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Freddy Krueger at 40 – the ultimate horror movie monster (and Halloween costume)

<div class="theconversation-article-body"><em><a href="https://theconversation.com/profiles/adam-daniel-301018">Adam Daniel</a>, <a href="https://theconversation.com/institutions/western-sydney-university-1092">Western Sydney University</a></em></p> <p>Movie monsters have captivated audiences since the days of early cinema. They evoke fascination and terror, allowing audiences to confront their fears from the safety of the movie theatre or living room.</p> <p>Arguably one of the most enduring and captivating of these monsters is Freddy Krueger, the villain of the <a href="https://www.imdb.com/title/tt0087800/">A Nightmare on Elm Street</a> series who celebrates his 40th screen birthday this November.</p> <p>Memorably played by Robert Englund, Freddy quickly became a cultural icon of the 1980s and 1990s. Beyond his burned face and iconic bladed glove, Freddy’s dark humour and acidic personality set him apart from other silent, faceless killers of the era, such as Michael Myers in <a href="https://www.imdb.com/title/tt0077651/?ref_=nv_sr_srsg_2_tt_6_nm_0_in_0_q_halloween">Halloween</a> or Jason Vorhees in <a href="https://www.imdb.com/title/tt0080761/?ref_=fn_al_tt_1">Friday the 13th</a>.</p> <p>Written and directed by horror maven <a href="https://theconversation.com/wes-craven-the-scream-of-our-times-46915">Wes Craven</a>, 1984’s A Nightmare on Elm Street garnered positive reviews for its innovative concept: Freddy stalked and attacked his victims in their dreams, making him inescapable and allowing him to tap into their deepest fears. The series (seven films plus a 2010 remake and <a href="https://www.imdb.com/title/tt0329101/?ref_=fn_al_tt_1">Freddy vs. Jason</a> spin offs) blended supernatural horror and surrealism with a dark and twisted sense of humour.</p> <h2>Scary … but funny</h2> <p>Humour was key to Freddy’s “popularity”. Both sinister and strangely charismatic, Freddy’s psychological torture of his adolescent victims often oscillated between terrifying and amusing.</p> <p>A famous kill scene from 1987’s <a href="https://www.imdb.com/title/tt0093629/?ref_=fn_al_tt_1">A Nightmare on Elm Street 3: Dream Warriors</a> demonstrates this paradox.</p> <p>Aspiring actress Jennifer drifts off to sleep while watching a talk show on TV. In her dream, the host of the talk show suddenly transforms into Freddy, who attacks his guest before the TV blinks out. When Jennifer timidly approaches the TV set, Freddy’s head and clawed hands emerge from the device, snatching her while delivering an iconic one-liner: “This is it, Jennifer – your big break in TV!”</p> <p>Freddy turns his victims’ fears or aspirations – their dreams – against them.</p> <figure><iframe src="https://www.youtube.com/embed/dCVh4lBfW-c?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">‘Whatever you do, don’t fall asleep.’</span></figcaption></figure> <h2>Creating a monster</h2> <p>Craven has shared how the character of Krueger came to life in <a href="https://www.imdb.com/title/tt1510985/?ref_=fn_al_tt_1">Never Sleep Again: The Elm Street Legacy</a>, an oral history of the series.</p> <p>He described a childhood experience of seeing a strange mumbling man walking past his childhood home. The man stopped, he said, and looked directly at him “with a sick sense of malice”. This deeply unsettling experience helped shape Freddy’s menacing presence.</p> <p>The character’s creation also emerged from the filmmaker’s interest in <a href="https://www.iflscience.com/nightmare-on-elm-street-was-inspired-by-a-real-life-medical-mystery-60527">numerous reports of Southeast Asian refugees dying in their sleep</a> after experiencing vivid nightmares.</p> <p>In the film, Krueger’s origin story reveals him as a child murderer who was apprehended but released due to a technicality in his arrest. Seeking justice, the parents of his victims take matters into their own hands, and form a vigilante mob. They corner him in his boiler room and burn him alive. But Freddy’s spirit survives to haunt and kill the children of his executioners.</p> <h2>Cultural repression, expressed on film</h2> <p>Film critic and essayist <a href="https://www.cineaste.com/summer2019/robin-wood-on-horror-film-collected-essays-and-reviews#:%7E:text=Freudian%20theory%2C%20a%20crucial%20theoretical,the%20horror%20film%20perpetually%20enacts.">Robin Wood argued</a> horror films often bring to the surface elements society has repressed. These fears, desires, or cultural taboos are not openly acknowledged.</p> <p>But movie monsters act as manifestations of what society suppresses, such as sexuality, violence or deviant behaviour. American academic <a href="https://www.tandfonline.com/doi/abs/10.1080/01956051.1995.9943696">Gary Heba</a> argues Freddy is:</p> <blockquote> <p>an example of America’s political unconscious violently unleashed upon itself, manifesting everything that is unspeakable and repressed in the master narrative (perversion, child abuse and murder, vigilantism, the breakdown of rationality, order, and the family, among others), but still always present in the collective unconscious of the dominant culture.</p> </blockquote> <figure><iframe src="https://www.youtube.com/embed/UBrl4H0Uzng?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">Actor Robert Englund calls Freddy Krueger ‘the gift that keeps on giving’.</span></figcaption></figure> <h2>The monster decades</h2> <p>The 1970s and 1980s marked a golden era for the creation of horror film nasties like Krueger, Myers, <a href="https://www.imdb.com/title/tt0072271/?ref_=fn_al_tt_3">The Texas Chainsaw Massacre</a>’s Leatherface and <a href="https://www.imdb.com/title/tt0094862/?ref_=fn_al_tt_19">killer doll Chucky</a>.</p> <p>Since then, the landscape of horror has shifted, with fewer singular monsters emerging. The diversification of horror sub-genres (zombie virus horror, anyone?), the rise of psychological horror (<a href="https://www.imdb.com/title/tt7784604/?ref_=nv_sr_srsg_2_tt_4_nm_2_in_0_q_heredi">Hereditary</a>), and an emphasis on human-driven terror (<a href="https://www.imdb.com/title/tt0416315/?ref_=nv_sr_srsg_1_tt_7_nm_0_in_0_q_wolf%2520creek">Wolf Creek</a>) or supernatural forces all contribute to this shift.</p> <p>While modern horror continues to thrive, few characters have achieved the same iconic status as Freddy – although some would argue Art the Clown from the recent <a href="https://www.imdb.com/title/tt4281724/">Terrifier</a> franchise and the reinvigorated Pennywise from <a href="https://www.imdb.com/title/tt1396484/?ref_=nv_sr_srsg_1_tt_6_nm_1_in_0_q_it">IT</a> could join this exclusive group.</p> <figure><iframe src="https://www.youtube.com/embed/ZuYoEtEI_go?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">‘Five, six, grab your crucifix.’ A 2010 Nightmare on Elm St reboot failed to fire.</span></figcaption></figure> <h2>Happy Halloween!</h2> <p>Despite a <a href="https://www.imdb.com/title/tt1179056/">failed reboot in 2010</a>, the legacy of A Nightmare on Elm Street is strong, having influenced numerous filmmakers with its skilful mix of surrealism and slasher horror.</p> <p>However, it’s the orchestrator of the titular nightmares whose legacy is perhaps the strongest.</p> <p>With each Halloween, new fans choose Freddy for their costume. All it takes is a tattered striped sweater, a brown fedora hat, and a glove with sharp, finger-lengthening blades. Don’t forget makeup to re-create Krueger’s grisly facial burns. Sweet dreams!<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/240905/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><a href="https://theconversation.com/profiles/adam-daniel-301018"><em>Adam Daniel</em></a><em>, Associate Lecturer in Communications, <a href="https://theconversation.com/institutions/western-sydney-university-1092">Western Sydney University</a></em></p> <p><em>Image credits: New Line Cinema - IMDB</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/freddy-krueger-at-40-the-ultimate-horror-movie-monster-and-halloween-costume-240905">original article</a>.</em></p> </div>

Movies

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Woman “bullied” on plane over budget seating trick

<p dir="ltr">A young woman has recalled a flight from hell when she was “bullied” by a couple who were trying to utilise a seating hack that went viral on TikTok. </p> <p dir="ltr">The solo traveller took to Reddit to recount the story and ask social media users if she was in the wrong for her action. </p> <p dir="ltr">The woman began by saying she usually pays more to select her plane seat ahead of time, but a medical emergency on another plane had her waiting on standby and left with no option other than to sit in a middle seat.</p> <p dir="ltr">When she was finally able to board, she was greeted by a couple who had purchased both the window and aisle seats in a bid to have more space, utilising a travel “trick” that has been popular on TikTok.</p> <p dir="ltr">The method, which has been dubbed the 'poor man's business class', usually leaves travellers with an empty middle seat and more space, and few travellers opt to pick a middle seat. </p> <p dir="ltr">“When I got to my row the man and woman were chatting and sharing a snack... it was obvious they were together. I mentioned to the man that I'm in the middle, and he got up to let me in,” the unsuspecting traveller wrote on Reddit.  </p> <p dir="ltr">“I asked them if they would prefer to sit together, I said I was totally okay with that. The woman reacted rudely to this and said ‘you're not supposed to be sitting here anyway’.”</p> <p dir="ltr">After noticing how the plane was full, she offered to show the pair her new ticket with the correct seat number on it.</p> <p dir="ltr">“She flicked her hand at my ticket and made a disgusted sound. I offered again if they wanted to sit together to which she didn't reply, her partner said it's okay and... made some small talk,” she continued. </p> <p dir="ltr">The man’s girlfriend then interrupted their conversation to ask,”'Did you use one of those third party websites to book your flight? It's so frustrating when people cheap out to inconvenience others.”</p> <p dir="ltr">The American woman explained that she had booked her flight directly and she had been placed on standby like everyone else and didn't choose the middle seat - she was assigned it.</p> <p dir="ltr">She then tried to keep the peace by refusing to engage with the furious woman.  </p> <p dir="ltr">“I was so done with her attitude, I put my headphones on and attempted to do my own thing,” she explained.</p> <p dir="ltr">But the “entitled” girlfriend wasn't letting it go, as the woman explained, “This woman kept reaching over me and tapping her partner and trying to talk to him in a way that was super intrusive.”</p> <p dir="ltr">“I could tell even her partner was trying to engage her less so that she would hopefully stop, but she didn't.”</p> <p dir="ltr">“I think they tried to pull that tactic where they don't sit together on purpose...hoping no one will sit between them. But on full flights it doesn't work. And even so - it's not the other person's fault.”</p> <p dir="ltr">The traveller's post was met with hundreds of comments slamming the girlfriend’s behaviour, as one person wrote, “It's like a toddler having a tantrum.”</p> <p dir="ltr">“She was disappointed and a total a**hole. Gross entitled people,” another added. </p> <p dir="ltr">Another person applauded the traveller’s level-headed behaviour, writing, “Wow! You are my hero for keeping it classy - I’m afraid I would not have been as kind as you.”</p> <p dir="ltr"><em>Image credits: Shutterstock </em></p>

Travel Trouble

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Little House on the Prairie star passes away

<p>Hersha Parady, renowned for her role in <em>Little House on the Prairie</em>, has passed away at the age of 78.</p> <p>According to a statement provided to <em>The Hollywood Reporter </em>by her son, Jonathan Peverall, Parady passed away at her residence in Norfolk, Virginia on Wednesday August 23. Her son had been actively seeking financial assistance before her demise, as Parady had been diagnosed with meningioma, a prevalent type of brain tumour.</p> <p>Peverall initiated a <a href="https://www.gofundme.com/f/helping-hersha" target="_blank" rel="noopener">GoFundMe campaign</a> with the intention of aiding his mother's escalating medical expenses. In a heartfelt plea on the fundraising page, he recounted how the illness had depleted her vitality, memory and vibrant demeanour, rendering her predominantly bedridden and struggling with day-to-day tasks.</p> <p>Relocating his mother to his own home, Peverall worked diligently to ensure she received the necessary medical attention. He emphasised that the associated costs extended beyond medical procedures, encompassing aspects such as moving expenditures, at-home nursing care and medical equipment.</p> <p>"While we contemplate a surgery to potentially ameliorate her condition, the path to recovery is an arduous one," he stated, acknowledging the substantial financial burden posed by these circumstances. Balancing a full-time job and caring for his three children added to the challenge, yet he reassured that they were providing the best care they could, regardless of external contributions.</p> <p>"Rest assured, we are taking care of her to the best of our ability, and we will continue to do so, regardless of any contributions made here," Peverall wrote. "This GoFundMe is about improving my Mom’s quality of life and giving her the support she needs during this difficult time. It's also about showing her that she is not alone in her fight.</p> <p>"Her family and friends have been here supporting her through everything, but there is only so much help she is willing to accept from the people she loves. My Mom has always been a fiercely independent woman, and asking for help isn't in her nature. That's why I'm stepping in to do it on her behalf."</p> <p>Peverall expressed his gratitude and urged supporters to rally around Parady, demonstrating that her on-screen "Little House" family was united in this battle, just as she had been a presence in their lives through the show.</p> <p>In an update dated August 1, Peverall shared that his mother had undergone a "successful" surgery. However, complications arose as Parady developed pneumonia during her recovery, leading to her admission to the intensive care unit. Unfortunately, her condition deteriorated to a point where she couldn't regain full consciousness. The medical team at the hospital launched an investigation into her condition.</p> <p>Peverall maintained ongoing communication with the medical professionals, seeking insights to guide the best decisions for her care. Despite the trying circumstances, he expressed hope and called upon others to remain optimistic.</p> <p>Parady embarked on her career in theater after graduating from Berea High School in 1963. Her journey took her to Los Angeles, where she secured a role opposite Jon Voight in a production of <em>A Streetcar Named Desire</em>. Subsequently, she transitioned to the silver screen, featuring in an episode of <em>Bearcats!</em>.</p> <p>However, it was in 1977 that Parady achieved widespread recognition for her portrayal of school teacher Alice Garvey in the fourth season of <em>Little House on the Prairie</em>. Appearing in 35 more episodes, her character, Alice, met a tragic end in season six, perishing in a fire. The actress also appeared in other shows including <em>Kenan & Kel</em>, <em>The Phoenix</em>, and <em>The Quest</em>, and movies like <em>The Break</em> and <em>The Babysitter's Seduction</em>.</p> <p>Parady is survived by her son Jonathan Peverall and her three grandchildren.</p> <p><em>Images: GoFundMe / Instagram</em></p>

News

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Why Air NZ is asking passengers to hop on the scales

<p dir="ltr">Until July 2, passengers departing on international Air New Zealand flights from Auckland International Airport are being asked to step on the scales before their trip. </p> <p dir="ltr">New Zealand’s Civil Aviation Authority are making the request as part of a “weight survey” program - one required to take place every five years - and hoping to gather more information on the weight loads and distributions for aircrafts.</p> <p dir="ltr">“We weigh everything that goes on the aircraft - from the cargo to the meals onboard, to the luggage in the hold,” Air NZ’s load control improvement specialist Alastair James explained. “For customers, crew and cabin bags, we use average weights, which we get from doing this survey.”</p> <p dir="ltr">James went on to note that they are aware “stepping on the scales can be daunting”, as weight is a personal issue that many do not want to make public knowledge. And for any passengers with such concerns, the airline has promised to protect their privacy, with the data being kept anonymous. </p> <p dir="ltr">“We want to reassure our customers there is no visible display anywhere," he said. “No one can see your weight - not even us! It’s completely anonymous.”</p> <p dir="ltr">Two scales are to be set up in Auckland International Airport’s gate lounges - one that travellers will be asked to stand on, with their weight submitted for the survey, and another for their luggage in a separate weighing process. </p> <p dir="ltr">In order for the survey to be effective, 10,000 passengers must participate over the course of five weeks. </p> <p dir="ltr">“It’s simple, it’s voluntary,” James added, “and by weighing in, you’ll be helping us to fly you safely and efficiently, every time.”</p> <p dir="ltr">Air NZ’s project also means that passengers experiencing one of the world’s longest flights - the 17-hour flagship trip from Auckland to New York City’s JFK Airport - for the first time may find themselves asked to participate. </p> <p dir="ltr">It isn’t the first time the airline has requested its passengers hop on the scales before their trips either, with a similar survey taking place in 2021. And while the international research was meant to be conducted at an earlier date as well, the pandemic brought those plans to a temporary halt. </p> <p dir="ltr">And similar surveys are undertaken all across the globe, with Flight Global revealing that a survey by the European Union Aviation Safety Agency in 2022 discovered that the average weight of passengers has remained “relatively unchanged” for the past 15 years.</p> <p dir="ltr"><em>Images: Getty</em></p>

International Travel

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Kendall Roy’s playlist: why hip hop is the perfect counterpoint for Succession’s entitled plutocrats

<p><em><a href="https://theconversation.com/profiles/j-griffith-rollefson-952418">J. Griffith Rollefson</a>, <a href="https://theconversation.com/institutions/university-college-cork-1321">University College Cork</a></em></p> <p>From the very first minutes of HBO’s hit drama series, <em><a href="https://theconversation.com/succession-how-true-to-life-is-the-tv-series-170139">Succession</a></em>, hip hop is used to underpin, juxtapose and comment on the story of corporate intrigue, capitalist entitlement and white privilege.</p> <p>Just as a hip hop beat underscores the classical piano lines to <a href="https://www.youtube.com/watch?v=77PsqaWzwG0&amp;ab_channel=HBO">the show’s theme song</a> by composer Nicholas Britell, hip hop’s swaggering braggadocio acts as a counterpoint to the Roy family’s rarefied worlds of high finance and plutocratic untouchability.</p> <figure><iframe src="https://www.youtube.com/embed/3eTTkxM8QLE?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">The first scene of Succession’s pilot episode.</span></figcaption></figure> <p>Recalling the opening scene to <em>Office Space</em> (1999) – which begins knee-deep in cringey, white boy, <a href="https://www.youtube.com/watch?v=XASNM1XEQPs&amp;ab_channel=JoseHernandez">gangsta karaoke</a> – Succession’s first episode introduces wannabe-protagonist Kendall Roy (Jeremy Strong) with a similarly embarrassing set piece. The businessman is riding in the back of a limo, listening to <em><a href="https://www.youtube.com/watch?v=ny6hwUOFvlw">An Open Letter to NYC</a></em> by the Beastie Boys, as the hustle and bustle of Manhattan rolls by.</p> <p>But when the backing track fades, <a href="https://www.youtube.com/watch?v=3eTTkxM8QLE&amp;ab_channel=OpeningScenes">Kendall’s own voice is revealed</a>, thin and childish, rapping along to the lyrics about skyscrapers and Wall Street traders. This wannabe hip hop businessman persona is at the core of Kendall’s deeply conflicted character.</p> <p>This persona is in full bloom in a memorable season two episode, where Kendall performs L to the OG, a rap tribute to his father Logan Roy (Brian Cox), earning him the nickname “Ken.W.A.” from brother Roman (Kieran Culkin), a la the infamous Compton rap group NWA.</p> <p>As I explain in my book, <em><a href="https://criticalexcess.org/">Critical Excess: Watch the Throne and the New Gilded Age</a></em>, corporate board rooms and <a href="https://www.dukeupress.edu/the-real-hiphop">hip hop ciphers</a> are no longer as incompatible as they might seem. This is exemplified through American rap superstars Jay Z and Kanye West’s (now known as Ye) collaborative “<a href="https://genius.com/Jay-z-and-kanye-west-otis-lyrics">luxury rap</a>” album, <em>Watch the Throne</em> (2011).</p> <figure><iframe src="https://www.youtube.com/embed/6dUDQTc-9kM?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">Kendall rapping in season two of Succession.</span></figcaption></figure> <p>In season four, <a href="https://www.youtube.com/watch?v=GNbfEC-AeHs&amp;ab_channel=ob9RJ2mJhoMPHH">Kendall listens</a> to <a href="https://www.youtube.com/watch?v=IHiFMW8s6zk&amp;ab_channel=JAYZ-Topic">Jay Z’s <em>The Takeover</em></a> (2001) on his way to work in the ATN news studio. It’s not surprising that Jay Z is a favourite. The rapper-turned-entrepreneur once rapped the lines: “I’m not a businessman, I’m a business, man!” in his verse on Ye’s <em><a href="https://www.youtube.com/watch?v=aI0jNu-G5Hw&amp;ab_channel=KanyeWest-Topic">Diamonds from Sierra Leone</a></em> (2005), an attitude it’s easy to imagine Kendall aligning himself with.</p> <p>It’s also no coincidence that this dysfunctional family is named Roy, French for “king”, another link to Watch the Throne and the hustle to become “<a href="https://www.complex.com/music/2020/05/who-is-king-of-new-york">king of New York</a>”.</p> <p>Real-life media mogul family, the Murdochs, are widely believed to have <a href="https://www.vanityfair.com/news/2023/04/rupert-murdoch-cover-story">inspired <em>Succession</em></a>. But the hip hop connection is particularly uncanny. In 1995, Rupert Murdoch’s youngest son, James, bankrolled the hot new hip hop label Rawkus Records. Soon thereafter Murdoch’s News Corp bought a majority share in Rawkus and artists reportedly <a href="https://www.theguardian.com/media/2011/jul/11/james-murdoch-hip-hop">started complaining about unpaid royalties</a>.</p> <h2>Hip hop as Kendall’s hype music</h2> <p>Rap music is <a href="https://www.jstor.org/stable/10.5406/musimoviimag.2.1.0026">repeatedly used</a> to show Kendall’s need for a boost of confidence – a need once satisfied by <a href="https://www.youtube.com/watch?v=y9gIa3Xqycg">his substance abuse</a>.</p> <p>Hip hop pioneer <a href="https://www.allmusic.com/artist/krs-one-mn0000359119/biography">KRS-One</a> reportedly once likened hip hop to a “<a href="https://floodmagazine.com/42937/quelle-chris-being-you-is-great-i-wish-i-could-be-you-more-often/">confidence sandwich</a>” for its ability to help America’s forgotten underclasses find the strength to get up and fight the good fight, from enduring the daily grind to organising for a better world. But what happens when this swag burger is blaring in the ears of an out-of-touch CEO?</p> <figure><iframe src="https://www.youtube.com/embed/GNbfEC-AeHs?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">Kendall listening to Jay Z’s The Takeover.</span></figcaption></figure> <p>As the late, great Black music critic <a href="https://www.penguinrandomhouse.com/books/176649/everything-but-the-burden-by-edited-by-greg-tate/">Greg Tate</a> suggests, hip hop has been a site of “the Elvis effect” for decades, with white artists and businessmen profiting mightily from Black creative cultures. This history stretches back to rock and roll, jazz, blues and beyond.</p> <p>The boost that hip hop gives him allows Kendall to do horrible things. This echoes the way hip hop group De La Soul describes so-called “crossover” music as a “<a href="https://www.youtube.com/watch?v=n0X2h56qlG4&amp;ab_channel=DeLaSoulVEVO">double cross</a>” on their concept album <em>Buhloone Mindstate</em> (1993).</p> <p>As Kendall exemplifies again and again, when hip hop’s witty but often crass wordplay is decontextualised by white men, it almost always comes off as disrespectful frat boy voyeurism. Indeed, London rapper, Roots Manuva recently retweeted a nice <a href="https://twitter.com/TheWrongtom/status/1654768980828082177?s=20">case in point</a> on the eve of another high profile “succession” – King Charles III’s accession to the British throne.</p> <p>So while established rapper <a href="https://www.redbullmusicacademy.com/lectures/pusha-t">Pusha T</a> has recently collaborated with Britell on <a href="https://www.youtube.com/watch?v=sF5IU-Pyn2A&amp;ab_channel=PushaTVEVO">a remix of <em>Succession</em>’s theme song</a> and while Jay and Ye continue to infiltrate the rarefied white spaces of corporate board rooms and <a href="https://www.youtube.com/watch?v=jLmQ57mEGFs">seats of political power</a>, these relationships <a href="https://www.penguinrandomhouse.com/books/176649/everything-but-the-burden-by-edited-by-greg-tate/">remain deeply asymmetrical</a>.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/205773/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/j-griffith-rollefson-952418">J. Griffith Rollefson</a>, Professor of Music, <a href="https://theconversation.com/institutions/university-college-cork-1321">University College Cork</a></em></p> <p><em>Image credits: HBO</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/kendall-roys-playlist-why-hip-hop-is-the-perfect-counterpoint-for-successions-entitled-plutocrats-205773">original article</a>.</em></p>

Music

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106-year-old tattoo artist becomes Vogue’s oldest cover star

<p>Apo Maria ‘Whang-Od’ Oggay has made history as the oldest woman to have featured on the cover of <em>Vogue</em>. </p> <p>Regarded as the last mambabatok of her generation, Whang-Od was born in the remote village of Buscalan in the northern Philippines’ province of Kalinga in 1918, and entered the world of tattooing at just 16 years old. </p> <p>As <em>Vogue Philippines</em>’s editor-in-chief Bea Valdes explained of their decision to feature her on the cover, “we felt she represented our ideals of what is beautiful about our Filipino culture.</p> <p>"We believe that the concept of beauty needs to evolve, and include diverse and inclusive faces and forms. What we hope to speak about is the beauty of humanity.”</p> <p>And Whang-Od was the perfect choice. <em>Vogue Philippines</em>’ demonstrated as much when they wrote on Twitter that “the symbols of the Kalinga tribe signifying strength, bravery &amp; beauty” are imprinted on her skin, and that Whang-Od embodies the “strength and beauty of the Filipino spirit”.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Apo Maria “Whang-Od” Oggay symbolizes the strength and beauty of the Filipino spirit. </p> <p>Heralded as the last mambabatok of her generation, she has imprinted the symbols of the Kalinga tribe signifying strength, bravery &amp; beauty on the skin. </p> <p>Read more on <a href="https://t.co/2F1mJ5iQWG">https://t.co/2F1mJ5iQWG</a>. <a href="https://t.co/urVcA3g2Ek">pic.twitter.com/urVcA3g2Ek</a></p> <p>— Vogue Philippines (@vogueph) <a href="https://twitter.com/vogueph/status/1641276503433572353?ref_src=twsrc%5Etfw">March 30, 2023</a></p></blockquote> <p>As tattoo anthropologist Dr Lars Krutak found out for <em>Vogue</em>, it was through Whang-Od’s father’s mentorship that she launched her career in tattooing. She was the first - and only - mambabatok of her time, and would spend her time visiting neighbouring villages - and beyond - to “to imprint the sacred symbols of their ancestors on individuals who have crossed or about to cross a threshold in their lives.”</p> <p>Her own life story can be found on her skin - featuring everything from her accomplishments to her ailments, and even the names of past lovers - in a story of beauty, bravery, and the heritage of the Kalinga tribe. </p> <p>For men, tattoos reflected them as “a headhunting warrior”, while women were typically tattooed for “fertility and beautification”. As <em>Vogue</em> reported, the elder women of Kalinga say that “when they die, they can’t take their beads and gold with them to the afterlife. They only have the markings on their body.” </p> <p>As <em>Vogue</em> went on to cover, decades of colonial erasure had a significant impact on batok - in Kalinga, village girls had to cover their arms, while many others abandoned the art. </p> <p>But through Whang-Od and her descendants, the ancient art of batok will continue - both in Buscalan and the rest of the world. </p> <p>Batok itself, as explained by the <em>Vogue</em> team who had the honour of receiving a tattoo from Whang-Od, involves “an unused gisi, a bamboo stick with a thorn attached to one end” and a pattern traced “using a length of grass dipped in the soot and charcoal mixture”. </p> <p>The process then sees Whang-Od hold the inked gisi in one hand, while she “uses a larger stick to whack it with her right hand, driving it over a hundred times per minute into the flesh until the three dots are filled and oozing with blood and ink. She dabs at them with a wet wipe before deciding to go over the freshly wounded spots again for good measure.”</p> <p>And now, Whang-Od has been teaching her craft to her grand-niece, Grace Palicas. </p> <p>Under Whang-Od’s mentorship, the thousand-year-old tradition will live on, as the next generation of stick-and-thorn artists strive to preserve their craft, and share it with the world. </p> <p>As for Whang-Od herself? Her plans are quite simple, with the artist explaining that “when visitors come from far away, I will give them the tatak Buscalan, tatak Kalinga for as long as my eyes can see.”</p> <p><em>Images: Instagram</em></p>

Beauty & Style

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As the global musical phenomenon turns 50, a hip-hop professor explains what the word ‘dope’ means to him

<p>After I finished my Ph.D. in 2017, several newspaper reporters wrote about the job I’d accepted at the University of Virginia as an assistant professor of hip-hop.</p> <p>“A.D. Carson just scored, arguably, the dopest job ever,” one <a href="https://www.usatoday.com/story/news/2017/07/03/virginia-ad-carson-hip-hop-professor/435032001/">journalist wrote</a>.</p> <p>The writer may not have meant it the way I read it, but the terminology was significant to me. Hip-hop’s early luminaries transformed the word’s original meanings, using it as a synonym for cool. In the 50 years since, it endures as an expression of respect and praise – and illegal substances.</p> <p>In that context, dope has everything to do with my work. </p> <p>In the year I graduated from college, one of my best friends was sent to federal prison for possession of crack cocaine with intent to distribute. He served nearly a decade and has been back in prison several times since.</p> <p>But before he went to prison, he helped me finish school by paying off my tuition.</p> <p>In a very real way, dope has as much to do with me finishing my studies and becoming a professor as it does with him serving time in a federal prison.</p> <h2>Academic dope</h2> <p>For my Ph.D. dissertation in Rhetorics, Communications, and Information Design, I wrote a <a href="http://phd.aydeethegreat.com/">rap album</a> titled “Owning My Masters: The Rhetorics of Rhymes &amp; Revolutions.” A peer-reviewed, mastered version of the album is due out this summer from University of Michigan Press.</p> <p>Part of my reasoning for writing it that way involved my ideas about dope. I want to question who gets to determine who and what are dope and whether any university can produce expertise on the people who created hip-hop.</p> <p>While I was initially met with <a href="https://www.theatlantic.com/national/archive/2016/04/clemson-university-arrests/478455/">considerable resistance</a> for my work at Clemson, the university eventually became supportive and touted “<a href="https://news.clemson.edu/clemson-doctoral-student-produces-rap-album-for-dissertation-it-goes-viral/">a dissertation with a beat</a>.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">A Dissertation with a Beat. 🔊🎤 🔊<a href="https://twitter.com/hashtag/Clemson?src=hash&amp;ref_src=twsrc%5Etfw">#Clemson</a> doctoral student produces rap album for dissertation; it goes viral ➡️ <a href="https://t.co/wgiM9LS6k5">https://t.co/wgiM9LS6k5</a> <a href="https://t.co/r1lmBYXV2S">pic.twitter.com/r1lmBYXV2S</a></p> <p>— Clemson University (@ClemsonUniv) <a href="https://twitter.com/ClemsonUniv/status/845990987440652289?ref_src=twsrc%5Etfw">March 26, 2017</a></p></blockquote> <p>Clemson is not the only school to recognize hip-hop as dope. </p> <p>In the 50 years since its start at <a href="https://theconversation.com/hip-hop-holiday-signals-a-turning-point-in-education-for-a-music-form-that-began-at-a-back-to-school-party-in-the-bronx-165525">a back-to-school party</a> in the South Bronx, hip-hop, the culture and its art forms have come a long way to a place of relative prominence in educational institutions. </p> <p>Since 2013, Harvard University has housed the <a href="https://hutchinscenter.fas.harvard.edu/institutes/hiphop-archive-research-institute">Hiphop Archive &amp; Research Institute</a> and the <a href="https://hutchinscenter.fas.harvard.edu/faq/nasir-jones-hiphop-fellowship">Nasir Jones Hiphop Fellowship</a> that funds scholars and artists who demonstrate “exceptional scholarship and creativity in the arts in connection with Hiphop.”</p> <p>UCLA announced an <a href="https://www.latimes.com/entertainment-arts/music/story/2022-03-28/ucla-hip-hop-initiative-chuck-d">ambitious Hip Hop Initiative</a> to kick off the golden anniversary. The initiative includes artist residencies, community engagement programs, a book series and a digital archive project.</p> <p>Perhaps my receiving tenure and promotion at the University of Virginia is part of the school’s attempt to help codify the existence of hip-hop scholarship.</p> <p>When I write about “dope,” I’m thinking of Black people like drugs to which the U.S. is addicted. </p> <p>Dope is a frame to help clarify the attempts, throughout American history, at outlawing and <a href="https://www.ilsos.gov/departments/archives/online_exhibits/100_documents/1853-black-law.html">legalizing</a> the presence of Black people and Black culture. As dope, Black people are America’s constant ailment and cure.</p> <p>To me, dope is an aspiration and a methodology to acknowledge and resist America’s steady surveillance, scrutiny and criminalization of Blackness.</p> <p>By this definition, dope is not only what we are, it’s also who we want to be and how we demonstrate our being. </p> <p>Dope is about what we can make with what we are given. </p> <p>Dope is a product of conditions created by America. It is also a product that helped create America.</p> <p>Whenever Blackness has been seen as lucrative, businesses like record companies and institutions like colleges and universities have sought to capitalize. To remove the negative stigmas associated with dope, these institutions cast themselves in roles similar to a pharmacy. </p> <p>Even though I don’t believe academia has the power or authority to bestow hip-hop credibility, a question remains – does having a Ph.D and producing rap music as <a href="https://theconversation.com/hip-hop-professor-looks-to-open-doors-with-worlds-first-peer-reviewed-rap-album-153761">peer-reviewed publications</a>change my dopeness in some way?</p> <h2>Legalizing dope</h2> <p>Though I earned a Ph.D by rapping, my own relationship to hip-hop in academic institutions remains fraught. </p> <p>Part of the problem was noted in 2014 by Michelle Alexander, a legal scholar and author of “<a href="http://newjimcrow.com/">The New Jim Crow</a>,” when she talked about <a href="http://www.drugpolicy.org/resource/new-jim-crow-whats-next-talk-michelle-alexander-and-dpas-asha-bandele">her concerns about</a> the legalization of marijuana in different U.S. states.</p> <p>“In many ways the imagery doesn’t sit right,” she said. “Here are white men poised to run big marijuana businesses … after 40 years of impoverished black kids getting prison time for selling weed, and their families and futures destroyed. Now, white men are planning to get rich doing precisely the same thing?”</p> <p>I feel the same way about dopeness in academia. Since hip-hop has emerged as a global phenomenon largely embraced by many of the “academically trained” music scholars who initially rejected it, how will those scholars and their schools now make way for the people they have historically excluded?</p> <p>This is why that quote about me “scoring, arguably, the dopest job ever” has stuck with me. </p> <p>I wonder if it’s fair to call what I do a form of legalized dope.</p> <h2>America’s dope-dealing history</h2> <p>In the late 1990s, I saw how fast hip-hop had become inescapable across the U.S., even in the small Midwestern town of Decatur, Illinois, where I grew up with my friend who is now serving federal prison time. </p> <p>He and I have remained in contact. Among the things we discuss is how unlikely it is that I would be able to do what I do without his doing what he did.</p> <p>Given the economic realities faced by people after leaving prison, we both know there are limitations to his opportunities if we choose to see our successes as shared accomplishments.</p> <p>Depending on how dope is interpreted, prisons and universities serve as probable destinations for people who make their living with it. It has kept him in prison roughly the same amount of time as it has kept me in graduate school and in my profession. </p> <p>This present reality has historical significance for how I think of dope, and what it means for people to have their existence authorized or legalized, and America’s relationship to Black people. </p> <p>Many of the buildings at Clemson were built in the late 1880s using “<a href="http://glimpse.clemson.edu/convict-labor/">laborers convicted of mostly petty crimes</a>” that the state of South Carolina leased to the university. </p> <p>Similarly, the University of Virginia was built by <a href="https://dei.virginia.edu/resources">renting enslaved laborers</a>. The University also is required by state law to purchase office furniture from a state-owned company that <a href="https://www.insidehighered.com/news/2020/02/14/public-universities-several-states-are-required-buy-prison-industries">depends on imprisoned people for labor</a>. The people who make the furniture are paid very little to do so. </p> <p>The people in the federal prison where my friend who helped me pay for college is now housed work for paltry wages making towels and shirts for the U.S. Army.</p> <p>Even with all of the time and distance between our pasts and present, our paths are still inextricably intertwined – along with all those others on or near the seemingly transient line that divides “legal” and “illegal” dope.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/as-the-global-musical-phenomenon-turns-50-a-hip-hop-professor-explains-what-the-word-dope-means-to-him-200872" target="_blank" rel="noopener">The Conversation</a>. </em></p>

Music

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Fiddler on the Roof star passes away

<p>Chaim Topol has passed away at the age of 87.</p> <p>The Israeli actor, known around the world for his role as Tevye the Milkman in <em>Fiddler on the Roof</em>, died at home with his loved ones at his side. He is survived by his wife and three children.</p> <p>Topol’s son had previously confirmed that the actor had been diagnosed with dementia in 2022, while <em>The Times of Israel</em> reported that the 87-year-old had been battling with Alzheimer’s for years. </p> <p>Israel’s president Isaac Herzog announced Topol’s death in a statement, describing him as a “gifted actor who conquered many stages in Israel and overseas, filled the cinema screens with his presence, and most importantly entered deep into our hearts.” </p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">President <a href="https://twitter.com/Isaac_Herzog?ref_src=twsrc%5Etfw">@Isaac_Herzog</a> mourns the passing of Chaim Topol: <a href="https://t.co/PXWYUKq8iY">pic.twitter.com/PXWYUKq8iY</a></p> <p>— Office of the President of Israel (@IsraelPresident) <a href="https://twitter.com/IsraelPresident/status/1633716213925724160?ref_src=twsrc%5Etfw">March 9, 2023</a></p></blockquote> <p>Topol was just 30 years old when he first stepped into the role of Tevye in 1996 for the stage musical <em>Fiddler on the Roof</em>. At the time, he was required to wear makeup and special costuming to make him look older than he was, but by the time he finished performing in 2009, he had to act younger, as he was then in his 70s. </p> <p>It has been estimated - and claimed by Topol himself in 2014 - that he had portrayed Tevye in the stage play over 4000 times. </p> <p>His credits weren’t limited just to the stage, however, with the actor also diving in as the beloved character for the 1971 screen adaptation. For this work, he secured himself nominations for both an Academy Award and a Golden Globe. While he did not win the Oscar, he did go home with the Golden Globe award. </p> <p>He also received a Tony Award nomination in 1991 for the Broadway revival.</p> <p>Throughout his career, Teyve was the first character people recognised him for, though Topol didn’t seem to mind. In a 2015 interview, he said “how many people are known for one part? How many people in my profession are known worldwide?”</p> <p>Production took him across the globe with <em>Fiddler on the Roof</em>, and saw him visit everywhere from Australia to Europe, Asia, and Israel. </p> <p>“Sometimes I am surprised when I come to China, or when I come to Tokyo, or when I come to France, or when I come to wherever, and the clerk at immigration says ‘Topol, Topol, are you Topol?’” he said, “many people saw [the play] and it’s not a bad thing.” </p> <p>Topol also starred in the likes of <em>Galileo</em>, <em>Flash Gordon</em>, and <em>For Your Eyes Only</em>, as well as providing his voice for Hebrew dubs of both <em>The Jungle Book</em> and two Harry Potter films. </p> <p>His later years, however, saw him turn to writing and illustrating books. </p> <p>And in 2015, the actor was awarded The Israel Prize by the State of Israel, something that is considered to be one of the state’s top cultural honours.</p> <p><em>Images: Getty</em></p>

News

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TV host humiliated live on air by 9-year-old daughter

<p>A TV host has been left mortified after her 9-year-old daughter embarrassed her live on air. </p> <p>Jenna Hager Bush, one of the hosts of the US morning show <em>Today with Hoda &amp; Jenna</em>, had her daughter Mila on the show to chat about fashion. </p> <p>The 9-year-old then shocked her mum by telling viewers that Hager “never wears underwear.”</p> <p>She continued, “She is not wearing it right now! I saw her change!”</p> <p>The little one’s confession came one month after the journalist first confessed that she often skips underwear for a “more pretty silhouette” after co-host Hoda Kotb called her out.</p> <p>Hager, who also shares daughter Poppy, 7, and son Hal, 3, with husband Henry Hager, explained that her controversial wardrobe choice makes her life “easier.”</p> <p>“You don’t have to pack as much,” she pointed out last month. “There [are] a lot of pros to it.”</p> <p>While Mila wasn’t the first to out her mother’s lack of underwear, she did continue to embarrass Hager with another story on Tuesday.</p> <p>“One time she was laughing in our living room and she peed her pants!” Mila said, noting that Hager had to “change [her] pyjamas” at the time.</p> <p>Hager was a good sport, sarcastically thanking Mila before saying, “I think Hoda is trying to get the truth bombs out [of you] but no more.”</p> <div id="ad-hybrid-banner-1" data-type="unruly" data-ad-size="4x4" data-device-type="web"> <div> </div> </div> <p>When Mila showed no signs of keeping quiet, Hager abruptly concluded, “OK, goodbye! Goodbye, I love you!”</p> <p>As Mila exited the stage, Kotb gushed, “What a great kid. … You and her are very similar because you’re both just exactly who you are.”</p> <p><em>Image credits: Today with Hoda &amp; Jenna</em></p>

TV

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Dog found hidden in carry-on bag at airport security

<p>A US Transportation and Security Agency (TSA) officer has discovered a small dog stashed in a traveller's carry-on luggage. </p> <p>The animal was found in a backpack when going through the X-ray machine at the Dane County <a title="Airport " href="https://www.9news.com.au/airport" target="_blank" rel="noopener">Airport</a> in Wisconsin. </p> <p>TSA told a local news outlet that the passenger was unaware of the screening protocol and did not tell security officers about her dog.</p> <p>After an officer explained the proper process and confirmed she disclosed she was travelling with a pet to the airline, she proceeded to her gate to board her flight. </p> <p>TSA Great Lakes confirmed that the woman's error was an accident on social media, while alerting people to the proper flying rules. </p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Video: Here’s the proper way to travel with your pet. Note: This is a <a href="https://twitter.com/TSA?ref_src=twsrc%5Etfw">@TSA</a> PreCheck passenger traveling with a cat. If you think your pet will attempt an escape, ask to speak with a supervisor before removing the animal. Alternative screening options may be available. (2/2) <a href="https://t.co/NL2jNjni2l">pic.twitter.com/NL2jNjni2l</a></p> <p>— TSA_GreatLakes (@TSA_GreatLakes) <a href="https://twitter.com/TSA_GreatLakes/status/1600210121136537600?ref_src=twsrc%5Etfw">December 6, 2022</a></p></blockquote> <p>"A dog was accidentally sent through the X-ray @MSN_Airport this week," it tweeted.</p> <p>"When travelling with any animal, notify your airline and know their rules."</p> <p>"At the checkpoint, remove your pet from the bag and send all items, including the empty carrier, to be screened in the machine."</p> <p>It then uploaded a video showing "the proper way" to travel with pets.</p> <p><em>Image credits: Twitter</em></p>

Travel Trouble

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Tips for designing a garden on a budget

<p>Whether you are new to gardening or a garden guru, if you are thinking of redesigning your garden, the process can be a little intimidating and the costs can really add up. But with some planning and research and a little imagination it can be a very enjoyable project.</p> <p><strong>Plan and do it yourself</strong></p> <p>Gardening is a great way to spend a Sunday, but if you’re planning to design or redesign your whole garden, it might be a bit daunting. The trick is to plan what you want to do and pace yourself. You don’t want to exhaust yourself in a single day; and gardening should be fun not a chore.</p> <p>The beauty of planning out your garden design is that you’ll be able to see where you can save money, and where you might need some help from the professionals.</p> <p>Don’t be afraid to ask family and friends for help either; they’ll usually be happy to lend a hand. Gardening can also be a great activity to do with the grandkids.</p> <p><strong>Propagate using cuttings</strong></p> <p>The best way to determine what will grow best in your garden is to look around the neighbourhood. What plants in your neighbour’s garden are thriving?</p> <p>Once you have a list of the best plants for your area, visit some neighbours and ask if you can take some cuttings. Plants that will propagate from a cutting include geraniums, gardenias, camellias, lavender, hydrangea, azaleas, many succulents and native plants, to mention just a few.</p> <p>Often all you’ll need to do is cut away stems and leaves so roots can grow in their place and plant the cutting in the ground. But you can also add growth hormone to help propagate a cutting.</p> <p><strong>Consider native plants</strong></p> <p>As mentioned above, native plants can often be propagated using cuttings, but they are also naturally suited to your area.</p> <p>While you might not want to fill your garden with native plants, you can use smaller native plants and grasses for smaller spaces in your garden and take advantage of their easy manageability.</p> <p>Because native plants have evolved to withstand the climate and can survive with less fertiliser, pesticides and water, a native garden can be easier and much cheaper to maintain.</p> <p>This gives you greater flexibility; if you were to go on holiday, you won’t have to rely on the kids to look after the garden while you are gone.</p> <p><strong>Find uses for common household items</strong></p> <p>When you are designing your garden on a budget you should have a look around the house for ways to save on your garden budget. You can get <span style="text-decoration: underline;"><strong>plenty of ideas on the internet</strong></span> for how to repurpose old and vintage items in your garden. And there are many ways to recycle household items in the garden that you may have been planning to throw out.</p> <p>Newspaper mulching is a prime example of repurposing a household item. Use your old newspapers to smother weeds, allowing your flowers and veggies to grow unhindered.</p> <p>Have your grandkids grown out of their nappies? Use left overs in the place of water hydrating crystals in the bottom of pot plants. They’ll act as a reservoir and will keep the plant moist without drowning it.</p> <p><strong>Egg carton seed storage</strong></p> <p>Egg cartons and toilet rolls can be used as seed starters, while toilet paper makes great seed paper. You could even try your hand at composting. But if that’s a little too much for you, you can just use your tea leaves as a nutritional boost for your plants.</p> <p>So start planning your new garden, enlist the help of family and friends and have a look around your house and online for some inspiration.</p> <p>Did you design your own garden? Share your tips with the Over60 community in the comments below.</p> <p><strong><em>To find more great tips on gardening and design, please visit the Australian Outdoor Living <a href="https://www.australianoutdoorliving.com.au/" target="_blank" rel="noopener"><span>website here</span></a>.</em></strong></p> <p><em>Image: Getty</em></p>

Home & Garden

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Five tips for successful and safe solo travel

<p>Planning an adventure on your own? Here’s your guide to friend-making, risk-taking and positive thinking while you’re off discovering yourself.</p> <p><strong>Safety</strong></p> <p>Unless you positively invite danger – i.e. strolling around a pitchblack park at 4am with headphones on – travelling alone isn’t actually that risky. The biggest peril is being taken for a ride. Literally, in the case of taxi drivers: always ask for an estimated fare before setting off. Otherwise, try to never look like a tourist; instead, exude assurance.</p> <p>Carry ID and always keep a back-up. Ensure that someone else knows your itinerary and commit to regular contact with them.</p> <p><strong>Plan</strong></p> <p>Being alone means you can’t use your cohort’s phone when yours runs out of juice, or rely on them should you lose your wallet.</p> <p>Put emergency systems in place: write down key numbers (friends, hotels, embassies, emergency services), have change for phone boxes and always keep some back-up money in your bag or, better still, in a locker.</p> <p><strong>Eating</strong></p> <p>Solomangarephobia. That’s the official, medical term for a fear of eating alone – a fear that many single travellers have. If you can get over your fear, it is very possible to enjoy the experience.</p> <p>Bring a book to dodge boredom, sit at counters to be less conspicuous or use the opportunity to practice your French or Filipino on a waiter. And scoff all the bread yourself.</p> <p><strong>Making friends</strong></p> <p>This is another common and very valid worry when travelling alone: what if no-one likes me? Acquiring new companions is always easier than feared, but still a scary proposition. It helps to look approachable – smile at people, have open body language and lose the sunglasses. Read something interesting to spark conversation, or ask strangers a question.</p> <p>More hands-on tactics include visiting expatriate bars, joining tours or using apps designed to help people make friends, such as Meetup.</p> <p><strong>Enjoy it!</strong></p> <p>Without realising it, most of us humans are very co-dependent: we worry whether our partner or friend is having a good time, and always balance their needs in decision-making.</p> <p>The joy of solo travel is that you can be entirely selfish: walk at your preferred pace, eat what and when you want, see the sights that interest you, use the entire hotel wardrobe. If you want to skip that museum of tractor history, you can. Take time to appreciate your independence and revel in that freedom.</p> <p>But, however well you plan in advance, things will go wrong. Missed trains, delayed planes, lost luggage, whatever. The trick is not to over-stress it; roll with the punches, laugh at it all, and draw up a new plan. Who knows: maybe Plan B will work out better anyway?</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://www.readersdigest.co.nz/travel/activities/five-tips-successful-and-safe-solo-travel" target="_blank" rel="noopener">Reader's Digest</a>.</em></p>

Travel Tips

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Flight attendant reveals must-have travel items

<p dir="ltr">A seasoned flight attendant has shared the three things she always packs in her carry-on luggage to make every travelling experience a breeze. </p> <p dir="ltr">Rosalie Shaw, who has been a cabin crew member for nine years, says she has learned plenty of travel hacks throughout her career. </p> <p dir="ltr">She says one of the things she always takes is a clear ziplock bag to carry her passport in, in case of unfortunate accidents. </p> <p dir="ltr">“I know it seems like a lot but a damaged passport will literally ruin your holiday,” she said in a recent TikTok video.</p> <p dir="ltr">“The bag protects it from any spills like a water bottle, the rain or in my case a really bumpy boat ride,” she said.</p> <p dir="ltr">The next thing on Rosalie's list is a “good quality clear bag” for shampoo, conditioner and other liquids you want to take in your carry-on. </p> <p dir="ltr">These sturdy cosmetic bags last much longer than zip lock bags and can contain mess if there is a mid-flight spill.</p> <p dir="ltr">Rosalie puts all of her carry-on luggage in the clear bags because “it's easier to find things” on the go, and also adheres to security requirements of keeping things in a see-through bag. </p> <p dir="ltr">The last thing she recommends is to take two or three changes of clothes in your carry-on, in case anything happens to your checked luggage and you are left with no clothes. </p> <p dir="ltr">When choosing what spare clothes to pack, Rosalie recommends packing your favourite or most expensive items that are harder to replace. </p> <p dir="ltr">She said, “That way if your bag does go missing, you aren't stranded for outfits.”</p> <p dir="ltr">Rosalie always has her favourite linen dress in her handheld luggage, a cardigan, a spare pair of underwear, a bikini and a spare pair of shoes.</p> <p dir="ltr">“One time my bag did go missing but at least I had a bag of backup outfits with me so I wasn't as stressed,” she said.</p> <p dir="ltr"><em>Image credits: TikTok</em></p>

Travel Tips

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How to pack your carry-on luggage

<p>Depending on what luggage you travel with, your baggage can determine how easy you find your travels. Savvy travellers, who often pack light, get through security faster and have an easier time on the plane. Carry-ons don’t have to be used as supplementary baggage for your next trip, you can, in fact use it as your primary bag. It will force you to travel light, save you time at baggage collection, any extra luggage fees - plus, your bag cannot be lost by the airline.</p> <p>Here's a guide to not only packing light, but packing right!</p> <p><strong>Choosing a bag:</strong> Even for carry-on, size matters. Most airlines now have restrictions on the size and weight of your bag. Check with the airline as to what your allowance is. In any case, opt for a bag that is light and has lots of room inside without being too flimsy. You want something sturdy and durable but that doesn’t weigh you down before you’ve packed it. A bag that has wheels and a handle will allow you to get around with ease and quickly if need be.</p> <p><strong>Getting dressed:</strong> Wear your heaviest items on the plane – think denim, heavy shoes and a jacket, if you intend to pack one.</p> <p><strong>Wearable luggage:</strong> This sounds strange but if you want to maximise your carry-on packing space – this is especially useful if you are only travelling with carry-on – then you might want to consider buying some wearable luggage like a bum bag or cross-body bag that sits flat against you. You can put items in here like passport, phone, money and cards and a couple of little items which will free up some space in your bag. Every bit counts!</p> <p><strong>What to pack:</strong> You’ll want to ensure you pack all of your essential items in your carry-on bag. This is not only important to ensure nothing gets stolen, but if your bag is lost at least when you land you will have enough essential items to comfortably get by until alternative arrangements are made or your bag is returned to you. Essential carry-on bag items include: passport, return flight details, accommodation and transport information, cash and cards, pen, home house key, key electronics such a phone and tablet or laptop along with the chargers, change of clothes, mini bag to house your at-seat essentials so you don’t have to get up and down to the overhead compartment, headphones, medication, glasses and possibly a snack and bottle of water.</p> <p><strong>Perfect packing:</strong> Roll your clothes as not only will it allows you to fit them into corners and in between items when packing, but they surprisingly come out almost wrinkle free. Layering is the key technique of master packers. Think of your bag as being divided into three horizontal layers. Place shoes and any other bulky or hard items (like a travel hair dryer) in first as the bottom layer. Fill in the space between these items with smaller things like underwear, T-shirts, toiletries etc. The second layer is for larger clothing items and the third tier is for anything you might to access on your way to your destination. Then the majority of your toiletries (packed in your clear bag) should go in this layer, too. Also anything else that might break or spill – think make-up – should be on top so other items don’t squish them.</p> <p><em>Image credits: Getty Images </em></p>

Travel Tips

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A list of what you can and can’t take in your carry-on luggage

<p dir="ltr">When it comes to travelling, there are a lot of grey areas when it comes to what you can and can’t take in your carry-on luggage. </p> <p dir="ltr">You often run into inconsistencies with travelling internationally and domestically with the do’s and don’ts of packing, making it difficult to know what you should be taking. </p> <p dir="ltr">When it comes to travelling within Australia on a domestic flight, the rules are slightly more relaxed than on international journeys.</p> <p dir="ltr">According to the <a href="https://www.abf.gov.au/entering-and-leaving-australia/can-you-bring-it-in/bring-on-a-plane">Australian Border Force</a>, there are no restrictions on how much powders, liquids, aerosols and gels you can carry onboard.</p> <p dir="ltr">However, the rules are very different for flights overseas. </p> <p dir="ltr">All liquids, aerosols and gel items must be in containers of 100 millilitres or 100 grams or less. Containers must fit into one transparent and re-sealable plastic bag, like a snap-lock bag, with only one ziplock bag allowed per passenger. </p> <p dir="ltr">However, there is one detail on travelling with liquids that can often catch people off guard at the last minute. </p> <p dir="ltr">Australian Traveller's Quentin Long said, "But the problem that gets us all ... is that it's not based on the actual quantity of liquid, it's based on the container size. So if you have a 120ml size container with liquid in it, that's going to be taken off you."</p> <p dir="ltr">"That has cost me, and a lot of other people, some very expensive fragrances."</p> <p dir="ltr">While you are allowed to take most laptops, tablets and phones in your hand luggage without any worries, you'll need to remove them when going through security.</p> <p dir="ltr">Airport x-ray machine operator Michael Sørensen explained why in a <a href="https://www.quora.com/Why-do-I-need-to-take-my-electronics-out-of-my-bag-at-airport-security/answer/Michael-S%C3%B8rensen">Quora</a> thread, writing, "The main reason that you need to remove laptops especially and tablets sometimes is because the batteries and some electronics are so dense metallic material that they obscure what's beneath.”</p> <p dir="ltr">"So that's why we ask for electronics with large batteries to be next to your bag or in a tray on its own."</p> <p dir="ltr">All batteries must be packed in your carry-on luggage, which includes lithium ion batteries, non-spill batteries like dry cell batteries, and nickel, alkaline, or nickel cadmium batteries.</p> <p dir="ltr">E-cigarettes and personal vaping devices also must be tucked into your carry-on baggage.</p> <p dir="ltr">When it comes to miscellaneous items such as umbrellas, razors and alcohol, Long says, "There's different rules for international and domestic, but the general rule for both is don't take anything sharp."</p> <p dir="ltr">So things like scissors, metal nail files and Swiss army knives are a big no-no. Razor blades are also not allowed, but the <a href="https://www.homeaffairs.gov.au/travelsecure-subsite/Pages/Items-you-cannot-take-on-plane.aspx">Department of Home Affairs</a> clarifies that household and personal items such as safety razors are permitted.</p> <p dir="ltr">Umbrellas with metal points are also on the permitted list, along with knitting and crochet needles, perfume, lighter fluid and alcohol.</p> <p dir="ltr">If in doubt about whether an item can be carried onboard, check with your airline prior to arriving at the airport. In some cases, you may be able to pack the item in your checked baggage at the last minute.</p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

Travel Tips

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Flight attendant’s hack to get more carry-on luggage

<p dir="ltr">A flight attendant has shared her own sneaky trick for travellers to get more items through in their carry-on luggage. </p> <p dir="ltr">Most airlines allow passengers to bring one carry-on bag on board the flight that weighs between seven and 10 kilograms, depending on the airline. </p> <p dir="ltr">Flight attendant Miguel Muñoz called it the “duty free hack”, telling the <a href="https://www.express.co.uk/travel/articles/1604324/flight-attendant-tips-hacks-how-to-bring-extra-bag-on-board-free-exclusive">Express.co.uk</a> duty free bags don't count as carry-on baggage.</p> <p dir="ltr">"I always do this when I fly as a passenger," Muñoz said, sharing that all you have to do is carry a duty free bag.</p> <p dir="ltr">"Or ask for one at the duty free shop and you place whatever you want in the shopping bag."</p> <p dir="ltr">This also works for when your suitcase might be too heavy at check-in, giving travellers another vessel to put their extra items in at the last minute. </p> <p dir="ltr">"If you ever find yourself in that situation, just put whatever you need in a duty free bag. You are welcome!" Muñoz said.</p> <p dir="ltr">Many people praised the woman’s sneaky trick, while also sharing some of their own unique ways they manage to get more out of their carry-on luggage. </p> <p dir="ltr">One person shared another hack they had seen <a href="https://www.oversixty.com.au/travel/travel-tips/woman-avoids-baggage-fees-with-genius-neck-pillow-hack?fbclid=IwAR3hpuF0Cyf4_K8UPT9WKa6jaWoeEj4e9a-DGAVdhy5vDUcNvRjUVx6F_HE">online</a>, which involves hollowing out a travel neck pillow and shoving it full of clothes. </p> <p dir="ltr">This way, you can bring more items in your carry-on luggage, and still use your travel pillow functionally. </p> <p dir="ltr" style="line-height: 1.38; margin-top: 12pt; margin-bottom: 15pt;"><em>Image credits: Getty Images</em></p>

International Travel

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Composer of Chariots on Fire dies

<p dir="ltr">The award-winning composer of the popular <em>Chariots on Fire</em> has died at the age of 79. </p> <p dir="ltr">Vangelis, born Evangelos Odysseas Papathanassiou, was being treated for Covid-19 at a French hospital when he died on May 17.</p> <p dir="ltr">Greek Prime Minister Kyriakos Mitsotakis called Vangelis "a pioneer of the electronic sound."</p> <p dir="ltr">"He began his long journey on the Chariots of Fire," Mitsotakis wrote on Twitter. </p> <p dir="ltr">"From there he will always send us his notes."</p> <p dir="ltr">His record label Decca also issued a statement remembering his music that will live on forever.</p> <p dir="ltr">“Vangelis created music of extraordinary originality and power, and provided the soundtrack to so many of our lives,” the statement read.</p> <p dir="ltr">“His music will live on forever.”</p> <p><iframe title="YouTube video player" src="https://www.youtube.com/embed/8a-HfNE3EIo" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p> <p dir="ltr">Vangelis is best known for his opening music in the 1981 film <em>Chariots of Fire</em> which saw him win an Academy Award for Best Musical Score.</p> <p dir="ltr">The film was at the top of the Billboard 200 for four weeks and Vangelis’s song was nominated for Record of the Year Grammy. </p> <p dir="ltr">Vangelis also worked on making the soundtrack for Ridley Scott’s 1982 <em>Blade Runner</em>.</p> <p dir="ltr">His other work was included in the film <em>1492: Conquest of Paradise</em> (1992), <em>Missing</em> (1982), <em>Antarctica</em> (1983), <em>Bitter Moon</em> (1992) and <em>Alexander</em> (2004).</p> <p dir="ltr">He also created music for the 2000 Sydney Olympics and 2021 FIFA World Cup in Japan.</p> <p dir="ltr"><em>Image: Getty</em></p>

Movies

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Exile on Main St turns 50: how The Rolling Stones’ critically divisive album became rock folklore

<p>In May of 1972 the Rolling Stones released their 10th British studio album and first double LP, <a href="https://www.rollingstone.com/music/music-album-reviews/exile-on-main-street-96177/">Exile on Main St.</a> Although initial critical response was lukewarm, it is now considered a contemporary music landmark, the best work from a band who rock critic Simon Frith once referred to as “the poets of lonely leisure.”</p> <p>Exile on Main St. was both the culmination of a five-year productive frenzy and bleary-eyed comedown from the darkest period in the Stones’ history. </p> <p>By 1969 the storm clouds of dread building around the group had become a full-blown typhoon. First, recently sacked member Brian Jones was found dead, drowned in his swimming pool.</p> <p>Then, as the decade ended in a rush of bleak portents, they played host to the chaos of the <a href="https://www.abc.net.au/news/2019-12-01/how-the-rolling-stones-killed-the-hippie-dream-at-altamont/11747188">Altamont Speedway Free Concert</a>, a poorly organised, massive free concert, which ended with four dead including a murder captured live on film.</p> <p>Yet amidst all this the Stones produced <a href="https://greilmarcus.net/2020/03/22/the-end-of-the-1960s-let-it-bleed-12-27-69/">Let It Bleed</a> (1969) and <a href="https://www.allmusic.com/album/sticky-fingers-mw0000195498">Sticky Fingers</a>(1971), two devastating albums that wrapped up the era like a parcel bomb addressed to the 1970s. </p> <p>Songs like Gimme Shelter, the harrowing Sister Morphine, and Sway, which broods on Nietzche’s notion of circular time, exuded the kind of weary grandeur that would define Exile.</p> <h2>Rock folklore</h2> <p>The story behind Exile on Main St. has become <a href="https://www.youtube.com/watch?v=UXcqcdYABFw">rock folklore</a>. Fleeing from England’s punitive tax laws, the Stones lobbed in a Côte d'Azur mansion that was a Gestapo HQ during World War II. </p> <p>Mick Jagger was largely sidelined, spending much of the time in Paris with pregnant wife Bianca. The musicians were jammed into an ad-hoc basement studio, a cross between steam-bath and opium den, powered by electricity hijacked from the French railway system. The house was beset by hangers-on, including the obligatory posse of drug-dealers.</p> <p>Yet with control ceded to the nonchalant, disaster-prone Keith Richards – the kind of person a crisis would want around in a crisis – they somehow harnessed the power of pandemonium.</p> <p>The result was a singular amalgam of barbed soul, mutant gospel, tombstone blues and shambolic country, as thrilling in its blend of familiar sources as works by contemporaries <a href="https://www.theguardian.com/music/2012/sep/02/roxy-music-40-years">Roxy Music</a> and David Bowie were in the use of alien ones. </p> <p>Jagger shuffles his deck of personas from song to song like a demented croupier, the late, great drummer <a href="https://www.nytimes.com/2021/08/24/arts/music/charlie-watts-dead.html">Charlie Watts</a> supplies his customary subtle adornments, and a cast of miscreants – most crucially, pianist Nicky Hopkins and producer Jimmy Miller – function as supplementary band members.</p> <p>All 18 tracks contribute to the ragged perfection of the document as a whole. Tumbling Dice and Happy are textbook rock propelled by a strange union of virtuosity and indolence. And there is an undeniable beauty to the likes of Torn and Frayed and Let it Loose, albeit a beauty that is tentative, hard-earned.</p> <p>The package is completed by its distinctive sleeve art, juxtaposing a collage of circus performers photographed by Robert Frank circa 1950 with grainy stills from a Super-8 film of the band and a mural dedicated to Joan Crawford.</p> <p>Exile confused audiences at first: Writer <a href="https://www.amazon.com/EXILE-MAIN-STREET-Rolling-Stones/dp/0028650638">John Perry</a> describes its 1972 reception as mixing “puzzlement with qualified praise”. The response of critic Lester Bangs was typical. After an initial negative review, Bangs came to regard it as the group’s strongest work. Critic Stephen Thomas Erlewine <a href="https://www.allmusic.com/album/exile-on-main-st-mw0000191639">confirms</a> that the record over time has become a touchstone, calling it a masterful album that takes “the bleakness that underpinned Let It Bleed and Sticky Fingers to an extreme.”</p> <h2>Inspiration</h2> <p>The roll call of artists inspired by Exile is extensive, from Tom Waits and the White Stripes to Benicio del Toro and Martin Scorsese. But two album-length homages stand out. </p> <p>In 1986, underground punks Pussy Galore concocted a feral, abstract <a href="https://www.youtube.com/watch?v=wHAEkWcgBD8">facsimile</a> of the entire double-LP. In 1993, singer-songwriter Liz Phair used the original as a rough template for her acclaimed <a href="https://www.youtube.com/watch?v=wW1nMJ4-2qM">Exile in Guyville</a>.</p> <p>Nonetheless, journalist Mark Masters notes that by the 1980s, the social and cultural circumstances that produced Exile were waning as acts such as Minutemen, Mekons, The Go-Go’s and Fela Kuti gave listeners access to fresh modes of rebellion.</p> <p>Circa 1972, the Rolling Stones deserved the title “greatest rock and roll band in the world.” That it is still claimed 50 years on shows how classic rock continues to overbear all that followed.</p> <h2>The grandfathers of rock</h2> <p>When in 2020 Rolling Stone <a href="https://www.rollingstone.com/music/music-lists/best-albums-of-all-time-1062063/">magazine</a> made a half-hearted attempt to tweak the classic rock canon – elevating Marvin Gaye, Public Enemy and Lauryn Hill alongside or above Exile and the Beatles – the response was predictably unedifying. </p> <p>One reader complained that the magazine was catering to “young people with no musical history and older people who don’t know anything.” Others raged that rap is not music and the list was proof of rampant political correctness.</p> <p>Such archaic, ignorant language is typical of gatekeepers of the classic rock tradition. It is a language of exclusion, ensuring that exceptional new music by, say, <a href="https://pitchfork.com/reviews/albums/fiona-apple-fetch-the-bolt-cutters/">Fiona Apple</a> (which sounds something like rock) or <a href="https://www.newyorker.com/culture/listening-booth/the-hypnotic-spell-of-groupers-shade">Liz Harris</a> (which sounds rather different) will always be rated below what came before.</p> <p>The Rolling Stones have an inevitable, if ambiguous, relationship to all of this. In terms of race, writer Jack Hamilton <a href="https://slate.com/culture/2016/10/race-rock-and-the-rolling-stones-how-the-rock-and-roll-became-white.html">argues</a> that they were always “fiercely committed to a future for rock and roll music in which black music and musicians continued to matter.”</p> <p>How they intersect with gender is perhaps more troubling, though also <a href="https://scholar.google.com.au/scholar_url?url=https://www.tandfonline.com/doi/abs/10.1080/13619460801990104&amp;hl=en&amp;sa=X&amp;ei=GvplYvGUEpyO6rQP_qe3mAs&amp;scisig=AAGBfm2sqr4oKv5EoKYSmkitlR44etMXqA&amp;oi=scholarr">conflicted</a>. While eminent female musicians such as Joan Jett, Carrie Brownstein and <a href="https://www.youtube.com/watch?v=ZRPpCqXYoos">Rennie Sparks</a> continue to champion the Stones, their role as leading purveyors of an inherently masculine, increasingly archaic musical form cannot be avoided.</p> <p>Exile on Main St. is a significant album made by a bunch of haggard rebels whose heyday (and rebellion) is past but whose art lives on in complex ways. </p> <p>Along with Sly and the Family Stone’s There’s a Riot Goin’ On and Neil Young’s Tonight’s the Night, it fits snugly into an aesthetic of washed out, narcotic-smeared masterpieces from the early seventies.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/exile-on-main-st-turns-50-how-the-rolling-stones-critically-divisive-album-became-rock-folklore-181704" target="_blank" rel="noopener">The Conversation</a>.</em></p>

Music

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From Tarantino to Squid Game: why do so many people enjoy violence?

<p>Last month, <a href="https://www.theguardian.com/tv-and-radio/2021/oct/13/squid-game-is-netflixs-biggest-debut-hit-reaching-111m-viewers-worldwide">more than 100 million people</a> watched the gory Netflix show, Squid Game. Whether or not screen violence is bad for us has been extensively studied. The <a href="https://psycnet.apa.org/record/2015-29260-002">consensus is</a> that it can have negative effects. But the question of why we are drawn to watch violence has received much less attention. </p> <p>Death, blood and violence have always pulled a crowd. Ancient Romans flocked to <a href="https://doi.org/10.1002/(SICI)1234-981X(199710)5:4%3C401::AID-EURO205%3E3.0.CO;2-C">carnage in the Colosseum</a>. In later centuries, <a href="https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780199592692.001.0001/acprof-9780199592692">public executions were big box-office</a>. In the modern era, the film director Quentin Tarantino believes that: “<a href="https://www.theatlantic.com/culture/archive/2013/01/quentin-tarantino-violence-quotes/319586/">In movies, violence is cool. I like it</a>”. Many of us seem to agree with him. A study of high-grossing movies found <a href="https://pediatrics.aappublications.org/content/133/1/71">90% had a segment</a> where the main character was involved in violence. Similarly, most Americans <a href="https://psycnet.apa.org/record/2018-58515-001">enjoy horror films</a> and watch them several times a year. </p> <h2>Who is watching this stuff?</h2> <p>Some people are more likely to enjoy violent media than others. Being male, aggressive and having less empathy all <a href="https://doi.org/10.1207/S1532785XMEP0702_5">make you more likely</a> to enjoy watching screen violence. There are also certain personality traits associated liking violent media. Extroverted people, who seek excitement, and people who are more open to aesthetic experiences, <a href="https://doi.org/10.1207/S1532785XMEP0704_5">like watching violent movies more</a>. </p> <p>Conversely, people high in agreeableness - characterised by humility and sympathy for others - tend to <a href="https://doi.org/10.1207/S1532785XMEP0704_5">like violent media less</a>.</p> <h2>…but why?</h2> <p>One theory is that watching violence is cathartic, draining out our excess aggression. However, this idea is <a href="https://www.mdpi.com/2075-4698/3/4/491">not well supported by evidence</a>. When angry people watch violent content, they <a href="https://www.routledge.com/Media-Entertainment-The-Psychology-of-Its-Appeal/Zillmann-Vorderer/p/book/9780805833256">tend to get angrier</a>.</p> <p>More recent research, derived from studies of horror films, suggests there may be three categories of people who enjoy watching violence, each with their own reasons. </p> <p>One group has been dubbed “<a href="https://psyarxiv.com/sdxe6/">adrenaline junkies</a>”. These sensation seekers want new and intense experiences, and are more likely <a href="https://doi.org/10.1207/S1532785XMEP0702_5">to get a rush</a> from watching violence. Part of this group may be people who like seeing others suffer. Sadists feel other people’s pain <a href="https://theconversation.com/from-psychopaths-to-everyday-sadists-why-do-humans-harm-the-harmless-144017">more than normal</a>, and enjoy it.</p> <p>Another group enjoys watching violence because they feel they learn something from it. In horror studies, such people are called “<a href="https://psyarxiv.com/sdxe6/">white knucklers</a>”. Like adrenaline junkies, they feel intense emotions from watching horror. But they dislike these emotions. They tolerate it because they feel it helps them learn something about how to survive. </p> <p>This is a bit like <a href="https://digitalcommons.wcupa.edu/musichtc_facpub/26">benign masochism</a>, the enjoyment of aversive, painful experiences in a safe context. If we can tolerate some pains, we may gain something. Just as “painful” <a href="https://tidsskrift.dk/lev/article/view/104693">cringe comedies may teach us social skills</a>, watching violence may teach us survival skills.</p> <p>A final group seems to get both sets of benefits. They enjoy the sensations generated by watching violence and feel they learn something. In the horror genre, such people have been called “<a href="https://psyarxiv.com/sdxe6/">dark copers</a>”.</p> <p>The idea that people enjoy watching safe, on-screen violence because it can teach us something is called “<a href="https://doi.org/10.1037/ebs0000152">threat simulation theory</a>”. This fits with the observation that the people who seem most attracted to watching violence (aggressive young men) are also those most likely to be encountering or dishing out such violence.</p> <p>Watching violence from the safety of our sofa may be a way to prepare ourselves for a violent and dangerous world. Violence hence appeals for a good reason. Interestingly, a recent study found that horror fans and morbidly curious individuals were <a href="https://www.sciencedirect.com/science/article/abs/pii/S0191886920305882">more psychologically resilient</a> during the COVID-19 pandemic. </p> <h2>Is it really the violence we like?</h2> <p>There are reasons to reconsider how much we like watching violence per se. For example, in one study <a href="https://doi.org/10.1080/08934210500084198">researchers showed</a>two groups of people the 1993 movie, <a href="https://www.imdb.com/title/tt0106977/">The Fugitive</a>. One group were shown an unedited movie, while another saw a version with all violence edited out. Despite this, both groups liked the film equally. </p> <p>This finding has been supported by other studies which have also found that removing graphic violence from a film <a href="https://doi.org/10.1080/00224549909598417">does not make people like it less</a>. There is even evidence that people <a href="https://academic.oup.com/hcr/article-abstract/35/3/442/4107507">enjoy non-violent versions</a> of films more than violent versions.</p> <p>Many people may be enjoying something that coincides with violence, rather than violence itself. For example, violence creates <a href="https://doi.org/10.1111/jcom.12112">tension and suspense</a>, which may be <a href="https://doi.org/10.1080/08838150701626446">what people find appealing</a>. </p> <p>Another possibility is that it is <a href="http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.1087.404&amp;rep=rep1&amp;type=pdf">action, not violence</a>, which people enjoy. Watching violence also offers a great chance for <a href="https://doi.org/10.1111/jcom.12112">making meaning</a> about finding meaning in life. Seeing violence allows us to <a href="https://doi.org/10.1111/jcom.12112">reflect on the human condition</a>, an experience we value. </p> <p>Other theories are also out there. “<a href="https://onlinelibrary.wiley.com/doi/abs/10.1002/9781405186407.wbiece049">Excitation transfer theory</a>” suggests that watching violence makes us aroused, a feeling that persists until the end of the show, making the end feel more pleasing. The “<a href="https://doi.org/10.1080/08838151.2011.570826">forbidden fruit hypothesis</a>” proposes that it is violence being deemed off-limits that makes it appealing. Consistent with this, warning labels <a href="https://psycnet.apa.org/record/1996-06304-002">increase people’s interest</a> in violent programmes.</p> <p>Finally, it may be that it is justified punishment, rather than violence, that we enjoy watching. Indeed, whenever people anticipate being able to punish wrongdoers, the <a href="https://www.science.org/doi/abs/10.1126/science.1100735">reward centres of their brain</a> light up like fairgrounds. That said, <a href="https://academic.oup.com/hcr/article-abstract/35/3/442/4107507">less than half the violence</a> on TV is inflicted on baddies by goodies. </p> <h2>Political motives?</h2> <p>All this suggests that media companies may be giving us violence that many of us <a href="https://doi.org/10.1080/08838151.2011.570826">don’t want or need</a>. We should hence consider what other corporate, political or ideological pressures may be encouraging onscreen violence globally.</p> <p>For example, the US government has a close interest in, and <a href="https://theconversation.com/washington-dcs-role-behind-the-scenes-in-hollywood-goes-deeper-than-you-think-80587">influence over Hollywood</a>. Portrayals of violence can <a href="https://doi.org/10.1177/0896920517739093">manufacture our consent</a> with government policies, encourage us to endorse the <a href="https://doi.org/10.1080/10509208.2015.1086614">legitimacy of state power and state violence</a>, and help <a href="https://www.penguinrandomhouse.com/books/78912/manufacturing-consent-by-edward-s-herman-and-noam-chomsky/">determine who are “worthy victims”</a>.</p> <p>The messages onscreen violence send can, however, cause us to become disconnected with reality. <a href="https://stevenpinker.com/publications/better-angels-our-nature">When crime rates fall</a>, <a href="https://publisher.abc-clio.com/9780313015977/">onscreen violence</a> can make us think that crime is increasing. Movies also lie about the real <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC1071054/">impact of violence</a> on the human body – with almost 90% of violent actions showing no realistic physical consequences to the victim. Movies can also <a href="https://doi.org/10.18357/ijcyfs101201918809">disguise the reality of male violence</a> against women and children.</p> <p>The American political scientist <a href="https://www.penguinrandomhouse.com/books/84573/the-clash-of-civilizations-and-the-remaking-of-world-order-by-samuel-p-huntington/">Samuel Huntington once wrote that</a>, “The west won the world not by the superiority of its ideas … but rather by its superiority in applying organised violence. Westerners often forget this fact; non-Westerners never do.” We should be constantly aware of how fake violence on our screens serves real violence in our world.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/from-tarantino-to-squid-game-why-do-so-many-people-enjoy-violence-170251" target="_blank" rel="noopener">The Conversation</a>. </em></p>

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