><span class="s1">“I am sitting here in my very nice red suit but this movie was obviously not a glamorous job and I am grateful that I get that opportunity,” she admitted to the publication. “Every fight is me.”</span></p> <p class="p1"><span class="s1">“I am fit but I am not a gym rat. It is just what we do. It is the nature of the beast — it is physical and it is painful. I cracked a rib, that is what happens.”</span></p> <p class="p1"><span class="s1">But Curtis, the daughter of Janet Leigh – who memorably starred in another iconic horror Psycho – and matinee idol Tony Curtis, has previously acknowledged her “struggle with my own self-esteem” when it comes to her body. She says she’s found a way to deal with it.</span></p> <p class="p1"><span class="s1">“So I have a big secret: I don’t look in the mirror,” Curtis told <em><a href="https://www.goodhousekeeping.com/life/entertainment/a22993869/jamie-lee-curtis-confidence-secrets/">Good Housekeeping</a></em> in a recent interview.</span></p> <p class="p1"><span class="s1">“I’m a 60-year-old woman. I am not going to look the same as I used to, and I don’t want to be confronted by that every day! When I get out of the shower, I have a choice: I can dry myself off looking in the mirror, or I can dry myself off with my back to it. I turn my back to the mirror and I feel great!”</span></p> <p class="p1"><span class="s1">The actress, who also counts children’s author, entrepreneur and budding screenwriter on her resume, has an inspiring message about chasing and realising creative passions saying she has “no time to waste”.</span></p> <p class="p1"><span class="s1">“On the very clear passage of 50s to 60s, I have no time to waste,” said Curtis. “None. If you have creative ideas and you don’t bring them out into the world in some way before you go, that is a tragedy.”</span></p> <p class="p1"><em><span class="s1">Images: Getty</span></em></p>

Movies

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"Health is wealth": How Warnie's son has dealt with the loss of his father

<p dir="ltr">Jackson Warne has candidly opened up about his struggles with grief following the death of his cricketer father. </p> <p dir="ltr">Shane Warne, 52, died of natural causes on March 4 in a luxury villa on the Thailand holiday island of Koh Samui.</p> <p dir="ltr">Almost seven months later, Jackson said that he “could’ve easily gone down hill” after losing his dad, but decided on taking the high road. </p> <p dir="ltr">“I could’ve drank a lot of alcohol, gambled too much, quit the gym, ate shit food and not socialise. Be miserable,” he wrote in his Instagram post.</p> <p dir="ltr">“But I didn’t.</p> <p dir="ltr">“I didn’t because I used this trauma as energy for life. I surrounded myself with good people, went to the gym EVERY DAY, drank water, swam, laughed a lot and was consistent. 1 day at a time.”</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/Cjw_211LfaM/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/Cjw_211LfaM/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Jackson Warne (@jacksonwarne18)</a></p> </div> </blockquote> <p dir="ltr">Jackson confessed that he is now the happiest and healthiest he’s ever been because of the support he’s been receiving. </p> <p dir="ltr">“I can now say because of this I am the happiest and healthiest I’ve been. Health is wealth.</p> <p dir="ltr">“It cost’s $0 to exercise, laugh, drink water and go outside. If you do this I promise you’ll be the happiest and healthiest you can be.</p> <p dir="ltr">“To everyone who is still messaging me and supports me every single day, It doesn’t go unnoticed and I appreciate it. Thank you.” </p> <p dir="ltr"><em>Images: Instagram</em></p>

Caring

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Shane Warne's son shares last pic together for Father's Day

<p dir="ltr">Jackson Warne has shared the last ever photo taken with his dad Shane Warne in an emotional Father’s Day tribute.</p> <p dir="ltr">The 23-year-old posted the photo, taken a week before the cricketing legend’s sudden death, with a simple message for his dad.</p> <p dir="ltr">“This was the last photo we ever took together. 24.2.2022,” Jackson wrote.</p> <p><span id="docs-internal-guid-e798fd06-7fff-ff30-726b-8aec185a4b33"></span></p> <p dir="ltr">“Doing something we both loved. Playing poker. Miss ya mate. Happy Father’s Day. ♥️.”</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CiE9MSbLHWV/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CiE9MSbLHWV/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Jackson Warne (@jacksonwarne18)</a></p> </div> </blockquote> <p dir="ltr">Jackson’s sister, Brooke Warne, shared her support for her brother, commenting, “🤍 love you so much 🤍”, while their step-brother, Damien Hurley, wrote, “We love you so much Jacko 🤍”.</p> <p dir="ltr"><span id="docs-internal-guid-233929c7-7fff-3414-5f2e-39588bfb1287"></span></p> <p dir="ltr">Father’s Day also marked six months since Warne’s passing, and Brooke took to Instagram to share a message of her own in tribute to her dad and for others who find the celebration of dads hard.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CiFG8BGoLM5/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CiFG8BGoLM5/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by B R O O K E 🍿 W A R N E (@brookewarne)</a></p> </div> </blockquote> <p dir="ltr">“6 Months today since we lost our Dad 💔,” she captioned a throwback photo of her and her dad.</p> <p dir="ltr">“Happy Father’s Day to the Best Dad on Earth and in Heaven 🤍💔.</p> <p dir="ltr">“Today is for you Dad 🌟 You are our shining Star and forever will be 🤍.</p> <p dir="ltr">“All my friends and other people who find Father’s Day just as hard, you are in my thoughts 🤍.</p> <p dir="ltr">“I miss you everyday (sic) Dad, I will Love you Forever 🤍 SW 23 🤍💔.”</p> <p dir="ltr"><span id="docs-internal-guid-d9fef65a-7fff-58d8-fcc3-b5ccdf85a750"></span></p> <p dir="ltr"><em>Image: @jacksonwarne18 (Instagram)</em></p>

Family & Pets

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Michael Jackson songs pulled from Youtube over authenticity claims

<p dir="ltr">Three songs from Michael Jackson’s posthumous 2010 album <em>Michael</em> have been pulled from online streaming services amid allegations the king of pop didn’t actually sing them. </p> <p dir="ltr">The songs in question - <em>Monster</em>, <em>Breaking News</em>, and <em>Keep Your Head Up</em> - are no longer available to buy or stream on global music services. </p> <p dir="ltr">The tracks have been the subject of an ongoing lawsuit against Sony Music and Jackson’s estate, alleging that Jackson did not sing them.</p> <p dir="ltr">In 2014, a fan of the late musician filed a lawsuit against Sony and the estate over the three songs for violation of consumer laws, unfair competition and fraud.</p> <p dir="ltr">Sony and the estate were cleared from the case in 2018 and its appeal in 2020, and the suit is currently in the California Supreme Court.</p> <p dir="ltr">Prior to the album’s release, doubts were raised by Jackson’s family members whether songs were performed by the Grammy-winner. </p> <p dir="ltr">According to <a href="https://www.theguardian.com/music/2010/nov/08/new-michael-jackson-songs">The Guardian</a>, his mother Katherine claimed in 2010 that “some of the tracks on the album are fake”. </p> <p dir="ltr">The musician’s sister, LaToya, told <a href="https://www.tmz.com/2010/11/07/la-toya-jackson-michael-jackson-song-breaking-news-sony/">TMZ</a>, “It doesn’t sound like him”.</p> <p dir="ltr">Michael’s nephew Taryll tweeted at the time, “I KNOW my Uncle’s voice, and something’s seriously wrong when you have immediate FAMILY saying it’s not him.”</p> <p dir="ltr">Despite the allegations, a spokesperson from Jackson’s website recently said the tracks being pulled “had nothing to do with their authenticity”.</p> <p dir="ltr">“The Estate and Sony Music believe the continuing conversation about the tracks is distracting the fan community and casual Michael Jackson listeners from focusing their attention where it should be — on Michael’s legendary and deep music catalog [sic],” the Jackson website spokesperson said.</p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

Music

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Man moves into office cubicle in protest

<p dir="ltr">A man who moved into his cubicle at work to protest his employer not paying him enough … has been fired. </p> <p dir="ltr">Simon Jackson shared a video to <a href="https://www.tiktok.com/@calm.simon/video/7072608177031859502?is_copy_url=1&amp;is_from_webapp=v1&amp;lang=en" target="_blank" rel="noopener">TikTok</a> showing himself “moving into” his work cubicle. </p> <p dir="ltr">“Check out my new appt [apartment]”, he captioned the video which has since amassed 14 million views.</p> <p dir="ltr">The video shows Mr Jackson unpacking his belongings from multiple suitcases in the design and engineering consultancy firm Arcadis office.</p> <p dir="ltr">“I’m moving from my apartment into my cubicle at work,” Mr Jackson could be heard saying. </p> <p dir="ltr">“They do not pay me enough to do both, so as a matter of protest, I am just going to live at my job, and we’ll see how long I can get away with this.”</p> <p dir="ltr">Mr Jackson confessed that he had to move out of his apartment because his lease was ending and the rent was going up.</p> <p dir="ltr">While waiting for approval for apartments to apply for, Mr Jackson made the decision to move into the downtown office.</p> <p dir="ltr">“When I found my company had an empty office downtown, this was the perfect solution as it was close to all of the venues I frequent and it would be free,” he said.</p> <p dir="ltr">He also explained that the reason he “walks around shirtless” is because most of the employees are working from home due to Covid.</p> <p dir="ltr">Four days later, he was “evicted” in what Mr Jackson says “happened way sooner than I thought”.</p> <p dir="ltr">He recorded himself packing his bags and then with the help of security was escorted out of the building.</p> <p dir="ltr">“This won’t be the last you’ll see of me,” he said.</p> <p dir="ltr">Mr Jackson was fired from his job with HR requesting he remove all TikTok videos documenting his adventure.</p> <p dir="ltr">“I wish they approached the TikToks differently and maybe had a conversation with me about whether there was something more serious going on in terms of money,” he said.</p> <p dir="ltr">“But do I understand their response? 100 per cent.”</p> <p dir="ltr">The videos remain on his channel, with Mr Jackson hoping to work on his romper brand before deciding whether or not he should go back to corporate.</p> <p dir="ltr"><em>Images: TikTok</em></p>

Money & Banking

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"Memories of Dad": Jackson Warne shares unseen images

<p>Jackson Warne has shared an emotional tribute to his late father with a series of unseen photos from moments they shared together. </p> <p>The 23-year-old posted the clip on TikTok on Thursday night, almost a week after the 52-year-old's sudden death in Thailand.</p> <p>The video included a number of images of the pair bonding over the last two decades, set to Coldplay's emotional hit song Yellow. </p> <p>Jackson captioned the clip, "Memories of dad. Thank you everyone for the overwhelming amount of support, messages and love."</p> <div class="embed" style="font-size: 16px; box-sizing: inherit; margin: 0px; padding: 0px; border: 0px; vertical-align: baseline; outline: none !important;"><iframe class="embedly-embed" style="box-sizing: inherit; margin: 0px; padding: 0px; border-width: 0px; vertical-align: baseline; width: 610px; max-width: 100%; outline: none !important;" title="tiktok embed" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.tiktok.com%2Fembed%2Fv2%2F7073371308121132289&amp;display_name=tiktok&amp;url=https%3A%2F%2Fwww.tiktok.com%2F%40jacksonwarne18%2Fvideo%2F7073371308121132289%3Fis_copy_url%3D1%26is_from_webapp%3Dv1%26lang%3Den&amp;key=59e3ae3acaa649a5a98672932445e203&amp;type=text%2Fhtml&amp;schema=tiktok" width="340" height="700" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe></div> <div class="embed" style="font-size: 16px; box-sizing: inherit; margin: 0px; padding: 0px; border: 0px; vertical-align: baseline; outline: none !important;"> </div> <div class="embed" style="font-size: 16px; box-sizing: inherit; margin: 0px; padding: 0px; border: 0px; vertical-align: baseline; outline: none !important;"> <p>The video comes just days after Jackson posted another moving tribute, just days after the legendary cricketer's death was announced.</p> <p>He wrote on Instagram, "To my brother, my best friend, to my Dad, I love you so much. I don't think anything is ever going to fill the void you have left in my heart."</p> <p>"Sitting at the poker table, walking around the golf course, watching the Saints and eating pizza is never going to be the same."</p> <p>"Every day you told me how proud you were of me and I promise to try and keep making you proud. I am going to miss you so much Dad, I wish I could look you in the eyes 1 more time and give you one more hug."</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/Ca1VwWblo-L/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/Ca1VwWblo-L/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Jackson Warne (@jacksonwarne18)</a></p> </div> </blockquote> <p>On Thursday night, Jackson was seen at Essendon airport where a private plane touched down carrying the body of his father. </p> <p>Jackson gathered with his family in the airport hangar as Warnie's body was returned home, with preparations underway for his state funeral at the Melbourne Cricket Ground on March 30th. </p> <p><em>Image credits: Instagram @jacksonwarne18</em></p> <p> </p> </div>

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Critics slam new “sanitised” Michael Jackson musical

<p dir="ltr">Theatre critics have slammed the new Michael Jackson musical that hit Broadway this year for its blatant “sanitisation” of child abuse allegations against the late popstar. </p><p dir="ltr">The musical, called <em>MJ</em>, documents Michael as he prepared for his four-continent Dangerous Tour of 1992, while also dealing with an MTV documentary crew who filmed his incessant rehearsals. </p><p dir="ltr">Throughout the musical, fans get glimpses into the artist's life, with flashbacks to his time in the Jackson Five and his difficult upbringing. </p><p dir="ltr"><em>MJ</em> was written by Pulitzer Prize winner Lynn Nottage and choreographed by Christopher Wheeldon, and was produced by Jackson's estate with an apparent promise not to mention the young boys who accused the star of sexually harassing them, despite taking place just one year before the first allegation came out. </p><p dir="ltr">The musical debuted on Broadway recently, with Michael’s three children Paris, 23, Prince, 24, and Prince Michael “Bigi” Jackson, 19, in the audience. </p><p dir="ltr">Critics at the show’s opening night rallied against the musical, noting that the show attempts to separate the art from the artist, while conveniently ignoring the child sex abuse allegations that overshadowed Jackson's career.  </p><p dir="ltr">Many of the reviews, including one for the <a href="https://www.nytimes.com/2022/02/01/theater/mj-musical-review.html">New York Times</a>, mentioned the fact that Jackson's estate were involved in producing what was essentially an 'authorised autobiography', which is why the story featured such watered-down references.</p><p dir="ltr">The review, written by Jesse Green, says, “In this, <em>MJ</em> is trying to have it both ways. It wants to blame everything sad and weird about Jackson on others… but credit him alone for his every good deed and success.”</p><p dir="ltr"><em>Image credits: Getty Images</em></p>

Music

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Janet Jackson debunks decades-old rumour

<p dir="ltr">Janet Jackson has debunked rumours that she had a secret child with James DeBarge in the 1980s in a preview clip for her upcoming documentary,<span> </span><em>Janet.</em></p> <p dir="ltr">The rumour that the 55-year-old singer, who has a 4-year-old son Eissa with ex-husband Wissam Al Amana, had a secret child in the 1980s has followed her for years, and the performer and member of the legendary Jackson family has finally put it to bed.</p> <p dir="ltr">Allegedly, Jackson had a child with then-husband James DeBarge, but gave it to her brother Jackie to raise. In addition, there were rumours that her nieces Brandy and Stevanna were actually her daughters because they look like her.</p> <p dir="ltr">In a clip from the documentary, Janet said, "Back in the day they were saying that I had a child and I kept it secret. I could never keep a child away from James. How could I keep a child from their father? I could never do that, that's not right."</p> <p dir="ltr">Jackson believes the rumours stemmed from her weight gain as a result of taking birth control pills while filming the TV show<span> </span><em>Fame,<span> </span></em>saying, "A lot of the kids thought I was pregnant, 'cause I had gained weight, and I had started taking birth control pills. And back then, you could pick up weight taking them, and that's what happened to me. So that rumour started going around."</p> <p dir="ltr">Jackson was just 18 when she married DeBarge in 1984, and though he was a “sweet guy”, she blamed his drug use for their marriage being annulled after just one year. SHe said of their wedding night, “When we got married and came back to the hotel he said, 'OK, I'll be right back. And I'm sitting in the hotel room in Grand Rapids, Michigan by myself, just 18, and for three hours, he never came back.</p> <p dir="ltr">“I don't know, maybe it's this person in me that wants to help people subconsciously. When it comes to relationships, somehow I'm attracted to people that use drugs."</p> <p dir="ltr">Jackson described spending many nights searching the streets for DeBarge and trying to help by flushing his pills, but ultimately, she couldn’t give him the help he needed. In the documentary, she opens up, saying, "We would be rolling on the floor fighting for them. And that's not a life for anyone. I sit and I say, 'Were you stupid, were you dumb?' But it wasn't that. I cared so much for him, and I saw the good in him as well and I just wanted that to take precedence as opposed to this ugliness. 'Cause I knew that he needed help. But I wasn't the help that he needed.</p> <p dir="ltr">"I was just incredibly innocent. That's the thing, is the innocence. And it's just hurtful for someone to see that and just try to take advantage of it ... It's still painful."</p> <p dir="ltr"><em>Image: Gabriel Olsen/FilmMagic</em></p>

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‘The Beatles: Get Back’ glosses over the band’s acrimonious end

<p>In the new film “<a href="https://www.imdb.com/title/tt9735318/">The Beatles: Get Back</a>,” “Lord of the Rings” director <a href="https://www.imdb.com/name/nm0001392/">Peter Jackson</a> tries to dispel the myth of the the Beatles’ breakup.</p> <p>In 1970, Michael Lindsay-Hogg released “<a href="https://www.rollingstone.com/music/music-features/original-let-it-be-movie-michael-lindsay-hogg-peter-jackson-get-back-1250561/">Let It Be</a>,” a film documenting the band’s recording sessions for their eponymous album. The movie depicted George Harrison arguing with Paul McCartney – and it hit theaters shortly after news of the band’s breakup emerged. Many filmgoers at the time assumed this depicted the days and weeks during which everything fell apart.</p> <p>By the time it hit theaters, nearly 16 months after filming, this rehearsal footage got mistaken for a completely different time frame.</p> <p>In 2016, Jackson gained access to Lindsay-Hogg’s original footage. Over the course of four years, he edited it into an eight-hour, three-part series, thanks to a streaming deal with Disney+.</p> <p>In their press rounds, both Jackson and McCartney have been eager to recast the legacy of this period.</p> <p>“I kept waiting for all the nasty stuff to start happening, waiting for the arguments and the rows and the fights, but I never saw that,” <a href="https://www.theguardian.com/tv-and-radio/2021/nov/20/i-just-cant-believe-it-exists-peter-jackson-takes-us-into-the-beatles-vault-locked-up-for-52-years">Jackson told The Guardian</a> and others. “It was the opposite. It was really funny.”</p> <p>“I’ll tell you what is really fabulous about it, it shows the four of us having a ball,” <a href="https://www.nme.com/news/music/paul-mccartney-says-the-beatles-get-back-documentary-changed-his-perception-of-their-split-3095528">McCartney told The Sunday Times</a> after seeing the film. “It was so reaffirming for me.”</p> <p>It seems to be working: <a href="https://www.nytimes.com/2021/11/11/arts/music/beatles-get-back-peter-jackson.html">A recent New York Times headline proclaimed</a>, “Know How the Beatles Ended? Peter Jackson May Change Your Mind.”</p> <p>A lot of these sessions contain the irrepressible gags that made the Beatles famous. (Lennon and McCartney singing “Two of Us” in grandiose Scottish brogue almost steals Part Three.) But in their interviews, Jackson and McCartney accentuate the positive as if to paper over the acrimonious <a href="https://www.nbcnews.com/pop-culture/pop-culture-news/paul-mccartney-says-he-sued-beatles-save-band-s-music-n1235898">history of lawsuits</a>, <a href="https://www.billboard.com/music/rock/beatles-catalog-paul-mccartney-brief-history-ownership-7662519/">the loss of the Lennon-McCartney publishing catalog</a> and the lurching solo careers that followed.</p> <h2>A muddled chronology</h2> <p>The timing of the theater release of the “Let It Be” sessions seeded confusion over how the group unraveled.</p> <p>“Let it Be” was shot in January 1969, just weeks after the “<a href="https://www.rollingstone.com/music/music-news/review-the-beatles-white-album-186863/">White Album</a>” hit stores.</p> <p>The band then put these tapes aside to work on the larger project they intuited from this material, “<a href="https://theconversation.com/the-beatles-revolutionary-use-of-recording-technology-in-abbey-road-124070">Abbey Road</a>,” which they completed seven months later.</p> <p>The split actually came at a September 1969 meeting, when <a href="https://theconversation.com/inside-the-beatles-messy-breakup-50-years-ago-130980">Lennon told the others</a> he wanted a “divorce.” They persuaded him to keep his departure quiet until the band completed some contract negotiations. Then, in March 1970, <a href="https://theconversation.com/inside-the-beatles-messy-breakup-50-years-ago-130980">McCartney publicly proclaimed</a> he was “leaving the Beatles” to release his first solo album.</p> <p>An epic descent into suits, <a href="https://www.independent.co.uk/news/world/americas/the-courtroom-hit-parade-the-beatles-top-ten-lawsuits-414216.html">countersuits</a> and press squabbles ensued. Harrison even wrote a song called “<a href="https://www.youtube.com/watch?v=Xzdw2WcSmb0">Sue Me Sue You Blues</a>.”</p> <p>Only in May 1970 did the “Let It Be” album and film come out, with the band’s messy divorce as the backdrop.</p> <p>After the initial theater run, “Let it Be” fell from view. For decades, the only way you could get a glance of it was through a black market copy. The Andy Warhol-esque, <a href="https://www.artforum.com/print/196704/the-value-of-didactic-art-36733">so-real-it’s-boring verité style</a> – the non-narrative approach then in vogue – flummoxed even 1970 audiences.</p> <p>But because the “Let It Be” album and film came out after “Abbey Road” – which was released in September 1969 – it quickly got mistaken for telegraphing their breakup, <a href="https://www.nme.com/news/music/paul-mccartney-says-the-beatles-get-back-documentary-changed-his-perception-of-their-split-3095528">a belief that the Beatles themselves seemed to internalize</a>.</p> <p>The Beatles’ own traumatic memories of this period kept the raw footage from this project in the vaults for over 50 years. In the meantime, bootleggers published nearly all of its audio.</p> <h2>Conflict brewing</h2> <p>Now at significant remove, the remaining Beatles – McCartney and Ringo Starr – <a href="https://variety.com/video/peter-jackson-get-back-beatles-secrets/">seem to have hired Jackson</a> for a rescue operation, disingenuously dubbing the film a “documentary” when they, in fact, served as executive producers alongside their Apple Records directors, Jeff Jones and Ken Kamins.</p> <p>In response to Jackson’s three-part series, which coincided with the release of <a href="https://variety.com/2021/music/reviews/get-back-book-review-beatles-let-it-be-transcripts-1235087090/">a book of transcripts from the “Let it Be” sessions</a> and McCartney’s songwriting memoir, “<a href="https://theconversation.com/what-paul-mccartneys-the-lyrics-can-teach-us-about-harnessing-our-creativity-170987">Lyrics</a>,” <a href="https://www.nytimes.com/2021/11/11/arts/music/beatles-get-back-peter-jackson.html">media outlets</a> <a href="https://www.onlymelbourne.com.au/the-beatles-get-back">around the world</a> appear to have embraced this new version of history: that these sessions actually scanned as lighthearted, that – poof! – the scars had vanished.</p> <p>But the strange and beguiling thing about Jackson’s edit rises from how it displays an unstable mixture of groove and conflict.</p> <p><iframe width="440" height="260" src="https://www.youtube.com/embed/Auta2lagtw4?wmode=transparent&amp;start=0" frameborder="0" allowfullscreen=""></iframe> <span class="caption">The trailer for ‘The Beatles: Get Back.’</span></p> <p>Despite the walkout from Harrison and continuous disagreements about what the project was – first a TV show, then a feature film and album, which needed a rooftop concert for a “payoff” – the band ultimately rallied to write the now-classic tracks “Something,” “Oh! Darling,” “Octopus’s Garden,” “She Came in Through the Bathroom Window,” and “Maxwell’s Silver Hammer,” along with Lennon’s “Polythene Pam” and “I Want You.”</p> <p>So Jackson’s “Get Back” clarifies the Beatles’ resolve to resume work and put their extra-musical squabbles aside. The music pulls them inexorably forward, and they trust these early song fragments enough to carry them. They have had bust-ups and walkouts and uncertainties and failures, and always found their way through. For Lindsay-Hogg and 1970 audiences, this all seemed bewildering and tense – the band kept a tight lid on internal rows. To the Beatles themselves, and to anyone who’s ever worked to keep a band together, it felt about par.</p> <p>Telling the average person to watch eight hours of freighted doubt and raw, undeveloped material is a big ask. <a href="https://www.theonion.com/new-beatles-doc-gives-man-greater-appreciation-for-how-1848132216">As The Onion joked</a>, “New Beatles Doc Gives Man Greater Appreciation For How Long 8 Hours Feels.”</p> <p>But there is a moment in Part Two of Jackson’s series – the first day on the set when Harrison doesn’t show up – when the rest of the band sits around talking about the situation. McCartney suddenly goes quiet. The camera lingers on him, and you can see him drift into a thousand-yard stare as he contemplates the looming uncertainties. He doesn’t quite tear up, but he does look as unguarded as he ever does, and markedly tentative.</p> <p>The moment catches hold because it’s so out of character – McCartney rarely displays himself unveiled, without pretense. The shot lingers and takes the measure of the man and the project, how much they have to overcome and how precarious everything suddenly feels.</p> <p>[<em>Over 140,000 readers rely on The Conversation’s newsletters to understand the world.</em> <a href="https://memberservices.theconversation.com/newsletters/?source=inline-140ksignup">Sign up today</a>.]</p> <p>In retrospect, the miracle is not that they finished “Let It Be,” but how these sessions served as the warmup for their final lap, “Abbey Road.” After upending expectations with the contrasting breakthroughs of “Sgt. Pepper” and the “White Album,” figuring out what to do next would have confounded lesser souls.</p> <p>That five-decade gap where fans waited for a refurbished “Let It Be” tells you a lot about how fraught January 1969 seemed to its four principals – and how deep those scars went.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important; text-shadow: none !important;" src="https://counter.theconversation.com/content/169914/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><span><a href="https://theconversation.com/profiles/tim-riley-440673">Tim Riley</a>, Associate Professor and Graduate Program Director for Journalism, <em><a href="https://theconversation.com/institutions/emerson-college-3140">Emerson College</a></em></span></p> <p>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/the-beatles-get-back-glosses-over-the-bands-acrimonious-end-169914">original article</a>.</p> <p><em>Image: Kevork Djansezian/Getty Images</em></p>

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The Beatles: Get Back review – Peter Jackson’s TV series is a thrilling, funny (and long) treat for fans

<p>The Beatles’ Get Back project, undertaken in January 1969, has finally been completed. Again.</p> <p>For most of the last 50 years it has been known as <a href="https://en.wikipedia.org/wiki/Let_It_Be_(1970_film)">Let it Be</a>, a film and LP record released in 1970. The project, conceived by Paul McCartney, was originally intended to be a television special documenting the band’s preparation for a live concert (their first in two and a half years). Because of the performance element, the Beatles decided to get back to their roots and only develop material that could be played without adding overdubs.</p> <p>As it happened, the concert didn’t go ahead, the Beatles famously deciding instead to play a short unannounced gig on the roof of their headquarters. The TV special became a feature film, and the audio was handed over to the “wall of sound” producer, Phil Spector (leading to controversial results).</p> <p>Meanwhile, in the early 1980s, the Beatles withdrew the film version (a fly-on-the-wall documentary directed by Michael Lindsay-Hogg) from circulation.</p> <p>Lindsay-Hogg’s Let it Be is remembered as a portrait of a band in the process of breaking up. And indeed, George Harrison did briefly quit the band early into the four-week project, though Lindsay-Hogg’s documentary does not cover this episode.</p> <p><a href="https://images.theconversation.com/files/433853/original/file-20211125-17-14zc63j.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/433853/original/file-20211125-17-14zc63j.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt="" /></a> <span class="caption">George Harrison in Get Back.</span> <span class="attribution"><span class="source">Walt Disney Pictures, Apple Corps, WingNut Films</span></span></p> <p>Let it Be was seen as a downer in part because the Beatles, especially Lennon, were keen to trash it in the light of the band’s breakup (which occurred just weeks before the release of Let it Be, both film and album). As Lennon said in December 1970, the shoot was “hell”, and Spector was “given the shittiest load of badly recorded shit”.</p> <h2>A different tenor</h2> <p>While the newly released The Beatles: Get Back, directed by Peter Jackson, covers Harrison’s departure and return, Jackson’s film is tonally different from Lindsay-Hogg’s. According to Jackson, the dour account of Let it Be is inaccurate, since there is much “joy” and friendship evident in the 60 hours of film and 150 hours of audio tape that has been sitting in a vault for half a century.</p> <p>Much of this audio has long been available as bootlegs, informing written accounts of this period of the Beatles’ history. The audio without the video, however, doesn’t always tell the whole story.</p> <p><iframe width="440" height="260" src="https://www.youtube.com/embed/hmDy9x3AUc0?wmode=transparent&amp;start=0" frameborder="0" allowfullscreen=""></iframe></p> <p>While Jackson and his team haven’t shied away from the moments of friction, ennui, and aimlessness experienced by the band, the tenor of Get Back is more upbeat than Lindsay-Hogg’s version (though there is perhaps more levity in that film than Jackson or its reputation allows).</p> <p>But Get Back is not just a recut of Let it Be; it is a documentary in its own right, a film about the making of a film. Lindsay-Hogg is now a character in the drama of trying to work out what the project is about, and how it will end.</p> <p>Unlike the cinema verité style of Let it Be, Get Back gives much-needed context in the form of titles naming the protagonists and songs, as well as explaining what is happening. The use of a day-by-day countdown to the live performance gives the otherwise shapeless events a sense of narrative and even tension.</p> <p><iframe width="440" height="260" src="https://www.youtube.com/embed/nSrCk1icisI?wmode=transparent&amp;start=0" frameborder="0" allowfullscreen=""></iframe></p> <p>Get Back was to be a feature film with a theatrical release, but COVID-19 led to a rescheduling and reconceptualising of the work, so that it became a documentary for Disney+. Recent reports were that the series would be a three-part series with a six-hour running time.</p> <h2>The climactic rooftop concert</h2> <p>As it turns out, that running time is closer to eight hours. (Let it Be is a mere 80 minutes long.) Almost all of these eight hours show the Beatles at work on a sound stage (at Twickenham Film Studios) or in an ad hoc recording studio (put together in the Beatles’ Apple headquarters, when – after Harrison’s walkout – it was decided that Twickenham wasn’t conducive to creativity).</p> <p>The Apple studio is clearly more pleasant, and the tone is further lightened when the Beatles are joined by an outsider, their old friend Billy Preston, on keyboards (a crucial moment for the project).</p> <p><iframe width="440" height="260" src="https://www.youtube.com/embed/385eTo76OzA?wmode=transparent&amp;start=0" frameborder="0" allowfullscreen=""></iframe></p> <p>There is nevertheless something of a hermetic feel to most of Get Back, so that when the Beatles and Preston head up to the rooftop to play in public – the cinematic “payoff” that the band and Lindsay-Hogg had been looking for throughout the project – there is a palpable sense of release.</p> <p>And the famous rooftop concert, presented with creative use of split screen, is stunningly good (and is also, for the first time, presented in its 42-minute entirety).</p> <p>After the countless run throughs and takes of the same songs over the preceding weeks (as well as numerous covers and early Beatles tunes), the sense of energy and the quality of playing gives the film the climactic moment that it needs, complete with police officers demanding, albeit politely, that the Beatles stop breaching the peace of London’s West End.</p> <p><iframe width="440" height="260" src="https://www.youtube.com/embed/I392lK8QUhQ?wmode=transparent&amp;start=0" frameborder="0" allowfullscreen=""></iframe></p> <h2>Cigarettes, cups of tea, and white bread</h2> <p>Get Back is very different from Let it Be in part due to Jackson’s editing, especially his use of montage, which produces a dynamic, sometimes frenetic, energy. Beyond these stylistic elements, Get Back is notable as a technical feat.</p> <p>It looks and sounds astonishingly good, not something that was ever said about Let it Be. Jackson and his technical team have employed the kind of film restoration techniques used in his war documentary <a href="https://www.imdb.com/title/tt7905466/">They Shall Not Grow Old</a> (2018).</p> <p>The vision in Get Back is beautifully saturated, sharp, and less grainy than Lindsay-Hogg’s film. Harrison and Starr, in their sartorial splendour, often resemble their cartoon equivalents from <a href="https://www.imdb.com/title/tt0063823/">Yellow Submarine</a> (1968).</p> <p>If there is anything unvarnished about Jackson’s film it is the sight of people apparently living off cigarettes, cups of tea, and white bread. Also notably “historical” is the homosocial nature of the project; almost all of the active participants are men. Even Yoko Ono, who sits beside Lennon throughout, is almost entirely silent (save for her vocal participation in a couple of impromptu jams).</p> <p>While the film has been painstakingly restored, the soundtrack has been almost remade. Much of the audio was recorded on mono quarter-inch tape. Jackson’s technical team used machine learning to effectively “remix” these mono tapes, allowing Jackson to hone in on individual voices masked by other sound sources (voices or musical instruments).</p> <p><a href="https://images.theconversation.com/files/433854/original/file-20211125-19-e4obm5.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/433854/original/file-20211125-19-e4obm5.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt="" /></a> <span class="caption">John Lennon in Get Back.</span> <span class="attribution"><span class="source">Walt Disney Pictures, Apple Corps, WingNut Films</span></span></p> <p>This is an extraordinary technological breakthrough, allowing key conversations to be heard properly for the first time, and for the remixing of the play throughs and rehearsals of songs, which weren’t being recorded as “takes” on the eight-track system.</p> <p>Get Back is a treat for any Beatles fan. It’s a reminder, too, if one is needed, that some classic songs were recorded for the project. (Given that McCartney supplied at least three of these classics – Let it Be, The Long and Winding Road, and Get Back – it’s unsurprising that he has long been unsatisfied with the way they were originally showcased.)</p> <p>But Jackson’s film isn’t all sweetness and light. Lennon, for instance, is dismissive of Harrison’s I, Me, Mine, and he makes a throwaway joke about Bob Wooler, a Liverpool disc jockey whom Lennon assaulted in 1963. Also notable is the relative absence of George Martin, who largely hands production duties to his sound engineer, Glyn Johns, surely a sign that Martin found something amiss with the project.</p> <p>And indeed numerous sequences show a band lacking focus and discipline. Get Back, then, is unquestionably a mixed bag: thrilling, compelling, and funny, but also sometimes just a little boring.</p> <p>In this, Jackson has been true to the original project. His extraordinary TV series is essential viewing for anyone interested in popular music.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important; text-shadow: none !important;" src="https://counter.theconversation.com/content/172404/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><span><a href="https://theconversation.com/profiles/david-mccooey-308502">David McCooey</a>, Professor of Writing and Literature, <em><a href="https://theconversation.com/institutions/deakin-university-757">Deakin University</a></em></span></p> <p>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/the-beatles-get-back-review-peter-jacksons-tv-series-is-a-thrilling-funny-and-long-treat-for-fans-172404">original article</a>.</p> <p><em>Image: Apple Corps Ltd</em></p>

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The science behind Jackson Pollock’s art

<div> <div class="copy"> <p><span style="font-family: inherit;">Whatever you think of Jackson Pollock’s abstract art, it seems there’s a bit of science to it. In fact, a Google Scholar search unearths nearly 19,000 papers on the subject.</span></p> <p>The latest research by Roberto Zenit, from the Universidad Nacional Autonoma de Mexico, and colleagues adds a detailed technical analysis from a fluid dynamics perspective.</p> <p>Their key discovery, <a rel="noopener" href="https://doi.org/10.1371/journal.pone.0223706" target="_blank">published</a> in the journal PLOS ONE, reveals that Pollock’s technique is carefully executed to avoid what is known as coiling instability.</p> <p><span style="font-family: inherit;">“When a jet, or filament, oozes down into itself, it may coil,” Zenit explains. “The best example is honey dripping onto toast – the filament forms coils when it lands.</span></p> <p>“Coiling happens when the fluid is too viscous,” he adds. “Gravity pushes down, but the liquid doesn’t want to flow… so it coils to find a balance.”</p> <p><a rel="noopener" href="https://www.jackson-pollock.org" target="_blank">Pollock</a>, who died in 1956, is considered one of America’s most influential artists of the Twentieth Century, with his radical works captivating art buffs, historians and scientists alike.</p> <p><span style="font-family: inherit;">Films of him in action lend themselves to scientific analysis of his technique, which involved rhythmically pouring a continuous stream of paint onto a horizontal canvas, using a device such as a stick, knife or brush to regulate the flow.</span></p> <p>It eventually came to be known as <a rel="noopener" href="https://www.sciencedirect.com/science/article/pii/B9780444509444500128" target="_blank">fractal expressionism</a> – a representation of nature’s patterns, inspiring scientists to make comparisons with nature’s systems and to explore how he managed to achieve this.</p> <p><span style="font-family: inherit;">Zenit, who was intrigued by the technicalities of the fluid method, saw the historical videos as an opportunity to gain insights into how Pollock painted.</span></p> <p><span style="font-family: inherit;">He and his team carefully observed the speed and height of the artist’s unique painting action, then recreated it so they could zone in on what he was doing. </span></p> <p><span style="font-family: inherit;">“We can vary one thing at a time so we can decipher the key elements of the technique,” he says. “For example, we could vary the height from which the paint is poured and keep the speed constant to see how that changes things.”</span></p> <p>Thus, the researchers made a connection between his technique and classical hydrodynamic instability (coiling instability), contradicting previous suggestions that the curved lines resulted from this instability.</p> <p>“What we found is that he moved his hand at a sufficiently high speed and a sufficiently short height such that this coiling would not occur,” says Zenit.</p> <p>They also showed that the paint filaments did not fragment into droplets – suggesting that descriptions of his painting style as a “dripping” technique are not accurate: dripping implies that a fluid breaks up into discrete droplets whereas Pollock’s fluid filaments tended to be continuous rather than fragmented.</p> <p>That analysis showed that another hydrodynamic instability was avoided, Zenit explains.</p> <p>It gets more technical. Like many painters, Pollock used solvents to alter the fluid properties of his paints, creating varying thicknesses. The researchers found that with more viscous paint he would reduce the height and increase the speed of his movements, and vice versa with thinner paint – in all instances carefully avoiding coiling instability.</p> <p>The results of this research could help authenticate the artist’s coveted paintings.</p> <p>“If you see a painting with filaments with too many coils or droplets, it is unlikely that Pollock painted it,” says Zenit.</p> <p>The study is also part of a new line of research aiming to understand painting from a fluid mechanics perspective, which the authors suggest could have practical applications for instances where coiling is undesirable, like inkjet printing or fabricating optic fibres.</p> <p>“Painters are experts in manipulating fluids, so are fluid mechanicians,” says Zenit. “This gives us an opportunity to learn from each other.”</p> <p>How – and how not – to do it</p> <p>In the first video below, paint is deposited on a moving canvas from distance low enough and at a speed high enough to avoid coiling.</p> <p><span style="font-family: inherit;">In the second, something is out, and the result is clear to see.</span></p> <div style="position: relative; display: block; max-width: 100%;"> <div style="padding-top: 56.25%;"><iframe style="position: absolute; top: 0px; right: 0px; bottom: 0px; left: 0px; width: 100%; height: 100%;" src="https://players.brightcove.net/5483960636001/HJH3i8Guf_default/index.html?videoId=6098936274001" allowfullscreen="allowfullscreen"></iframe></div> </div> <div style="position: relative; display: block; max-width: 100%;"> <div style="padding-top: 56.25%;"><iframe style="position: absolute; top: 0px; right: 0px; bottom: 0px; left: 0px; width: 100%; height: 100%;" src="https://players.brightcove.net/5483960636001/HJH3i8Guf_default/index.html?videoId=6098938078001" allowfullscreen="allowfullscreen"></iframe></div> </div> <p><span style="font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 9.6px; text-transform: uppercase;">CREDIT: rOBERT zENIT</span></p> <em>Image credits: Shutterstock                         <!-- Start of tracking content syndication. Please do not remove this section as it allows us to keep track of republished articles --> <img id="cosmos-post-tracker" style="opacity: 0; height: 1px!important; width: 1px!important; border: 0!important; position: absolute!important; z-index: -1!important;" src="https://syndication.cosmosmagazine.com/?id=27088&amp;title=The+science+behind+Jackson+Pollock%E2%80%99s+art" alt="" width="1" height="1" /> <!-- End of tracking content syndication -->          </em></div> <div id="contributors"> <p><em>This article was originally published on <a rel="noopener" href="https://cosmosmagazine.com/science/physics/the-science-behind-jackson-pollocks-art/" target="_blank">cosmosmagazine.com</a> and was written by Natalie Parletta. </em></p> </div> </div>

Art

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Unseen Beatles footage to feature in new docu-series

<p><span style="font-weight: 400;">A new documentary will contain previously unseen footage of The Beatles towards the end of their time as a band which will present a different take on the creation of their final studio album </span><em><span style="font-weight: 400;">Let It Be</span></em><span style="font-weight: 400;">.</span></p> <p><span style="font-weight: 400;">Originally intended as a film, </span><em><span style="font-weight: 400;">The Beatles: Get Back</span></em> <a rel="noopener" href="https://www.empireonline.com/movies/news/peter-jacksons-documentary-the-beatles-get-back-unveils-brand-new-footage-in-extended-trailer/" target="_blank"><span style="font-weight: 400;">has become</span></a><span style="font-weight: 400;"> a three-part documentary that follows the group as they worked, recorded, and prepared for their final rooftop performance.</span></p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CU-G43YFxhD/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/CU-G43YFxhD/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by Disney+ (@disneyplus)</a></p> </div> </blockquote> <p><span style="font-weight: 400;">In the latest extended trailer, the British stars can be seen workshopping songs and messing around in the studio, as well as discussing the group’s imminent break-up.</span></p> <p><span style="font-weight: 400;">The trailer also reveals footage surrounding the departure of George Harrison and the planning they undertook for their final Savile Row concert.</span></p> <p><span style="font-weight: 400;">See it here:</span></p> <p><iframe width="560" height="315" src="https://www.youtube.com/embed/Tb83rbm0IVI" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen=""></iframe></p> <p><em><span style="font-weight: 400;">Get Back</span></em><span style="font-weight: 400;">, directed by Peter Jackson, sees the archived footage undergo the same restoration treatment used in his WWI project </span><em><span style="font-weight: 400;">They Shall Not Grow Old</span></em><span style="font-weight: 400;">, giving it a vibrant hue.</span></p> <p><span style="font-weight: 400;">The documentary is due to premiere on Disney Plus across three consecutive nights, starting on November 25.</span></p> <p><em><span style="font-weight: 400;">Image: The Beatles / YouTube</span></em></p>

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Michael Jackson’s daughter opens up about abuse allegations

<p>Paris Jackson has refuted claims that her father Michael Jackson assaulted children, in a never-before-seen interview.</p> <p>The late star’s daughter dismissed the abuse allegations as “lies”, and said her father is “innocent”.</p> <p>The interview, which took place in 2012 when Paris was 14, was posted online to the Jacksonology TV YouTube channel.</p> <p>Interviewed by Sonia Lowe, Paris said the allegations against her father about molesting children are “lies” and that her father is “innocent”.</p> <p>“He told us there were a lot of bad people out there, and he told us a little bit about the conspiracies.”</p> <p>“The older we got, the more we kind of figured things out”</p> <p>The model and singer added: “I will always defend him.”</p> <p>“A lot of people didn’t really understand him.</p> <p>"He's innocent.</p> <p>“He’s just like, he’s innocent and a sweetheart”.</p> <p>Paris Jackson reminisced fondly about her father, struggling to pick a highlight of her time with him.</p> <p>“A favourite memory of my dad, that is pretty hard? We had a lot. There would be a lot in Bahrain where we would hang out on the roof, or in Ireland just walking through the forest - which was fun,’” she said.</p> <p>The now 22-year-old said her father was happiest when he was not himself.</p> <p>“I would probably say he was happiest when he was in disguise.</p> <p>“Like, we went to Disneyland several times, we would be in disguise and he could be normal - there would be no one bothering him.”</p>

Legal

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Shane Warne’s son shows off incredible physique while hilariously body-shaming his legendary old man

<p><span>Jackson Warne, the 20-year-old son of the cricketer Spin King has been showing off his new body on Instagram, while hinting of a television debut in a new series.</span><br /><br /><span>The only son of the Australian star recently showed just what he is capable of when he shared new photographs snapped of him by photographer Jake O’Donnel.</span><br /><br /><span>Warne declared how proud he was of his son on Instagram, writing: “Love this... proud” beneath the post.</span><br /><br /><span>The comment included an adorable series of love hearts.</span><br /><br /><span>However, just as the apple never falls far from the tree, the 20-year-old couldn’t help but show just how alike to his father he is, when he responded with a cheeky comment.</span><br /><br /></p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/BxrRDT_HwMS/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/BxrRDT_HwMS/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by Jackson Warne (@jacksonwarne18)</a> on May 20, 2019 at 12:30am PDT</p> </div> </blockquote> <p><span>Little Warner poked fun at his father’s famous love handles when he asked to see photos of his old man when he was 20 years old.</span><br /><br /><span>Warne didn’t crack the Australian test team until he was 22-years-old, but he had already been labelled as an emerging talent that had toured the UK and played for Australia A in home series.</span><br /><br /><span>However, his sporty physique didn’t seem to have the same impact on fans as his son's.</span><br /><br /><span>Warne chose not to reply to the cheeky comment although he has been sharing his own successes with health, when he declared he dropped 14kg.</span><br /><br /><span>He says he owes his weight loss to a diet that included traditional Chinese medicines.</span><br /><br /><span>Warne has allegedly stayed around 84kg, but not before tipping the scales at 98kg after his break-up with Elizabeth Hurley.</span><br /><br /><span>Warne seems to have found a successful balanced diet and lifestyle that has him shooting for a goal weight of 80kg.</span><br /><br /><span>Jackson Warne is expected to begin filming of Channel 7 series SAS: Who Dares Wins in the coming months.</span></p>

Beauty & Style

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Lisa Marie Presley set to write “shocking” tell-all book about Michael Jackson and Elvis

<p>Lisa Marie Presley is close to signing a blockbuster book deal which is said to reveal “shocking” details about her ex Michael Jackson while also providing a new perspective on her father, Elvis Presley.</p> <p>Reported by the<span> </span><a rel="noopener" href="https://pagesix.com/" target="_blank"><em>New York Post’s Page Six</em></a>, Lisa Marie’s book is allegedly such an explosive piece of work that Gallery Books purchased it for between $4.3 million and $5.8 million.</p> <p>An insider told<span> </span><em>Page Six</em><span> </span>that the book “promises shocking revelations about Michael Jackson and a completely new understanding of Elvis.”</p> <p>The 51-year-old was married to the entertainer from 1994 to 1996.</p> <p><img style="width: 333.99906015037595px; height: 500px;" src="https://oversixtydev.blob.core.windows.net/media/7829147/elvis.jpg" alt="" data-udi="umb://media/1ed7c226b3c1412895b43f4d678bd21d" /></p> <p>They wed in secrecy as their ceremony was kept private before unveiling the relationship on MTV and splitting two years later.</p> <p>Lisa sat down with Oprah Winfrey in 2010, providing a cryptic account for why the marriage was destined to fail: “There was a very profound point in the marriage when he had to make a decision. Was it the drugs and the sort of vampires, or me? And he pushed me away.” She then clarified that by “vampires” she meant “sycophants”.</p> <p>She also said, “The one thing that correlates with Michael and with my father on this subject is that they have the luxury of creating whatever reality around them they wanted to create.”</p> <p>However, despite their relationship ultimately not working out, Lisa believes that claims about Jackson’s inappropriate actions towards children are false, telling Diane Sawyer in 1995, “I know that he’s not like that.”</p>

Books

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“It will continue”: Janet Jackson speaks about Michael Jackson’s musical legacy

<p><span style="font-weight: 400;">Despite sexual abuse allegations in a documentary surfacing earlier this year, Janet Jackson still believes her brother Michael Jackson’s legacy “will continue”.</span></p> <p><span style="font-weight: 400;">The documentary drew mixed reactions from friends, family and fans of the King of Pop, who passed away 10 years ago this month.</span></p> <p><span style="font-weight: 400;">However, Janet has said that his legacy is still going strong.</span></p> <p><span style="font-weight: 400;">Janet explained to </span><a href="https://www.thetimes.co.uk/article/interview-janet-jackson-on-michael-s-legacy-motherhood-and-life-in-pop-s-first-family-mnkg92pxj"><span style="font-weight: 400;">The Sunday Times Magazine</span></a><span style="font-weight: 400;">:</span></p> <p><span style="font-weight: 400;">“I love it when I see kids emulating him, when adults still listen to his music.</span></p> <p><span style="font-weight: 400;">“It just lets you know the impact that my family has had on the world.</span></p> <p><span style="font-weight: 400;">“I hope I’m not sounding arrogant in any way — I’m just stating what is. It’s really all God’s doing and I’m just thankful for that.”</span></p> <p><span style="font-weight: 400;">Janet, 53, has supported her late brother through previous allegations.</span></p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/BBSxwtsq-hM/" data-instgrm-version="12"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="margin: 8px 0 0 0; padding: 0 4px;"><a style="color: #000; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" rel="noopener" href="https://www.instagram.com/p/BBSxwtsq-hM/" target="_blank">From Usher to "Scream": We Spoke to Jimmy Jam About the Greatest Shit He's Ever Made http://bit.ly/1PQt4Xx via @noisey -Janet's Team</a></p> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by <a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px;" rel="noopener" href="https://www.instagram.com/janetjackson/" target="_blank"> Janet Jackson</a> (@janetjackson) on Feb 2, 2016 at 10:08am PST</p> </div> </blockquote> <p><span style="font-weight: 400;">She also explained that her father Joseph was forceful on his children having music careers, but he felt it was for a good reason. </span></p> <p><span style="font-weight: 400;">“When parents see something in their children, I guess they guide them in that direction.</span></p> <p><span style="font-weight: 400;">“Especially when you’re talking about children who grew up in that urban area. Music was a way to keep us off the streets.</span></p> <p><span style="font-weight: 400;">“My father saw a way out for his children. A better life. And thank God for that.”</span></p> <p><span style="font-weight: 400;">Janet said that her father was known for his cruel methods in making his children into music stars, but she felt like she needed everything to say before he passed.</span></p> <p><span style="font-weight: 400;">“I felt that I did say everything I needed to say to my father, I was thankful for the time that I did have him, with (my son) Eissa, the three of us together. Being together with my father in the end.”</span></p>

Music